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Pop & Rock Novedades
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Ültimo hace: 8 Años
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- 1: Come On - Saturday Club, 26 October 963
- 2: (I Can't Get No) Satisfaction - Saturday Club, 18 September 1965
- 3: Roll Over Beethoven - Saturday Club, 26 October 196
- 4: The Spider And The Fly - Yeah Yeah, 30 August 1965
- 5: Cops And Robbers - Blues In Rhythm, 9 May 1964
- 6: It's All Over Now - The Joe Loss Pop Show, 17 July 194
- 7: Route 66 - Blues In Rhythm, 9 May 1964
- 8: Memphis, Tennessee - Saturday Club, 26 October 1963
- 9: Down The Road Apiece - Top Gear, 6 March 165
- 10: The Last Time - Top Gear, 6 March 1965
- 11: Cry To Me - Saturday Club, 18 September 1965
- 12: Mercy, Mercy - Yeah Yeah, 30 August 1965
- 13: Oh! Baby (We Got A Good Thing Goin') - Saturday Club, 18 September 1965
- 14: Around And Around - Top Gear, 23 July 1964
- 15: Hi Heel Sneakers - Saturday Club, 18 April 1964
- 16: Fannie Mae - Saturday Club, 18 September 1965
- 17: You Better Move On - Blues In Rhythm, 9 May 1964
- 18: Mona - Blues In Rhythm, 9 May 1964
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Ültimo hace: 6 Años
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Red Vinyl
A very sweet release, I love the scores you get with the vinyl' - Wolfgang Zamastil (composer/cellist)
Beautiful and Haunting' - Michael Hain (Hard Wax)
I found the music mesmerizing, calming and beautiful. I could hear it as if you were talking to me' - Jiri Klobouk (writer/New York)
A bold and brave release, this is amazing to dance to.' - Kiani Del Valle (choreographer/director) 'Klavirni' is something that seeps gently into the soul without demanding unnecessary effort from the listener.
The album provides a personal, raw, unpolished and captivating glimpse into the pure essence of artistic endeavor.
Emika is offering an intimate look into the fundamental process that lies at the core of not just this latest body of work but of the artist as an individual. I stayed a few weeks at my parents home in Milton Keynes in Dec13/Jan14.
My favorite piano is there from my childhood, the piano that I did all my grades on. That piano has been the most important instrument in my whole life.' - Emika
A piano diary based on improvisation.
Emika Records continues on its self-chartered journey with a personal, warm, inviting and moving record from this ever creatively thriving and enduring talent.
* Press / Promotion: In house campaign from Emika Records with partner Lucy Palmer from Trix PR.
* Editorial sought in all UK and world-wide music titles (The Wire, FACT, Pitchfork) as well as world-wide daily and
weekly press titles and music blogs for review. Targeted banner advertising, print and online in The Wire and FACT magazine. Interviews with Emika on her creative process and her new label / its diverse releases. Fashion press and blogs covering Emika previously also included, cover art and press photos feature Emika's collaboration with designers (DSTM / Purple magazine) 29 Nov, full live show, Kortrijk @ NEXT Festival. Piano / classical mix by Emika coming in early Jan 2015 ahead of release.
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Pills 'n' Thrills and Bellyaches was Happy Mondays commercial peak, both a No. 4 victory and a benchmark album in history. That year the Mondays made a generation feel like the freaks were winning again, the dreamers and schemers hurtling in from the shadows to park themselves, like grin-faced goblins, in the daylight glare of the mainstream. Artwork lovingly replicated by original Manchester designers Central Station Design. Featured the singles "Step On", "Kinky Afro" and "Loose Fit".
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Ültimo hace: 4 Meses
Picture London, thirty years ago, as Neneh Cherry gears up to release her debut album Raw Like Sushi - a thrumming, restless, vibrant city that in 1989, much like today, pulsed defiantly against a backdrop of increasing political doom, rocking to the joyful noise of culture leaping across boundaries, radically reordering itself. Rents are low.
Soho hums to the chatter of poets, vagabonds and petty sex tourists drinking in the same elixir of possibility. The divisions between the queens of Old Compton and mods and punks of Carnaby Streets look huge but feel slight. A spirit of multiracial unity permeates the air.
New York hip hop and Chicago house continue their euphoric colonisation of nightclub culture. Amid this maelstrom, Neneh Cherry emerges, capturing the entire, giddy rumble of this rolling community street culture in one record, Raw Like Sushi. With no interest in genre, Raw Like Sushi upsets and inverts everything you thought you knew about how pop can work, at it's brightest and most effective.
One of the greatest debut albums of all time, born halfway between Never Mind The Bollocks and Boy In Da Corner, Raw Like Sushi was ready to escort you right to the centre of it's dancefloor, dripping hot sweat under a mirrorball at 3am - and its particular magic remains just as potent today.
To celebrate the 30th anniversary of an album that culturally, musically and stylistically defined a generation and everything that followed, Raw Like Sushi has been remastered at Abbey Road and will be released in super deluxe format across 3CD and 3LP heavyweight vinyl box sets, and 1CD and 1LP formats.
The box sets include a stunning 48-page 12x12 book packed full of iconic photos, new interviews, liner notes and memorabilia. The album features five of Neneh’s biggest singles - including the worldwide smash hit single ‘Buffalo Stance’ as well as hit singles ‘Manchild’ produced by Massive Attack’s Robert Del Naja, ‘Kisses On The Wind’, ‘Heart’ and ‘Inna City Mamma’. It also features rare mixes of key tracks by Massive Attack, Arthur Baker, Smith N Mighty, and more.
Since the release of Raw Like Sushi 30 years ago, Neneh Cherry has continued to define and redefine culture, style and music releasing five studio albums, including 2018’s Broken Politics, produced by Four Tet, which was met with critical acclaim by the likes of The Guardian, Rolling Stone, The Times, Q and Pitchfork.
Neneh went on to tour the album throughout 2019 including her largest ever headline show at London’s Roundhouse, and festival performances at Glastonbury, Latitude, Primavera, Pitchfork and more proving her music and message more relevant than ever.
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Ültimo hace: 3 Años
- A1: The Introduction
- A2: We Are
- A3: Light Up The Sky
- A4: The End Is Where We Begin
- A5: Let The Sparks Fly
- A6: I Get Wicked
- A7: Be Somebody
- B1: This Is A Warning
- B2: Courtesy Call
- B3: War Of Change
- B4: Down
- B5: All I Need To Know
- B6: Fly On The Wall
- B7: So Far Gone
- B8: Outroduction
- C1: War Of Change (Andy Hunter Remix)
- C2: Light Up The Sky (Soloman Olds Remix)
- C3: Let The Sparks Fly (The Robbie Bronnimann Mix)
- C4: We Are (Karmageddon Remix)
- C5: I Get Wicked (Andy Hunter Remix)
- D1: Fly On The Wall (The Robbie Bronnimann Mix)
- D2: The End Is Where We Begin (Solomon Olds Remix)
- D3: Courtesy Call (Ruida Silva Remix)
- D4: Down (Andy Hunter Remix)
- D5: Be Somebody (The Robbie Bronnimann Mix)
- D6: So Far Gone (Joshua Silverberg Remix)
The End Is Where We Begin is the sixth studio album by Canadian rock band Thousand Foot Krutch. It was released on April 17, 2012 in the United States, and was released in Canada on May 8, 2012. Vocalist Trevor McNevan has stated "the record is some of the heaviest stuff we've done and some of the lightest".
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Good Times is the twentieth studio album by American singer and musician Elvis Presley. He recorded this ten-song album at the Stax studios in Memphis. His great voice is outstanding on both the rock & roll songs as when he’s performing with a gospel choir. While his physical condition was going downwards, he’s still singing like he used to do in the past. Guitar riffs by James Burton are present on the more country like tracks “Take Good Care of Her”, “Lovin’ Arms”, “Good Time Charlie’s Got The Blues”, and “My Boy”. The versatility is shown when he’s bringing the Spanish flavour on “Spanish Eyes”. This is more than a solid outing from “The King”, a wonderful record.
Available as a 45th anniversary edition of 2500 individually numbered copies on transparent blue vinyl.
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- A1: Delightful (Forty Five Ep)
- B1: This Feeling (Forty Five Ep)
- B2: Oasis (Forty Five Ep)
- C1: Freaky Dancin' (Freaky Dancin' Ep - Live)
- D1: The Egg (Freaky Dancin' Ep - Mix)
- D2: Freaky Dancin' (Freaky Dancin' Ep)
- E1: Tart Tart (Tart Tart Ep)
- F1: Little Matchstick Owen's Rap (Tart Tart Ep)
- G1: 24 Hour Party People
- H1: Yahoo
- H2: Wah Wah (Think Tank) (Think Tank)
ondon Records are to release Happy Mondays ‘The Early EPs’ on October 25, available digitally and as a 4 x 12” coloured vinyl box set. The release brings together the seminal Manchester band’s first four EPs – ‘Forty Five EP’ (1985), ‘Freaky Dancin/The Egg EP’ (1986), ‘Tart Tart EP’ (1987), and ‘24 Hour Party People’ (1987).
‘The Early EPs’, which have never before been available digitally, have been re-mastered from the original two-inch tapes held in the Factory/London Records archive. The artwork has been redrawn and digitised by original designers Central Station Design. The original Happy Mondays line-up will embark on a UK headline tour in late October, including London’s Roundhouse on October 31.
London Records will follow this release later this year with vinyl reissues of Happy Mondays first four albums - ‘Squirrel and G-man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out)’, ‘Bummed’, ‘Pills ’n’ Thrills and Bellyaches’ & ‘Yes Please!’ - later this year. None of these albums has been available on vinyl for over a decade.
‘The Early EPs’, which have never before been available digitally, have been re-mastered from the original two-inch tapes held in the Factory/London Records archive. The artwork has been redrawn and digitised by original designers Central Station Design. The original Happy Mondays line-up will embark on a UK headline tour later this month, including London’s Roundhouse on October 31.
London Records will follow this release later this year with vinyl reissues of Happy Mondays first four albums - ‘Squirrel and G-man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out)’, ‘Bummed’, ‘Pills ’n’ Thrills and Bellyaches’ & ‘Yes Please!’ - later this year. None of these albums has been available on vinyl for several years.
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Ültimo hace: 6 Años
How would a Stimming track sound like when it's played by a real, 64 people orchestra That was the question which didn't let Stimming sleep. On side B there is the original version of 'November Morning' which some of you might already know; it was released on Diynamic earlier this year. Blue and melancholic house chords with a typical Stimming climax: not obvious but effective. A pseudo violin, field recordings and his whistle round things up. Side A is the answer to our disclosure: More than 60 musicians from the Brandenburg State Orchestra were involved and made this work an unique classical expierence. No artificial sounds or elements were used afterwards - all you hear is pure 'analog' Orchestra. He also made a very personal video about the development of this project which you can watch on his youtube channel: www.youtube.com/mstimming 'This is one of my most emotional tracks, and thus is has to be played by an orchestra. Not by a sampler but from real people!'
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Special Remarks: 1 colored green LP in single sleeve with 3mm spine. Printed inner-sleeve. Collectors edition CD album included.
Vinyl (Limited Colored Edition)
Bananarama"s third album "True Confessions" features the smash hit "Venus" which hit the top spot in the US on Billboard Hot 100. The track was a huge dance floor hit across Europe, South American and Asia.
The album includes the singles: "A Trick Of The Night", "Venus", "Do Not Disturb", "More Than Physical".
Bananarama are often cited as the UK"s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which soundtracked the lives of fans around the world. The news of Bananarama"s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK & USA Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop"s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.
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Ültimo hace: 5 Años
In 1985, I started working as a sound engineer in the famed Far Studios of German hit producer legend Frank Farian in Rosbach near Frankfurt, and there had an array of gear at my disposal that not many producers could afford, and know how to use in consequence. In the center a high-end Neve studio desk, but also the finest machines created by mythic brands like Linn, Kurzweil, Publison, or Quantec. Confronted with this considerable amount of opportunities on a daily basis, I soon decided to use what I was surrounded with for my own musical ideas, and started experimenting with it in my spare time. My perception of sounds quickly surpassed what I had known before. The equipment offered me many possibilities to position sounds within a song and I learnt how to compose by filling up all the places in between the speakers. There was not only left and right but near and far as well, and even up and down. My preferred perspective grew to be that of standing in front of the speakers, "looking down" on a song from a slightly higher position. The material was recorded on analogue reel-to-reel audiotape, which I subsequently edited and deconstructed manually with a razor blade, an edit block and a roll of audio splicing tape.
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