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Aswad’s 1983 album Live and Direct was recorded at the Notting Hill Carnival. Accompanied by a powerful horn section they created an energetic show, in which they let the listener hear the depth of their music. It’s an amazing journey with highlights like “Drum & Bass Line”, “Soca Rumba”, and the fantastic “Rocker’s Medley”. This British Reggae classic is fully packed with their unique rhythm and funky grooves. Amazing beats and wobbly bass lines marks this as one of the greatest live albums from the Reggae scene.

The long-lasting British reggae group Aswad recorded over 20 albums, released several charting hit songs, and are still performing live.

When English reggae band Aswad released their third album New Chapter in 1981, it didn’t perform as well as expected within the mainstream reggae market, and so the band decided to reimagine the record with a dub remix. That did not go unnoticed: A New Chapter of Dub, released in 1982, went on to receive critical acclaim and is considered to be one of the greatest dub albums of all time. Known for its shuddering bass and reverberated brass, as well as the traditional dub use of delay, drop-outs and echo, the album became a landmark in its genre.

2024 Repress
If anyone in the reggae circles could be described as having their own sound it would have to be Mr Augustus Pablo, born Horace Swaby 1954 St Andrew Jamaica. He took the humble melodica a wind blown mouth keyboard and made it shine.

His musical journey started one sunny day in 1969. Walking into Herman Chin- loy's Aquarius Records shop and on playing his melodica so impressed its owner that he was taken off to Randy's Studio 17, the very next day to cut his first record 'Iggy Iggy'. But it was his second tune under the guidance of Clive Chin again cut at Randy's, the seminal 'Java ' that put the young Augustus Pablo on the map. Clive Chin continued his work producing Pablo's debut album 'THIS IS AUGUSTUS PABLO' . An instrumental affair on which the neo-mystical ''Far East'' sound synonymous with Pablo's work emerged.

Having worked with most of the top producers of the time,Lee Perry,Keith Hudson, Bunny Lee, Augustus decided to set up his own label "Rockers", named after his brothers sound system. Where many of his tunes would first be heard.The label came to define a new and exciting chapter in reggae history.Even when versioning acknowledged classic Studio One rhythms there was a precious maturity and depth to Pablo's productions that kept him at the top throughout the late 1970s and into the 1980s. His 'King Tubby meets the Rockers Uptown' set which featured some of these rhythms reworked; Swing EasySkanking Easy, Frozen SoulFrozen Dub, stands as one of the true dub classic albums of any reggae education.

This set of dubs are taken from his classic 70's period.All rare dubs straight from the masters. You may have heard the tune, but not these versions. So sit back and enjoy the Original Rocker..... STILL SOUNDS SWEET.

RESPECT....JAH FLOYD.

The release of ‘Rising Sun’ in 1986 on Greensleeves began a new era for Augustus Pablo edging his Rockers revolution into the digital age. In his own words Rising uon “mix-up the vibes a little more” from steppers like ‘Pipers of Zion’, revival reggae ‘African Frontline’ and the deep and heavy ‘The Day Before The Riot’. Recorded at Channel One, Tuff Gong, Dynamic & HC&F and engineered by Phillip Smart and Scientist.

Punched out as the dub companion to Junior Delgado’s hugely successful ‘One Step More’ album, the release of ‘One Step Dub’ couldn’t have been better timed coming on the back of a hugely successful tour of Europe with Delgado. Recorded at Channel One, Tuff Gong & Dynamic and engineered by Pablo, Soldgie, Steven Stanley & Tony Kelly One Step Dub included dubs to some big hitters from Jux including ‘Hanging Tree’ & ‘Riot In A Juvenile Prison’.

With the release of "Rockers Come East" in 1987 Augustus Pablo continued to 'mix up the vibes a little more'. Featuring digi-dubs to Junior Delagado’s hits "Raggamuffin Year" & "Call Me", steppers like "Sun Ray Dub" and the deep and heavy "Zion Seals Dub" the album continued Pablo's journey into a revolutionary new age. Recorded at HC&F, Creative Sound & Tuff Gong studios, engineered by Philip Smart and Michael Carroll, here's another great longplayer re-issued with the Greensleeves seal of quality.

Reissue of Augustus Pablo's Augustus Pablo At King Tubbys, originally released in 2005. The visionary musician and record producer Augustus Pablo made some of the most unique and individual recordings in the history of reggae. As with his friend and mentor, Jackie Mittoo, the man born Horace Swaby was of mixed Indian and African heritage, and although his middle-class background might have pointed him in a very different direction, the lure of Jamaica's sound system culture captured him at a young age, particularly after debilitating health problems saw him drop out of school.

Digital Dub from East France, very Jahtari influenced, with a Low-Fi texture and some bloody good featurings with Brother Culture and Charlie P ! Indie Prod ! Support !

Released in 1990, “Love Dub” by Black Uhuru stands as a significant work in the dub genre, revisiting their iconic tracks. Under the guidance of the undisputed dub master, Prince Jammy, this instrumental album pushes the boundaries of reggae, enhancing its signature basslines and syncopated rhythms. Echo effects, delays, and reverberations create an immersive atmosphere, showcasing the group’s enduring influence across eras!

This is the only dub album available to date of Bob Andy’s music. At Ariwa studios, Britain’s dub master

MAD PROFESSOR was let loose on twenty years’ worth of classic Andy cuts. Tracks like “Unchained”, “War in the City”,

“You Don’t Know”, “Ghetto Stays in the Mind”, and “Going Home” have been given the full Neil Fraser treatment.

ANDYWORK is a collection of twelve rare or previously unreleased productions by Bob Andy from the early to mid 1970s.

Featured artists in addition to Bob are Delroy Wilson, Bob & Marcia, Leroy Smart, the Ethiopians, and Richard Ace. Included

are many original Andy compositions as well as a few hand-picked cover versions ...

and the unmistakable contributions of the top studio musicians of the era.

Everybody loves the vocal sound of Bob Marley. But what about the music that supports his songs? This album contains a variety of mostly instrumental remixes of well-known Bob Marley songs. An eclectic mix of names have put their personal stamp on some of Bob’s classic tunes with some Interesting results. Cypress Hill’s Sen Dog has taken on ‘African Herbsman’, while Sheep On Drugs have had a stab at ‘Don’t Rock My Boat’. These and many more versions will keep the head nodding at the very least.

Features nine of Rolling Stone magazine’s all-time Top 50 Marley songs and over 50 million YouTube views.

Natty Dread gilt als Bob Marleys bestes Album, die vielleicht beste Reggae-Aufnahme aller Zeiten.

Es war Marleys erstes Album ohne seine ehemaligen Bandkollegen Peter Tosh und Bunny Livingston und das erste, das er als Bob Marley & the Wailers veröffentlichte.
Das hier präsentierte Material definiert, worum es im Reggae ursprünglich ging, mit politischen und sozialen Kommentaren, gemischt mit religiösen Lobgesängen auf Jah.

Bob Marley war ein jamaikanischer Reggae-Sänger, Songschreiber, Musiker und Gitarrist, der internationalen Ruhm und Anerkennung erlangte.
Seine Musik begründete in den 70er Jahren seinen weltweiten Ruf und machte ihn mit mehr als 75 Millionen verkauften Tonträgern zu einem der weltweit meistverkauften Künstler aller Zeiten.

Here comes the time of another Stepper release, after releasing one of the first vinyl of Digid we decided to team up again and bring on board Dubbing, Bukkha and Ras Addis for our 13th release on 12” vinyl.

A spacial journey through the cosmic stepper sounds, blending heavy synthesiser sounds, ruff drums patterns and heavy bass lines. On the A side we have the well-known duo Digid and Dubbing Sun, hailing from Belgium and Austria, and also Ras Addis on the vocals, the B side features a heavy remix from the American, Bukkha.

The Lost Albums In Jamaican Bass Player, Bandleader, Songwriter, Singer And Producer Boris Gardiner's Discography - First Official Issue Of These Impossibly Rare Albums. Contains Extensive Booklet, With Jeff Mao Detailing Gardiner's Career And The 70s Jamaican Music Industry. Unpublished Photos And Ephemera. 1970s Jamaica suffered an unprecedented stretch of political turmoil and violence, and as the country’s economy and morale collapsed, reggae and its offshoots exploded worldwide. Boris Gardiner enjoyed great success leading bands, issuing albums that mixed reggae, ska, soul and funk, and collaborating with the likes of Lee (Scratch) Perry and Herman Chin-Loy in their legendary studios and playing on hundreds of records. So many that he lost count. Sometime around the issue of his Boris Gardiner Happening Is What’s Happening album - a Loft classic, with David Mancuso favoring Gardiner’s take of Booker T. and the MG’s “Melting Pot” at his legendary gathering and his soundtrack to Every N----r Is A Star, famously sampled by Kendrick Lamar and used as the introduction to the film Moonlight, two albums - Ultra Super Dub Vols. 1 and 2 - credited to The Boris Gardiner Happening - two albums so obscure that for the longest time Boris wasn’t even aware that they existed. Following classics such as King Tubby’s Dub From the Roots and Augustus Pablo’s King Tubbys Meets Rockers Uptown, Miami-based Alty East’s Ultra Records took instrumentals Gardiner created for a run of 45s, and created and issued these compilations of dubbed out originals and JA renditions of songs by Otis Redding, Clarence Carter, Betty Wright, Jimmy “Bo” Horne and Ultra label-mate Frankie Zhivago Young. Released in tiny runs in handmade, silkscreened, paste-on covers, they have become some of the most sought after Jamaican albums. Now, issued under Boris’ guidance, and with a detailed booklet by Jeff Mao, which delves into the deep scene which birthed these remarkable records, we can finally consider the last, unheard portion of this landmark musician’s career. Track listing: A1 Shupe Dub A2 Black Clay Dub A3 Jah Stoned Dub A4 Free I Dub A5 I & I Dub B1 She Dub B2 Booka Dub B3 Hereto Dub B4 Chillum Dub B5 Skanker Dub.

In a decidedly experimental approach, Brain Damage and Emiko Ota unveil a new vision of dub, reinventing the unexpected. While the sound treatment techniques inherent to the genre remain-evolving mixes, echoes, reverbs, and bass frequencies that are almost palpable-the Anglo-Jamaican roots of the style have indeed been replaced, re-conceptualized, recomposed, and rewritten. The duo seems to engage in a musical dialogue using a novel language, tinged with Japanese spoken word, creating moments of rare intensity, as unpredictable as they are hypnotic. By allowing for controlled improvisation, Brain Damage and Emiko Ota recreate the tracks of their latest album at each performance, oscillating between introspection and exaltation. With post-dub as the pretext, they once again explore, captivate, and surprise. For fans of: Massive Attack, Björk, Lee Scratch Perry... POST-DUB. With 16 soon 17 albums and nearly 900 concerts since 1999, French dub pioneer Brain Damage collaborates with artists like Horace Andy, Big Youth, Groundation and more recently with Mad Professor and Emiko Ota. Alongside his many productions showcasing his incredible vitality and unbridled creativity, the intensity of his live performances has earned him a strong international reputation.

Bunny Wailer’s Blackheart Man is one of the ultimate Reggae masterpieces from the former member of the Wailers. His solo debut album is both complex as attractive and critics have been praising this record for many years. Bunny explores themes like repatriation, marijuana, and his childhood in Jamaica. The title is based on the fable of the Blackheart Man, who would take the heart out of every person he meets on his way.

Charles Street Cowboy: Another unreleased shot, a minor key effort, with a rather tentative guitar solo, possibly Lynn Taitt, though it doesn’t sound particularly accomplished by his standards.

Only Soul Can Tell: Presumably released in the UK because Slim Smith was under contract elsewhere, this is unmistakably the great Curtis Mayfield influenced vocalist. Originally issued on Blue Beat in 1966.

First time on 7" for these massive cuts on Jah Life's killer lick of the "love without feeling" rhythm, backed with a previously unreleased dub version. This Carlton Livingston 45 is backed with the infamous "Dub Master" cut, as played on dubplate by Volcano Sound in Jamaica at the time.

Brand new six track EP collaboration from two original man in the business, Lloydie Slim and Cornel Chin of Son's Junior sound system. A-side has the sweet voiced Cassandra Chin doing her rendition of a '60s classic, followed by horns and dub cuts. The B-side has New York's number one sax man Jerry Johnson blowing on another updated classic, followed by version and dub cuts. Brand new productions straight from Brooklyn NY by veterans still at it!

Player below will play samples of all tracks in sequence. click the link below the player to go to soundcloud and play tracks individually.

* A welcome repress of an essential dub set from Centry, originally appearing on the Conscious Sounds label in 1993.
* Featuring 10 varied-in-style rootical dubs from Centry consisting of Nigel Lake, Chris Petter and Dougie Wardrop, with the set mixed by the latter.
* Features some blazing horns and vocal snippets (from Danny Red, King General & Barry Issac) dubbed and phased to the max.
* Limited to 500 copies only.

Crossover rocksteady to reggae from the legendary vocal group. Originally on Dynamic & Trojan labels in 1969.

A1 + A2 ARTIST - ShandiiB1 +B2 ARTIST - Winston Rose
Recorded and Mixed - Jamtone Studio by Darren Mathers
2022PRODUCED - CHANNEL ONE SOUND SYSTEM - 2023

Following on from the first edition released earlier this year, Les Disques Bongo Joe are pleased to announce "Ayiti Kongo Dub EP#2" by Chouk Bwa & The Ângströmers. Following on from 2020s acclaimed album Vodou Ale, Chouk Bwa turn up the heat for this exhilarating trip into their bush of ghosts by introducing a new stripped down line-up to fire up the dance floor, based exclusively on the drums and rhythms of the Haitian kongo rite and deep electronic dub expansions by their trusted Belgian counterparts The Ângströmers. As Afro-Caribbean polyrhythms meet bass-weight dub electronics, the two part EP has documented the group experimenting with a stripped back form which focuses on the dimension of trance. Opening with a cermonial chant and designed to enduce dancefloor delirium, the first track taken from the EP is the raw, high-octane, primordial techno of "Zemedo".

Classic roots reggae tune from 1978 by a legend of reggae music Cornell Campbell. Wicked horns on this one.