Pop & Rock Vinyl New Releases - News

Laurel Halo presents an album’s worth of score provided for the 2018 essay film Possessed, by artist collective Metahaven and Rob Schröder, produced by Dutch Mountain Film. The film was nominated for the IFFR Tiger award and the CPH:Dox New Vision Award in 2018. Her first foray into writing music for screen, the album provides a rich variety of sounds, from aqueous, subterranean drones, to plaintive folk pieces for violin and cello, to uncanny pseudoclassical piano mutations.

It’s fitting for Laurel Halo to move into the score world. Already known for her ability to craft evocative, emotionally charged music, the pieces on offer give shade and contour to the central questions of Possessed. We arrange our lives to impress the gaze of others and have become obsessed by our own image, we are looking for a new, personal way to relate to others, but how do we find new ways of being together, outside the self-surveillance we have created? The film’s sophisticated collage of live footage combined with found footage of makeup tutorials, smart phones melted by liquefied lead, facial recognition software, selfie risktakers atop cranes, and tourists filming their every move in Rome all point to the central question of the film: who is looking out for you?

The soundtrack traverses both the synthetic and acoustic, in keeping with the film’s tension between what is natural and unnatural. Opening track Hyphae unfolds like the titular fungal network, spreading and extending indelibly; the various Rome Themes all motivic in their romantic yearning; the surreal piano of Marbles pointing towards the recurrent image of void like black marbles, all knocking against one another, but never touching. Zeljava, named after the abandoned former Yugoslavian military air base featured in the film, is a central piece for it’s resonant, wrenching quality, like a perpetually arched back. In a nod to film music tradition a simple rendition of Pergolesi’s Stabat Mater is also included in the collection.

Violinist Galya Bisengalieva and cellist Oliver Coates provide rich performances, and renowned engineer Paul Corley lends additional production.

Original score composed by Emmy Award winner
Jeff Russo (Star Trek Discovery, Picard, Lucy In
The Sky, The Night Of).
 Double LP pressed on ‘Interstellar Splatter‘ vinyl.
 Featuring exclusive tracks.
 Vinyl package also includes gatefold sleeve with
printed inner sleeves.
 Season 2 won an Emmy Award and three Saturn
Awards.
 Season 3 already in the works

Reissue of this rare soundtrack. Stunning composition.. Salvanini at his best. Tip!

One of the best Piero Piccioni's contribute for the 7th art. Recorded for the homonymous documentary (1974) by Folco Quilici and Carlo Alberto Pinelli, looking for some people who reject civilization to withdraw in nature and peace, “Il Dio Sotto La Pelle” was released for the first time long time ago (2000), quickly becoming one of the
most sought after records by many collectors and fans. Musica Per Immagini e Sonor Music Editions are proud to release a renewed edition of “Il Dio Sotto La Pelle”, where jazz, exotic and lounge music and psychedelia are mixed in an admirable way: introduced by the dreamy voice of Catherine Howe for It's Possible, Piero Piccioni's
organ gives us fragments of a dazzling splendor such as Night To Come or Give Love A Chance, while Inventions and Katmandu handed down to the posterity the guitarist vein of the opera, demonstration of the period of great creativity crossed by the Italian composers, capable of filtering their traditional and classical action with some
rock elements. “Il Dio Sotto La Pelle” is available again as double-LP album with tracks remastered by Claudio Fuiano from first generation master tapes and sequenced by Lorenzo Fabrizi, also including twelve unreleased gems, new graphics inspired by the original posters and designed by Luca Barcellona and Marco Ferretti's linear notes.

Come and join us on our final journey to the town of Twin Peaks, take a seat at the Roadhouse, grab a drink & witness some of the finest musical performances any dive bar in America has ever seen!

This double LP features tracks by different artists: NIN, Eddie Vedder, The Chromatics, Otis Redding, Lissie and of course Julee Cruise and Angelo Badalamenti. An incredible dive into the musical mind of series creator David Lynch; this really is an incredible document of the artists that visited Twin Peaks during the Limited Event Series.

Once again our release has been mastered by Mike Bozzi at Bernie Grundman Mastering, cut by Bernie Grundman himself with pressing duties being handled by QRP (Quality Record Pressings) in Kansas.

Sounding superb, this is sure to transport you back to your favorite series. You can taste the whiskey and cigarette smoke the minute you drop the needle on the record!

'WRWTFWW Records' is insanely excited to announce the first ever vinyl release of Tom Raybould’s award-winning movie soundtrack for excellent AI-themed sci-fi thriller The Machine (2013). The limited edition LP boasts 16 superb tracks and is housed in a special glow in the dark sleeve.

"Tom Raybould’s Music For The Machine Is Amazing" - Bloody Disgusting.

Undoubtedly one of the greatest (and most overlooked) movie scores of the 2010's, The Machine finds its influences in the works of John Carpenter, Vangelis, Brad Fiedel, and Tangerine Dream, but presents its own unique twist, one that cleverly evokes the thin line between man and machine that haunts the whole film.

Cold and tenacious rhythms suggest mechanical killer instincts, brooding synths crystallize the fear of an AI-controlled future, but the warm and gentle sounds of guitar and piano ease the tension and bring hope of humanity. From its menacing introduction to it's tender ending, Tom Raybould’s masterwork ingenuously blends ambient, electronic, neoclassical, and synthwave to recontextualize and upgrade the classic 80's sci-fi movie score template, holding it's own against mammoth soundtracks like Blade Runner or The Terminator. Truly.

Cold with a touch of humanity like the perfect machine, Tom Raybould’s movie score won the BAFTA Cymru award for Best Original Music in 2013.

One of the Italian soul-mod tracks that every DJ has always dreamed of having on 7-inch! Taken from GLI ANGELI DEL 2000 OST by Mario Molino, ASH is an ace uptempo dancefloor burner, provided by a great brass section, and sung by the fabulous Edda Dell'Orso.

On the flip-side is GLI ANGELI DEL 2000 - a lysergic Italian version of Pierre Henry's retro-futuristic "Psyché Rock" anthem, featuring bells, fat bass lines, wah wah guitar, and electronic effects. Limited Edition 300 of copies. Don't sleep!

Adam Higton presents his first collection of library music.

Encompassing comic strips, collage and sound art, York-based illustrator and musician Adam Higton's work documents the daily goings-on of the forest folk within the realm of the Cosmic Neighbourhood. In classic Higton style, this new 10" sees songs acting in response to a series of paper-and-scissors compositions.

Sonically, these recordings straddle new and old, taking modular electronics, flutes, bells and softly pattering drum machines,
before colouring them all with the amber glow of some forgotten, psychedelic kids' TV programme. Higton's benign toots and echoing jingles bring to mind Daphne Oram's early delay experiments or the meandering playfulness of Tom Cameron. Radiophonic and time-worn, it still somehow sounds like the future.

Adam's illustration work has appeared in the New York Times, Anorak and Zeit Magazine.

The Omega Productions Records is proud to present you for the first time on vinyl the Martyrs (2008) original motion picture soundtrack, composed by the french duo Seppuku Paradigm (Alex and Willie Cortés).

Directed in 2008 by Pascal Laugier (ten years before his last film, Incident in a Ghostland), Martyrs is undoubtedly the most controversial French horror film of his decade. Beyond the
symbolism of its purpose or the hyperrealism of its special effects, the footage is only the representation of a love between two friends, within an increasingly dehumanized society.

The music composed by the Cortés brothers results from the vision of its director, sometimes cold and austere, sometimes organic and even melancholy. Thought more by its creators as a concept album rather than a simple sound illustration, the soundtrack ends with the famous title Your Witness , with pop-Floydian accents. The song My Neighborhood by composer Goldmund is also present for the first time.

Second film by Pascal Laugier after Saint-Ange in 2004, Martyrs also represents the latest project of the make-up artist Benoît Lestang (The Living Dead Girl, The Revenge of the Living Dead or collaborator of Mylène Farmer for Sans contrefaçon, Giorgino and Q.I) to whom our label makes here tribute.

Resulting from a close collaboration for over a year between brothers Cortés, Goldmund and The Omega Productions Records, this release contains the entire score on vinyl 150gr, housed inside a deluxe gatefold with real chrome derived from the cold aesthetic imagined by Pascal Laugier. Also including liner notes by Willie Cortés.

Limited to 1000 copies, with real chrome.

The Omega Productions Records is proud to present you for the first time on vinyl the Mannequin (L’Amour à la bouche • 1974) original motion picture soundtrack, composed by Yan Tregger.

Distributed one year before the implementation of the French X law, Mannequin is the first erotic film directed by Gérard Kikoïne (Jess Franco or Claude Mulot editor). He’s famous today for his « films d’Amour » that he directed during the french porn golden age, some with Brigitte Lahaie or Marilyn Jess.

A few years before Education of the Baroness, this production offers a true vision of the aftermath May 68′ sexual liberation, between extravagant swingers and social debauchery.

This groovy soundtrack is composed by Yan Tregger, also known as Ted Scotto. If he isn’t the most well-knowed French musicians of his decade, his music is particularly related to the diggers’ culture and others underground library collectors. Composed during a pre-disco period for Montparnasse 2000, the album oscillates between nervous beats, funky strings, “à la Gainsbourg” bass-sounds and more intimate compositions inherited from Italy.

Directly restored from the Yan Tregger’s original master tapes, this 150gr vinyl release contains the entire soundtrack housed inside a deluxe gatefold cover, including liner notes from the composer.

"On February 14th, UMC brings the worldwide musical sensation CATS back to vinyl, on high-grade 180-gram 2 LP black-vinyl reissue of the Original London Cast Recording. British composer Andrew Lloyd Webber (Jesus Christ Superstar, Evita, The Phantom Of The Opera) decided in 1977 to adapt T.S. Eliot’s 1939 poetry collection Old Possum’s Book Of Practical Cats as a song cycle for the stage, it is an indisputable international phenomenon.

CATS fans old and new will once again be able to enjoy spinning on their turntables the Original London Cast Recording of the daring show that was composed by Webber, produced by Cameron Mackintosh (Hamilton, Miss Saigon), and featured direction by Trevor Nunn (Macbeth, Les Misérables), choreography by Gillian Lynne (The Phantom Of The Opera, Cabaret), and lyrics by Richard Stilgoe (Starlight Express, The Phantom Of The Opera).

Such indelible CATS songs as the perpetually raucous, hard-rocking “The Rum Tum Tugger,” the moving operatic aria for a fallen “Grizabella: The Glamour Cat,” the nostalgic music-hall entrance for “Gus: The Theatre Cat,” and the moving, melancholy balladry of the climactic song “Memory” are among this 2 LP set’s many aural highlights."

'TENEBRE' is the 1982 Giallo masterpiece from Director Dario Argento. Although his frequent musical collaborators Goblin had disbanded while he was filming, Argento managed to convince three members of the group to reform and record the score to TENEBRE.

Claudio Simonetti, Fabio Pignatelli & Massimo Morante re-assembled in their studio and managed to deliver one of the greatest soundtracks of the 80's, Simonetti brought with him his love of Italio disco and the mixture of solid disco grooves and their intense, tight Prog Rock stylings is nothing short of astonishing.

The lead track is a vocoder lead freakout that mixes disco, rock with church organs, and screeching synth leads and that pretty much sets the tone for the entire record.
'TENEBRE' is far more electronic based than the majority of the bands scores for Argento and it really shines alongside other classic such as SUSPIRIA and DEEP RED.

The Omega Productions Records is proud to present you the Female Vampire (La Comtesse noire • 1975) and Tender and Perverse Emmanuelle (Des frisson sur la peau • 1973) original motion picture soundtracks, composed by Daniel J. White.

Released in Paris on May 7th, 1975, Female Vampire is one of the most iconic films of director Jess Franco. stakhanovist Daniel J. White, who became popular in 1965 with the score of the Belle and Sébastien series, composed the soundtrack of this Eurociné production at the age of 59.

At a time when sound experimentation is in the spotlight among many musicians for the pictures, Daniel J. White takes the opposite to offer two scores mixing a classic compositional obsolete with, however, many atonal and jazzy influences. He composed for Female Vampire one of his most famous themes and repeated many times in innumerable productions stamped Eurociné (Zombie Lake, Oasis of the Living Dead).

With strong Italian influences (like Bruno Nicolai, also a favorite composer of Jess Franco), the Tender and Perverse Emmanuelle soundtrack is the straightforward stylistic continuity of Female Vampire, offering unparalleled melancholy lyricism.

From the great Daniel J. White: an inevitable classic Italian thriller lovers. - We offer you in conclusion, an unpublished suite formed of the musician’s session falls during the recording of these two
original tapes.

For the first time on 7-inch vinyl, the killer "Dusty Fingers" tune, LA DIMOSTRAZIONE, taken from the soundtrack for the Spanish movie, "Metralleta Stein". A moody, dark-funk midtempo track, fueled with solid drum breaks and heavy basslines.

A real classic for any beatmaker, this track has been sampled and compiled a dozen times. On the flip side, you will find the more dynamic ELIKILLER, another smashing jazz-funk tune with great rhythmical and menacing tension. Limited Edition of 300 copies.

Don't miss out on this one! This is Italian rare groove at its finest.

There are still so many treasures to be discovered out there, but once you find a gem like this you can definitely put the research on hold for a little while and give it a deep listen. Recorded at Fono Roma in 1971, Eroina is a series of haunting improvisations - each one inspired by the effects of a different drug - made of whirling electronic glitches, skronky horns, pounded piano, funky drums and weird tape experiments delivering the best drone/spaced/drugged out free jazz performed by the legendary ensemble of Ennio Morricone, Mario Bertoncini, Egisto Macchi, Battisti D'Amario, Franco Evangelisti and Walter Bianchi. A timeless masterpiece.

One of the coolest albums ever from the legendary Cometa sound library – a set that’s every bit as weird and wonderful as you’d guess from its cover image of a hand holding a flower with eyeballs on each petal! The music’s maybe not as trippy as that picture, but it does have lots of cool and groovy touches – sweet Fender Rhodes at some points, jazzy reeds at others, and even some more evocative passages that almost have a deeper soundtrack vibe – but which soon return to the kind of tight, funky numbers that we love so much in Italian sound library material from this time! The players aren’t named, but they’re clearly top-shelf talents from the scene – and tracks include the funky “Rash”, plus “Riddle”, “Happy Fire”, “Swallow”, “Canty”, “Diplomat”, “Gadder”, “Bike”, and “Daydream”.

Music From The Star Wars Saga - The Essential Collection is an orchestral music compilation including tracks from Star Wars:
Episode I - The Phantom Menace until Star Wars: Episode VIII - The Last Jedi. On the occasion of the release of the final episode of the nine-part Star Wars saga: The Rise Of Skywalker, all songs are re-recorded by Robert Ziegler, alongside the Slovak National Symphony Orchestra and members of the Slovak Philharmonic Choir

These includes the iconic Main Title composition, Duel Of The Fates, Yoda’s Theme and The Imperial March.

There’s a new queen in town. The Crown: Season 3 will feature an entire new cast of acclaimed actors taking over the very famous royal roles. Gone is Emmy nominee and Golden Globe winner Claire Foy and in her place is Emmy nominee and Golden Globe winner Olivia Colman of The Night Manager and Broadchurch fame. “I’m so thrilled to be part of The Crown, I was utterly gripped watching it, a proper ‘Just one more’ feeling,” Colman said in a statement at the time.

The music for season three is composed by Martin Phipps, who has previously composed soundtracks for Black Mirror and Peaky Blinders. This neo-minimalistic score makes use of different tempos, string-based undertones and brass chorus lines. From the darkly moody “Black Widow” to the eerily beautiful “Aberfan” the skilfully constructed 16-track score evokes the turbulence of both the times and inner lives of the Windsor family, while remaining eminently listenable on it's own.

The Two Popes is an intimate story of one of the most dramatic transitions of power in 2000 years. Frustrated with the direction of the church, Cardinal Bergoglio (Jonathan Pryce) requests permission to retire in 2012 from Pope Benedict XVI (Anthony Hopkins). Instead, facing scandal and self-doubt, the introspective Pope Benedict summons his harshest critic and future successor to Rome to reveal a secret that would shake the foundations of the Catholic Church.

Bryce Dessner of The National composed the score to the movie. To create the music for the film he visited the set and began composing in the room with actors and crew. The score consists of both minimal and layered orchestral music as well as folk music. The OST features a total of 21 arrangements, which also contains contributions by Tinariwen and Mercedes Sosa.

Sucker Punch is a 2011 dystopian fantasy steampunk action thriller film directed by Zack Snyder and co-written by Snyder and Steve Shibuya. Music becomes the backbone of the film. They used actual songs for Sucker Punch that would create suitable moods. Emily Browning did the vocals for the songs “Sweet Dreams”, “Asleep” and “Where Is My Mind” that are played during the movie.

Sucker Punch: Original Motion Picture Soundtrack contains nine tracks, all covers, remixes, and mash-ups or rather “wildly re-imagined versions of classic songs” of tracks by Alison Mosshart, Björk, Queen, and performances from stars Emily Browning, Carla Gugino, and Oscar Isaac. The covers on the album are produced by Marius de Vries and Tyler Bates. Sucker Punch: Original Motion Picture Soundtrack was considered one of the best soundtracks of 2011, reaching number twenty-two on the Billboard 200, and number 1 in the Top Soundtracks chart.

A record that definitely lives up to it's title – an obscure Italian sound library session that blends instrumental touches that evoke an America at the start of the 70's with some of the hipper, deeper currents you’d expect from the team of Stefano Torossi and Giovanni Tomasso. There’s plenty of expected sound library funk in the mix here in a way that makes for one of the most unique sound library sessions we’ve ever heard.

Notting Hill is the 1999 romantic comedy classic which was well received by critics and became the highest grossing British film released in that year. The soundtrack to the Julia Roberts and Hugh Grant movie is another classic formula. It offers everything a Romantic movie needs, from Elvis Costello and Al Green to Shania Twain and Bill Withers. What counts is the mix of those oldies and some new songs. The original music was composed by Trevor Jones.

Kent have decided to go for some original US label lookalikes but out of respect to record collectors have switched the label colours to make it evident that these are later pressings and will not be mistaken for the originals. There will be no barcodes on the labels - these are on the sleeves.

Our first release is licensed from Sidney Barnes, a great 45 by Little Nicky Soul, originally issued in 1966 when he was still in New York just prior to his Detroit song-writing period with George Clinton and Mike Terry. Both sides are first-rate, mid 60's soul dancers.

From the cosmic creative musical mind of Swiss/Catalan studio whizz, Zeleste Nightclub engineer, video nasty film composer, occasional Jaume Sisa (Muìsica Dispersa) collaborator and future electronic music therapy pioneer J. M. Pagaìn comes the synth-ridden, vocoder-loaded 1984 sci-funk soundtrack to Barcelona’s daytime TV response to the universal E.T. phenomena. Get ready to meet your new alieniìgena amic and the unidentified flying object of thousands of Catalonian kids’ affections through the 1980's as Finders Keepers present Pagaìn’s lost lunar modular synth score to ‘Kiu I Els Seus Amics’ (Kiu And Friends aka Kiu Is Your Friend).

From the same intergalactic phenomenon that brought such delights as Turkey’s exploito cash-in ‘Badi’ or South Africa’s lo-rent homage ‘Nukie’ to our unregulated small screens and the same craze which filled international airwaves with the likes of Extra T’S electro smash single ‘E.T. Boogie’ or the million selling Columbian ‘Cumbia De E.T. El Extraterrestre’ smash hit... not to mention a wide range of unofficial theme-tune cover versions from Holland, Austria, France and Germany (lest we forget an inspired late period Lee Scratch Perry Album).

In 1982 the diaspora from Steven Spielberg’s small fictional mid-American neighbourhood that played host to everyone’s favourite torch fingered, three toed, Skittle-scoffing space goblin touched virtually every family home in every major city resulting in one of the biggest cinematic merchandise phenomenas of the 21 st Century, resulting in an unexpected high-demand / short-supply play-off in which bootleggers, copyists and counterfeiters rose to the challenge like never before.

When Spielberg regrettably told interviewers that he had no intention of making a sequel to ‘E.T. The Extra Terrestria’ it instantly became open-season for the imitators... but way before somebody squeezed-out ‘Mac & Me’, ‘ALF’ and ‘The Purple People Eater’, a team of kid’s TV executives in Catalunya were ready to fill the widening gap in the market without haste. Created in 1983 by Luna Films and Televisioì de Catalunya (TV3) and screened exclusively in Catalunya, ‘Kiu I Els Seus Amics’ was one of the first E.T. ‘tributes’ to make it out of the gate and with a crew of five individual directors and writers to ensure that the five episode, one-off series hit the wave of phone-home-fever, Kiu has since remained a short but sweet micro- memory in the hearts of an entire generation of Catalonian cosmonauts.

This special Finders Keepers edition comes complete with all of Pagaìn’s cosmic synthesiser soundscapes fully intact (barring striking comparisons with the likes of Tangerine Dream, John Carpenter, Vangelis and the soundtrack music of Suzanne Ciani), as well as some rare, unreleased, incidental TV edits. The bulk of this LP is made up of tracks taken from the rare full-length album, which was released after the TV programme had already been aired and coincided with sales of jigsaws and rubberised play figures in an attempt to catch-up with the unexpected mega-success of the show, needless to say, with a short promotional window, the LP (and cassette edition) did not benefit a re-press and with most copies sold to children, few vinyl pressings have escaped repeat needle scratches and decorated sleeves.

Internationally acclaimed composer/singer/songwriter/producer scores the music to the highly anticipated film Proxima directed by Alice Winocour. Sakamoto has won numerous awards for his work as a film composer. These include an Oscar, a BAFTA, two Golden Globe Awards and a Grammy. This is a 15 track single LP.

The soundtrack for the highly antcipated horror flm ‘The Turning’ features music by various acclaimed musicians including Courtney Love, Empress Of, Lawrence Rothman and Kim Gordon. Inspired by Henry James’ landmark novel, the haunted-house thriller is directed by spellbinding visualist Floria Sigismondi (The Runaways, Hulu’s The Handmaid’s Tale) and stars Mackenzie Davis (Terminator:
Dark Fate, The Martan), Finn Wolfard (It, Netlix’s Stranger Things), newcomer Brooklynn Prince (The Florida Project) and Joely Richardson (Red Sparrow, The Girl with the Dragon Tatoo).

Ghost Tropic is first and foremost the name of the third feature from acclaimed Belgian writer-director Bas Devos. The film tells the story of Khadija, a middle-aged cleaner who has no other option but to walk home through Brussels on a cold night after falling asleep on the last train. The journey is a reflection on motherhood and expectations, pride and unknown struggles, stories of the ghostly magic of a lonely night in a big city, of the kindness of strangers and the hurt felt seeing the vulnerability of someone you love.

Brecht Ameel, from the band Razen, uses his classical guitar training and his experience with various string instruments to craft a beautiful soundtrack of minimal ambient acoustic music. The Belgian musician’s intention was to create music that would be a warm blanket for the nocturnal odyssey of Khadija. A melody and rhythm to accompany her walk through the cold night, a sort of guiding light.

Ghost Tropic was premiered at the 2019 Cannes Film Festival and is set to be released on 1st January 2020. The accompanying soundtrack recording is out 2 days later.

First ever official LP reissue of this 1974 classic. Spiritual cousin to the psyche-liturgy of The Electric Prunes' 1968 "Mass in F Minor" and William Sheller's 1972 masterwork "Lux Aeterna", "Il Sorriso Del Grande Tentatore" is a vital, beautiful, frightening and yet essentially forgotten chapter in the storied discography of lauded composer Ennio Morricone. Remastered 2015 from the original stereo album master. Includes two previously unreleased tracks. Morricone's favourite Morricone! Exclusive liner notes by Alvin Lucia, original poster artwork and photos.

First ever commercial release for this ultra-rare Holy Grail 1972 Library/Production Music. Full dynamic range 2016 remaster direct from the first generation analogue master tapes. Co-signed by the mysterious Fabio Fabor and the renowned Armando Sciascia, Infini is a masterpiece of avant hauntological orchestration.

Prepared pianos collide with subterranean VCS3 synthesis and mournful ornate strings, spectral choral arrangements ride menacing drones and eldritch bass rumbles in a phantasmic cinematic skin.

Recorded between 1970/1971, and issued on the esteemed French 'Musique Pour L'Image' Library label in 1972, these sublime and concise symphonies of apocalyptic pulp dread receive their first ever commercial release here and are presented with 4 incredibly rare extra tracks from the original sessions.

Burning Witches Records and Fangoria and excited to announce the release of the original motion picture soundtrack to Satanic Panic by Wolfmen of Mars. Satanic Panic is a 2019 comedy horror film directed by Chelsea Stardust, based on a screenplay written by novelist Grady Hendrix and adapted from a story created by Hendrix and Ted Geoghegan. A pizza delivery girl at the end of her financial rope has to fight for her life - and her tips - when her last order of the night turns out to be high society Satanists in need of a virgin sacrifice. The Wolfmen of Mars have created the perfect soundtrack tone with some of their very best work to date. Expect synths, retro guitar tones, distorted electronics and their unmistakable style. Not to be missed.
Join us for the final pizza party of the year and kick off the festive season with a copy of the limited-edition vinyl of Satanic Panic. Pressed on red and purple wax with insert print and download card. Mastered for vinyl and cut at Abbey Road.

Vinyl albums are attractive and desirable ways of delivering music
to appreciative fans. The size, look, feel and information of the
packaging and the warmth of the sound gives ample reason for
the survival and re-invigoration of vinyl releases for older original
collectors and new younger ones.

This particular eponymous album by Howlin' Wolf is a fine case in point, as Wolf is a particularly collectable album artist whose original releases command good prices, but this one is one of two that are worth considerably more.

Original clean copies of this one on the Chess Records label (Chess LP 1469) would set you back many hundreds of dollars, alongside Wolf's first record on Chess, Moaning In The Moonlight, which has also recently been released on our "Not Now" label with UPC 'CATLP154' - making a fine pair of collectable albums freshly available.

... LP FORTHCOMING Inc. Soundfiles for the Tracks.

* 180 gram audiophile vinyl
* 6MM Sleeve
* Includes Insert
* First Time On Vinyl
* The front Covers Of Volume 1 To Volume 4 form one image together

The Collaboration Between The Influential German Artists Klaus Schulze And Pete Namlook Led To Their Well-known The Dark Side Of The Moog Series. The Fourth Instalment In The Series Is Based On The Pink Floyd Album "the Piper At The Gates Of Dawn". Bill Laswell Joins The Team And Co-created Some Fast Paced Jams And Some Loud And Dark Parts.

The Pioneering German Music Composer Klaus Schulze Created Over 60 Albums During His Career Which Started Back In 1969. Pete Namlook Is Another German Composer Which Played A Big Part In The Way Electronic Music Became Popular.

... Cult Australian Sexploitation soundtrack with rare photos and extensive liner notes.

Based on the novel written by Australian actor Roger Ward (Mad Max, Stone, Turkey Shoot) The Set was a highly controversial film upon its release in 1970 in which it's alternate attitudes towards sexuality challenged the traditional mores of the mainstream society.
The film, now regarded as a lost piece of Australian genre cinema, is considered the precursor to the OZ Sex-Wave films of the following decade (Fantasm, Libido, Naked Bunyip, Felicity etc.)

Scored by the highly respected and unique jazz original Sven Libaek, the music has also been unjustly overlooked from any recent focus on Australian cinema. After scoring several television scores and documentaries in the 1960s (Nature Walkabout, To Ride A White Horse, Man and A Mural) The Set was Libaek's first commission to score a feature film soundtrack. Incorporating elements of Baroque and sunshine pop as well as moody mod jazz, The Set is an incredible time-piece of Swinging Sydney.

Featuring Libaek regulars and top rank Australian jazz players, (Don Burrows, John Sangster, Errol Buddle etc) the music to the The Set was once a long forgotten piece of Australian B-cinema which has now been fully restored and presented again in all its original glory.

... Including rare photos, original newspaper cuttings and extensive liner notes from Australian cult cinema expert & Mu Meson archive curator Jaimie Leonarder.

... Presented newly recorded versions of the music from already known "Game Of Thrones" - Original compositions by 'Ramin Djawadi'. ... Hope, you enjoy.

Music From The Original Motion Picture Soundtrack. The music of Johnny Jewel, Glass Candy, Chromatics, Mirage, & Symmetry all articulate different visions for different moments — the pure ecstasy of a Saturday night out; unrestrained romantic devotion between vulnerable people; walks on wet streets on foggy nights; isolated twilight meditations. They make music for all moments, all feelings, all stories — in films & in life. Theirs is natural soundtrack music. Bruce Thierry Cheung brings their cinematic music to celluloid to tell the story of a family’s struggles in Don’t Come Back from the Moon, starring James Franco, Rashida Jones, & Jeffrey Wahlberg. The soundtrack mixes new & beloved work from the Italians family. Classic cuts such as Chromatics’ revered “Cherry” & “The River” (alongside the newer “Magazine”) & the disco-bliss of Mirage’s “Lady Operator” are alongside cues from Johnny’s instrumental solo album Digital Rain, all remastered to articulate the resonance of the visuals. Joining them is new music from Johnny & Symmetry. “Bicycle” finds Symmetry taking their Tangerine Dream and John Carpenter vibes into a haunting modern R&B space. Cues like “Street Lights” & “Dusk” use twinkling piano keys & glassy, minimal synthesizers to craft ambient electronic bliss. “Death Valley” is a foreboding & atmosphere track, laced with spectres of fading memories. Once you go to the moon with these songs, you’ll never want to come back.

Produced & Mixed By Johnny Jewel
Mastered By Mike Bozzi At Bernie Grundman Mastering
Cut By Bernie Grundman In Hollywood

Beastly sounds for a zombie nation as classic 80s gaming soundtrack Shadow of the Beast gets debut vinyl edition with a recording taken from the original platform game, and new artwork from acclaimed illustrator Keith Rankin.

Composed by David Whittaker for the 1989 Amiga platformer of the same name, Shadow of the Beast sees its first ever vinyl release courtesy of the UK's Lag Records, presented in also its first mastered edition as directly taken from the original game system.

A prolific VGM composer, Whittaker holds more gaming soundtracks to his name than any other, with titles such as Lazy Jones to his name, as (in)famously sampled for the 1999 club hit Zombie Nation.  

Shadow of the Beast remains a prime example of his pioneering hands-on approach, programming music directly with instrumental samples of his own on a Korg M1 synthesizer. The tunes make for a singular combination of Spaghetti Western-style tension mixed with world beats. Tracks like The Plains play with harder rhythms like warped speed techno, while a hard-to-miss melancholy pervades the Underground suite.

The fiendishly difficult Shadow of the Beast itself was an interesting example of game design for its time, recorded at a frame rate to match arcade machines as opposed to monitors, and loaded with a 128 colour palette. Two sequels later followed in the 1990s, along with a 2016 remake for the Playstation console.

The soundtrack comes ready for a 2019 audience with mastering courtesy of Jerome Schmitt at the AirLab, and brand new artwork from acclaimed illustrator and musician Keith Rankin in collaboration with artist Ellen Thomas. Shadow of the Beast will also come on transparent purple vinyl, in standard LP format.