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Karate - In Place Of Real Insight

The Great Alternative Boom of the early ’90s had begun to wither on corporate FM barely halfway through the decade, but the ever-changing underground had almost entirely regenerated after two major-label thrifting trips. In the ever-in-flux city of Boston, Karate positioned themselves as a crucial tendril in a sprawling nationwide community. They did so largely by refusing to stick to any single formula from the myriad of styles at their root—slowcore, post-hardcore, and jazz. As if to make a point, Karate’s lineup went through its own shift too. In the lead up to 1997’s In Place of Real Insight, Eamonn Vitt took up the guitar, and Karate compatriot Jeff Goddard entered the fold to become the band’s bassist. Armed with two guitarists, the band got significantly louder, and they smeared punk fury all over their second LP.

pre-order now17.09.2021

expected to be published on 17.09.2021

31,64 €
Arkham - Arkham

Arkham

Arkham

12inchSR475V
Sub Rosa
17.09.2021

Arkham are an early historic Belgian 70's prog-fusion outfit that played eclectic jazz and rock mixtures in the 'Canterbury' vein, inspired by Soft Machine and Egg. Featuring keyboard player Jean-Luc Manderlier who would later join Magma, drummer Daniel Denis who would also move on to Magma as well as Univers Zero, and drummer Patrick Cogneaux.

Arkham aren't nearly as dark as Magma or Univers Zero, their jazzy overtones placing them a little closer to Soft Machine. The three musicians, who show some maturity, are obviously pouring their hearts out through out the album, which exudes an intensity that can't be ignored.

Never released before on vinyl, the recordings reproduced on this album come from magnetic tapes of some of Arkham's concerts and rehearsals, recorded at various times.

pre-order now17.09.2021

expected to be published on 17.09.2021

16,77 €
Zola Jesus - Okovi

Zola Jesus

Okovi

12inchSBR184LP
Sacred Bones Records
12.09.2017

For over a decade, Nika Roza Danilova has been 0072ecording music as Zola Jesus. She's been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label.

Fittingly, the 11 electronics-driven songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova's longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from Pedestrian Deposit, and percussionist Ted Byrnes all helped build Okovi's textural universe.

With Okovi, Zola Jesus has crafted a profound meditation on loss and reconciliation that stands tall alongside the major works of its genre. The album speaks of tragedy with great wisdom and clarity. Its songs plumb dark depths, but they reflect light as well.

Last year, I moved back to the woods in Wisconsin where I was raised. I built a little house just steps away from where my dilapidated childhood tree fort is slowly recombining into earth. Okovi was fed by this return to roots and several very personal traumas.

While writing Okovi, I endured people very close to me trying to die, and others trying desperately not to. Meanwhile, I was fighting through a haze so thick I wasn't sure I'd find my way to the other side. Death, in all of its masks, has been encircling everyone I love, and with it the questions of legacy, worth, and will.

Okovi is a Slavic word for shackles. We're all shackled to something—to life, to death, to bodies, to minds, to illness, to people, to birthright, to duty. Each of us born with a unique debt, and we have until we die to pay it back. Without this cost, what gives us the right to live And moreover, what gives us the right to die Are we really even free to choose

This album is a deeply personal snapshot of loss, reconciliation, and a sympathy for the chains that keep us all grounded to the unforgiving laws of nature. To bring it to life, I decided to enlist the help of Alex DeGroot, who has been the only constant in my live band and helped mix the Stridulum EP back in 2010. It will be released on Sacred Bones, the closest group of people I'll ever have to blood-bound family. - Zola Jesus

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Nailbomb - Proud To Commit Commercial Suicide

The final release of Nailbomb, the live album Proud To Commit Commercial Suicide, was recorded at the 1995 Dynamo Festival in Eindhoven, The Netherlands. With 110.000 attendees, this was the biggest Dynamo Festival that was ever put together. Featuring a line-up of bands like Machine Head, Life Of Agony, Biohazard, Downset, Dog Eat Dog, Fear Factory, and many more, this was truly an event people from around the world wouldn’t miss.

Nailbomb’s only live appearance, the title says it all – it’s a worthy goodbye to their fans who supported the group from day one. The last two tracks were recorded at Chaton Studios, Scottsdale, Arizona, in July 1995.

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Paladin - Paladin

Paladin

Paladin

12inchMOVLP2746C
Music On Vinyl
30.08.2021

Paladin were a British progressive rock band which released two albums during their short existence (1970-1973). They played in venues across the UK as they worked to develop their sound, performing a mix of rock, blues, soul, jazz, and Latin music. In 1971, Paladin entered the Olympic Studios in London to record their eponymous self-titled first album. The reviews were good, but the sales were disappointing. The album comes across as a smorgasbord sampling of what the era had to offer with a few original twists and turns. As diverse as it is, Paladin’s infectious rhythms and strong melodies pull the album together, and the excitement never lets up.

Paladin is available as a limited edition of 1000 individually numbered copies on silver coloured vinyl.

• 180 GRAM AUDIOPHILE VINYL
• GATEFOLD SLEEVE
• LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON SILVER COLOURED VINYL

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30,21 €
Big Lad - Power Tools

Big Lad

Power Tools

12inchHOSO48
Hominid Sounds
10.09.2021

Constructed from the brains and limbs of Wayne Adams and Henri Grimes, Big Lad is difficult to frame in words and perhaps much better served by their actions. Their live show having been continually captured, cropped and chopped over the years since their formation in 2015.

The project was rather appropriately founded off the back of a chance email, when Drummer Grimes (formerly Shield Your Eyes) suggested that the duo collaborate on a crossover project, having heard Adams’ vast Breakcore back catalogue. Adams had, somewhat serendipitously, been busy writing a Drum Trigger programme shortly before the email had hit his inbox and he jumped at


the chance to test the creation in a practice room. With Grimes strapped into this new system, songs started to appear thick and fast, and Big Lad was swiftly born.

2015’s recorded debut announced their collaboration, consciously marrying the collective excitement of both underground Punk and Electronic subcultures. 2018’s Pro Rock saw Big Lad extend the euphoria of their live show, using primal energy as an antidote against the jargonistic culture of our present.

After a year away from the heat of the stage lights, 2021 sees the triumphant return of the duo, announcing a brand new LP titled Power Tools. It’s a collection that sits as an unashamed monument, chiselled and stripped back to present the raw strength of what Big Lad has become. The results range from more familiar high octane tracks that nod to history of the rave community, to more brooding moments that appear (and vanish) like the ghosts of warehouses long since vacated.

pre-order now10.09.2021

expected to be published on 10.09.2021

25,42 €
Nick Cave & The Bad Seeds - B-Sides & Rarities: Part II
 
83
also available

2 LP[32,65 €]


Following on from the successful ‘An Idiot Prayer’ live album and livestream event released this year, Nick Cave Productions & BMG announce B-SIDES & RARITIES PART I & II to be released internationally on 22nd October 2021.

B-SIDES & RARITIES PART II was compiled by Nick Cave & Warren Ellis and features 27 tracks from “Dig, Lazarus, Dig!!!” in 2006 to 2019s “Ghosteen”. Also features 19 rare and unreleased tracks including first recordings of ‘Skeleton Tree’, ‘Girl in Amber’, ‘Bright Horses’ and ‘Waiting for You’.

UNRELEASED TRACKS *

pre-order now22.10.2021

expected to be published on 22.10.2021

187,94 €
Fumaca Preta - La Trampa

Fumaca Preta

La Trampa

7"-VinylSNDW7020
SOUNDWAY RECORDS
18.01.2016

Tortured organ derails your mind as the Funana drums force your feet to move. Soon we
dine with the devil; Fumaça Preta are leading the conga line to hell.
La Trampa' is a Venezuelan slang opera. A dancefoor tsunami.

B side 'Apelo' ofers up a twisted Fumaça Preta arrangement of Paolo Begunca's lost classic,
mixing sabbath rock, tambu, voodoo and fado. Lose your soul to the impossible cocktail
that is Fumaça Preta.

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Homeshake - Under The Weather

Homeshake

Under The Weather

12inchLYN58LPC1
Sinderlyn
14.10.2021

Peter Sagar — also known as HOMESHAKE wrote the majority of his fifth studio album, Under the Weather, in 2019, when he was going through a long, unrelenting period of sadness. “I was in a deep, deep depression,” he recalls of that time period now. Sagar and his partner were living in Montreal, and while everyone was out being social, he was inside listening to ambient music, binging Star Trek, and writing songs. (Sound familiar?) “It was a bit of a dark pit,” he says. “That’s kind of what the whole album is about.”

Under the Weather is hazy and moody, the pace slow as syrup, and from beginning to end, a fog falls over every synth and guitar line. “Oftentimes when you’re in a dark place, you’re supposed to journal and that helps release the pressure,” Sagar says. “For me, it always found its way into the music.”

Capturing the cloudy sound of a depressive funk was no simple feat, especially in the headspace Sagar was in for over a year. For that reason, he decided to enlist his friend, Jerry Paper ’s Lucas Nathan, to help with production on the record. Having Nathan contribute helped Sagar dial back some of the “dry, pristine digital sound” that defined his fourth studio album, Helium , and add back personal analog touches that drew people to the HOMESHAKE project in the first place.

As Sagar readies for the album’s release this September, the record he wrote about feeling isolated, alone, and despondent has begun to seem eerily prescient. “I’ve been writing about feeling isolated my whole life,” he says — but with age, he has come to understand them better. “I had a fairly clear idea what the album was going to be like based on where I was emotionally at the time,” he says about Under the Weather . “I just try to make music that is honest about how I’m feeling.”

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23,66 €
Jay U Experience - Enough Is Enough

Soundway fans frst got a taste of Jay-U's infectous beats with the track 'Some More', featured on the Soundway compilaton Nigeria Disco Funk Special: The Sound Of The Underground Lagos Dancefoor 1974-79'.
Originally released by EMI Nigeria in 1977, this now-rare album was writen by Jay-U and engineered by disco-boogie artst Goddy Oku. Opening with the up-tempo reggae number Reggae Deluxe', the album descends into mind-blowing jazz-funk featuring several killer saxophone solos. The journey ends with a trip into psych-prog rock, with a sound not dissimilar to that
coming out of the early 70s Britsh rock scene.
(*Note: track 5 from the original recording will not be included in this reissue)

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21,39 €
MAD VOICE - DROGEN / OHNE LIEBE LEBEN

If ever talking about a 'ghost' of an Austrian record, both in terms of getting info about and getting your hands on, the only output of short-lived band „Mad Voice“ would be a prime example of such. It took a couple of years to track original band members and the master tape down, which in the end made for Wiener Brut being able to carry out an exclusive re-release of this 7 inch. Perfect blend of minimalistic Pop, Synthwave and NDW!

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Meridian Brothers - Salvadora Robot
  • A1: Somos los Residentes
  • A2: Salvadora Robot
  • B1: De mi caballo, como su carne
  • B2: Un principe miserable y malvado
  • B3: Doctor Trompeta
  • C1: El gran pajaro de los Andes - instrumental
  • C2: La tristeza - invitando a Salvadora
  • D1: Jefe indio vengara
  • D2: Baile untimo - del preson que va a la silla electrica por ofensa a la moral colombiana
  • D3: El festival vallenato

Meridian Brothers are back with a new studio album, the bizarre and wonderful 'Salvadora Robot'. Heading deeper into the tropical rhythms of Latin America and the Caribbean each song on the album focuses on a different style and playfully twists it into Meridian Brothers's surreal landscape. Released on Soundway Records on 16th June the album was recorded at Eblis Álvarez's appropriately named Isaac Newton Studios in Bogota, Colombia.

Originally formed in 1998 it was the previous album 'Deseperanza' that brought Álvarez's Meridian Brothers to the attention of the wider world. Released worldwide in 2012, the album's unique aesthetic and freaked-out blend of Latin rhythms and psychedelic grooves won him new fans the world over. DJ and tastemaker Gilles Peterson selected 'Guaracha U.F.O (No Estamos Solos...)' as his favourite track of 2012.

'Deseperanza' focussed heavily on salsa rhythms but on his new release Álvarez based each track in a different Latin American style. For example 'Somos los Residentes' finds it inspiration in Dominican Republic merengue while 'Baile ultimo....' is a slow and sad reggaeton. The lyrics talk of a man who has been sent to the electric chair because he was dancing too much reggaeton, a style that isn't accepted as 'good taste' within Colombia.

The release of 'Deseperanza' brought them to Europe for the first time, making appearances across Europe and at some of the prestigious festival including Roskilde and Transmusicales. The band will be returning to Europe this summer.

pre-order now30.06.2014

expected to be published on 30.06.2014

30,38 €
People Rock Outfit (p.r.o.) - Blacky Joe

People Rock Outfit (P.R.O.) were a garage-rock band formed in 1974 from the ashes of The Hygrades one of Eastern Nigeria's hottest psych-funk-rock outfits of the early 1970s. This, their only album, was recorded in 1976 and originally released in only very small numbers on the EMI Nigeria label.

Assembled by drummer Stoneface Iwuagwu and bassist Drago Uboma after the dissolution of their respective Life Everlasting and Speed Limit groups, Hygrades guitarist and producer Goddy Oku assisted behind the scenes but was replaced on the bandstand by Justus "Jay-U" Nnakwe.

With the addition of former Celestine Ukwu and Segun Bucknor guitarist Olugu Abai, P.R.O. notched a major milestone backing Jamaican superstar Jimmy Cliff during his 1974 tour of Nigeria, but the group turned out to be even shorter lived then the Hygrades with the band going their separate ways - with only Jay-U staying active in the music scene with his subsequent Enough is Enough album (to be re-released soon by Soundway).

This album is typical of mid-70s Eastern Nigerian rock: rasping vocals, prominent pounding drums and blistering fuzz guitar (and check those drum breaks on Movement) Raw and wild and far from perfect in places it's a snapshot of youthful band just having a good time that will appeal to fans of Question Mark, S-job, Ofege, The Apostles and Ofo. Having never even appeared for sale on the Internet this is an album that desperately deserved a re-issue just to keep it from dis-appearing forever.

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ROGER BAUDET - MUSIQUE ÉLECTRONIQUE POUR LA SCÈNE ET L'IMAGE 1976-1992

Described by Swiss press as an “inventive genius marked by total unpredictability,” Roger Baudet’s music has preserved its freshness and spontaneity. Provoking feelings of surprise, anxiety and subjugation, he ends up bewitching you completely through his bizarre non-conformity. The oddity of the sounds is a choice of heterogeneity: the works gathered, although coming from one person, have little to do with each other. Forming a mosaic that provides a fragmented vision of atmospheres without apparent links, his music multiplies diverse rhythms and combinations, rejecting any principle of hierarchy in the musicality of the moment. The decorative music was composed as the soundtrack for theatre and ballet performances, documentaries, short films and exhibitions of paintings – a context that inevitably shines through the twenty-two pieces. Despite these classical settings, the music had a forward-facing, futuristic cadence – a precursor to the electronic genres that would later become techno or trance. This compilation from the past century is a collage of ornaments made out of sounds; stripped down, yet undoubtedly imbued with sensitivity, with hints of classical training, all suitable for contemplation.

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28,11 €
THE MAUSKOVIC DANCE BAND - THE MAUSKOVIC DANCE BAND

Soundway Records presents the eponymous debut LP from in-demand Amsterdam five piece The Mauskovic Dance Band – fusing no-wave dance punk, Afro-Caribbean rhythms and space disco in a “controlled explosion” (The Quietus).

Entirely self-produced, the band has reiterated their favourite elements of the 70s and 80s legacy of the Afro-Latin psychedelic music of Colombia and Peru, interpreting it through the context of modern day Amsterdam. The output is a lo-fi No Wave groove all its own - rooted in a deep love of champeta, Palenque, psychedelic cumbia, chichi, classic afrobeat and picó soundsystem culture.

Since the release of their “Down In The Basement” EP on Soundway Records in early 2018, the band have found themselves on a hectic European touring schedule – not to mention being involved in other side projects. Following stints with Turkish psychedelic folk rock group Altin Gün, and touring with the re-formed 70s Zamrock outfit W.I.T.C.H., Nic Mauskovic also teamed up with Dutch neo-psychedelic artist Jacco Gardner to form the “cinematic Balearic disco” duo of Bruxas (released by Dutch institution Dekmantel) – and together, they mixed The Mauskovic Dance Band debut album in Lisbon.

Lead single Space Drum Machine encapsulates the band’s prototypical brand of busy rhythmic patterns interwoven with insistent synth stabs and vibrant disco toms, layered with an elastic guitar riff drawing inspiration from Kenyan kikuyu and benga styles. High-pitched vocals describe being on a flight together and inciting each other to press a button of unknown consequence with “push it, push it” - and push it they do, at breakneck pace. And of course, the undeniable influence of Amsterdam’s hotbed of underground dance producers shines through as it does on all tracks - with the vintage psychedelic swirl of synthesiser, lo-fi drum machines and tape recording.

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Last In: 6 years ago
29,87 €
Thin Lizzy - Greatest Hits

Thin Lizzy

Greatest Hits

2x12inch3559306
UMC
25.08.2021

Formed in Dublin in 1968 few would dispute that Thin Lizzy helped define the genre Hard Rock.

The band scored 8 top 20 hits over 8 years and place no less than 8 albums in the UK top 20, 3 of which would make the top 10 and 4 the top 5.

From the mid-70s onwards, they championed the use of two lead guitars, it gave them a unique sound which evolved down the years and influenced the likes of Def Leppard, Metallica and Iron Maiden

After numerous line-up changes, Thin Lizzy called time in 1983

With 1986 just 4 days young lead singer and main songwriter Phil Lynott died aged 36. All music’s John Dougan wrote, “As the band’s creative force, Lynott was a more insightful and intelligent writer than many of his ilk, preferring slice-of-life working-class dramas of love and hate influenced by Bob Dylan, Bruce Springsteen and virtually all of the Irish literary tradition.”

This 2-LP set contains all that is great about the band – the tracklisting overseen by Lizzy Expert Nick Sharp covers what is the best of the band’s output throughout the years.

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30,21 €
Karaba - Pheremon Crumble Wax

Karaba

Pheremon Crumble Wax

12inchKRY017EP
Kryptox
02.12.2020

Karaba is the new signing on Kryptox. The Berlin label founded to show what's happening in the German Jazz crossover scene. One of these bands is Karaba from Munich. The band was already featured on the Kryptox Kraut Jazz Futurism Compilation in 2019. Now they deliver their first mini album for Kryptox. Five young guys from Munich. Skilled and tight on their instruments and deeply rooted in the heritage of all kind of wild forms of jazz, krautrock and psychedelic music. The kids began to jam together when starting to study music in 2012. Being from Munich, a town where legendary Krautrock bands like Amon Düül, Guru Guru and Embryo came from, the Karaba guys are obviously influenced by these german kraut and psychedelic sounds. You can hear that in many shades of this album: the complexity of the unusual rhythmical fundaments and percussive patterns. The Prog-Rock parts, with these partly abstract unisono lines and strange melodic figures or unexpected chord changes. Karaba’s album starts with an slightly arabic feel. The repetitive groove of „Der Inder“ gets the listener immediately into a different south-eastern space. Later the music gets more animated, more structured and more uplifting. A whole universe of little influences. Shades of certain Jazz and prog-rock bands: you might think about the canterbury scene of the 1960ies and 70ies. There are textures reminding of Soft Machine, Frank Zappa, Mats and Morgan, Kraan and maybe some Passport influences. (Another band from Munich that left a huge footmark in the worldwide jazz fusion history). The whole Karaba sound has a certain 1970es feel. But not in a pure retro way. The EP sounds more like a modern psychedelic 2020 Lofi Indie Jazz thing - a sound that fits well in these wild times and finds it’s place in the actual scenario of new jazz bands worldwide.

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13,91 €
The Beths - Auckland, New Zealand, 2020 2x12"

The anticipation is there in Elizabeth Stokes’ solo guitar riff under the opening lines of “I’m Not Getting Excited”: a frenetic, driving force daring a packed Auckland Town Hall to do exactly the opposite of what the track title suggests.

As the opener of The Beths’ Auckland, New Zealand, 2020 expands to include the full band, the crowd screeches and bellows. It’s a collective exhalation, in one of the few countries where live music is still possible.

The album title, and film of the same name, deliberately include the date and location, lead guitarist Jonathan Pearce says. “That’s the sensational part of what we actually did.” In a mid-pandemic world, playing to a heaving, enraptured home crowd feels miraculous.

In March 2020, everything seemed on track for another huge year for The Beths. Home after an 18-month northern hemisphere tour, they had just finished recording sophomore album Jump Rope Gazers and were primed for more extensive touring. But within days, New Zealand’s lockdown split the band between three separate houses. All touring was cancelled.

“It was existentially bad,” Stokes says. As well as worrying about economic survival, they lost something crucial to the band’s identity: live performance. “It's a huge part of how we see ourselves... What does it mean, if we can't play live?”

The band found an outlet through live-streaming, returning to the do-it-yourself mentality of their early days to connect with a global audience. The album and film have their genesis in that urge to share the now-rare experience of a live show, as widely as possible.

The fuzzy-round-the-edges live-streams pointed the way aesthetically. Native birds, wonkily crafted by the band from tissue paper and wire, festoon the venue’s cavernous ceiling while house plants soften and disguise the imposing pipes of an organ. The presence of the film crew isn’t disguised: much of the camerawork is handheld; full of fast zooms and pans.

With much of the material still fresh, the band was less focused on re-invention than playing “a good, fast rock show”, Pearce says. The tempo is up on crowd favourites “Whatever” and “Future Me Hates Me” (released as a live single on its third anniversary) as both band and audience feed off the mutual energy in the room.

Certain songs have taken on special resonance post-Covid. Pearce has found “Out Of Sight”, a tender rumination on long-distance relationships, hits particularly hard with live audiences.

Album closer “River Run” visibly brings Stokes to tears as a mix of achievement and relief kicks in. “You can finally relax at that point … You play the last note, breathe out a sigh and look up - and you’re in a giant room full of people happy and smiling.”

pre-order now17.09.2021

expected to be published on 17.09.2021

23,49 €
The Beths - Auckland, New Zealand, 2020 LP 2x12"

The anticipation is there in Elizabeth Stokes’ solo guitar riff under the opening lines of “I’m Not Getting Excited”: a frenetic, driving force daring a packed Auckland Town Hall to do exactly the opposite of what the track title suggests.

As the opener of The Beths’ Auckland, New Zealand, 2020 expands to include the full band, the crowd screeches and bellows. It’s a collective exhalation, in one of the few countries where live music is still possible.

The album title, and film of the same name, deliberately include the date and location, lead guitarist Jonathan Pearce says. “That’s the sensational part of what we actually did.” In a mid-pandemic world, playing to a heaving, enraptured home crowd feels miraculous.

In March 2020, everything seemed on track for another huge year for The Beths. Home after an 18-month northern hemisphere tour, they had just finished recording sophomore album Jump Rope Gazers and were primed for more extensive touring. But within days, New Zealand’s lockdown split the band between three separate houses. All touring was cancelled.

“It was existentially bad,” Stokes says. As well as worrying about economic survival, they lost something crucial to the band’s identity: live performance. “It's a huge part of how we see ourselves... What does it mean, if we can't play live?”

The band found an outlet through live-streaming, returning to the do-it-yourself mentality of their early days to connect with a global audience. The album and film have their genesis in that urge to share the now-rare experience of a live show, as widely as possible.

The fuzzy-round-the-edges live-streams pointed the way aesthetically. Native birds, wonkily crafted by the band from tissue paper and wire, festoon the venue’s cavernous ceiling while house plants soften and disguise the imposing pipes of an organ. The presence of the film crew isn’t disguised: much of the camerawork is handheld; full of fast zooms and pans.

With much of the material still fresh, the band was less focused on re-invention than playing “a good, fast rock show”, Pearce says. The tempo is up on crowd favourites “Whatever” and “Future Me Hates Me” (released as a live single on its third anniversary) as both band and audience feed off the mutual energy in the room.

Certain songs have taken on special resonance post-Covid. Pearce has found “Out Of Sight”, a tender rumination on long-distance relationships, hits particularly hard with live audiences.

Album closer “River Run” visibly brings Stokes to tears as a mix of achievement and relief kicks in. “You can finally relax at that point … You play the last note, breathe out a sigh and look up - and you’re in a giant room full of people happy and smiling.”

pre-order now25.08.2023

expected to be published on 25.08.2023

31,05 €
GARBAGE - Garbage (Remastered Edition)

Garbage

Garbage (Remastered Edition)

2x12inch4050538674583
Infectious
20.08.2021

Originally released in 1995, Garbage’s self-titled debut album was met with critical acclaim upon its release. Featuring the band’s most recognizable single “Stupid Girl”, the album has since sold over four million copies and achieving double platinum certification in the UK, US and Australia. Formed in 1993 comprising of members Duke Erikson, Steve Marker, Butch Vig and Shirley Manson, Garbage have gone onto sell over 17 million albums worldwide over a 28 year career.

This 2LP Gatefold & 2CD Digipack release, alongside the repress of their follow up album Version 2.0 (1998), is the first time the newly remastered album has been made available via BMG, ahead of their new studio album No Gods No Masters, to be released on Infectious Records in June 2021.

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27,69 €
Social Haul - Social Haul

Social Haul

Social Haul

12inchFATLP163
Fatcat Records
20.08.2021

“‘Social Haul’ is a collection of songs to get to
know us by. The album loosely depicts a
protagonist challenging perceived negative
aspects of character, particularly in others,
attacking in stages or episodes. Not dissimilar to
that unfinished Bruce Lee movie.
“Including bouts with ignorance, through to
rebellion, disassociation, spiritual bypassing,
indifference and eventually light-enlightenment.
‘Social Haul’ centres around the middle distance,
the place in which we realise that no matter how
insignificant or excluded we may feel, we all have
something worthwhile to say.” - Social Haul
Produced with Daniel Fox (Girl Band), Social
Haul’s self-titled debut album is released via
FatCat Records.
For fans of IDLES, Dry Cleaning, Shame,
TRAAMS.
Press - Features in DIY, So Young, Gigwise, Under The
Radar.
Radio - Radio 1 Jack Saunders, Gemma Bradley, Radio 6
Steve Lamacq, Apple Music 1 Matt Wilkinson, Amazing
Radio.

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21,81 €
KENNY LOGGINS - OUTSIDE: THE REDWOODS (GREEN + BROWN VINYL) (RSD 2021)

RECORD STORE DAY 2021 TITLE!!!
THE FAMOUS CONCERT RECORDED “OUTSIDE” AT THE SHAKESPEARE SANTA CRUZ FESTIVAL
NEVER RELEASED ON VINYL BEFORE… AND FOR HIS FIRST TIME IN “MARBLEWOOD” GREEN &
BROWN SPECIALTY VINYL
STRICTLY LIMITED EDITION: 1,000 COPIES WORLDWIDE
GATEFOLD JACKET WITH PRINTED INNERSLEEVES
INCLUDES THE PLATINUM SELLING HITS: “FOOTLOOSE”, “THIS IS IT” & THE DUET WITH MICHAEL
MCDONALD “WHAT A FOOL BELIEVES”
CUT FROM THE ORIGINAL MASTER TAPE
ONE TIME PRESSING COLLECTOR'S EDITION - STRICTLY LIMITED TO ONLY 1,000 COPIES
WORLWIDE!

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Various - Labyrinth of Memories

Various

Labyrinth of Memories

2x12inchKASHUALPLASTIK010
Kashual Plastik
25.08.2021
 
31

"A famous dialogue in a famous book on the transience of beauty, written by the possible only true dandy that ever promenaded on earth, goes like this:

“What of art?”
“It is a malady.”
“Love?”
“An illusion.”
“Religion?”
“The fashionable substitute for belief.”
“You are a sceptic.”
“Never! Scepticism is the beginning of faith.”
“What are you?”
“To define is to limit.”
“Give me a clue.”
“Threads snap. You would lose your way in the labyrinth.”

Unfortunately, Kashual Plastik got lost, but the threads have snapped progressively. It got lost in fluxes, that sometimes dry up, freeze, or overflow, sometimes combine or diverge. On the way it became capable of loving without remembering, without phantasm, interpretation, without taking stock. The result is “Labyrinth of Memories”, an epic four-sided compilation, full of romanticism, witchcraft, and necromancy, drifting in an ocean of sentiments, that gently reach the limits of control. The music comes from a wild bunch of sonic outsiders from all around the globe, that go by names like Cucina Povera, Laure Boer, Paula Arambula, Leighton Craig, Teresa Winter, Brannten Schnürre, Hypnotic Sleep, People Skills, Bobby Would, Genghis Cohn, Monokultur or SBooth, to name but a few. They crafted 31 collages, songs, tracks and tunes, that leave the bourgeois dream of materialistic happiness and endless party freedom behind. Their creations rather reinvent the old idea of social meaningful vocal driven music, lifting it up into an experimental plateau of electro acoustic devotion, while handing out sweet illusions, that like to lie while telling the truth. From pure folk to psychedelic fuzz, from tribalistic drone pop, and hypnotic synth murmurs to jazz infused post-rock: with “Labyrinth of Memories” Kashual Plastik enters a world full of echoes by John Bender, Vashti Bunyan, Deux, Nick Drake, Human Flesh, Alan Lomax, Meredith Monk, Television Personalities, Stereolab, Tuxedomoon, The Velvet Underground, organ church music, The Kitchen minimalism, droning campfire folk harmony, and all that Jazzpuu eccentricity. Just to get it all, you need to bring some time, thoughtfulness, forthrightness, relaxation, and an open ritual of sentimentality, that tends to be happier then sad. The rest will be done by a gut-wrenching labyrinth of memories that doesn't remember anything at all.

Mastered by Kai von Glasow."

Housed in a maniacal smorgasbord of mixed materials, card, cloth, screen prints, wallpaper, foil, photographs, and sweetmeats (possibly).

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THYRFING - VANAGANDR

Thyrfing

VANAGANDR

12inchDZLP087B
DESPOTZ RECORDS
27.08.2021

Thyrfing emerged from the ever-growing underground scene in Sweden
back in 1995.
After seven full-length albums and numerous live performances all over the
world, the band have gained a strong following over the years and an exquisite
standing within the metal scene.
They are considered one of the top bands within the so-called Viking/pagan
metal genre - but on the other hand, Thyrfing are so much more with their truly
outstanding and self-contained musical offering.
The name of the band is taken from the sword “Tyrfing” in Norse mythology - a
cursed blade that appears in several tales and myths. Ever since the start, the
mythology has played a huge part in the scenery and imagery of the band’s
music and lyrics, something which is still intact today.
‘Vanagandr’ (an alternate name for the wolf creature known by the more familiar Fenrir) is a celebration of the tales and stories of Scandinavia - the track
‘Undergangens lankar’ is a conceptual piece focusing on Vanagandr/Fenrir and
a track that carries the spirit and hallmarks that make Thyrfing so unique.
‘Dop dem i eld’ is both the opening song on the album and the first video, one
of two produced for the band by Patric Ullaeus (Dimmu Borgir, Europe, Arch
Enemy). A powerful, heavy, and aggressive track packed with groove and melody. Elsewhere ‘Tr ldomsord’ is regarded as possibly the band’s most intense
song to date, whereas ‘Jordaf rd’ closes the album in epic fashion - a mournful
and moody longing for the end to come. The perfect way to end the album!
Co-recorded and co-produced by Jakob Herrmann (In Flames, Machine Head,
Evergrey) in Top Floor Studios, Gothenburg, with the renowned Jacob Hansen
(Volbeat, U.D.O., Katatonia) looking after the mix and mastering, all of which
ensures at ‘Vanagandr’ sounds massive!
The art concept was executed perfectly by Niklas Sundin of Cabin Fever Media
(ex-Dark Tranquillity) who reconnects with the band once again (he also did
the “Vansinnesvisor” album back in 2002.)
‘Vanagandr’ is the first release via the band’s new record label, Despotz Records. Who recently also signed over the rights to the band’s first four albums
Thyrfing (1998), Valdr Galga (1999), Urkraft (2000), Vansinnesvisor (2002) and
have announced exclusive physical re-issues are in the making.
“... a successful voyage into an oaken woods where death metal, traditional
thrash, and Scandinavian folk commingle harmoniously” // John Serba, Allmusic
“This album gives you an epic feel, and that’s the big strength of Thyrfing,
their music can do something like that to you.” // folk-metal.nl

pre-order now27.08.2021

expected to be published on 27.08.2021

23,48 €
PEARL JAM - COMPLETELY UNPLUGGED (RED VINYL)

• NOW ON COLOURED VINYL - PEARL JAM’S SUPERB 1992 MTV APPEARANCE - PLUS BONUS
CUTS!
• Tailor made for a band like Pearl Jam, MTV’s acoustic showcase ran as a regular feature on the channel
between 1989 and 1999. In September 1992, Pearl Jam were invited to appear on the show, and provided
a quite stunning performance, replete with stripped down versions of their finest numbers to date,
alongside a couple of choice covers. Also featuring some fascinating and humorous between-song-rapport
from main man Eddie, this previously unreleased recording finally makes it to vinyl, more than 25 years
since the original broadcast.
• Bonus cuts here feature further acoustic recordings, taken from the band’s appearance at Neil Young’s
1999 Bridge School Benefit Show.
• FANTASTIC 140 GRAM RED VINYL.
• LIMITED EDITION.
• Full servicing to all relevant media.
• Extensive print & internet advertising.

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Lana Del Rey - Lust For Life 2x12"

"Global superstar Lana Del Rey releases her 4th album 'Lust For Life' releasing July 21st via Polydor Records. 'Lust For Life' features collaborations with A$AP Rocky, Playboi Carti, Sean Ono Lennon, The Weeknd and Stevie Nicks. The body of work is created by Lana and her longtime producer and collaborator Rick Nowels. Includes the already-released singles 'Love' and 'Lust For Life', Format Description: LP Record Heavyweight 180g Gatefold Double Vinyl and Compact Disc CD - Jewel Case, 16 page Booklet. Tube campaign and statement outdoorComprehensive digital marketing campaign to include socials, banners, retargeting etc. TV & VOD advertising campaign - £35k across appropriate channels. "

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41,98 €
LSD March - The Night

Lsd March

The Night

12inchAN'26
An'archives
29.10.2021

LSD March is a band from Himeji, Hyogo Prefecture, whose members revolved around Shinsuke Michishita, guitarist/singer, the band’s black star, before being reborn nowadays, after several years of hiatus, as a duet with Ikuro Takahashi, legendary drummer who was the heart muscle of Fushitsusha, and of most of the underground Tokyo bands.

Shinsuke Michishita has a taste for immersion, for plunging into the electric waves of gaping amplifiers, psychedelic surfer haunted by this sonic ocean and its crushing shore breaks, where the self dissolves, becomes one with the sound, where the self escapes to his dreams and nightmares.

This album recorded in 2008 is caught in a crazy time spiral, as in a dream where one desperetaely runs without moving, with the ground slipping away under our feet. The clock turns celibate, Ikuro Takahashi fractures the rhythm, hammers it further like an impossible point to reach.

Sometimes, the guitar follows or precedes him, resets the clock, with its chords slammed on the ticking, a ceremony of fleeing time. And the voice weeps like rain, or a prayer.

LSD March has often been compared to the Rallizes Denudes, a sort of poisonous resurgence of them, with Shinsuke Michishista being seen as a revenant from those psychedelic dark times. The same dark Moire, spilling from a bog overflowing with distortion, the same nihilistic, maladjusted, collapsed lyricism, a similar sad voice singing from within the ruins of time.

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The Durutti Column - Lc

The Durutti Column

Lc

2x12inchFBN10
Factory Benelux
20.08.2021

After recording debut album The Return of the Durutti Column with producer Martin Hannett in 1979, virtuoso guitarist Vini Reilly purchased a TEAC four-track recorder from Bill Nelson and began producing his own material. These evocative demos were perfected by Reilly at Graveyard Studio with co-producer Stuart Pickering, with additional drums and percussion from Bruce Mitchell. Originally released by Factory Records in November 1981, LC is a key album in a body of work described by David Stubbs of Uncut magazine as ‘unique in rock, with Reilly’s scampering, watercolour guitar style building a tentative bridge between post-punk and the chamber sketches of Debussy and Ravel.’
On this expanded Factory Benelux the original ten tracks are supplemented by no less than 9 bonus cuts, including rare Sordide Sentimental single Danny/Enigma, and the three tracks Reilly contributed to A Factory Quartet in 1980 - his last recordings with Hannett, which feature Donald Johnson of A Certain Ratio on drums.
The remastered double disc set is housed in a gatefold sleeve printed on matt reverse board, with liner notes and archive images. The package also includes an exclusive 7-inch single featuring live versions of Sketch for Summer and Requiem for a Father, recorded at Leeds Polytechnic in October 1980. These are the earliest surviving professional live recordings of Durutti Column in concert.

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26,51 €
Female Species - Tale of My Lost

Female Species

Tale of My Lost

12inchNUM73LP
Numero
11.08.2021

This is the story of two sisters who nurtured a dream for half a century and never let it die. Vicki and Ronni Gossett launched their musical career as teenagers in Whittier, California in 1966. They called themselves the Female Species. Members came and went; their base of operations moved to Las Vegas, back to LA, and over to Nashville. Along the way their sound transformed from garage rock to lounge to country pop, the only constant being an innate mastery of hooks and harmony.



These ladies had it. Along the way, they crossed paths with The Carpenters, Paul Revere & The Raiders, The Judds, and seemingly half of the industry’s power players, rebuffing all untoward advances, focused always on their craft. In the 1980s they became staff songwriters for music publishing companies in the hit-making business. Relentless pushing landed them a once in a lifetime audition before the court of RCA’s top executives — the kind of new talent showcase that almost never happens after 30.

Vicki and Ronni were by then in their 40s. Tale of My Lost Love is the whole story from beginning to end of two sisters who gave everything to their dream, yet never made a single record... until now. Sometimes great music just isn’t enough to break through — until it is. Numero Group is thrilled and proud, at long last, to introduce Female Species.

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Last In: 5 years ago
28,53 €
Guns N’ Roses - Greatest Hits

Guns N’ Roses

Greatest Hits

2x12inch0712479
GEFFEN
07.10.2020

Der Best-of-Klassiker „Greatest Hits” von Guns N‘ Roses, bislang nur auf CD und digital erhältlich, erscheint erstmals nach 16 Jahren auf Vinyl (als Doppel-LP, je 180g).

Das Album erschien ursprünglich im Jahre 2004 und stieg direkt auf Platz 3 in die Billboard-200 ein. In Deutschland belegte „Greatest Hits“ den vierten Platz in den Albumcharts. „Greatest Hits“ vereint 15 der legendärsten Guns N‘ Roses Tracks, darunter die drei Mega-Hits „Welcome To The Jungle“ (#7 US), „Paradise City“ (#5 US) und „Sweet Child O‘ Mine“ (#1 US), welche allesamt auf ihrem Debütalbum „Appetite For Destruction“ (18-fach Platin US) im Jahre 1987 erschienen.

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Last In: 8 months ago
33,19 €
CHARLIE BENANTE & FRIENDS - SILVER LININGS

With a little help from his friends, Anthrax’s Charlie Benante releases ‘Silver Linings’. Featuring an all-star cast of “who’s who” in the thrash, metal, and rock worlds, ‘Silver Linings’ is 14 tracks culled from Benante’s acclaimed ‘quarantine jam video series. Benante collaborated on jams with fellow Anthrax bandmates Frank Bello, Scott Ian and Jon Donais, his girlfriend Carla Harvey (Butcher Babies), Corey Taylor (Slipknot), Ra Diaz (Suicidal Tendencies), Mark Osegueda (Death Angel), John 5 (Rob Zombie), and Alex Skolnick (Testament), among many more. Some of Charlie’s favorite songs by Rush, Tom Petty, The Beastie Boys, Stormtroopers of Death, Kings X, Run DMC, Massive Attack, U2, Fugazi, The Chemical Brothers and Billie Eilish were covered. For the album’s cover art, Charlie recruited his friend, artist Brian Ewing, whose art he’s always loved. “I think he did a great job,” said Charlie, “and the package’s artwork ties in my fascination with horror.” “This isn’t a solo album,” Charlie added, “this is a record of my favorite songs done with some of my friends during a time that was very dark. We found a shining light and this is the result of that light. I was really happy that my musician friends came on board and helped make this record what it is. I appreciate all of them, and they all did such a fantastic job. Despite all of the darkness we’ve experienced this past year, there are ‘silver linings,’ that’s why I chose that title for the album.” Benante has earmarked a portion of the Silver Lining proceeds for the Neal Casal Music Foundation, an organization that provides musical instruments and lessons to students and makes donations to much-needed mental health organizations that support musicians in need

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Various - Color de Trópico

Various

Color de Trópico

12inchELPALMASLP09
ElPalmas Music
09.08.2021

*Repress*

Color de Trópico is a carefully-compiled work of healing and reconstruction, documenting a special moment in the history of Venezuelan music, when the country’s democracy was just a few years old and the profound impact of the oil industry on society had only just begun. DJ El Palmas and El Dragón Criollo have chosen eight impossibly hard-to-find jewels, originally released between 1966 and 1978, reissued here for the first time on vinyl.

In this period, Venezuelan musicians assimilated a wide range of influences and styles, both local and global, to generate something new, a “modern” identity for Venezuelan music; artists who set their eyes on the future without giving up the search for their own sabor (flavour). This is how jazz, rock, salsa, funk, psych, prog and disco, sat next to guajira, cumbia, cha-cha-cha and even the hugely-popular Venezuelan style of joropo. It started a long tradition of Venezuelan musical pioneers, many of whom are still to get the recognition they deserve.

Seconds after the needle drops on the vinyl, “El Despertar” (“The Awakening”) kicks off things with a goodbye for it was the last single Los Darts released before their dissolution in 1974. In the 60s they became the youthful face of pop, however, “El Despertar” settles into a later maturity, having digested the tumult of the times. A cha-cha-cha rhythm with bossa nova piano, bluesy stylings and a Caribbean context – a blueprint for tasty miscegenation – with the use of electric guitar, arriving in waves of chords, signalling the onset of modernity.

“Guajira con Arpa” by the pioneering Hugo Blanco, who lists the creation of countless rhythms and his early adoption of rhythms like ska amongst his claims to fame, is a fusion that arrives without complexities. It approaches indigenous forms from a multitude of different angles, yet in the middle of its Caribbean approach it creates a melody so close to the pajarillo that the song seems to flip on its head.

With “Zambo” the party is on. Here we have an all-star line-up comparable to master Cortijo’s brief project with his Time Machine in Puerto Rico. Alex Rodríguez, one of the most important jazz guitarists in Venezuela and his Retreta Mayor give a twist to the fusion by daring to venture into Latin jazz, funk and salsa.

“Gaita Universal” by El Combo Los Capri, gives us a moment of solace, recalling the cultural, rhythmic and even spiritual brotherhood of Venezuela not only with the Caribbean but with the continent, South America and neighbouring Colombia. This cumbia is special, it interweaves musical phrases in the style of a popular party wanting to propose the permanence of culture. Rhythm is the point of union between all human beings and, as its name indicates, its proposal goes beyond the physical and particular. It’s pure tropical hedonism.

Nelson y sus Estrellas reminds us once again of the Caribbean wave but here under his “urban” outfit. Nelson plays guaguancó in the style of original salsa, specifically in this version (the theme evolves over time) with a disco-soul twist on “Fantasía Latina”. It takes the sound of early masters like Eddie Palmieri but is developed with eclectic elements, a climatic structure in which a trumpet with vibrato, salsa-rock riffs with acoustic guitars and a flute that, unlike the charangas in those that Johnny Pacheco partook at the same time, rather have a cinematic character.

The cosmic “Tu y Yo” from Almendra plots a journey between soul-jazz and psychedelia that sails over a Moog until ending as a P-Funk descarga. Despite the fact that the principal instruments are an organ and a synthesizer, the acoustic guitar provides a unique colour. A tropical psychedelic journey from beginning to end seasoned with congas.

The album closes with Tulio Enrique León y Su Organ playing “Bimbom”, a European pop-styled track from 1975. It’s a version of Bimbo Jet’s Eurodisco “El Bimbo” that immediately became famous among popular easy listening orchestras throughout summer in Europe. Tulio Enrique shines by turning it into an enigmatic and spectral cumbia. Tulio was an organist whose blindness did not prevent him from becoming one of the most popular artists in the world, as cited by Billboard in 1965.

We have left the politically-incorrect “Socorro, Auxilio” by Germán Fernando for the end. According to music journalist Alfredo Churión “those who saw him attested to having witnessed something indescribable”, a mysterious man who doubted even his sanity and of whom today practically nothing is known. He was someone who dared to show a completely foreign effrontery, signing unintelligibly, moving frantically and throwing himself to the ground before the stunned gaze of his audiences. Venezuelan writer Luis Armando Ugueto states: “his art could go from the sublime to bad taste – and it was craved by the press – when he subjected viewers to strange songs where he pleaded for socorro and auxilio help.” Germán Fernando had a histrionic proposal that was a thousand times misunderstood and that even popular presenters of the time like Renny Ottolina dubbed “his follies”. A theme close to the jazz orchestra soundtracks of James Bond and Batman accompanies the showman here who comes across like a creole Screaming Jay Hawkins. He creates a whirlwind of sound that, while as agile as a featherweight, is also capable of knocking out all the old ideas we had about Venezuelan music.

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Arcade Fire - Arcade Fire EP

Arcade Fire

Arcade Fire EP

12inch190758652917
Sony UK
17.06.2020

This is the original Arcade Fire demo EP recorded in August 2003 in a barn in Maine, featuring an earlier line up of the band (Win Butler, Régine Chassagne, Dane Mills, Brendan Reed and Myles Broscoe). It was produced by Richard Reed Parry, Win and Régine, and was originally only available at live shows. The EP features an early version of fan favourite 'No Cars Go'. Marketing. Online/social media activity. Poster campaign and database mailout.

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Last In: 6 years ago
27,69 €
JOE COLLEY - AETHER GROOVES TRYING TO PLAY NOTHING

A recording of Samuel Beckett’s “Text for Nothing #8” read by Jack McGowan 1958 (used without permission) is burned to a CDR with 99 index points. A Sony Discman in shuffle mode attempts struggles to play the disc. Electromagnetic signals of struggling CD player mechanics are recorded, edited and collaged into two pieces.

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Last In: 5 years ago
7,02 €
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