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Hip-Hop Vinyl New Releases - News
El Michels Affair is back with another two-sider picture sleeve 7". The A side, Murkit Gem, taken from the upcoming album, Yeti Season, is another pairing of El Michels Affair's unpredictable brand of soul and the lilting vocals of Piya Malik. From the crack of the first snare this one sinks its teeth in you. The backing music simultaneously has the swag of the darker side of Wu Tang as well as the light hearted bounce of a cartoon theme song. Piya Malik's vocals dance all over the tune, cementing Murkit Gem as an unlikely but undeniable "get to the dancefloor now" record. The B side Cham Cham is a non album cut exclusive to this 45. Again EMA invites Piya Malik to the microphone and she shares her styled storytelling vocals. It is the vocal version of Perfect Harmony, which appears on Yeti season sans vocals Picture sleeve art by the legendary Ghanaian artist, Mr Brew. Courtesy of Deadly Prey Gallery, Chicago, IL.
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For her second release on Now-Again, Eastside LA soul stirrer Trish Toledo stretches out, with help from Los Yesterdays and Tommy Brenneck (Budos Band/Menahan Street Band). “Sin Control” is a song as redolent of late 1960s Italian Library experimentation (think Morricone / Alessandroni / Nicolai, et al.) as the Latino soul of the great Los Angeles Negros. Recorded at Hollywood’s Sound Factory and produced by Brenneck and Los Yesterdays’ Gabe Rowland, Trish sings in Spanish, delving into the timeless themes of lost love and endless longing. The b-side’s instrumental features the greatest whistler recording today, Molly Lewis. You really couldn’t imagine a better combination, and it’s as predictably great as a pancho-wearing stranger taking down all of the baddies in a border town and riding off towards a dusty sunset
expected to be published on 17.12.2021
- A1: (I Can't Get No) Satisfaction (I Can't Get No)
- A2: Respect
- A3: (You Make Me Feel Like) A Natural Woman (You Make Me Feel Like)
- A4: I Say A Little Prayer
- A5: Eleanor Rigby
- A6: (Sweet Sweet Baby) Since You've Been Gone (Sweet Sweet Baby)
- B1: A Brand New Me
- B2: Dr Feelgood
- B3: You Send Me
- B4: Spirit In The Dark
A live experience on its own! A never before released live recording from the Lady Soul ! On July 21 1970 Aretha Franklin made her appearance at the great Antibes Jazz Festival in the south of France. At the head of a twelve piece backing band, "Lady Soul" gave a great performance based on a fine set-list full of hits such as "You Send Me", "Dr. Feelgood", Spirit in the Dark and a couple of tributes to "British Pop", via two heartfelt renditions of the Stones's "Satisfaction" and the Beatles's "Eleanor Rigby".
Aretha Franklin (Piano, Vocals)
Donald Towns, John Wilson, Charles Horse & Clay Robinson (Trumpet)
Chancey Outcalt & René Pitts (Trombone)
Louis Barnett, Miller Brisker, Donald Walden & Charlie Gabriel (Saxophone)
Truman Thomas (Organ)
Ted Sheely (Piano)
Leslie Harvey (Guitar)
Melvin Jackson (Bass)
Hindel Butts (Drums)
Evelyn Green, Almeta Latimer & Wyline Ivy (Backing Vocals)
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Big Crown Records is proud to present this rock solid two-sider from El Michels Affair. This 7" is part of a new Big Crown X El Oms collaboration that includes a custom deck of playing cards and a t shirt series illustrated by El Oms. The labels of this 45 are pulled from some of the King & Queen illustrations contained in the deck. To go with this project, El Michels teamed up again with Bobby Oroza for the A side tune which plays along with the collab theme called "Stack The Deck". These two proved their chemistry on 2020's "Reasons" which became a fast favorite around the globe. This time El Michels comes with a heavier more orchestrated track that Bobby finds the perfect groove on as he plays up the gamble of love. The B side is a speaker smashing cover of the late, great, Notorious B.I.G.'s "Things Done Changed" from his Ready To Die album. El Michels Affair stays close to the tone of the original Easy Mo Bee production but makes it their own with their signature horns and cinematic grit. 45 and playing cards are being sold separately.
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Ken Elliott was the keyboard player for Second Hand and Seventh Wave, two obscure and elusive bands from the Seventies British underground scene, and this is the first ever reissue of his ultra rare gem released in the UK in 1979. After fourty years Body Music still sounds as a highly eclectic album. This is groove oriented music based on a series of both motoric and infectious Electro Funk rhythms and Synth Pop Disco elements. In other words this is great fuel for dancing bodies.
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Handpicked by Gilles Peterson from Manchester’s vibrant live music scene, and newly signed to Brownswood, 2021 set to be the main stage for them to breeze on to the scene, as a multi-generational band breathing new life into the classic British street-soul sound, founded by singer/song-writer Kemani Anderson, multi-instrumentalist and song-writer Callum Connell and Manchester music scene stalwart Stuart Whitehead.
Debut track ‘The Sun’ was inspired by a poem written by Callum Connell at the top of Greenwich Park viewpoint looking over the infamous London cityscape as the sun set. At the time the band were writing and arranging separately with Callum & Kemani living in South London while they attended Trinity Laban (following in the footsteps of many of the UK’s young Jazz prodigies). Eventually, they congregated for a fateful recording session at Blueprint studios in Manchester, that would be the amalgamation of their individual processes, to create ‘The Sun’. Inspired by four bass chords flowing like a stream of consciousness, Callum’s poem sprung
to life as the centrepiece of the track, with the melody being polished and refined by Kemani on keys and vocals. The result is an invigorating debut produced by influential music producer and sound engineer Yvonne Ellis (Simply Red & Swing Out Sister). Kemani coins this sound as “spiritual and healing” whilst Callum shares “The Sun’ is a powerful and uplifting song that can take you on a
spiritual journey but also make you reflect on everyday life.”
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This release is a special one; a moment where the two halves of the Mr Bongo record label unite, our heritage re-issues and our contemporary artists roster.
Minoru Muraoka’s 'The Positive and the Negative’ is a firm favourite at Mr Bongo. It sees a master of the shakuhachi, a traditional bamboo Japanese flute, flex his prodigious skill resulting in a unique mix of breakbeat jazz and Japanese folkloric music. 'The Positive and the Negative’ featured on the 1970 'Bamboo’ album, which Mr Bongo reissued in 2019. Heralded by DJ Shadow, Cut Chemist, Egon, and many others. The record’s cult status had us thinking how could we pay further homage to a sublime track such as this. The opportunity came to us in an email from Melbourne’s Surprise Chef with a link to the fabulous reinterpretation of the track which they had just recorded.
"Minoru Muraoka’s ‘Bamboo’ LP has long been a fixture in our record bags, mostly for the killer shakuhachi funk cut The Positive and The Negative. The record is possibly our favourite from Mr Bongo’s extensive catalogue of reissues, and certainly the most influential to Surprise Chef; The Positive and the Negative’s cinematic atmosphere paired with the wonky drum feels and dramatic performance makes it a near-perfect amalgamation of what we try to capture on Surprise Chef records. We’ve borrowed an element or two from the tune over the last few albums (such as the percussion on ‘The Limp’), so it felt right to go head first into reinterpreting the entire track for ourselves. We recorded the tune in Karate Boogaloo’s attic studio with our man Henry Jenkins at the controls and Hudson Whitlock on percussion. We spent an entire day trying to get the take; we felt such a deep responsibility to capture the intensity of the original, we must have done 20 or 30 takes before we were finally happy. We stuck a fork in it late into the night, satisfied that we’d had our best crack at paying homage to a masterpiece by the great Minoru Muraoka.” - Surprise Chef
Forged in their signature sound, "The Chef" have made 'The Positive and the Negative' their own whilst simultaneously treating the original with utmost respect. The shakuhachi and koto have been replaced by synths and guitars, but the breakbeat psychedelic vein flows richly through both instruments
The 7" vinyl format was the right fit for this release, so the original Minoru Muraoka recording which clocks in over nine minutes has been edited into a 7” version to accompany Surprise Chef’s new take.
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Soul Funk legends, The SOS Band and their trademark sultry soul and feel good boogie get the Ben Liebrand treatment with a fine uptempo rework of the comeback single “Just Get Ready”. Classy glitter ball disco with infectious vocal and bags of energy to warm any dance floor! On the flip side the Michael Gray remix, in the way only he can, while as B2 track, Ben Liebrand prepares you in the typical Jam and Lewis style for a trip back in time with a 100bpm Jam stacked with a retro cowbell and rich bass from the 80’s Neo-Funk masters!
After-summer Essential!!
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DJ Buzz (1/3 of Austrian DJ-Deckgroup Waxolutionists) & personal rec. mastermind Preddy finally with their Drunken Edit of Hildegard Knef`s "Im 80. Stockwerk" on Vinyl 7inch. Plus a very special Bonus on the flipside. The remix was originaly released on a double 10inch compilation of Drunken Edits on the label, now hard to find.
The „Hildegard Knef Edit“ was on heavy rotation worldwide by DJ's and Radio Jocks like Gilles Peterson, Lefto, Bigga Bush (Rockers Hi-Fi), Eddy Ramich. It's now available again on 45RPM!
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- A1: 6/8
- A2: Which Way Is Up
- A3: Rainforest
- A4: For The Love In You
- A5: CCD
- A6: Dance Crazy
- B1: Just Dance
- B2: Holly Rock
- B3: Break Out
- B4: Getaway
- B5: Wishing On A Star
- B6: Sam's Tune
- C1: Malibu Nites
- C2: Music Is The Answer
- C3: A Message From Kenya
- C4: Shamballa
- C5: We Supply
- D1: The Men
- D2: Flashy Super Groove
- D3: Stratus
- D4: Oh Yes
- D5: Inspiration
Sensational – that’s Frank Hatchett! These words can be found on many of the 16 albums credited to the legendary NYC jazz dancer, choreographer, and teacher to the stars - Madonna, Brooke Shields, Olivia Newton-John, and Naomi Cambell.
In the highlights compiled on this expansive double LP set, the sounds of Hatchett’s albums run the gamut from disco and funk in the 1970s to electro and proto-techno as they glide through the ’80s. Most tracks clock in at a brisk 2:30 – the ideal length for Hatchett’s classes or his students’ recital performances. Fans of library music will find a similar focus on immaculate performances, while the tightly coiled drum breaks, Afro-Cuban rhythms, and thumping 808s will send rare groove collectors into a state of head nodding bliss.
Hatchett’s name and photos may appear on the sleeves of his records like Dance Crazy, Jazz Power, or Vop Style, but he is nowhere to be found in the music contained within. Instead, these albums dating back to 1974 were recorded by studio players under the guidance of musical director Don Tipton or arranger Zane Mark. Performers include: keyboardist Fred McFarlane (Madonna, Keith Sweat, Evelyn “Champagne” King), drummer Bernard Davis (Steve Winwood, Ryuichi Sakamoto, Kool & The Gang).
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- A1: Banda Six Group with Irene Mawela – Xikolo
- A2: Irene Mawela – Guvhukuvhu
- A3: Irene Mawela – Danny Boy
- A4: Irene and The Sweet Melodians – Nditsheni Ndi Di Phine
- A5: Banda Six Group with Irene Mawela – U Nga Rili Murhandziwa
- B1: Irene Mawela – Pfunzo
- B2: Irene Mawela – Fhumulani Ndi Ni Vhudze
- B3: Irene Mawela – Vha Ri Tshivhelani
- B4: Irene and The Sweet Melodians – Ariye Muraleni
- B6: Banda Six Group with Irene Mawela – Hi Mina Mali
- C1: Irene Mawela – Ri A Humbela
- C2: Irene Mawela – Ndo Vhuya Venda
- C3: Banda Six Group with Irene Mawela – Vurhongo
- C4: Irene Mawela – Tambani Ri Vhone
- C5: Irene Mawela – Ri Mu Rabele
- D1: Irene Mawela – Ndi Ni Tamela Mashudu
- D2: Irene Mawela – Elelwa Musiki Wau
- D3: Irene Mawela – Mutale
- D4: Irene Mawela – Tshigombela
- D5: Banda Six Group with Irene Mawela – Jika Va Jikile
- D6: Irene Mawela – Matodzi
“This special collection of recordings, curated from the South African Broadcasting Corporation’s Record Library, features material from an iconic vocalist that has only ever been heard over the airwaves.
Between 1982 and 1988, Irene Mawela - a key contributor to the sound of such famous names as the Dark City Sisters, the Sweet Sixteens and the Mahotella Queens - made more than two dozen excellent vocal jive recordings for the SABC Transcription Service. Though broadcast regularly over the years on Phalaphala FM, no transcriptions were ever made commercially available. Now, Umsakazo Records and the SABC are proud to present 22 of Irene's best transcriptions, providing a rare insight into the SABC’s vast archive of recorded material... and a glimpse into a forgotten era of the illustrious career of one of South Africa’s greatest singers.
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Released 40 years ago in 1977 ''Rhythm Of Life '' by James Mason was possibly one of the greatest vocal Jazz fusion releases of all time . New vinyl imprint Dynamite Cuts releases a quality limited edition double pack release showcasing the highlights from that album plus two additional incredibly rare versions of the most in-demand tracks.
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• Fully licensed and restored from the original master in the Gallo Record Company vault.
• Featuring Teaspoon Ndelu, West Nkosi and Michael Xaba on saxophones and Marks Mankwane on lead guitar.
• Includes new liner notes and full recording personnel on sleeve rear.
• Strictly limited run of 500 copies!
'Umsakazo Records is proud to present the first in a series of limited-edition replica 45rpm records. This collection of ‘seven singles’ has been carefully curated from key holy-grail recordings made during the golden age of South African township jive. It is fitting that the first in this series comes from the band so closely identified with the genesis of the style – the Makgona Tsohle Band, the hardest working session team in apartheid-era South Africa.
Under the guidance of talent scout and producer Rupert Bopape, the Makgona Tsohle Band (“The Band That Can Do Anything”) would underpin literally hundreds of recording sessions as the house band of Gallo Africa’s Mavuthela Music subsidiary from its launch in 1964 right through to 1977. This included all of the hit records made by Mahlathini and the Mahotella Queens, as well as classic hits from the Mthunzini Girls, Irene Mawela, Abafana Baseqhudeni, Lemmy ‘Special’ Mabaso, Reggie Msomi, Sipho Bhengu, Teaspoon Ndelu and so many more artists essential to the sound of urban jive music.
The Mavuthela operation formed the core of Gallo’s ‘black music’ production and, by the mid-1970s, accounted for as much as 20% of the organisation’s total income. Mavuthela’s market dominance was usually attributed to the resourcefulness of director Bopape, along with the well-oiled machine that was Gallo Africa. True enough, Mavuthela releases were of a high musical and technical quality and were always well publicised, be it through Gallo’s promotions department or the countless stage performances made by Mavuthela artists in South Africa and neighbouring countries.
But the Makgona Tsohle Band was the real secret to Mavuthela’s success. Its repertoire stretched from traditional sax and accordion jive right through to disco and ‘English pop’, and this 45rpm sees them effortlessly tackling the burgeoning 1970s Soweto soul-jazz sound. Ironically, the musical influence behind this recording was almost certainly Michael Xaba, the seasoned African jazz veteran who had scornfully referred to the newer strains of jive in the late 1950s as ‘mbaqanga’. As the Makgona Tsohle began making history as the country’s first all-electric ensemble, that epithet would resurface and was eventually ‘reclaimed’ as a term of endearment for the music they had largely created. By the 1970s, Xaba and a number of other longstanding jazzmen found themselves employed by Mavuthela as musical directors, under the initiative of Bopape who was not particularly musically inclined himself. The Makgona Tsohle Band members consequently gained a rich musical education and were fully equipped to move into arranging and producing roles when Bopape retired in 1977.
Issued only once on a 45rpm single in 1972 - and restored from the original master in Gallo’s Johannesburg tape vault - “Take Your Time” and “Marabi Blues” both offer new insight into the diverse catalogue of this greatest of all mbaqanga bands.'
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Endlessly sampled, covered, quoted and requoted, this may well be one of the most influential hip-hop singles ever released. But, in many ways, its importance goes beyond its sheer classic status as a single in its own right.
In retrospect, it shows the duo of Erick Sermon and Parrish Smith as pioneers in production, creating a funk-based sound that helped to provide a blueprint for artists on the other side of the country. In 1987/88, most West Coast rap still adhered to an East Coast audio blueprint. By 1989, they were leaning as heavily on Zapp and Roger Troutman samples as EPMD were on this single.
The foundations of the track are interesting, with a snatch of Juice’s much-plundered ‘Catch a Groove’ (which has popped up everywhere from The Beastie Boys to Kings of Pressure) overlaid with big chunks of Kool & The Gang’s ‘Jungle Boogie’ and Zapp’s irrepressible ‘More Bounce to the Ounce’. Vocodered funk was a rarity in New York hip-hop until this song, but it’s the West Coast G-Funk artists who really ran with it.
Its popularity spanned the country (and the globe, to be fair), with EPMD performing numerous shows in California on the basis of the sound, moving away from their James Brown-obsessed peers to display their own musical tastes. That said, the flipside – here presented on 7” and, indeed, on any single, for the first time – takes it back to that JB-era. ‘(It’s Not the Express), It’s the JB’s Monaurail by The JB’s is woven with Otis Redding and Beastie Boys to create a mid-tempo headnodder par excellence. It was always too good not to be a single.
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We are proud to announce the release of "Funky Bump" special 12inch version, containing the unreleased extended version of the most sought after Italian disco funk song produced from the great Italian producer & arranger : Pino Presti.
Remastered limited edition, with special picture cover on BEST RECORD ITALY
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Shawn Lee goes on a soul trip. Together with Hamburg/Germany based The Angels Of Libra he recorded two modern soul steppers for this special 7inch single release. "Bless My Soul" is truly blessed by it's magic hookline, while "Souvenir" tells a smooth soul story.
The Angels Of Libra consists of the wrecking crew in Hamburg's soul musician scene. They set out to work and recor with a variety of talented singers and artists, while producer Dennis Rux (Yeah! Yeah! Yeah! Studios) aims to create a vintage, but modern sound.
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Record Kicks presents "Origin of Forms" the vibrant debut album by Moscow funk band The Diasonics, a mix of cinematic funk, instrumental hip-hop and soviet psychedelia.
Record Kicks is proud to present the mesmerizing psychedelic universe of The Diasonics. "Origin of Forms" is the startling debut full-length by the Muscovite band, coming out on January 28 2022 on ltd edition LP, CD and Digital. The album is anticipated by the instrumental soul single "Gurami", released on limited edition 45 vinyl and digital.
Welcome to "hussar funk", that's how The Diasonics call their music: a style that blends infectious deep funk instrumentals, East European flavours, hip-hop rhythms and psychedelia. Firmly rooted in the late 60s and early 70s, their debut album "Origin of Forms" was recorded on an 8-channel Japanese tape recorder Otari MX-5050 MK III at The Diasonics HQ's Magnetone Studio in Moscow and was mixed by Henry Jenkins (The Cactus Channel / Karate Boogaloo) in Melbourne. All the band's influences are well reflected in the heavy cinematic sound of the 12 tracks of their debut LP. From the Eastern funk atmosphere of tracks such as "Almandine" and "Salmanazar" to the trip-hoppish solid groove of "Spiders" and "Andromeda"; from the 70s heavy cinematic moods of "Origin" and "Affair", to instrumental soul gems such as "Kayana" and "Balance", "Origin of Forms" has the power to hypnotize you, captivating you from start to finish. Built on dope funk (in the truest sense), supplemented by raw soul and deep wicked Eastern grooves, the 40+ minutes of "Origin Of Forms" can either plunge the listener into a comfortable melancholy, or cause themunstoppabledance impulses.
The Diasonics are one of the latest additions to the Russian instrumental funk scene. The band was only formed in 2019 and it's made of five young and seriously talented Muscovite musicians: Anton Moskvin (drums), Maxim Brusov (bass guitar), Anton Katyrin (percussions), Daniil Lutsenko (electric guitar) and Kamil Gzizov (keyboards). In just a couple of years the band has amassed a cult following, releasing a shower of ten celebrated singles and various in-demand 45 vinyl records on funk labels such as Funk Night Records and Mocambo Records.
Fans of Khruangbin, Dj Shadow and of instrumental soul, take note!
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Soul/Disco/Funk single here for the first time ever on vinyl!
The independent label Six Nine Records Ltd. UK, based in Newcastle upon Tyne, proudly presents Two Jazz Project featuring Marie Meney and the track "Time & Space (Wake Up The Soul)”. This is Two Jazz Project’s third release on the label and it definitely gets better and better with each one; this is a fantastic future modern soul anthem, with an atmospheric soundscape that just gives you an instant urge to throw your hands in the air. Marie Meney delivers the most amazing vocals, which complete the song and really fits perfectly with this sound. And as if this wasn't enough, the utterly brilliant Yuki "T-Groove" Takahashi spoils us with an extraordinary remix of his on the flip side!
Definitely not to be missed as it is a limited UK press with small hole
and full colour printed picture cover!
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- A1: LISA LISA & CULT JAM WITH FULL FORCE - I WONDER IF I TAKE YOU HOME (The Shep Pettibone Remix)
- A2: SANANDA MAITREYA - IF YOU LET ME STAY (The Shep Pettibone Mix)
- A3: FIVE STAR - ARE YOU MAN ENOUGH (The Shep Pettibone Remix)
- A4: B B & Q - (I’M A) DREAMER (12” Shep Pettibone Vocal/Long Version)
- B1: POINTER SISTERS - GOLDMINE (12" Version)
- B2: LIONEL RICHIE - LOVE WILL CONQUER ALL (12" Vocal Version)
- B3: HOWARD HEWETT - STAY (After Midnight Mix)
- B4: GEORGE BENSON - TWICE THE LOVE (Club Love Remix)
- C1: LEROY BURGESS – HEARTBREAKER (12" Shep Pettibone Mix)
- C2: INSTANT FUNK - (JUST BECAUSE) YOU'LL BE MINE (12” Shep Pettibone Mix) 2017 Remaster
- C3: THE SALSOUL ORCHESTRA – OOH, I LOVE IT (LOVE BREAK) (12" Shep Pettibone Mix)
- C4: THE FLIRTS - YOU AND ME (12” Shep Pettibone Mix)
- D1: GLORIA GAYNOR – I AM WHAT I AM (12” Extended Version)
- D2: PHYLLIS NELSON – I LIKE YOU (12” Extended Version)
- D3: THE JAMMERS – BE MINE TONIGHT (12” Shep Pettibone Mix)
- D4: FIRST CHOICE – LET NO MAN PUT ASUNDER (12" Shep Pettibone Mix)
One of the most successful and celebrated remixers of the 1980s, The SHEP PETTIBONE
Master-Mixes Vol One Part Two features 16 classic tracks compiled and sequenced by Wayne Dickson
(BBR/Groove Line Records) pressed on 2 x 180g Clear Vinyl.
What Shep Pettibone had that most other mixers did not, was a true radio sensibility. He inherently knew
what would work on the airwaves, but was equally comfortable in a club setting, as a DJ and a fan, so he
knew what worked both on the dance floor and on radio. That was a deadly combination. Shep was also very
open to all types of music and acts. From UK alternative sounds to NYC street sounds. From campy pop to
gospel disco and electro R&B, Shep nailed them all and brought his expert sheen and sense of excitement to
each of them. I am incredibly proud to open the Dance Masters series with this collection of some of his best
work. - ARTHUR BAKER
Includes a foreword written by series curator and Dance music legend Arthur Baker, plus an essay written by
Billboard Magazine dance columnist Bill Coleman which features quotes from the likes of John Taylor (Duran
Duran), Andy Bell (Erasure), Gloria Estefan and Cyndi Lauper.
Featuring a list of some of the biggest and most diverse artists of the 1980s including Lionel Richie, George
Benson, Gloria Gaynor, Lisa Lisa & Cult Jam with Full Force, Sananda Maitreya, Five Star and Pointer Sisters.
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Soul/Disco/Funk single here for the first time ever on vinyl!
The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents Byron Jamez who now makes his debut on the label! Born and raised in Detroit, Michigan, Mr. Jamez has been living and breathing soul music all his life (his mother was an active musician already during the 1970's).
Byron Jamez is a multi-talented man; an artist in the music business, an established actor and a master of advanced media skills. What we cherish the most right now is his pillow clenching voice and fantastic music, which definitely make this world much more beautiful.
This release contains the brand new and stunning groover “Let’s Get Together” backed with the stepper-esque “Time Machine” on the flipside. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!
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In 2011, Dallas based singer, songwriter DEREK DAMIAN recorded the anthemic WATCHA WANNA DO - IZIPHO aficionados will know that we released WATCHA WANNA DO in January 2019 and it sold out in 48 hours!, on the flip ‘The Baritone Of Love’ keeps the bar raised high with IN MY LIFE - from 2013, this mid tempo winner glides along with soulful ease.Don’t spend £100 on the only copy on Discogs, grab this new release with a different B Side!
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Numbered limited pressing of The Craps Game from Double Dee and Steinski! 300 Green colored vinyl!
Our latest is now available on VINYL! Yes friends, Double Dee and Steinski return to vinyl -The Craps Game is now here on limited edition vinyl from new label Slamboyant!
The pressing is a short one, 300 numbered records, in jacket matching green vinyl! And also included is a brand new bumper sticker! Announce to the world your appreciation of our great works while performing double duty hiding those unsightly scratches and graffiti on your car (or home).
In addition to The Craps Game, and Stone Cold Crazy from ADA, is a brand new track “Let the Twenty Ride”, riffing on a bite in The Craps Game. It’s a loving tribute to JB, The Godfather, and c
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The amazing/rare stepper from 1985 is alive and well in 2021. It has been sonically remastered/retouched 150g 12″. In addition to stupendous original tracks we are excited to provide you with three special edits and 1 tremendous remix from some of the most renowned selectors/producers and frankly music lovers of our time.
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Favorite Recordings proudly presents Deux, second album of French Jazz-Funk quartet Aldorande. In this new chapter, the four explorers pursue their interstellar trip on the Aldorande
planet, deploying their ever deeper love for the 70's Jazz-Funk & Fusion scene. Extending their first
visions of this new world, the bigger-than-life arrangements of this second album reflect again their
high attention to dramatic narrative schemes, breezy Brazilian vibes, tempestuous funky grooves and
strong cosmic melodies from outer space. Classic and contemporary at the same time, Deux is built
for the like-minded souls still looking for the perfect beat.
Twisting time and space but never forcing the groove, the band dives more profoundly into the
Cortex influence of their compositions, with intense female back vocals fitting perfectly into their
cinematographic vision. Like a cry in space, could these esoteric incantations be heard by Aldorande's
divinities? Or will they be more impressed by the super-tight rhythm section with its bangin' basslines
or an irresistible blend of drums and percussion? In the end, they probably would have to surrender
after hearing the infinite echoes of the synthesizers and horns reflecting in the atmosphere. Deep and
thoughtful, the travel has only begun but it seems that so much has already been experienced.
Breaking the code, they opened the gates to a rebirth. One that could be only accomplished by finding
the “Pierre des Mondes”, deeply buried somewhere on Aldorande - the only key to solve the riddle of
the groove. Mission accepted.
You'll find in Aldorande some of the best French jazzmen including bandleader and founder Virgile
Raffaëlli on bass (Setenta & Joe Bataan, Camarão Orkestra), Florian Pellissier on keys (Iggy Pop,
Setenta, Cotonete & Di Melo, …), Mathieu Edouard on drums (Chassol, De La Soul) and Erwan
Loeffel on percussion (Camarão Orkestra, 10LEC6). On this album, they took the initiative to invite
two guests on some tracks: AOR singer Al Sunny and killer guitarist Laurent Guillet (Le Soldat Rose,
Setenta).eir ever deeper love for the 70's Jazz-Funk & Fusion scene. Classic and contemporary at the same time, Deux is built for the like-minded souls still looking for the perfect beat.
Available on November 19th 2021 as Tip-On Vinyl LP & CD.
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Marrrtin is back on vinyl with some new and some unreleased
tracks on vinyl before.
If you don't know "Tango Hustle", you have to know it!!! Marrrtin
took time to totally replay it, cause it's one of his favorite funk track
EVER !!!!!
On B side 2 two b-boys tracks never released on vinyl.
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Donny Benét is an adult entertainer, hit maker, attentive lover, and one of Australia’s most acclaimed and experienced jazz musicians.
Recorded in the infamous Donnyland studios using the finest Japanese, American and Italian synthesizers, The Don speaks to the heart, promising love as soft as Italian leather. Donny’s immaculate Armani grooves hint at the dancefloor and the bedroom The Don is transportive. ‘Night In Rome’ opens the shutters of your hotel room onto a view of The Colosseum, ‘Reach The Top’ thrusts you on a frenzied race to success through the streets of NYC. ‘Working Out’ urges you to break a sweat wherever you may be. ‘Konichiwa,’ is a song as smooth as the silken tofu from whence the song’s spirit is inspired, and ‘Santorini,’ an ode to love worth fighting for along the crystal waters of the Aegean Sea.
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The first Delights release of 2022 sees the return of the Haifa-Jerusalem duo SimfOnyx (Shuzin and Markey Funk) with a new psych-funk double-sider. Taking its inspiration from the long-forgotten genre cinema of East Germany, the 45 features "Der Maulwurf" (The Mole) - a drum-heavy crime funk banger, paired with a melancholic space age slow-burner "Eolomea" on the flipside.
Limited to 300 copies worldwide.
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- A1: Willie Hutch - Brother's Gonna Work It Out
- A2: Charles Earland - Leaving This Planet
- B1: Laura Lee - (If You Want To Try Love Again) Remember Me
- B2: The Modulations - I Can't Fight Your Love
- B3: Margie Joseph - Prophecy
- C1: Blue Magic - Welcome To The Club
- C2: Twennynine with Lenny White - Fancy Dancer (12" Version)
- D1: Miroslave Vitous - New York City
- D2: Edgar Winter - Above And Beyond (12" Version)
For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London’s dance scene, from where it has ricocheted around the world.
Having conducted the first and set of major interviews with David Mancuso of the New York City Loft, Lawrence started to host Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In February 2004 he published the first of three published three pioneering histories that have excavated and championed the previously overlooked foundations of contemporary party culture: Love Saves the Day: A History of American Dance Music (1970-79), Hold on to Your Dreams: Arthur Russell and the Downtown Music Scene (1973-92), and Life and Death on the New York Dance Floor (1980-83). Since 2018 Lawrence has hosted and DJed at the community audiophile party "All Our Friends. Paper Magazine describes him as the “reigning authority on the history of dance music in New York”.
With knowledge to share, and a readership as well as a dance floor to feed, Lawrence released Life and Death on the New York Dance Floor as the debut imprint on Reappearing Records. A year in the making, a compilation featuring rare and iconic tracks that appear in his much-loved and heavily-thumbed classic Love Saves the Day amounts to the follow-up. The collection features several tracks selected regularly by Mancuso, the party host who exerted a prophetic and unparalleled influence on New York City party culture, as charted by Lawrence. It also includes choice picks from groundbreaking DJs such as Michael Cappello, Steve D’Acquisto, Francis Grasso, Richie Kaczor, Larry Levan and Nicky Siano, whose expressive contributions are faithfully recorded in Love Saves the Day. The compilation traces how disco grew out of the record collections and intuitive sensibility of these and other DJs, offering a unique survey of the era’s expansive sonic palette.
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Gregory Porter’s upcoming brand new Greatest Hits double album. This will be the first EVER hits collection from the seven-time Grammy nominated, two-time Grammy winner, celebrating Gregory Porter’s decade of success with his best songs from 2010 to 2021, multiple brand new songs, bonus material, and new recordings of his much-loved global hits.
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Me Da A Onnda by K. Frimpong and his Cubanos Fiesta isclassic and essential Hi-Life & Afro
Funk album from one of the greatest Ghanaian singer and composer, finally reissued for the first time!
This legendary K Fimpong's fantastic rare album was recorded in 1980.
K . Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti - Akim district and entered right
into music after elementary school by joining "Star de Republic" and later "Oko's band" after which he left
to K. Gyasy's band where he worked for more than 6 years. As a prolific songwriter and singer, here's
the reissue of his amazing album, a modern fusion of Hi- life and Soul.The excellent background is given
by the famous Cubanos Fiesta with members of Vis-A-Vis band.
Originally produced on the major Polydor, this four songs recording is a blend of danceable and
spiritual Soul and straight Hi-Life. A must-have vinyl of percussive Afro Funk for all the music
connoisseurs, K. Frimpong backed by Cubanos Fiesta LP is a true masterpiece, so hard to find and
reaching crazy skills for a decent copy affordable.
Remastered by Frank Merritt at The Carvery. Pressed on Replika format. Fully licensed by the Alhadji
Kwame Frimpong Family
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Written and recorded at UKU's home studio in Los Angeles and Stockholm between 1982 & 1989, including tracks co-written with Maryn E. Coote, notorious 60s soviet jazz sensation. "That's my MOM" recalls UKU, "I remember when I was little, sitting under the mixing board at her sessions". Growing up in studios, UKU's love of music production began early, and over the years he has amassed a vast collection of domestic and soviet electronic gear.. VISON OF ESTONIA The Demos, The home recordings.. RAR AIFF WAV bits, from our friend UKU.. a few songs compiled from his L.A. narrative SANTA MONICA, including soft fashion..
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