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Killer 1989 digital bizniz from the one and only

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12" reissue of killer cuts from the Canadian label, Oswald Creary's Half Moon.

Keida has been on everyone's eye since her hits like Ganja Tree' and Stand For Something'. M16' showcases her motivation in music and is sang on an early 80's Volcano-esc rub a dub rhythm. It's a perfect match both musically and lyrically.

We present to you our ninth release on 7” format, a collaboration between Ojah and Jamaican singer Ras Tavaris.

The A side contains the track “Long Run”, a great modern roots vocal performance by Ras Tavaris over a steppers riddim paired with the delivery of important lyrics for these times of fast changes and short-term views.

On the B side we find a dub version as usual, in this case an instrumental dub,
mixed live in analog by Ojah at his studio in London.

Limited edition of 500 copies, hand-stamped and hand-numbered, served in a thick custom reversed kraftliner sleeve.

Produced by Ojah, recorded at Alchemy Dubs Studio, London.
Vocals by Ras Tavaris
Backing vocals by Jah Kirk
Mixed & mastered by Oscar Pablos “Ojah" at Alchemy Dubs Studio, London, 2019.
Graphic design by Victor Castro.

Winston Heywood started in 1971 self producing some songs like "Bam Sa Bo" and "Stop The War". In 1976 he recorded three songs for Lee Perry, "Africa", "Long Long Time" and "Back Biting".

*Landing on Alchemy Dubs is our third release on 12' format, a very special collaboration between Ojah, Fikir Amlak, Don Fe and Nik Torp.

The A side contains the track 'On my mind', a vocal version of Ojah's 'Mind' riddim that features beautiful vocals and harmonies by Fikir Amlak paired with inspiring and emotional lyrics. The second cut is a vocal dub version mixed in analog live by Ojah.

On the B side we find Don Fe's excellent flute version 'Remind' that takes the riddim to a different dimension with its deep and meditational melodies. The second cut on this side is a haunted flute dub version, also mixed live by Ojah in classic fashion.
The Hammond and melodica featured on both sides have been played by Nik Torp (keyboard player from The Specials) and masterfully recorded through an MCI desk that used to belong to Island Records (hundreds of seminal records where recorded through it, including for example Bob Marley's Exodus).

Also available complementing this release is ALDBS7007, a 7' that contains an additional Hammond & melodica solo version and an additional dub.

Limited edition of 600 copies, 180g heavyweight vinyl, hand-numbered, served in a thick custom sleeve with amazing artwork by Victor Castro.

Produced by Ojah, recorded at Alchemy Dubs Studio, London, UK
Hammond & melodica by Nikolaj Torp Larsen 'Nik Torp', recorded by George Murphy at Eastcote Studio 1, London, UK
Vocals on A1 by Fikir Amlak, recorded by Manuel Guerra Rubio at Arkchant Studio, Barcelona, Spain
Flute on B1 by Don Fe, recorded by Don Fe at Don Fe Studio, Murcia, Spain
Mixed & mastered by Oscar Pablos 'Ojah" at Alchemy Dubs Studio, London, UK
Graphic design by Victor Castro

Mash Me Up' sees an appearance of Jesse Royal, a young rasta singer who has previously been featured on Major Lazer projects and causing a buzz in the scene with releases for Over Stand Ent., Biggy, Notis and more. Here he collaborates with US based female singer Jovi Rockwell on an irie and bass heavy shaker.

Apocalyptic rebetika recordings from the 1930's through to late 50's. Songs of sorrow, poverty, loss and the general end of this god forsaken planet.

"Magnificently hard-core rembetica, from the 1930's till the end of the 1950's. Wretched, bitter, raging; an other-worldly blend of Arab and European music, two steps from Delta Blues; implacably anti-capitalist, existentialist, apocalyptic. Fabulous stuff." - Honest Jon's.

2 track Single from Henry Buckley released by Dub Store Records

*Repress*

Remastered and reissued for the first time since their original release, AOTN are proud to present three classic cover versions from the lovers rock era. Tough to track down previously, the Sonia version of Easier To Love was always a favourite of lovers fans. After getting a spin on Sam Floating Point's NTS show, it's popularity soared and any remaining copies got quickly hoovered up.

The first press of the 12 comes in a printed AOTN sleeve which is a respectful tip of the hat to the OG dub vendor disco sleeve that many of these original 12s were distributed in.

A very rare Rocksteady album by the Jamaican guitar virtuoso, Ernest Ranglin. Unlike all the other musicians in those days, Ranglin was not allowed to go between studios to record and release music as he wished because he was an exclusive employee of the Federal records. Thus it's really hard to find a Rocksteady record with his name on it. Although whenever he found a spare time, he would go to Duke Reid's studio and play the guitar and bass as a sideman, often playing sessions with Lynn Taitt. According to Ranglin himself, "I felt really comfortable being at Duke Reid's studio", though sadly there have not been a single release of his solo guitar tune which was recorded there.

So here comes the album, it's the rare Rocksteady instrumentals by the man himself. Some of the main features would be "Summertime", "Flamingo" and "Hold Me Tight", the wickedest selection of the moist Rocksteady that will certainly catch your heart. Other than that, there are the uptempo "Sling Shot", the relatively arranged towards pop direction "Don't Sleep In the Subway" and some ballads to represent the Federal's widely ranged style that won't go off after a long time, exactly how this one of the biggest leading labels in Jamaica had thought of. This may not make Rude Boys in downtown growl, although it will clearly last eternally as Ranglin's 60s best album to the future generations.

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Produced By:Richard Khouri

Recorded At:Federal Studio

Engineered By:Louis Davidson

Musicians: Lead Guitar: Ernest Ranglin, Alto Sax: Ernest Ranglin (in Julie)

The big new project for 2020 is the long awaited collaboration Vibronics meets Weeding Dub called "Note fi Note / Dub fi Dub". Two of Europe’s highest regarded and most active dub producers joined forces for this unique project and throughout 2020 there will be a series of 12” vinyl releases, each featuring different vocalists. First up is the opening release featuring Nia Songbird & Madu Messenger we will be touring together mixing dubs live on stage as well as releasing releasing more tracks with some amazing vocalists. This 12” record comes in a beautifully designed & printed full colour sleeve.

Following the success of their last collaboration with Isaac Chambers and Dub Princess, their multi-million streaming remix of ‘Kryptology’, they’ve returned the favour and refried their 'Back to my Roots' track, adding their own special dubwise flavours to the easy skanking original.

This Record Store Day Dubmission Records are releasing a limited run 7” vinyl featuring both vocal and dub cuts.

The Blue Beat Label celebrates 60 years during 2020. A very special release on 7" Vinyl for Record Store Day 2020, featuring a double A side with an exclusive Record Store Day 2020 track "Blue Beat Is Back in Town" by Marcus .,Upbeat/.and the very first A side ever released on the Blue Beat Label "Boogie Rock" by Laurel Aitken.

This is an exclusive release for Record Store Day 2020 on a very special anniversary year for The Blue Beat Label. Marcus Upbeat said "I really look forward to The Blue Beat Label releasing this exclusive celebration track for Record Store Day this year alongside the first ever single released on The Blue Beat Label Boogie Rock by Laurel Aitken. A very unique and special double A side 7" vinyl release for Record Store Day 2020."

A national radio, national press and TV PR campaign with an extensive online promotional campaign will be implemented alongside Record Store Day 2020 promotion.

Instore promotional materials and activities can also be made available.

This is a serious collaboration, two internationally acclaimed artists joining forces on a series of new recordings and live shows showcasing the unending diversity & innovation present in UK Reggae & Dub.

First up is “Sound System Girl” - digging deep into Sandra’s Sound System History on a future sounding re-cut of the Cuss Cuss Riddim , on the flip side ‘Fyah Bun’ is stepping spiritual dub music at it’s best.

Sandra Cross needs no introduction, she is a true legend whose career begun at the age of 14 with a no.1 hit in the UK Reggae charts. Since then she has gone on to be one of THE defining female voices of British Reggae. Sandra’s award winning career has seen her hook up with the likes of Mad Professor and Sly & Robbie for a near endless round of hit singles & albums.
Vibronics, the future sound of dub, have been vibrating the world with bass since 1996. Their music is at the forefront of the UK Dub scene, proven by over 60 releases on their own legendary SCOOPS label as well as a host of albums, singles and remixes for a myriad of other labels such as Jarring Effects, Dubhead and Jah Tubbys. In the studio they have worked with Michael Prophet, Iration Steppas, Macka B, Aba Shanti, Brain Damage, High Tone, Big Youth, Gaudi and an almost endless list of dub & reggae luminaries.

The Suedehead Sound Of The Early 70's Followed The Skinhead Style Of The 1968-70 Period.
The Notable Difference Could Be Seen And Heard, The Sharp Jerky Upbeat Rhythms Were Slowing Down A Notch To What We Soon Be Calling That Early Reggae Sound.
The Tougher Harder Look Of The Rude Boy/skinhead Style Was Relaxing A Little To Almost Meet With The Less Frantic Rhythms To A More Slowed Down Groove Like Sound. The Hair Got A Little Longer, Going From A Mark 1 To A Feather Cut Style..
The 'rude Boy Out Of Jail' Type Lyrics Were Becoming More Conscientious, This Was Another Twist And Turn In The Ever Evolving Sound Of Jamaican Music,
But What Is Sure The Artists And Producers Never Disappointed Us In This Period , So Here Is A Compilation Of Some Tunes That The Suedehead Crowd Were Grooving To....
Hope You Enjoy The Set....

Debut full length from skinhead soul/reggae/boogaloo/acid jazz/mod combo from Buenos Aires, who have also released two 7" on RECORD KICKS. Features ANDY KEYS CLARK and JENNIE MATTHIAS (BELLE STARS), these 6 cuts are dance floor groovers, be it Hammond soul or early reggae.

2 track Single from Alton Ellis released by Techniques/Dub Store Records

'The Loser' is gloriously considered as one of the most significant songs and rhythm tracks in the history of Reggae music. Also entitled as 'The Winner', the song is perfectly adapted to the sound system dubplate culture. Talking about the Rocksteady genre, this song cannot be ignored. 'Now We Know' on the flip side is released as a 7" inch single for the first time ever.

Derrick Harriott versions the Motown hit 'Reach Out I Will Be There'. His killer version is a dancehall shaker and many have been searching for this rare piece of vinyl as an essential record for any DJ selection. The Four Tops originally released the song in the mid 60's. The mid-tempo organ instrumental 'Illya Kuryakin' features Ike Bennet's powerful organ solo on the filpside.

In Derrick Harriott's vast catalog, 'Do I Worry' is a Rocksteady tune as important as his other hit 'The Loser'. The B-side features a powerful horn blow and Bobby Ellis' trumpet solo is nicely executed. Reissued with the original recordings on both sides!

Known as a synonym for "killer", this is one of the best singles released on Studio One by Don Drummond, including another precious take that's been previously unreleased. Compared to any other artists, the extreme tension that Don Drummond brings into his sessions were next level. His trombone skills were above genius and it is clear to hear his strong personality and humanity through his music. With his works being released on Studio One and other productions, he had established the "Far Eastern Sound" which still lives today in Jamaica. The fact all the music that was influenced by this sound has been evaluated since therefore it is a proof of how his music is universality. It is interesting that all the unreleased Skatalites tracks from this era have different solo phrases each time, showing how valuable these recordings are for the archive.

A nyabingi style killer instrumental of the roots classic Love Thy Neighbours by Jesus Dread a.k.a. Vivian Jackson.

Created by a combination - the diversity of a series of personalities of the Wailers with the strict Rastaman, Vivian Jackson, this authentic Rastafari sound comes with no compromise.

This is the quintessence of the Wailers lead by Familyman, playing a killer horn instrumental and the dubwise. Arguably one of the most accomplished reggae instrumentals to date.

The Wailers consisting of the Barrett brothers is without a doubt the number one band of the era, showcasing their full confidence which later gets praised by the entire world. The bold and courageous, yet ambitious and highly spirited, everything you need to get out of the Caribbean ghetto to the world is heard in this miraculous recording.

An exotic cover of the standard - by young Monty Alexander for Studio One. Its heavy and exotic arrangement by Monty's own the Cyclones could well be the version of the famous "Summertime" that Jamaica has been proud of, and also out of million others to date this stands out as one of the most distinguished covers of all. From a number of Coxsone's own labels, this is one of the rarest and includes a nice shuffle-instrumental on the other side like the original press. A very rare piece that the collectors have been searching for.

Imagine standing on an empty room. Nothing seems to be moving. There is not a single noise there. Just a wooden door. You it and you find a space full of color, movement. You can see a few bodies swaying. You can hear clearly a melody. A beautiful vocal. Several palm trees arise. You find yourself in the middle of one of the most beautiful paradises on earth, Martinique Island.

What you are hearing is Raphäel Toiné’s “Ce Ta Ou / Sud Africa Révolution”, one of the most gorgeous Zouk albums ever made. Funk arrangements, fat bass & crazy synths all melt together in a record that transports the dancer to a remote piece of land in the middle of the Caribbean.

This rare afro-boogie and Zouk synth funky LP was recorded in Switzerland in 1986 by this incredible artist that knew how to condense the vibe and lifestyle of a region in a piece of black gold.

"Dread vibrations” or “Sortilège”, two of the seven cuts that compose this work are both ready to delight a listener on the prettiest sun rise as well as make dancers drool at the end of a three-day festival. "Femmes pays douces" is an impressive exercise where vocals decorate a melodic instrumentation that could be listened in loop forever. "Bizness a Bangkok" is a synth and jazzy masterpiece that captures the 80s pure essence and brings peace to the body and mind.

Glossy Mistakes unleashes its second release reissuing this highly demanded piece of music that really deserves to reach an audience that can appreciate this ode to the Caribbean islands. Let yourself loose and embrace the essence of the 80s Raphäel Toiné sounds with a fresh coconut in your hands.

The both-sided killer Ska instrumental masterpiece all Ska collectors have been searching for! The Skatalites playing the theme of James Bond's "From Russia With Love" is a true Ska instrumental masterpiece, which needs no introduction. Like the original release, it's gorgeously backed with "Cleopatra" on the B-side. Taken straight from the original master-tape, this is a dream come true single!

We proudly present to you on our 10th 7inch release, and for the first time ever on vinyl, the suitably named tune "Alchemy" by UK dub legends Alpha & Omega. This track first appeared on their album "Serious Joke" from 2002 (on CD).

The A side contains the original version included on the album, remastered for vinyl of course, while the B side contains a new dub version by Ojah.

Limited edition of 600 copies, hand-stamped and hand-numbered, served in a thick custom reversed kraftliner sleeve with inner black disco sleeves.