Hip-Hop Vinyl New Releases - News

First Reissue for this almost impossible to find record, this beautiful soul blending disco was recorded in one shot by Keith Paul in 1977. Fully remastered, it gives justice to one of the most hidden treasure of Guyana's music. Keith Paul recorded every instrument on this record. The liner notes interview by Saultone founder will give you the whole story and get deep in the secret of this incredible voice and talent.

Smith was involved in the music business from an early age; at the age of 8, he was a deejay for the local sound Observer. Like many other great reggae musicians, Smith learned his musical skills from a combination of sound system culture and schoolwork. At age 15 he sang in school with Nadine Sutherland, who urged him to move to Kingston to pursue a singing career. It took five years for Smith to follow this advice as he had difficulty leaving his mother, with whom he had a very close and loving relationship.
Arriving in Kingston at the age of 20, Smith was thrown into the digital revolution of reggae music. His first track, "Indian Lady," was released on George Phang's Powerhouse label, Final Mission LP on the extremely popular version the old Heavenless riddim recorded by Sly & Robbie (the riddim from Half Pint's Greetings). Though it didn't become a major hit, producers discovered Smith's unique and convincing singjay talent. During the next five years (from 1985-1990) Smith put out a long line of tunes. His biggest hit was the 1988 tune "Dangerous," released on the progressive Redman label. A cheering audience watched him perform the song live at Sting '88. This song was even adopted by a British boxer called Nigel 'The Dark Destroyer' Benn and used as his entrance music, a tune that sounded out his intentions in any forthcoming fight.

Petite Noir, Architekt von Noirwave, einer musikalisch-kulturellen Bewegung, erschaffen aus der Ästhetik des Punk und der fragmentierten Identität der heutigen afrikanischen Diaspora, präsentiert sein zweites Album. 'MotherFather' trägt den Untertitel 'The darkness is comforting sometimes', den Petite Noir wie folgt erklärt: 'Es geht um das Durchleben der Dunkelheit. Aber auch um Wiedergeburt. Denn die dunklen Zeiten sind notwendig, damit wir wachsen können.' Produziert von Dave Sitek (TV On The Radio), CID RIM, Moshik Kop, Tropics, Futura, mit Features von Sampa The Great und des Grammy-nominierten Jazzmusikers Theo Croker. Die physischen Formate enthalten den exklusiven Bonustrack 'Lili'.

Tumblack is a special reissue of a fantastic and rare percussive Afro Disco from 1978. This perfectly blends elements of African styles, afrobeat, funk and disco tracks. Contains the famous funk disco track "Caraiba" much used by funky-afro DJs.

The 19th new chapter of the cult series Mood Mosaic has
finally arrived.

"Free Form" is shaping up to be the best seller of the whole
series.

Double Vinyl + Poster.

Brian Auger, with Lydia Sharpe on vocals. The B side is a cover of 60s psyche band The Action's "Wasn’t it You", again with the Aug on keys and Lydia on the mic

Rarefied have always gone against the grain, pushing an alternative, cinematic sound that appeals to both those on the dancefloor and those listening at home.

6 releases from the catalogue can now be purchased together, showcasing the range and quality of one of the most unique labels in dubstep.

RARE8 - Mob Killa - What if we Drink Coffee

RARE9 - Zygos - SFG (Send For Gantz)

RARE10 - Sibla x Zygos - The Path

RARE11 - Primer - Drowned EP

RARE15 - Kodama - 2D / Honeyed

RARE16 - Vice?! & Arkham Sound - E Girl Fantasy

Despite their rapid success and recognition, De La Soul continued to prove themselves as one of the most original, authentic and creative groups in hip-hop, with the release of their sophomore album, De La Soul is Dead on May 14, 1991.Featuring once again, the production of visionary producer Prince Paul, their second album further fanned the flames; landing on charts around the world, receiving a five-mic rating in The Source and securing Gold status by the RIAA. To this day, the project is considered one of the groups best albums to date, having left fans with several certified classics like, "A Roller Skating Jam Named Saturdays", "Ring, Ring, Ring (Ha Ha Hey)" and "Keepin' the Faith". Another absolutely essential slice of Hip Hop history that’s been unavailable for some time.

CROSSOVER MODERN SOUL WITH BOSSA NOVA VIBES WITH WILL BEE
DELIVERING VOCALS FULL OF SUNSHINE.

Before Aretha Franklin rose to fame, she was signed to Columbia Records. This 3LP compilation album is a collection of some of Aretha's most notable songs during her time at Columbia from 1960 to 1965. The Queen in Waiting highlights Franklin's jazz and big-band recordings, and includes the songs "Won't Be Long", "Walk On By", "Today I Sing The Blues" and "Try A Little Tenderness" a.o.

The Queen in Waiting: The Columbia Years 1960-1965 is available as a 3LP limited edition of 2000 individually numbered copies on gold & black marbled vinyl and comes with three printed inner sleeves.

Following on from Le Motel’s knockout release in February, Brussel-based producer DJ JM lands on Maloca Records with a new EP ‘Squash’. The prolific producer is known for his impressive output of production-only mixes and releases on labels such as Nervous Horizon, Goon Club Allstars, and Even The Strong. The DJ JM project was first established in Vilnius, Lithuania in 2015, becoming quickly known for off-kilter club records. Heavily driven by percussion, DJ JM continues his powerful stride, this time providing six weird and wonky dancefloor anthems. With the Maloca Records ethos built upon global collaborations, on this record DJ JM teams up with Ugandan MC Swordman Kitala on ‘Funicular’. Launching Maloca Records in 2020, Le Motel aims to bring together an international network of makers which was highlighted on the label’s first compilation, Maloca Vol. 1. The release focused on a terrestrial and borderless percussive sound that has been bubbling in clubs and Le Motel’s orbit, featuring tracks from Nick León, OMAAR, DJ JM, Dengue Dengue Dengue, Coen, DJ N.K. and Tsongo. Maloca has also released solo EPs from Howie Lee, Farsight and Griffit Vigo.

White Vinyl

feat. Tenor Youthman

Deep and minimal Dub vibes from Frenk Dublin accompanied by a conscious, anti-war lyric from Tenor Youthman.

B side featuring a remix from none other than the mighty Om Unit. Pressed on a Solid White 12" Vinyl.

'Deli Daydreams' is a conceptual LP based around a week in the life of a Deli worker. Varying styles from the spoken word tour de force introduction of 'White Noise' to the melancholic vibes of 'Eviction Notice'.

BLACKPOOL MECCA TO MODERN DAY MODERN SOUL WITH THE JAZZ UP AND COMING ARTIST ABI FLYNN BREATHING NEW LIFE INTO THIS HIGHLAND ROOM CLASSIC

Manchester’s balearic synth provocateur Ruf Dug teams up with Private Joy for a sizzling slice of laidback street soul - if the streets were lined with palm trees, that is. Ruffy admits to not having any recollection of making the beat, which adds to the sundrenched, day-dream quality. Modulated pads evaporate in the heat haze, while a synth saxophone riff dances on the breeze, all setting the scene for a tropically-tinged marimba and a piano solo that respectfully nods to Vladimir Cosma’s Sentimental Walk. When Gerd enquired about a possible vocal, Ruffy reached out to Private Joy, who sings like the fate of the track was entwined with her own, and it elevates the track to a whole other soulful level. In true ‘90s tradition, Ruffy delivers an alternate reggae mix for the flip, putting an off-beat bump to the track, while the instrumental versions shine a light on Ruffy’s pitch-perfect production, and provide plenty of ammunition for acapellas of all sorts.

This Armour Gomez is something. From Vietnam to work 5 years in a coal mine to going underground in Las Vegas to found his own band The Accent, then up to New York to play his wildcard in the main business (to no success, as many other great artists like him), then back to Vegas and hit the road for many years as a musician. Now well in his seventies, threee marriages later (and two divorces, remembers me of someone I know very well), the man's still playing everywhere day in day out.

In collaboration with Timmion Records, Daptone is proud to present My Echo, Shadow and Me, the debut album from the soulful Chicano brother, Johnny Benavidez. Hailing from San Diego (via El Paso, TX), Johnny's desire to sing was influenced by his grandfather, John Lorenzo Guzman, who as a teen in the early sixties spent some time harmonising with groups in El Paso, most notably Sonny Powell and the Night Dreamers. When he was 13, Johnny was given a record player and a box filled with R&B, Doo-Wop, and Soul 45s that he studied obsessively, employing the harmonies and melodies therein to cultivatehis own unique voice. After a chance encounter with the legendary Dimas Garza, Johnny's career began to blossom and soon he would find himself singing alongside stars like Eugene Pitt and Archie Bell, garnering the interest of Timmion Records..


Backed by the incomparable Cold Diamond & Mink (Bobby Oroza, Pratt & Moody) two incredibly successful singles were cut and plans for a full length were struck, culminating in 11 original songs penned by Benavidez. From the uplifting bounce of the title track, the doo-wop dinged "Dedicated to You", the Latin flare of "Uncle Sam," to the Sweet Soul masterpiece "Somebody Cares" (licensed and released on a Penrose Records 45), My Echo, Shadow and Me is not only an aweinspiring display of Jonny's versatility as an artist but also serves as a window into the eclectic array of soulful sounds that inspired him to fall in love with music and become a singer. A must have for fans of Daptone, Timmion, Penrose, et al.

Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD’s sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc — one half of the sibling rap duo — passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it.

The 1999 release of Operation: Doomsday marked MF DOOM’s official debut, reintroducing a mysterious figure who would soon become one of underground rap’s greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM’s tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched — from cartoon theme songs, to ‘80s soul, to rap classics and more — got reinterpreted into something brand new and surreal.

Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.

Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD’s sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc — one half of the sibling rap duo — passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it.

The 1999 release of Operation: Doomsday marked MF DOOM’s official debut, reintroducing a mysterious figure who would soon become one of underground rap’s greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM’s tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched — from cartoon theme songs, to ‘80s soul, to rap classics and more — got reinterpreted into something brand new and surreal.

Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.

The word 'classic' gets thrown around a lot these days, often abused and attached to things that don't deserve the tag.
I think we can all agree that an outfit like Earth, Wind & Fire are truly deserving of such an accolade, since their first tentative steps in the early 1970's as an outfit the Chicago, IL pioneers have made themselves a force to be reckoned with and have sold over 90,000,000 units worldwide! Fusing together Jazz, Funk, Soul, African and Brazilian sounds EWF have been at the top of their game for decades, seeing them inducted into the legendary 'rock n roll hall of fame' at the turn of the millennium. Respect due. On this special, legit 12" reissue we are treated to 2 stellar reworkings by one of Disco and modern dance music's most respected names - Danny Krivit. Danny's tenure in dance music has almost been as long as EWF's themselves so it makes sense that he's on deck to breathe some dancefloor magic into their cult classics 'Brazilian Rhyme' and 'Runnin'. Both tracks are massive club anthems with them being generously sampled over the years and featuring in the playlists of too numerous to mention DJ's and selectors. Both of these amazing edits are extremely sought after and have been legally reissued by Above Board Distribution in conjunction with Danny Krivit and the legal rights holders - Sony Music Entertainment. This high quality repress features original Columbia white label Disco promo artwork and has been remastered from Sony's original sources by Optimum Mastering, Bristol UK.

If HiTech were wrapped into one person, you would get FULLBODYDURAG, an awesome producer and DJ spinning everything from Ghetto Tech to House to Hip-Hop and Jazz. This LP features all his friends including FXHE label head Omar S on "Trillionaire" and "Juice." HELLO :) proves there's tons of young talent in Detroit that deserve to be heard — Omar S heard their passion and desire to keep Detroit on the map for at least another 100 years and this LP is the epitome of their talent

„2014 Forest Hills Drive“ erschien als drittes Studioalbum des amerikanischen Rappers J. Cole am 9. Dezember 2014. Es wurde von ByStorm Entertainment, Columbia Records, Dreamville Records und Roc Nation veröffentlicht.

Während die Aufnahmesessions ein ganzes Jahr in Anspruch nahmen, war J. Cole im Wesentlichen selbst für die Produktion zuständig. Beteiligt waren unter anderen Produzenten wie Illmind, Vinylz, Phonix Beats und Willie B. Das Album wurde mit wenig Promotion drei Wochen vor seiner Veröffentlichung angekündigt
und lediglich durch die vier Singles ”Apparently”, ”Wet Dreamz”, ”No Role Modelz” und ”Love Yourz” unterstützt.

„2014 Forest Hills Drive“ wurde als Top Rap Album bei den Billboard Music Awards sowie gleichermaßen als Album des Jahres bei den BET Hip Hop Awards 2015 ausgezeichnet.
Das Album erscheint Ende April als 1CD und 2LP.

A welcome addition to Four Flies 45s series, this is the first 7-inch release ever of one of the very few soundtracks written by Paolo Ormi, who is better known as a music producer of Italian funk, disco and library music, not only for big stars such as Raffaella Carrà but also underground projects geared to the disco industry. “Provaci anche tu Lionel” is out on 7” on June 2nd.

The 7” contains three uber-funky instrumentals, two of which previously included in Four Flies’ now almost impossible-to-find compilations Esterno Notte and Esterno Giorno (both of which feature unreleased film music from the archives of the former RCA Italy).

Composed for a negligible 1973 comedy – a weak parody of Woody Allen’s Play It Again, Sam starring dubbing actor Oreste Lionello, who for decades lent his voice to Allen – Ormi’s score is one of the funkiest blaxploitation-inspired soundtracks ever made in Italy.

The opening track on side A, with its stylish wah-wah guitars, pulsating bass, drum breaks and pronounced horn section, is a crime flick theme that clearly bears the influence of Isaac Hayes’s “Shaft”. Also on side A is a real gem – previously unreleased in any format – where funk meets b-boy breaks, while side B has more of a Latin groove à la Nico Gomez, with a tropical funk vibe that is reminiscent of some of the best music produced at the time by Ormi, such as “Cocco Secco” or the disco tracks released under the moniker Red Redford.

Three super-danceable tunes that will set any dancefloor on fire.

Acapella grails that go between classic and never been available before all on 45! Ranging between 92 and 114 bpm these are acapellas you’ve never got on 45! Essential.

-Limited to 500 copies worldwide. Background vocals from none other than Saundra Williams of the Dap-Kings. US combo The Sextones make their debut on Record Kicks with "deep soul" 45 that is highly candidate to become a must for Northern and Modern Soul Fans. Record kicks new signing Reno, Nevada-based band The Sextones makes their debut on Record Kicks with a deep soul 7" that is going to become a must have for northern soul and modern soul fans across the globe. The 45 vinyl limited to 500 copies worldwide and will be released via Record Kicks on March 10th. Side A features a cover of Northern Soul anthem "You're So Fine" by Papa Bear and His Cubs, a family band formed in 1963 and fronted by Eddie Disnute Sr. AKA "Papa Bear" and his children "The Cubs". The cover stays true to the original's essence—straightforward, intimate and sincere but now also includes silky background vocals from none other than Saundra Williams of the Dap-Kings. It's enchanting and irresistibly sweet soul music, just the way we like it. On the flip side, we find a cover of the Philly Soul classic "Cowboys To Girls". The song was a breakout hit from Philadelphia's dream songwriting team, Gamble and Huff. "Cowboys To Girls" has shown its staying power over the decades and has stylistically influenced many contemporary artists. The Sextones take the best elements from the best versions and with the recent passing of Philadelphia International's Thom Bell, the release of this cover is a perfect tribute.

The Machine is back! Following the 2022 release of the wildly successful, God Don't Make Mistakes, Conway the Machine returns with his next studio album, WON'T HE DO IT. Aptly titled for touching on the various obstacles he's been faced with and overcome to be in the position he's in today, Conway hopes to inspire listeneres to imagine the possibilities they themselves can achieve by breaking through the walls that have been put up and relentlessly pursuing their goals to turn their dreams into reality. The 14 track album sees appearances by longtime collaborators Westside Gunn & Benny the Butcher, as well as Jae Skeese, Sauce Walka, Juicy J, Fabolous, Dave East, GooseByTheWay, 7xvethegenius, Jozzy, Ransom & Drea D'Nur. Production is handled by heavyweight producers such as J.U.S.T.I.C.E. League, Khrysis, Daringer, Juicy J & more.

JETZT GEHT’S AB ist das Debütalbum der HipHop Formation DIE FANTASTISCHEN VIER und wurde am 27.08.1991 veröffentlicht.

Im Dezember 1988 kehrten Smudo und Thomas D, die Teil der größtenteils auf Englisch rappenden Combo The Terminal Team waren, von einem gemeinsamen Aufenthalt in den USA zurück, wo sie auch einige Auftritte absolviert hatten. Während ihre englischsprachigen Texte weitgehend belächelt worden waren, hatten sie für die deutschsprachigen Raps Anerkennung erhalten. Nach ihrer Rückkehr schlugen sie DJ Hausmarke und And.Ypsilon, die ebenfalls Mitglieder des Terminal Teams waren, daher vor, dass sie fortan konsequent als deutschsprachige Band auftreten sollten, was auf Zustimmung stieß.

Smudo hierzu:
„Ab diesem Moment übersetzten wir alles. Wirklich alles. Wir sagten nicht mehr „scratchen“, sondern „Platten kratzen“. Unsere Musik hieß natürlich nicht mehr Rap, sondern Sprechgesang. Es war eine Mission. Es diente unserer Selbstfindung.“
Bereits 1990 hatten Die Fantastischen Vier mit dieser neuen Ausrichtung einen Ruf als gute Liveband erlangt. 1991 schließlich folgte der Plattenvertrag.

”Jetzt geht’s ab“ stellte in der deutschen Hip-Hop-Szene, die überwiegend anglophone Texte schrieb, ein Novum dar und schaffte es auf Platz 22 der deutschen Musikcharts.

”FORNIKA” in der Originalausstattung mit Vinyl Booklet und als 180 Gramm DoppelVinyl erhältlich.

Four Music, das von den Fantastischen Vier gegründete Label, ist aus Stuttgart nach Berlin gezogen. Die Fantastischen Vier haben sich selbst auch vom Acker gemacht, kehren aber zur Albumproduktion zurück in die Mutterstadt. Thomas und Smudo übernehmen noch eine verwaiste Four-Music-Mitarbeiter-Wohnung, von einem Mann namens „Wernicke“ in der Immenhofer Straße und bestellen für einen beschaulichen Reim-Schreibe-Abend beim Pizzaservice. Der vermutlich erst kürzlich aus Italien eingereiste Pizzafahrer notierte sich die Worte „Emnhof / Fornika“ und die Mahlzeit kam tatsächlich pünktlich an. Zauberei. Der Titel für das 2007 auf Columbia Records/ Sony BMG veröffentlichte Album war geboren.

Für den Titelsong nahm der leider viel zu früh verstorbene Sex- und Drogen-Papst Günter Amendt eine 1a-Übersetzung des Thriller-Gedichts auf. Die Stuttgarter Manumatei sangen den Refrain. So bunt und verspielt ist das ganze Album. Unauffällig erscheinen Herbert Grönemeyer („Einfach Sein“), die Münchener Freiheit („Ernten Was Wir Säen“) oder Max Herre („Was Bleibt“). Das Album mit dem schönsten Gag in zwei Zeilen „Ding Dong, geh du mal ran ich kann grad‘ nicht – King Kong, kann nicht sein den kenn‘ ich nicht“ („Yeah Yeah Yeah“), der schönsten Selbsterkenntnis „Die Jungs haben sich kaum verändert, außer den Augenrändern“ („Du Uns Sie Und Wir“) und dem schönsten Dauerreim „Wir wollen eine Formel für ewigen Reichtum? Kriegen Wir leider nicht! Harrison Ford oder Xavier Naidoo? Sind Wir leider nicht!“ („Einfach Sein“).

Weil „Fornika“ ein eigener Kosmos ist, glänzt das Album mit einem vielseitigem Booklet, in dem jeder einzelne Song wie ein Classic-Kinofilm-Plakat gestaltet ist. Für Vinylkisten ein echtes Schmuckstück.

Und wer weiß, was „to fornicate” im Englischen bedeutet, der versteht, dass Die Fantastischen Vier mit diesem Klassiker, der „Fornika“, es allen gezeigt haben. Das Album erreichte Platz 1 der deutschen Charts.