Pop & Rock Vinyl New Releases - News

Acclaimed Malian musician Sidi Touré returns with his fourth album, 'Toubalbero'. Named after the large traditional drum used to gather people in the Malian region of Gao, 'Toubalbero' is a danceable, dynamic and, despite the region's significant political challenges, joyous album.
'Toubalbero' is the first album by the acclaimed Songhaï legend to be recorded with electric guitar and bass - the groove is irresistible.
'Toubalbero' was recorded in Mali's legendary Studio Bogolan where Ali Farka Touré, Toumani Diabate and Björk have recorded. The album was then mixed live by Jason Meagher at Black Dirt Studio (Steve Gunn, Black Twig Pickers, Jack Rose).
Since his debut album Touré has toured extensively in both Europe and North America at prestigious venues and leading world music festivals, including New York's Lincoln Center, London's Barbican, Chicago's Millennium Park, the Vancouver Folk Festival and New York's SummerStage festival. Touré will tour the US this Spring with appearances at the Brooklyn Bowl's Festival of Mali, New Orleans Jazz Festival, and The Kennedy Center to name a few.
CD in 4 panel mini-LP style gatefold package with metallic
gold ink. 2LP version pressed on virgin vinyl and packaged in a gatefold jacket with metallic gold ink and free digital download card.
Touré weaves beautifully textured songs, each takes a snapshot of an individual Songhaï musical style, from takamba dances to the holley played in possession rituals to the gao-gao played at joyful times like weddings.' - NPR Music First Listen

Slowly Rolling Camera is a project led by Dave Stapleton, pianist and founder of Edition Records, alongside Deri Roberts on electronics and sound design, Dionne Bennett on vocals and Elliot Galvin on drums.

The result is music that has distinct echoes of the 'invisible soundtracks' of UK progressives Cinematic Orchestra and Portishead as well as the polychrome textures of maverick Scandinavian artists like Sigur Rós.

This particular 7' showcases Stapleton's imaginative compositional and arranging skills, as he extends the original ensemble with a string section and horn parts, to great effect.

The release includes an incredible selection of British jazz talents, such as Mark Lockheart on saxophones and Jasper Hoiby on double bass.

More unearthed tape from a jazz icon! This second volume of Jazz Mill recordings shows Barney firmly at the top of his game. Once again, Kessel and the Jazz Millers (pianist Pete Jolly, drummer Art Kile, and bassist Gene Stoffell) interpret a variety of standards from The Great American Songbook and each arrangement serves to demonstrate the group's superb chops and collective creativity. In Mean to Me,' a vintage standard from 1929, a high velocity rendition of Harold Arlen's Let's Fall in Love,' the riff tune Godchild,' and others, Kessel and the Jazz Millers demonstrate superb chops and collective creativity. Thanks to Jack Miller, a young Phoenix audiophile, armed with his Knight-brand recorder, today we can relive and enjoy the artistry of one of jazz's most extraordinary musicians. This is Barney in his salad days when he was topping all the major jazz polls and emerging as one of the most important guitarists of that or any subsequent era. Available on blue vinyl or CD, both featuring liner notes from noted jazz author Jim Carlton!

Jazz guitar autodidact and 1956 Downbeat Critics Poll winner Dick Garcia struts his stuff while the likes of Bill Evans, Gene Quill, and John Drew try to keep up! The combination of Bird, Christian and his own personality meld here in Dick's own swinging style, delivering repertoire so diverse it required three different backing bands! Message From Garcia presents Dick in various contexts so as to give the listener an idea of his scope - the material is diversified in order to give Garcia and the other instrumentalists a chance to speak of varied moods. The first group is a quartet typified by a quietly pulsating, yet exploratory quality on Have You Met Miss Jones,' I Don't Want To Set The World On Fire,' and Potatoes.' The second unit finds its identification in the ensemble sound of the guitar and piano on Ev'ry Night About This Time,' Like Someone In Love,' and Kimona My House.' The last group tends toward a more basic jazz quartet persuasion on The Deacon,' Stompin' At The Savoy,' If I'm Lucky' and It Could Happen To You.' Modern Harmonic proudly presents this mid-mod guitar jazz gem pressed on translucent icy light blue vinyl!

This new label from Toronto is a thrilling prospect. Its first release — a five-track EP — is a warmly personal, yet cosmically-minded blend of jazz, funk, disco and Fett-style ambience, candidly pitched at the dancefloor. Lovely stuff.

First ever reissue of this impossible to find artefact from the Swiss underground avant-garde scene of Geneva, originally released as a private boxset limited to 150 copies in 1973, only sold at art galleries.

A unique, instrumental mix of free-jazz, classical, psych-rock, folk, improv, kraut, funk and musique concrete with tape effects...

In the late 60s, musician / guitar player Christian Oestreicher, a savage in the era of twist and free jazz', met artist and painter Richard Reimann - famous for his optical art -, at the Aurora art gallery in Geneva. Fuelled by the artistic creativity from this underground scene, where jazz and rock musicians rubbed shoulders with artists, poets and painters, Christian ideated the Mouvements project, enrolling his friend Richard to create the artwork.

Christian was a trained guitar player with diverse influences: Ornette Coleman, Chuck Berry, Zappa, Soft Machine...He envisioned Mouvements as a concept album and he asked some of his musician friends from the jazz / rock scene to join in for the recordings: among them, Jean-François Boillat (of Boillat-Thérace), Blaise Català, Jerry Chardonnens...

The album sessions took place at an occupied mansion during 1972, using three Revox machines. The musicians played standing in a circle and there was lot of room for improvisation. Tape effects and a small portable synth were also used.

The result was released in 1973 as a hand-numbered, deluxe boxset limited to 150 copies, including a series of Richard Reimann's lithographies and inserts. For this, the first ever reissue, we've created a new, more affordable edition with new artwork, including an insert with liner notes and previously unreleased photos.

LP edition comes housed in a silver-mirrored sleeve.

LP version come with a digital download coupon including all the tracks from the LP/CD plus another four bonus tracks taken from the album sessions.

Highly recommended if you're into avant-garde psychedelia, free-jazz, free-rock, psych-funk, kraut...

Think Staff Carpenborg, Zappa, Soft Machine, Bo Hansson, The Feed-Back, Mahogany Brain, Semool, Pierre Schaeffer, the BYG and Futura labels...

*Master tape sound
*Insert with liner notes and rare photos
*Digital Download Coupon including nine previously unreleased bonus tracks

Digital-Only Bonus Tracks: Largo Pour Trompettes - Mouvement Pour Guitare B1 - Mouvement Pour Guitare B2 - Hard-Rock Ouverture (Take 2)

A smart set of fine beat-era jazz, beautifully programed and compiled for the hi-fi in your home! Includes some of the top players of the era- Zoot Sims, Paul Quinichette, Gene Roland, and others- in selections suited for a swingin' starlit session! 'Start Here,' says it all as this both the perfect way to start this LP and the perfect way to start your jazz collection! From the distinctive style and touch of Randy Weston on the keys, to the tenor tones Paul Quinichette blows, these are the tracks to let your hi-fi strut its stuff! A virtual greatest hits of '50's jazz from the Dawn Records catalog, including cuts from The Modern Art Of Jazz by Mat Mathews, to cool jazz LPs from Zoot Sims, Paul Quinichette, Gene Rowland, Dick Garcia and more! ...and when we say cool jazz' we mean cool' jazz! Modern Harmonic proudly presents Jazz for Hi-Fi Lovers, pressed on clear vinyl!

Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.

Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the Wild Havana' album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.

Buried for many years, we're excited to bring to life this unique album.

RIYL: HERBIE HANCOCK, RICHARD PINHAS, CHRISTIAN BOULE, OREXIS...

*Insert with liner notes by band member Johan Smit.

...a beautiful, strange psych-prog LP with abstract compositions ,experimental edges and some funk hints' - Mutant Sounds

Mopo, a trio of sax, bass and drums from Finland, has been on the radar of international tastemakers already for a while thanks to their unique blend of jazz, punk, and inpisration from the Finnish nature. Now the trio of saxophonist Linda Fredriksson, bassist Eero Tikkanen and drummer Eeti Nieminen is set to release their fourth album on Helsinki's We Jazz Records.

"Mopocalypse", a highly flammable mix of rough-around-the-edges jazz and melodic songwriting, is the remarkable next step for one of Finland's most potent exports. Mopo swing, grind, drive hard, and slow down with an impeccable sense of dynamics. Their music is raw and beautiful.

Selected airplay: KCRW, KEXP, Jazz FM, Basic Soul, TNDC, Deutschlandfunk Kultur, Worldwide FM, WDR 3, Radio Helsinki "Album of the Week".

UK Vibe 5/5

The debut album from Seattle's Delvon Lamarr Organ Trio. The group channels old-school organ combos like The Meters and Booker T & The MGs, but are making it fresh and feel new again!

Originally released in 1970, Electronic Meditation' is the first album by Tangerine Dream, and the only one
to feature the line-up of Edgar Froese, Conrad Schnitzler and Klaus Schulz.
The album fuses together different styles from jazz to experimental rock and employs amongst the more tra
ditional instruments like guitars and organs, drum and cello, electronics conceived by Edgar Froese himself.
The album was recorded entirely inside an abandoned factory in Berlin in October 1969.

A stunning collection in 3 volumes documenting the early years of the great Miles Davis.

The first steps into the legend of the Young Man with the Horn!

A stunning collection in 3 volumes documenting the early years of the great Miles Davis.

The first steps into the legend of the Young Man with the Horn!

A stunning collection in 3 volumes documenting the early years of the great Miles Davis.

The first steps into the legend of the Young Man with the Horn!

- 180 GRAM AUDIOPHILE VINYL

The Headhunters' Straight From The Gate was their 2nd album and was released in 1977. Originally started as a jazz-fusion band fronted by Herbie Hancock, members Paul Jackson, Bennie Maupin, Michael Clark, Paul Potyen, Derrick Youman and Obsidion Blackbiyrd delved further into jazz-rock and fusion sounds and recorded the album at The Automatt studios in San Francisco.

The Headhunters use a wide range of instruments. From the electric piano, to tenor and soprano saxophone, flute, sitar, electric and acoustic guitar as well as adopting an early ARP synthesizer.

Their music is certainly a blend of many styles and genres, including R&B, funk and African rhythms and it is widely accepted that The Headhunters made their mark on the serious' jazz scene.

Just as Liverpool named its airport after John Lennon, New Orleans' gateway to the sky now bears the name of another musical giant. Like the late Beatle, Louis Armstrong put his home town firmly on the map, and his legacy will be listened to and appreciated for as long as music is played. Wherever in the world you fly from New Orleans, the name of Louis Armstrong is known, revered and respected. Here's a selection of his greatest
songs that tell you exactly why.

QUAD SAX is the cut-down version of URBAN SAX, composed by Gilbert Artman (LARD FREE, URBI-FLAT KOMINTERN, CATALOGUE).
An exploration of minimalism and repetitive music ( evocating Steve Reich pieces) by a brass quatuor designing a spacey odyssey through unknown territories.

Sun Ra's legendary 1978 Italian studio sessions, now available together for the first time ever on vinyl! Long sought-after by collectors, these extremely rare studio sessions were originally released in 1978 as two double LPs (New Steps and Other Voices, Other Blues) on the mysterious Italian jazz label, Horo Records. They have never been reissued on vinyl (and only partially reissued on CD) until now! With the help of trumpet player, Michael Ray, drummer, Luqman Ali and saxophonist John Gilmore, Ra kicks off the quartet sessions with the classic "My Favorite Things", which features some superlative playing by Gilmore, while Ra pounds away on an old upright studio piano. In fact, for the first two sides Ra plays mostly piano, while on sides C and D, he sticks more to his new Crumar Multiman, an Italian-made synthesizer that Ra had purchased during the tour. These sessions are also interesting because they give listeners a chance to hear Ra concentrating on primarily his own compositions-many of which (i.e. "Rome At Twilight" "Along The Tiber") were inspired by his time spent in Italy-but in a more intimate / Arkestra-less jazz setting. Fans will be clamouring to get their hands on this before it disappears again for another 30 years.

Seems strange that Tommy Stewart's seminal rare groove funk anthem 'Bump And Hustle Music' has never had a 45 release but Mukatsuku has set out to re address this issue with volume 2 of their First Time On A 45 Classics series. On the flipside we find the sublime version of Stella ' from Bridge via the originally unreleased album 'Crying For Love' recorded in Boulder, Colorado in 1981. First Experience reissued that album in 1999 but this is the first time 'Stella' written by Paul Tillman Smith has been made available as a 45

As the lead singer of George Darko's legendary Burger-Highlife hit-band, Lee Dodou became the number one voice of 80's Highlife. Born in Kumasi, the epicenter of Ghanaian Highlife, he came to Berlin in the late 70's - by then the uprising epicenter of Burger-Highlife - to work as a back-up-singer for Pat Thomas. After joining and leaving Georg Darko and running his own band "Kantata", he stopped releasing music in the early 90's. Now, Philophon is proud to present new recordings of his soulful genius to the world of 2018.

Basa Basa is a song in the classic "concert party" style, as it was played in the glorious 60's. After a firey horn introduction Lee takes over in that funny and entertaining manner typical for "concert party" music. Buzz Duncker joins Lee's phrases with some gentle clarinet. Highlife at its best!

Sahara Akwantuo is anything but a classic: it's the start of a kind of philophonic Highlife, labeled as Kraut-Life. Ghanaian love of life meets German romantic melancholy. Happy rhythms meet mysterious synth landscapes. Eternal summertime and mangos are meeting a wet winter world and roast apples. Kraut-Life at its best!

Originally released on Prestige in 1957, this is the third LP from NYC street performer and avant garde/minimalist composer Moondog. Perhaps the least accessible of his early releases, this album is made up of percussive jams, usually on instruments of his own creation, street sounds, poetry, and Far East melodies, despite opening with a swinging number that is, oddly, the most bizarre thing on the album. Another classic from Moondog reissued with its original Andy Warhol artwork. Limited edition of 1,000 on purple and green starburst vinyl.

Bitches Brew was a shot across the bow of jazz insularity, and, much like the Beatles' Sgt. Pepper before it, it drew upon elements both inside and outside the mainstream to fashion an avant-garde. Repressed on 180 gram vinyl.

An exciting collection from pioneering Thai molam idol Banyen Rakkaen, featuring her most thrilling performances from the early to mid-70s, with innovative genre-bending arrangements and
production from Thepphabut Satirodchomphu.

These tracks, all originally released on 7-inch vinyl, showcase her powerful yet alluring voice, revolutionary yet rooted in tradition. Her exciting performance style was revolutionary and shocked traditionalists, but none could dispute the fact that she was a truly gifted singer, and Theppabut's visionary production skills added to the feeling of freshness and vitality.

The early 1970s saw a growing demand in Thailand for exciting and danceable music, and the recordings compiled in this release filled that demand perfectly. Banyen was one of the great singers of that era who propelled Isan music to nationwide popularity. A true star who in 2013 was designated a living national treasure, Banyen stole hearts with these hard-driving hits, while inspiring a new generation of aspiring singers. Banyen will now steal your heart.

Great compilation of classic 'undiscovered' jazz and rare groove tunes as well as some new productions from interesting band like NOMO, Francisco Mora & Dwight Trible...
This compilation is kicking off the Spiritual Jazz series on Kindred Spirits, called Free Spirits. What better way to do it with a compilation that mainly consists of super rare jazz from around the globe, but also touches on recent material and even unreleased material. This is an absolute must have for every jazz fan. Sarah Vaughan, Stanley Cowell, Steve Reid & Doug Hammond o.a. represent the classic 70s period, while Francisco Mora & Nomo fuel the contemporary period. To finish it of we have included an unreleased version of Coltranes A Love Supreme covered by Build An Arks Dwight Trible, clocking at an impressive 11:34 min.

This year its been 10 years since jazz legend and philosopher Sun Ra died. Therefore Kindred Spirits is released a dedication album and what a way to do it! Many contemporary artists / producers from different parts of the music spectrum have been asked to do a cover or inspiration. They all had one thing in common: they were heavily inspired and/or influenced by the live and music of Sun Ra. On a straight jazz tip are Francisco Moras (drummer of Sun Ras band, the Arkestra) Outerzone Band, Madlibs Yesterdays New Quintet (feat. Dudley Perkins) and Mocky. Jimi Tenor gives Love In Outta Space a soul twist and also Kirk Degiorgio as Offworld comes with a souled out cover of Astro Black. Recloose and Theo keep it slightly house and Mustang remains close to his offbeat production, while LA based Build An Ark debuts with a African vibed cover of Door Of The Cosmos. King Britt pays homage to his fellow Philly musician on a hip hop tip, while Philip Charles closes off in synthesizer wonderland. We could keep on describing this, but in essence it is all jazz, an experiment, put together by many of the great musicians of today. Sun Ra lives onforever.

Second release on KingUnderground
Double sided instrumental funk 45
Limited edition of 300 copies
For fans of funk, soul, library records & old film soundtracks
Promo copies have been sent to Giles Peterson & Thris Tian

Magic in Threes release their second release on KingUnderground with a double sided funk 45 inspired by 70s soundtracks.

The band Magic in Threes, consisting of 3 members are from Nashville, Tennessee. On Friday 9th February 2018 we are releasing two songs of theirs that sound like they could be on an old KPM library record or a 1970's soundtrack. The band have a full length in the making coming out on KingUndeground in the near future.

In 2016, the band were writing and recording a new track every week. They spent so much time in the studio that year that the song ideas just kept coming, one after another. They have always been rooted in library music and over the years they've dug deeper and deeper into that sphere of inspiration. "Finnish Funk" and "Shot Thru The Grease" are both loving homages to that genre. Heavy beats with diabolical melodies are the name of the game for The A-side, "Finnish Funk". On the flip side "Shot Thru The Grease" has more of a loping feel to it with ample portions of moody thematic elements. Like a score to a lost 1970s Italian action film, these tracks hit like a hard nosed detective closing in on his next collar.

Raw rhythm & blues out of Seattle! Camelot Records, operated by Jan Kurtis Skugstad from 1964 to 1966, released an astounding number of singles and even full length albums during its short time of existence. Camelot is best known in collector circles for two monster releases by organist Ron Buford (accompanied on vocals by Ural Thomas on "Deep Soul"), however within their output are still some recordings which not many people have heard of yet. This is exactly the case with the two songs by Johnny Lewis which you find on this sweet 45RPM single. "Unchain My Heart" and "I Got A Woman" are two really nice cover versions which sound even better on this properly mastered 45 with its crispy and raw sound.

Fuzati (Klub des Loosers), Produzent und hartgesottener Plattensammler liefer die nächste japanische Rarität auf dem Le Très Jazz Club Label. Neuauflage des atemberaubenden 1973er Modal- und Spiritual-Jazz Albums "Morning Flight" von Posaunist Hiroshi Fukumura, begleitet von Shinji Mori (Schlagzeug), Tsutomu Okada (Bass), Hiroshi Tamura (Klavier) und Shigeharu Mukai an Posaune. Essentiell!

Fuzati (Klub des Loosers), Produzent und hartgesottener Plattensammler liefert die nächste japanische Rarität auf dem Le Très Jazz Club Label. Mit dieser Neuauflage von "Orang-Utan" des legendären Bassisten und Cellospielers Isao Suzuki bietet Le Tres Jazz Club ein bemerkenswertes und begehrtes Free-Jazz-Album. Der gleichnamige Track ist eine erhabene Mischung aus Free Jazz und Jazz Fusion, geleitet von Saxofonist Kenji Mori und Kazumi Watanabe an der Gitarre. Essentiell!

This 12' begins with Collocutor ripping into Miles Davis' 'Black Satin', from the benchmark On The Corner LP, and owning it from the off. A respectful homage is paid to the original with sensational improvised parts being added with a hip groove from the percussive wonders of Magnus Mehta (Magnus P.I.), Maurizio Ravalico and bassist Suman Joshi. The sparks fly as guitarist Marco Piccioni channels the spirits of late '60s psychedelic fires. The melodic riff of Miles' classic is stripped down by Simon 'Shwaa' Finch and Mike Lesirge who subtly encapsulate the original's atmosphere.

The A-side is completed with the label's latest signing, DJ Khalab delivering a sharp, warped assault on Collocutor's 'The Search', just in time for the LP's repress.

On the flip is a live version of 'The Search' recorded during the 'Live at the Fish Factory' Session in 2016 which, have so far resulted in two collector's edition dubplates that are as rare as hen's teeth. The invigorated far out sound has been mixed on this recording by producer Sam Jones who has entrenched himself with the On the Corner approach and brought his 'Sam Jones Construct' vision to the label. Marco Piccioni sold his soul at a highway crossroads on the way to the recording. There are spirits riding on the backs of the ensemble guiding this version of 'The Search' out into cosmic oceans.

The 12' ends with bassist Ruth Goller (Melt Yourself Down, Let Spin, Gufo and Bug Prentice) stewarding her virtuosic groove sensibilities into the twilight zone with this brooding off -kilter abstraction of 'Everywhere'. The stripped backbones of the tracks rhythm are punctuated by a dialogue and mantra summoned by Goller that moves menacingly over a synth bass augmented b-line.

As label founder Pete OntheCorner describes the release: 'This EP ushers in a string of releases that embody the label's vision. The futuristic concept first realised by Miles Davis with On The Corner and more generally during his electric period is at the heart of our collaborative, genre-less burning chalice. Analogue genius being mutated with a charge into something other, a vanishing point of ethereal musical feeling where the space for fresh narratives can be formed beyond genre and out On the Corner.

Victoria's artwork is always stunning and for this series of works she has already conquered the sublime with the sleeve for Black Satin".

* Lp pressed sea green colored vinyl

* Extra heavy print board, metallic ink jacket

* Comes with digital download and extra tracks, instrumentals, dance remixes, ability for dj's to remix.

* Album features young up and coming P-funk musicians: Danny Bedrosian, Tonysha Nelson ( George's grand daughter), Benzel Cowan

* Also includes all the master such as: Blackbyrd McKnight-guitar, Lige Curry- Bass, Steve Boyd vocals and guest stars: Sue Ann from Prince, Kern Brantley from Lady Gaga, Mary J Blige

* Recorded live in Detroit at United Sound- home to Motown

DETROIT RISING: A COSMIC JAZZ FUNK ADVENTURE—an unprecedented project created by universally respected musicians, including current and original members of the archetypal funk band Parliament-Funkadelic, along with a selection of world class talent from across the country—is going to bring a new style of funk to audiences this spring.

The hybrid jazz-funk and R&B-flavored album—set for release Friday, March 30 via Down Jazz Records, with physical distribution via the Seattle-based Light In the Attic Records—is a collaboration between highly sought after young P-Funk artists and writers, and is supported by legendary industry veterans, including members that have performed with artists such as Beyonce, Lady Gaga, Mary J. Blige, Herbie Hancock, Bootsy Collins, Bernie Worrell, Theo Parrish and Red Hot Chili Peppers, in addition to their regular work with Parliament-Funkadelic. Key figures in the group also played regularly with late, great artists such as Prince and Miles Davis, among others.

The 10-track album—conceived and overseen by creative producer David Schwartz over the past three years—opens with the saxophone and keys-heavy Lashing Out' followed by Little Bit,' one of multiple tracks that musically stretches out over nine minutes in length. Elsewhere is the soulful Rocket Love,' the sexy ode of Gorgeous' and the groovy unity-themed anthem With Peace & Harmony.' *See below for the full track listing.

DETROIT RISING was recorded live at the world famous Motown affiliated United Sound Studios in Detroit, as well as at renowned studios in New York, Los Angeles, Las Vegas and the Swamp Funk studios in Florida, and mixed and mastered by some of the best engineers in the business, including Richie Beretta (Beyonce), Tatsuya Sato (A Tribe Called Quest) and Mark Santangelo (Childish Gambino). The result is a highly skilled, vibrant and progressive album that combines elements of funk, jazz, soul, hip-hop and rock 'n' roll to capture a live sound that genuinely represents the next best thing to having the full band performing live in front of an audience.

Featured on DETROIT RISING are United Sound musicians guitarist DuminieDeporres (Theo Parrish) and bassist Kern Brantley (Lady Gaga, Beyonce) and P-Funk musicians Gabe Gonzalez (drums), Danny Bedrosian (piano, keys, moog, vocals and current young Parliament-Funkadelic synth leader), DeWayne Blackbyrd' McKnight (guitar/has also played with Herbie Hancock, Miles Davis, Red Hot Chili Peppers and Bootsy Collins), Lige Curry (bass), Greg Thomas (saxophone, vocals/also played with Bootsy Collins), Benjamin Benzel' Cowan (drums and son of P-Funk trumpet player Benny Cowan), Tonysha Nelson (vocals and granddaughter of George Clinton) and Steve Boyd (vocals), along with special guest vocalist Sue Ann Carwell (Prince, Parliament-Funkadelic).

After years of honing their performance skills on worldwide stages, the current touring musicians of DETROIT RISING now take center stage, performing original compositions that shine a light on the true extent of their talent and creativity.

- 180 GRAM AUDIOPHILE VINYL
- INCLUDES INSERT

Invitation was the third album by Jaco Pastorius, originally released in 1983 while the bassist was a member of Weather Report. This is a live album recorded at various venues during a tour of Japan, featuring his Word of Mouth' big band. While his debut album Jaco Pastorius (MOVLP136) showcased his eclectic and impressive skills on the electric bass, both Invitation and his previous album, Word of Mouth (MOVLP1260) focused more on his ability to arrange for a larger band.

This album features mostly numbers written by other artists. The exceptions are Continuum', from his debut album, and Liberty City', from Word of Mouth, as well as Reza', an original number bookending his version of John Coltrane's Giant Steps'.

The band's all-star cast included Randy Brecker, Bobby Mintzer, Toots Thielemans, Peter Erskine, Othello Molineaux and Don Alias.

Park Jiha first gained attention as the leader and producer of the neotraditional Korean duo (su:m). Her music combines the formalism of classical minimalism, the rootedness of Korean folk motifs and the dynamics of post-rock and contemporary jazz. A calm from within the storm.

Based on a small inspiration by Kudo Tori, with additional material added from the voicemail recordings made by Hashizaka Ai (and her family) and from a Maher Shalal Hash Baz 30th anniversary show in Shinjuku, to make up three levels of sound.

Hashizaka's sounds are full of the highly entropic sadness of northern Wakayama and Maher at Shinjuku sounds like they were a little angry.

Kudo-san says that he picked up a sense of blankness and kindness from these fragments. Something like the feeling you get at an out of the way bookstore that has a nice collection of books, or at a small cheap bar that features fried organ meat, or a bakery, or taking a long trip, or when you're extremely busy with cooking, cleaning, housework and child care, or other real experiences that make life worth living.

- Notes by Geshi Nodoka translated by Kato David Hopkins

- CD Mixture Of All Tracks

Musicians make albums. But in this case it's different. The four tracks on this ten inch release were created in between. It's an intermediate piece that sits between two albums, reflecting on a series of special moments and special evolutions of Black Flower. The inspiration came from Salvador Dali's creative dreaming ritual. With a pair of scissors in his hand, he sat back, closed his eyes and slid into sleep. The moment his body and mind enter deep sleep, the scissors dropped and waked him up. Dali then started painting using the inspiration he gathered from his dreams. These paintings can be considered the result of an intermediate state between consciousness and subconsciousness, a zone between being awake and sleeping. Black Flower has derived four dream-tracks from their individual intermediate state, materialised into microscopic grooves on a black vinyl disc. - 'Almaz' occurred as the first dream. It became Black Flower's very first cover song. An Ethiopian traditional, famous thanks to egendary singer Mahmoud Ahmed. Immediately, this dreamy track pulls you deeply into the intermediate state. 'Maqam Tizita Saba' was a vision about an unexpected connection between the Arabian and the Ethiopian world. Black Flower utilised an extended musical scale, beginning with the peaceful, consonant Ethiopian Titzia, and fusing it with the upper structure of the dissonant Arabic Saba scale. In the 'Good Side of Bad', Black flower commemorated its recent collaboration with Dijf Sanders's latest album which is a groovy patchwork between electronics and his field recordings in Indonesia. Samples from this part of the world pass by just like that. No distance is to big in the intermediate state.'Fly High Oh My' happened just before the scissors fell back on the ground. Strong energy propelling high into the ecstatic sky.

Belgian musician Dijf Sanders pens and produces soundtracks for distant, far-flung places that brood with exotica, psychedelia, jazz and electronica. His new album 'JAVA', is a psychedelic and modern search for the sounds of the homonymous Indonesian island. Armed with a set of field recorders, Dijf traveled to every urban and rural corner of Indonesia in the spring of this year. As a contemporary incarnation of ethnomusicologist Alan Lomax, he collected an impressive repertory of recordings, commissioned by the Europalia Arts Festival and KAAP Creative Compass. 'Kacapi', 'Kendang', 'Angklung', 'Calung' or 'Gamelan' are not the names of indigenous tropical diseases by the way, but those of local instruments that Dijf encountered on his adventurous musical quest. For two weeks the American expert ethnographer Palmer Keen stood by Dijf through his total immersion into the island's colourful culture and rich, ceremonial traditions. On his return to Belgium, Dijf headed straight back into the studio with the gathered material and invited some of his musical soulmates to put the icing on the cake. It is no coincidence that the three guests - Nathan Daems, Filip Vandebril and Simon Segers - are all part of Black Flower, a band that famously flirts with Oriental sounds. From hours and hours of field recordings, Dijf distilled ten psychedelic pieces which ride on waves of ecstasy and trance, and bridge the gap between two worlds. Tribal rhythms and warm melodies are fused to a seamless and beautiful musical work in utopia. The Brugge-born, Gentbrugge-based musician is one of those great Flemish talents. In the past, he earned his stripes with Teddiedrum and The Violent Husbands and has produced bands like Kenji Minogue and Blackie & The Oohoos. He has also released music under his own name including the critically acclaimed album 'Moonlit Planetarium'. Welcome to Dijf Sanders' wonderful journey into future exotica.