Nuevos Lanzamientos Pop y Rock - Novedades

[ZZA] H4 Already There
[ZZB] H5 On The Lie
[ZZC] H6 Close Your Eyes
[ZZD] H7 So Far Away
[ZZE] I1 Long Way Down
[ZZF] I2 Burnin' Up
[ZZG] I3 Naked
[ZZH] I4 Flat Top
[ZZI] I5 Impersonality
[ZZJ] I6 Name
[ZZK] J1 Only One
[ZZL] J2 Somethin' Bad
[ZZM] J3 Ain't That Unusual
[ZZN] J4 So Long
[ZZO] J5 Eyes Wide Open
[ZZP] J6 Disconnected
[ZZQ] J7 Slave Girl

Born as the daughter of two opera singers JOSIN grows up constantly surrounded by music.
For herself JOSIN draws a lot of her inspiration of the northern world, which is as rich in contrasts as her music. It is rough and cold but full of nutrients and life. And if you wish you can exist in it and slowly but certainly and then forever recognise its beauty.
Currently the musician is working on her first album and new songs. Although JOSIN likes to choose a way between elegance and minimalism, the first tracks of the new recordings present themselves with a power that presses forward more determinedly. Her producing also appears more open and experimental with electronical and classical elements. Yet she maintains her natural otherness and intensity in a timeless way.

Auckland-based guitarist Oscar Dowling embarks on his debut solo album, leaving his deepest emotions laid bare across the table. The former New Gum Sarn member has created a subdued guitar record in the great indie tradition of his homeland. One that leads into the abyss, tantalising with heartbreak and his unsettling bitterness towards life and death. Influenced heavily from the identity of his country and battling with "my own identity, falling in love, anxiety and mental illness, friends, family and enemies to name a few".Free And Easy was recorded and mixed with Ben Lawson at The Red Bull Studios in Auckland. The album features local luminaries Steven Huf, Will Wood, Mason Fairey, and Sam Hamilton. Dowling recalls; "Ben heard me play at my neighbours wedding and later asked if I wanted some studio time at Red Bull. He gave me a week in between other projects and last minute I realised I didn't want to record solo and asked friends Steven Huf and Will Wood if they wanted to help me out. I'd seen both of them play with a lot of different people over the years and knew they could pull it off without much warning. I think we only practiced 3 times."Recording in such swish surrounding felt alien to Oscar, as he states "it was different to the DIY style I'm used to, lots of fancy gear and a soundproofed, air conditioned live room. We had a reasonably strict time schedule so when we were there it was all go and no fucking around."Whether soaked in Oscar's melancholy voice and warped out guitars, ('Sally Free and Easy'), or accompanied by a delicate piano ('Low Moon') or the jarringly raw ('Ease My Passing') each track paints a vivid picture of Oscar's life. Title track ('The Life') is best at transcending this portrait of the hardship of life with an entrancing melody line and ruthless lyrics, those lyrics severing as a medium for "understanding subjects such as death and love" and finding comfort in writing about his relationship with mental health, the outcome being "very therapeutic."After spending the past year beekeeping with his brother, Oscar is still able to live out the perfect balance between city life and the countryside. Having grown up in the sticks, he tells us that the reason for moving to the capitol was that "people from all over come here to make music and find others making music, so it has a decent scene. I moved here for that reason and it has influenced me massively in terms of how I think about music and why I continue to make it."The heavy use of dialogue is what will transcend Free and Easy to it's listeners - reconnecting us with our own identity and making us remember what really is important. "My family, my girlfriend and my friends. They are the people I look to for inspiration everyday."

Deluxe limited edition of 500 copies on gold vinyl, including 2 previously unreleased bonus tracks.

*Winner of Album Of The Year at the Icelandic Music Awards 2017 **

"There's considerable heft on display throughout this Icelandic singer-songwriter's debut album. Meyvant's voice comes at you wrapped in warm, soulful tones reminiscent of Sam Cooke and Van Morrison, and it's put to work on songs full of folky spirit and breezy, orchestral panache." Irish Times 4****

Solo project of Vanishing Twin (Soundway) member.

The song Cucumuber Sword feat. vocals by Taishi Nagasaka (Fat White Family)

Man From Uranus has been making music inspired by the freakier edges of 60s and 70s library music and jazz for almost 2 decades, and like his predecessors - Sun Ra, Space Lady - he's never really fitted in, feeling more comfortable exploring cosmic realms than than with his feet firmly on his own planet. A prolific composer and home recordist, he has garnered a reputation for eccentric live shows, each presenting an entirely new repertoire. Alien Flowers, in a limited edition of 300, is one of few recordings capturing the spirit of an artist who is unwittingly on his way to attainting cult status.

Alien Flowers has been played on NTS, The Wire's Adventures in Sound and Music and The Independent Music Podcast. Support from The Sunday Experience, Tom Furse (The Horrors), Jonny Trunk, Doug Shipton (Finders Keepers), Emily Bick (The Wire) and Anthony Chalmers (Baba Yaga's Hut).

Brooklyn based Rips have quickly built a reputation amongst NYC showgoers, winning them over with their virtuous melodies and sheer ferocity amidst an endless flurry of shows. Their songs may channel late '70s New York City bands like Television and The Feelies, but Rips propels these references into something new. Their self-titled debut, produced by Austin Brown of Parquet Courts, is eleven tracks of buzzing guitar riffs driven by a charged rhythm section, all set under lyrics that are actually worth a damn. 

Rips (the record) takes cues from the moonlighting era of rock, while delivering a set of songs distinctly fit for the modern age. Once described as a hyperreal rock n' roll group', the phrase borne forward ceaselessly into the future" is more what they're going for here.

So break an old habit. Let your hair down (or up). Rips will take you there.

The world has finally caught up with Slowdive. A band whose reach goes far beyond just influencing music is back, with their first new album in 22 years.
The album is called 'Slowdive' - self-titled in an echo of their debut EP from 1990, and is remarkably direct.

Deftly swerving what co-vocalist/guitarist Rachel Goswell terms a trip down memory lane', these eight new tracks are simultaneously expansive and the sonic pathfinders' most direct material to date.

Self-titled with quiet confidence, Slowdive's stargazing alchemy is set to further entrance the faithful while beguiling a legion of fresh ears.

Mogwai return with their 9th studio album which was recorded with renowned producer Dave Fridmann (Mercury Rev, The Flaming Lip's, Mogwai's Come On Die Young and ROCK ACTION) at his Tarbox Road Studios in New York State.

Every Country's Sun named after a friends lack of knowledge in how the universe works, takes two decades of Mogwai's signature, contrasting sounds and distills it, beautifully, into 56 concise minutes of gracious elegance, hymnal trance-rock, and transcendental euphoria. It will definitely appeal to fans of the band and will gain many new ones along the way.

Boxset includes: White vinyl double LP, 12" black vinyl (containing 6 tracks of album demos), CD, plus a set of Tarbox Road photographic prints - Includes download card redeemable from the label.

Brilliant comet of the Italian New Wave scene. Real deal. TIP!
.
Atelier du Mal were formed in Florence in 1983 by Lapo Pistelli (synths, electronic drums), Iacopo Ficai Veltroni (bass, synth) and Ignazio Matteini
(drum programming, percussions). Recorded in 1984, 'Noblesse Oblige' was the first and subsequently the only demo tape by the group, self-released using classic gear like Korg Ms-20, Roland Tr-606, Roland Tr-808, Roland Juno 60, Roland TB-303.

For Sugar At The Gate, their third and most ambitious album to date, Montreal's TOPS peaced out to LA. They lived and recorded at Glamdale', a mini-mansion and former brothel located in the Jewel City, Glendale, CA. The unassuming record unfolds slowly, taking time to reveal itself. Like nearly everything TOPS does, multiple meanings overlap with the album's title referring to orgasm, but also to carrot chasing, gatekeeping, and the social contract.

Living in LA was living out a teenage fantasy,' says vocalist-songwriter Jane Penny, living with your band and practicing in the garage. It was also the first time we've ever had that much space to make music. I took the experience of living LA as a challenge to make music that I know is real to me, in the sense of it feeling true and containing true feelings, but also recordings of great songs, the real thing.'

Layers of sarcasm and sincerity seem to enfold the group like flower petals, yet TOPS' flawless musicianship and profound grasp of pop fundament are the surest sign that at the core, it's all as real as it sounds.

First Noir Desir album... Back in 1984 ! With the famous Aux Sombres Heros de l'Amer qui ont su traverser les oc éans du vides, à la mémoire de nos frères dont les sanglots si longs faisaient couler l'acide....

n describing Palm to the uninitiated, it's sometimes necessary to clarify the meaning of the group's name by raising one's hand in the universal symbol of greeting and goodwill. The act of corroborating the aural with the gestural occurs everywhere in their work. On their latest EP, Shadow Expert, the syntax of popular music is regarded suspiciously and often subjected to revisions or reversals. Without formal training in their instruments, the players are left to determine their own musical language.

Eve Alpert and Kasra Kurt's guitars occupy themselves most often with the pace-keeping work typical of a rhythm section. Meanwhile, Gerasimos Livitsanos' bass and Hugo Stanley's drums seem to perform commentary and reportage from deeply embedded positions at the front. Their contributions remain necessary to the composition, generating the kind of friction that other motion can be charted against: the grinding of teeth, the turning of an engine.

The record begins with the skittering appeals of one guitar to another, hard-panned left and right. They produce a groove, stop on a dime, and begin a series of nimble paces that might suggest the artful recovery from a skipped step. Here and elsewhere, the guitars confer and conspire with each other, finishing phrases and figuring it out. There is a faint delay to be heard in their communication, perhaps equivalent to that which exists between an object and its shadow, broken across several surfaces.

On the vocal track, Alpert and Kurt trade the barbs and bristles of a familiar argument and share the blissful cries of discovery. The 'How could I forgive that / How could I forget that' refrain of 'Two Toes' recalls the capricious turns of the gut in moments of grievance and doubt. These sonic and thematic dissonances are sustained, rather than resolved. This music draws the thought as it bounces around the head, draws the conversation as it circulates the room. Its most important questions are never answered but always rephrased.

On 2015's Trading Basics, Palm's experiments were more alchemical, more preoccupied with the impossible. Much of that music was submerged in some viscous and delicious substance, which often seemed to burn and bubble over. Two years and several tours of the United States later, the group sounds more limber, more acclimated to the press of events. At seventeen minutes in duration, these six songs are efficiencies of form, cutting quickly and decisively among scenes of bodies, systems, and intrigue.

The New Stupeflip a la grosse papate ! Encore !!!!!

DEBUT LP FROM 90's NYC CULT HEROS. - FIRST TIME IN PRINT IN 20 YEARS.

Post-Punk Indie-Rock Post-Hardcore The Van Pelt walked between all these worlds. Spoken/sung vocals, anthemic pop hooks, fiery guitars and a tightly wound rhythm section made them stand outs of the DIY basement scene they emerged from.

RELATED TO: The Lapse, St Vincent, Blonde Redhead, Enon, Jets to Brazil, The Butterflies of Love, Vague Angels, Native Nod, Ted Leo and the Pharmacists.

- Original recording released 1996.

- 2017 reissue remastered for vinyl from the original tapes.

- First time in print in 20 years.

- New artwork featuring archival photos and lyrics.

- The Van Pelt will be presenting the reissues live during 2017.

90s NYC indie heroes The Van Pelt have had a lasting power far greater than so many of the other once bigger bands of that era have had. The sort of interest that has neither waxed nor waned over the decades since they disbanded, yet just mysteriously continues on despite their discography being out of print since the end of the last millennium. So what is it that sets them apart Too soft to have ran with the AmRep or Touch and Go crowds, not hip enough to have made sense on Matador or Merge, ernest yet not histrionic enough to make it onto the 'best emo bands' lists, not weird enough to be on bills with Arto Lindsay and Thurston Moore, etc. In a sense, their outsider status comes not from the wings, but from the dead center eye of the storm. The 90s were happening all around them, they were witnesses thereof, yet they emerged transcendent of it all. You Follow Maybe it's worth having a listen to see what I mean.

Barcelona's La Castanya records is treating us with the first ever rerelease of the two Van Pelt albums to mark the 20th anniversary of Sultans of Sentiment, their benchmark album. They teased us in 2014 that this might be on the docket with the release of Imaginary Third, a collection of singles and unreleased Van Pelt tracks which were originally intended to have been the components of their third album, including the alt-famous 'Speeding Train'. Now we'll finally have access to their entire discography. The first album, Stealing From Our Favorite Thieves is an explosion of anthems belted out as if the war was already lost yet they were hoisting that tattered banner anyhow until there wasn't a shred to salvage. The momentum coming out of that album had every major label in the States salivating at the possibility of turning them into the next Nirvana. Instead, The Van Pelt followed it up by pulling the van into the garage, leaving the engine running, funneling the exhaust into their lungs, and blissfully deciding to bow out of the race with the epic Sultans of Sentiment. Of course as the story goes, their intended financial flop was the exact opus that jettisoned them into the history books. Buy both albums. You'll need them both.


CREDITS:
Neil O'Brien: drumsDavid Baum: guitar, backing vocalsChris Leo: guitar, vocalsToko Yasuda: bass, backing vocals
Ted Leo: Additional backing vocals, percussionJustin Nortillo: Additional backing vocals
Recorded September 1995 at the Showplace & Sweetwood Sound Co. Enginered by Alap Momin. Assisted by Keith De Blasi.Produced by The Van Pelt.All selections by The Van Pelt.All lyrics by Chris Leo.
Remastered from original tapes by Tom Ruff at Asbury Media.
Layout and design by Bobby Gilanyi.

2 x LP + DVD (Slow Motion Addict - A Film )

Secret Samadhi is the third album by American rock band +LIVE+. It took its name from Samadhi, a state of Hindu meditation. The album with Eastern-tinged strings, sitars, and powerful guitars is co-produced by the band and Jay Healy. The album debuted at number 1 on the Billboard 200 and reached a Top 10 chart position in almost every country in Europe. Secret Samadhi contains four hit singles: Lakini's Juice', Rattlesnake', Turn My Head' and Freaks'.

The original line-up of +LIVE+ --Ed Kowalczyk (vocals, guitar), Chad Taylor (guitar, backing vocals), Patrick Dahlheimer (bass) and Chad Gracey (drums, percussion)-- have reunited for a worldwide tour. The band is also writing and recording new music. Music On Vinyl celebrates the 2017 Worldwide Reunion Tour with the release of 2 sought-after albums: a 20th anniversary edition of the 1997 double album Secret Samadhi and their 1999 album The Distance To Here.

Celebrating the comeback of one of the best rock bands of the last decades, the first 2.000 copies of Secret Samadhi are individually numbered and pressed on silver coloured vinyl.

Crack-Up is Fleet Foxes' long awaited and highly anticipated third album. It comes six years after the 2011 release of Helplessness Blues and nearly a decade since the band's 2008 self-titled debut. Fleet Foxes has already released the album track 'Third of May / Odaigahara', a nearly nine-minute epic powered by piano and electric twelve-string guitar, string quartet, and the group's trademark sparkling harmonies. In addition, the band has announced new North American and European tour dates, including Latitude Festival on July 16.

All eleven of the songs on Crack-Up were written by Robin Pecknold. The album was co-produced by Pecknold and Skyler Skjelset, his longtime bandmate, collaborator, and childhood friend. Crack-Up was recorded at various locations across the United States between July 2016 and January 2017: at Electric Lady Studios, Sear Sound, The Void, Rare Book Room, Avast, and The Unknown. Phil Ek mixed the album, at Sear Sound, and it was mastered by Greg Calbi at Sterling Sound. Fleet Foxes is Robin Pecknold (vocals, multi-instrumentalist), Skyler Skjelset (multi-instrumentalist, vocals), Casey Wescott (multi-instrumentalist, vocals), Christian Wargo (multi-instrumentalist, vocals), and Morgan Henderson (multi-instrumentalist).

Fleet Foxes' self-titled debut made a profound impact on the international musical landscape, earning them Uncut's first ever Music Award Prize, and topping numerous 'Best of' lists, including Rolling Stone's 100 Best Albums of the 2000's and Pitchfork's 50 Best Albums of 2008. Fleet Foxes is certified Gold in North America and Platinum in both the UK and Australia. The follow-up album Helplessness Blues was met with the same critical praise as its predecessor (Mojo five stars, Rolling Stone four stars, Pitchfork Best New Music), that album debuted at No.4 on the Billboard Top 200, went Gold in the UK, and earned the band a GRAMMY nomination.

This Berliner post-punk three-piece boasts the kind of live show any band would work years to achieve: noisy, controlled, driven and absolutely rocking, post-punk noise at its best. The album was recorded by Tadklimp, known more for his electro-acoustic wizardry on records by Mother Of The Unicorn, Fenster, Slow Steve, Oum Shatt and Saroos than for recording noise-rock. It was mastered by Ralv Milberg (Die Nerven, Karies, Human Abfall), who had also worked on their previous "Bilder" EP on Coszma Records. Between them both they have fashioned a unique sound on this debut album which we think will be our best release to date.

The Distance to Here is the fourth studio album by the band +LIVE+. The band called on producer Jerry Harrison to recapture their unique raw energy and emotion.

The Distance to Here is filled with plenty of guitar riffs, thunderous tempos and a mystical aura and regains the aggressive intensity of Throwing Copper (MOVLP414) from 1994. The album derived several hit singles including The Dolphin's Cry', Run To The Water' and They Stood Up For Love'. The album reached the top spot in the album charts of Australia, Belgium and Canada and reached the top 10 in almost every album chart in Europe.

The original line-up of +LIVE+ --Ed Kowalczyk (vocals, guitar), Chad Taylor (guitar, backing vocals), Patrick Dahlheimer (bass) and Chad Gracey (drums, percussion)-- have reunited for a worldwide tour. The band is also writing and recording new music. Music On Vinyl celebrates the 2017 Worldwide Reunion Tour with the release of 2 sought-after albums: a 20th anniversary edition of the 1997 double album Secret Samadhi and their 1999 album The Distance To Here.

Celebrating the comeback of one of the best rock bands of the last decades, the first 2.000 copies of The Distance to Here are individually numbered and pressed on orange coloured vinyl.

Come Clean is the the highly succesfull major-label debut and second studio album by the American rock band Puddle of Mudd. Originally released in 2001, the album's music was responsible for breaking Puddle of Mudd into the mainstream music scene. The album reached the Billboard 200 Albums chart peaking at #9. It has sold over 5,000,000 copies and was certified 3 times platinum by the RIAA.

The lead single Control' was also the theme song for WWE's Survivor Series 2001, which was critically acclaimed. The second single off the album, Blurry' turned out to be Puddle of Mudd's most successful single, reaching No. 5 on the Billboard Hot 100 and No. 8 in the UK Singles Chart, and also winning an ASCAP song of the year award. Drift & Die' was also released as a single spending six weeks at the No. 1 on the Mainstream Rock Chart. The fourth single, She Hates Me' reached the No. 1 spot on the Mainstream Rock Tracks chart and won the ASCAP award for most played rock song of the year.

In support of the album the band embarked on a European and American tour as the opening act for Godsmack and Deftones, and were also a part of the Family Values 2001 tour, alongside Linkin Park, Stone Temple Pilots, and Staind.

Available on vinyl for the very first time, Come Clean is pressed on clear vinyl, limited to 1.000 numbered copies!

The world has finally caught up with Slowdive. A band whose reach goes far beyond just influencing music is back, with their first new album in 22 years.
The album is called 'Slowdive' - self-titled in an echo of their debut EP from 1990, and is remarkably direct.

Deftly swerving what co-vocalist/guitarist Rachel Goswell terms a trip down memory lane', these eight new tracks are simultaneously expansive and the sonic pathfinders' most direct material to date.

Self-titled with quiet confidence, Slowdive's stargazing alchemy is set to further entrance the faithful while beguiling a legion of fresh ears.

The world has finally caught up with Slowdive. A band whose reach goes far beyond just influencing music is back, with their first new album in 22 years.
The album is called 'Slowdive' - self-titled in an echo of their debut EP from 1990, and is remarkably direct.

Deftly swerving what co-vocalist/guitarist Rachel Goswell terms a trip down memory lane', these eight new tracks are simultaneously expansive and the sonic pathfinders' most direct material to date.

Self-titled with quiet confidence, Slowdive's stargazing alchemy is set to further entrance the faithful while beguiling a legion of fresh ears.

This is the sixth album by this Canadian girl duo

Destruction and melody, acid wit and bruising vocals-this is the Pack A.D. Singer/guitarist Becky Black and drummer Maya Miller have made a sound so gigantic, so fierce and raw and empowering, that it's easy to forget there are just two people behind this brilliant, carefully constructed havoc. Shredding and pounding their way through every song, the Pack A.D. swallows you whole inside their fearless Franken-blend of heavy psychpop/garage-rock. Their lyrics are wild nests, human and complex: darkly funny disclosures about depression, indictments of digital excess, grief-stricken fire bombs, sly crusades against stupidity. The Pack A.D. is also one of Canada's "must-see" bands. Be it a massive stadium or the slightly seedy bar where everybody's shoes stick to the carpet, the Pack A.D. have owned every spotlight and stolen every show they've ever played. Becky and Maya are relentless and riveting, playing with the kind of fuck-off freedom that makes everybody in the room vicarious rock stars, even if it's just for the night.

Armed with impressive analogue hardware synths, drumming machines and noise boxes, the Dutch electro artist ludoWic is poking and prodding around in the dirt of electronic music. The gritty, noisy and dark electro music emerging from the cracks in the dirt is a sound that only few others can match. ludoWic (real name: Thijs Lodewijk) released his debut album, "A Blinding Light Moment" in late 2015 on Wic Recordings. "A Blinding Light Moment" describes the exact moment that visual elements and music fit each other so perfectly, you get blinded for a split second. A year later, the analogue virtuoso released "Dream Content", an EP about the eerie phenomenon that we call dreams. ludoWic frequently releases live jam's and music videos on his popular Youtube channel, showcasing his extraordinary analogue equipment and talent. He rapidly started gaining a tight-knit following in his home country The Netherlands as well as the rest of the world. In addition to his own music, ludoWic writes and produces for and with others. One of his latest collaborations is with Akiisoft/Adult Swim Games, for which he provided the soundtrack to the indie game Katana Zero. Three times there were guests in the chapel to write and record a track with ludoWic. The first guest was Kevin Stunnenberg from The Cinema Escape and frontman of the famous Dutch rock band Birth Of Joy. The second guest was Tom Broshuis, guitarist from the band Mister and Mississippi. The last guest was the artist/singer Wende. She sells out venues at this time with her new show #Mens.

Armed with impressive analogue hardware synths, drumming machines and noise boxes, the Dutch electro artist ludoWic is poking and prodding around in the dirt of electronic music. The gritty, noisy and dark electro music emerging from the cracks in the dirt is a sound that only few others can match. ludoWic (real name: Thijs Lodewijk) released his debut album, "A Blinding Light Moment" in late 2015 on Wic Recordings. "A Blinding Light Moment" describes the exact moment that visual elements and music fit each other so perfectly, you get blinded for a split second. A year later, the analogue virtuoso released "Dream Content", an EP about the eerie phenomenon that we call dreams. ludoWic frequently releases live jam's and music videos on his popular Youtube channel, showcasing his extraordinary analogue equipment and talent. He rapidly started gaining a tight-knit following in his home country The Netherlands as well as the rest of the world. In addition to his own music, ludoWic writes and produces for and with others. One of his latest collaborations is with Akiisoft/Adult Swim Games, for which he provided the soundtrack to the indie game Katana Zero. Three times there were guests in the chapel to write and record a track with ludoWic. The first guest was Kevin Stunnenberg from The Cinema Escape and frontman of the famous Dutch rock band Birth Of Joy. The second guest was Tom Broshuis, guitarist from the band Mister and Mississippi. The last guest was the artist/singer Wende. She sells out venues at this time with her new show #Mens.