An otherworldly mix of Cosmic Disco, Funk, Boogie and traditional Flamenco styles by Spanish cantaor' El Turronero!! Featuring the legendary Josep Llobell (Oliver's Planet, Enterprise...) at the controls. Including Las Penas' and more! Remastered sound from the master tapes, insert with photos and liner notes by Txarly Brown (Achilifunk)
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Gypsy rumba-funk & flamenco pop courtesy of Trigal, the grooviest & funkiest band from the Spanish '70s rumba scene. 13 tracks taken from their sought after LPs and 45s, originally released on the legendary Belter label, 1976-77. Heavy drums, percussion, deep bass, wah wah, electric guitar, horns, funk / blaxpoitation touches, gypsy female vocals...
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REPRESSED !!
Danny Krivit's name has been synonymous with quality, underground dance music for many decades now.
His roles as re-edit pioneer, legendary NYC disc jock and all around music obsessive have long been written about.
Danny is approaching 45 years as a DJ, almost half a century behind the decks across the world and he shows no sign in stopping anytime soon fortunately! Quite fitting then, that he has opened up his personal, private archive of re-edits for all of us Disco fiends to enjoy and play over and over with this limited, fully licensed 12" release.
Any self respecting Disco head should be familiar with the name Voyage. Releasing on Miami's legendary TK Disco imprint as well as numerous other well known labels, Voyage have a dedicated cult following for their percussion heavy euro Disco sounds. Here Mr.K takes on one of their most famous cuts on the A-side - "Lady America" and teases all of the best bits about this uptempo anthem out into the open and straight onto the dancefloor! Breaks are elongated, the right parts are looped in just the right way and the tracks momentum is pushed right through the roof, a Disco bomb indeed! On the B-side we have "Point Zero", a smorgasbord of Afro percussions, chants and rhythms that will literally tear the roof off any club! again DK has tweaked this monster track in all the right places adding his magical editing touch with love and respect, essential stuff and a total dancefloor weapon!
Both tracks contained on this 12" have been fully licensed and legitimately reissued in conjunction with Danny Krivit / TK Disco. These edits have been lovingly reworked by Danny with dancers and DJ's alike in mind. A very special release indeed and one that all Disco heads will undoubtedly be excited to see in the shops! Essential release.
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We are officially under exclusive rights reissuing a very special privetly pressed 45, "Silver Satin" by Axis. Originally released back in 1984, Axis was a short-lived band formed in California by guitar player/vocalist Byron Bordeaux. Back in 80s, record was never officially distributed, with only a couple of hundred 45s made, and sold exclusively at their shows.
Byron recorded a good deal of demo tracks, which for the next 30 years would go unreleased, all stuck on a pile of 8-track and cassette tapes. You can find one of these tracks on the flipside of this 7" - "Runaway Love" was completely recorded and performed by Byron circa 1986.
Following the band's dissolution, Byron continued performing, eventually ending up playing alongside the likes of Bobby Womack, Buddy Miles and The Gap Band.
Fast forward three decades later, "Silver Satin" is a sought after record on the collectors market that when found, goes for triple figures on eBay, Discogs and the like. Heavy support from Jeremy Underground as played Live at Dimensions 2016.
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Markey Funk returns to Delights with a new exclusive 7inch. It's two sides of drum-heavy fuzz funk, largely inspired by the early 70's European psychsploitation records. Mean and sharp Meters-meet-Goblin groove on the A-side, followed by mind-melting sound orgy on the flip, makes this release an ideal floor-filler for your next LSD party.
Recommended for fans of Jean-Pierre Massiera, Drumetrics, The Natural Yogurt Band/The Sign of Four, Calibro 35 and other groovy oddities.
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Anothe fantastic label runned by the Mastermind Peter Brown from New York City. We're honoured to present you in future some pearls of Disco & Funk on black gold! Starting with the essential and hard to find "Cloud One - Doin' It All Night/ Dust To Dust" from 1979, written and produced Peter Brown & Patrick Adams!
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Well how do you follow up Young and Companys smash hits on Brunswick records. Pretty hard I hear you say. After the best seller "I like what you are doing to me" the group carried on talks with the heads at Brunswick. There was a stale mate on contract details and buddy hankerson decided to shelve the few demos he had recorded with his new group Buddy Hank and The Shine Band. We grabbed the reels from his brothers place on the East Coast and thought we couldn't miss the opportunity to get them transferred and hear what was on them....We wasn't disappointed!
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The DNA of Purple Rain can be felt throughout pop culture at large. It is a timeless body of work with an immortal resonance exemplified by smashes such as 'Let's Go Crazy,' 'When Doves Cry,' 'Darling Nikki,' the title track 'Purple Rain' and more. Minted Diamond by the RIAA for sales exceeding 13 million, the record stands out as the sixth best-selling soundtrack album in history, moving more than 22 million copies. Hailed by Vanity Fair as 'the best soundtrack of all time,' Time Magazine placed it as the 15th greatest album ever.
The album won two 1985 GRAMMY Awards® in the categories of 'Best Rock Vocal Performance by a Duo or Group with Vocal' and 'Best Album of Original Score Written for a Motion Picture or Television Special.' Posthumously, it was honored as 'Favorite Soundtrack' at the 2016 American Music Awards. It was also recently nominated for a 2017 Billboard Music Award in the category of 'Top Soundtrack/Cast Album.'
*2015 Paisley Park Remaster of the original tapes from the soundtrack, presenting an unheard vision of the album overseen by Prince himself before his untimely 2016 passing.
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The visionary talents of multi-instrumentalist Zach Witness have sprouted full life in this world, lending his sonic touch to the bulk of Erykah Badu's latest album, But You Caint Use My Phone (Motown Records). This project was brought to life with Erykah Badu at the Badudio and World Witness Studios in Zach Witness' hometown, Dallas, Texas. This project put him on a unique trajectory, harnessing his intricately designed fusion
productions into the periphery of an entirely new audience around the world. His forthcoming debut EP, Electric Revival: Rise of an Outkast Nation, is the first project to find the light of day after this expansion phase, initially created as a birthday gift to Zach Witness' friend and collaborator, André 3000.
The catalyst behind the creation of Electric Revival has a very specific initiation point. During the recordings for But You Caint Use My Phone, Erykah Badu called on André 3000 for collaborative assistance. This would result in the album's last track, Hello,' created at the home studio Zach Witness has lived in his whole life. This moment in time compelled Zach Witness to create an offering for André 3000, and this was in the
form of an entire body of music.
Electric Revival takes on the stories of the lives entangled around
society's most crippling and hopeless of situations. The social and
political intentions of the EP paints a very defined purpose in this context.
Experience the transformative sounds of Zach Witness and his debut manifesto.
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Harry Miller aka Glow In The Dark is neither to be found on any social media channel nor can you google anything about him, let alone does he maintain a website. The man hides completely behind his music and quite obviously in his studio. After his debut in February earlier this year, now already a few months later, his second album drops, Into Existence.'
Like his first album Future Bliss' (SK336LP) the 8-track LP shines in a stylistic richness encompassing musical landmarks like Nu Funk, Chill wave or Leftfield electro pop. But still the eight songs, played in the right order, result in a coherent overall picture. Apparently Miller's studio must be quite lugubrious. Or should one understand the dedication on the back of the cover ( Dedicated to all the lovers that exist in the dark') even as reflection of his emotional perception Listening to the music you tend for the latter. Hideaway' und Sultry Creatures' both base on a vocoder voice which at the same time sounds enraptured and also entranced. On The Key', though, you hear Miller's voice after all (almost) unalienated. got HYPE' is deceleration medicine in a dangerous dose. As well as Arise', which seems not to originate from this world. By now, Glow In The Dark lives probably in his very own universe and that's the reason why you can't find out anything about him at all. Only too well did he send us this postcard in form of Into Existence', this in every moment very impressive, very intimate album. Thanks.
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Love Cryme is back with another club-ready pressing of their
signature Sacramento based boogie funk sound. This is the much
anticipated follow up to their sought after 2013 debut on RysQue'
Records, and is Eddie Pendergrass Present's first 12' offering.
Electric Lady' is a smooth, soulful scorcher while Under The N
Fluence' has a New Jack Swing influenced party vibe.
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Side A features the Wildstyle break Razor Cut' / Side B features unique etchings with different Wild Style graphics.
Charlie Ahearn's 1983 film Wild Style holds a place in both music and cinematic history as one of the first examples of a hip-hop film. Since its original release it has been widely praised for its hybrid approach as both a narrative musical and a documentary, and as a time capsule of sorts into the culture of hip-hop during its
infancy in the 1980s. Besides its classic depictions of MCing, turntablism, graffiti, and breakdancing, the film also featured now legendary figures of the genres in acting roles, such as Grandmaster Flash, Fab Five Freddy, Busy Bee Starski, and many more. Wild Style went on to garner an immense cult following, portions of the film itself would be sampled in records by artists like Nas, Beastie Boys, MF Doom, and more, and would even be
exhibited by museums in Chicago and Boston as part of
programs on the art of the 1980s. Beyond the film itself however, Wild Style's soundtrack has gone down in music history as a crucial piece of hip-hop handicraft. During a time where the sampling of records by Queen or Kool & The Gang was commonplace in the hip-hop scene, Ahearn took a different route in soundtracking his film, calling upon seasoned musicians
like Chris Stein of Blondie and R&B session drummer Lenny Ferraro to produce an entirely original set of lyricless groove, which would be sampled into true hip-hop instrumental tracks by turntablist Grand Wizzard Theodore. The mystery and intrigue surrounding the breaks became the stuff of hip-hop legend, and a treasure trove for crate-diggers and vinyl enthusiasts.
In association with premium reissue label Get On Down, world-renowned DJ Kenny Dope, a longtime fan of the breaks that made up Wild Style's soundtrack, re-edited the tracks into full-length cuts in 2014. KayDee now presents the singles individually for the first time ever. Each 7" is a piece of hip-hop history, as some of the most highly regarded and sought-after instrumental beats of all time, from one of the most important music films of all time.
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Love makes the world go around. two', the second album by The Soul Session, is full of love. Ralph Kiefer, multi-instrumentalist, composer, arranger and producer from South Germany embarks on a stylistically diverse journey into Soul, Jazz, Funk and World Music.Being a highly respected session musician in the jazz as well as the crossover scene, Kiefer made a serious impact in 2011 with one', the first Soul Session album. one' was built on a solid backbeat of Soul, Hip Hop and Funk, while two' now takes a step further into a spiritual and eclectic dimension. uantraversa featuring the voice of Las Vegas based neo-soul queen Georgia Anne Muldrow is the mind- blowing opener of this album, a truly deep and intense rhythmic statement. Quantraversa is a word which you will not find in any dictionary, but that is not the point, says Ralph Kiefer. This album is a journey to the inner self. The recording process was like meditation. I often started with a loop, or an idea for a melody. It evolved from there and I simply let it happen. When I involved the lyricistsand vocalists, my drafts sometimes took a completely different paths and ended in
something unexpected and beautifully new. The Passage' is a prime example of Ralph Kiefer's visionary working style. I mainly work with my mobile studio. Nowadays you can virtually record every instrument in any place you like, you just need a good microphone. Some of my guest vocalists also recorded their part in their own studio.' This way Tokunbo Akinro, the voice of Tok Tok Tok, turned The Passage' into a futuristic, haunting soul tune. Live Your Life', introducing Anaj, works nicely as a kind of theme tune for two'. Here you have a lose groove which is tight at the same time, keeps in control and simultaneously lets it loose. And then there's Wish The Beat To Never Stop'. Ralph Kiefer is especially happy about this track. I am a fan of Omar since his first album on Talkin' Loud, I am very proud that he contributed to my album.' With his unique UK Soul stylings Omar fits perfectly to the brilliantly understated and well informed Soul Session sound. It's the two suites which are central to two'. KalimbaSuite' kicks off with a stripped down piano, percussion and Kalimba session. Then Steely Dan' gives it away in its title, sounds like it will move straight into Do It Again', but then it does not and turns into a funky Soul Session style instrumental jam. Transformation' is the perfect ending for Kalimba Suite', sticking with the Rhodes, bringing in more synthesizers and getting quite cosmic. Liberation Suite' has Anaj coming in again. Got To Go Where To Go' is pure bliss and funky fun. Samba De Alfana' is a spiritual and deep Brazilian, irresistible jazz-house dance floor mover. With a motto like Liberation for the nation' and a vocoder meeting a Caribbean style Funky Nassau' groove you will agree: Open up your mind!' You Are Everything' uses a Horace Silver style piano motif, then adding the sampled voice of philosopher Jiddu Krishnamurti: His philosophy is very central to my creative process. In the troubled times we live in I think his message is more relevant than ever. Without self-knowledge there is no basis for peaceful thought and action." Fatma Tazegül closes the album in taking Never Let Me Go' to another level with her soulful gospel voice. Think of the open mindedness and global funk and fusion rhythm in the Seventies, but also of the Acid Jazz movement during the Nineties and you get the picture of what two' is about love, peace, being true to yourself and getting involved.
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This time Dusty Donuts takes a stroll to Brooklyn, which keeps on takin' it. Side A No Love In The City' boasts anthemic horns and a pimp strut like a ball player walking through Bed-Stuy. On the flip "Too Much Hustle', NMX teams up with OG Jim Sharp and with a hustle you can't knock. Blessing a smooth flip of the Marcus Miller joint paired up with one of Brooklyn's finest.
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- 180 GRAM AUDIOPHILE VINYL
- INDIVIDUALLY NUMBERED SLEEVES
- FIRST PRESSING OF 750 COPIES
PRESSED ON ORANGE VINYL
Arguably the finest Jamaican soul singer of his generation, Ken Boothe burst onto the international stage when his sublime rendering of Bread's melancholic Everything I Own topped the UK charts in the autumn of 1974.
Within months of this success, the native-born Kingstonian returned to the national listings with the captivating Crying Over You', which made number 11 later that year.
To coincide with the release of the latter, Trojan Records released the album, Everything I Own, a supremely soulful collection that featured his two international hits alongside a number of sublimely produced songs, cut in both Jamaica and the UK.
Unavailable on vinyl since '74, this essential LP is now available on the format for which it was created, with the use of the original analogue masters and artwork ensuing complete authenticity.
A must for all Ken Boothe fans and those who like their reggae sweet and soulful.
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After attending college and getting deeper into computer music, Sam Obey began releasing music as Obey City. The project quickly took off with EPs for LuckyMe, forming the Astro Nautico label with his best friends, multiple tours and collaborating with Kelela and Flatbush Zombies. Now, as Sam O.B., he returns to what his oldest confidants know he's always had up his sleeve: his voice and his bass guitar.
'Positive Noise', the debut album by Sam O.B., is not a 'journey of a record' but it's also not Party Time USA. It's nuance, cloud patterns, like good progressive jazz. Like the refinement of refinement, the elegance of elegance. Sound propelled by its own smoothness. A coolness that isn't cold. The earnestness of an old friend. Expanse. Experimentation. Actual warmth.
Sam O.B. is (and has always been) a man of classics. When you hear the sax on 'Salt Water' you'll understand this ambition with precision. Arpeggiated horn delay and female 'oohs' fall like geodesic rain. The blasting synth leads on 'Midnight Blue' and 'Nearness' waver and find their way. The sing-and-play harmonies of 'Sirens' refer to the stunning bliss of smooth jazz, which has been in Sam's arsenal of interests for longer than anyone can remember.
'Positive Noise' also has a strong anchoring in the thick pulsing rhythmic stylings of 70s and 80s disco and funk grooves. Sam is a dedicated vinyl collector, having curated DJ residencies around NYC (Hot Sounds Island, Astro Nautico, The Lot) that practically worshipped smooth jams.
LP format includes digital download card.
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The rising French digger of all things soul, funk, boogie and disco delivers four tried and tested edits from his personal stash of deepness for the next Collector's Cuts release.
Some of these cuts have already raised eyebrows and now with a proper release these should find their way onto a few more dance floors.
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Charlie Ahearn's 1983 film Wild Style holds a place in both music and cinematic history as one of the first examples of a hip-hop film. Since its original release it has been widely praised for its hybrid approach as both a narrative musical and a documentary, and as a time capsule of sorts into the culture of hip-hop during its
infancy in the 1980s. Besides its classic depictions of MCing, turntablism, graffiti, and breakdancing, the film also featured now legendary figures of the genres in acting roles, such as Grandmaster Flash, Fab Five Freddy, Busy Bee Starski, and many more. Wild Style went on to garner an immense cult following, portions of the film itself would be sampled in records by artists like Nas, Beastie Boys, MF Doom, and more, and would even be
exhibited by museums in Chicago and Boston as part of programs on the art of the 1980s. Beyond the film itself however, Wild Style's soundtrack has gone down in music history as a crucial piece of hip-hop handicraft. During a time where the sampling of
records by Queen or Kool & The Gang was commonplace
in the hip-hop scene, Ahearn took a different route in soundtracking his film, calling upon seasoned musicians like Chris Stein of Blondie and R&B session drummer Lenny Ferraro to produce an entirely original set of lyricless groove, which would be sampled into true hip-hop instrumental tracks by turntablist Grand Wizzard Theodore. The mystery and intrigue surrounding the breaks became the stuff of hip-hop legend, and a treasure
trove for crate-diggers and vinyl enthusiasts. In association with premium reissue label Get On Down, world-renowned DJ Kenny Dope, a longtime fan of the breaks that made up Wild Style's soundtrack, re-edited the tracks into full-length cuts in 2014. KayDee now presents the singles individually for the first time ever. Each 7" is a piece of hip-hop history, as some of the most
highly regarded and sought-after instrumental beats of all
time, from one of the most important music films of all time.
The Item is out of Stock. We will send You an Email as soon as it´s available again if you click on "in Stock Mail"
Charlie Ahearn's 1983 film Wild Style holds a place in both music and cinematic history as one of the first examples of a hip-hop film. Since its original release it has been widely praised for its hybrid approach as both a narrative musical and a documentary, and as a time capsule of sorts into the culture of hip-hop during its
infancy in the 1980s. Besides its classic depictions of MCing, turntablism, graffiti, and breakdancing, the film also featured now legendary figures of the genres in acting roles, such as Grandmaster Flash, Fab Five Freddy, Busy Bee Starski, and many more. Wild Style went on to garner an immense cult following, portions of the film itself would be sampled in records by artists like Nas, Beastie Boys, MF Doom, and more, and would even be
exhibited by museums in Chicago and Boston as part of programs on the art of the 1980s. Beyond the film itself however, Wild Style's soundtrack has gone down in music history as a crucial piece of hip-hop handicraft. During a time where the sampling of
records by Queen or Kool & The Gang was commonplace
in the hip-hop scene, Ahearn took a different route in soundtracking his film, calling upon seasoned musicians
like Chris Stein of Blondie and R&B session drummer Lenny Ferraro to produce an entirely original set of lyricless groove, which would be sampled into true hip-hop instrumental tracks by turntablist Grand Wizzard Theodore. The mystery and intrigue surrounding the breaks became the stuff of hip-hop legend, and a treasure trove for crate-diggers and vinyl enthusiasts.
In association with premium reissue label Get On Down,
world-renowned DJ Kenny Dope, a longtime fan of the breaks that made up Wild Style's soundtrack, re-edited the tracks into full-length cuts in 2014. KayDee now presents the singles individually for the first time ever. Each 7" is a piece of hip-hop history, as some of the most highly regarded and sought-after instrumental beats of all time, from one of the most important music films of all time.
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Originally released back in early 2011 by TRU THOUGHTS on CD, this album from ANTHONY MILLS and FREDDIE (RED ASTAIRE) CRUGER is now finally coming out on vinyl. Seriously dope downtempo/headz music. Includes the tracks off the out of print "DRUGS EP" 12". Out on HOMEGROWN. Out NEXT WEEK, Jan 19. HEADZ "That Wildcookie album is the best thing I've heard all year...stunning" - Daddy G (MASSIVE ATTACK)
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Good news! music lovers, Soul searchers, and record diggers!
Los Charly's Orchestra are back!!! this time celebrating their 10th anniversary and featuring the tropical Soul legend: Omar, for their latest extravaganza of Caribbean infused Disco/Boogie.
LCO has left an important landmark on the global Soulful Disco - Jazz Funk landscape since the very beginning, and their tireless production machine still continues today to deliver some of the most epic groovers, such as: "All Around The World, Everlasting Love & Sunshine", in between many others.
Juan Laya & Jorge Montiel (the two men behind this project), continue on their endless effort for producing enduring music by delivering their latest EP which contains an LCO's Re-make treatment of Omar's classic: "It's So" plus a brand new Boogie-Reggaeish fusion track entitled: "History", both tracks with their correspondent instrumentals for the delight of the vinyl junkie, and groove music aficionado.
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