Techno Nouveau en stock

Oro Azul‘s debut offering, ‘Water Seeds,’ takes us through 4 shades of an aquatic garden. Dembow floats underneath the waves while woodblock melodies bubble up through the weeds. Sub bass shifts the tide. Some sounds are moss-like, a protective balm. Other tones come through as minerals and metals, shining in the refracted light from above.

A collaboration between Ultima Esuna and Michael Red, the music of Oro Azul took shape over the course of a year of purposeful and transformative studio sessions. This release follows the pair’s solo releases on DJ Python’s Worldwide Unlimited, Nervous Horizon, and Isla.

Building on the foundation of his two EPs for Samurai Music, we proudly present Urmah, the first LP exploring the 170 tempo from acclaimed Techno/Electronic producer Juan Rico aka Reeko, aka Architectural.

Reeko has now become an integral part of the overall Samurai Music sound. His work resonates deeply within the label's ethos, and Urmah exemplifies this synergy, highlighting his ability to enrich and expand Samurai Music's vision and push the boundaries of his own artistic expression.

For Urmah, Reeko delves even further into sound and psyche with a richer, more enveloping exploration into his distinct interpretation of the tempo. Reeko's production prowess shines brightly on Urmah with the warmth and weight of each track leaving an indelible impression.

Urmah focuses on heady fathomless grooves that tease shards of breakbeats like delicious icing, binding themselves to a gentle psychedelia with celestial textures. This is dexterous, meditative journey music from a producer who has an intimate relationship with groove creation.

As one of the most respected Techno producers in the genres long history, Reeko's influence and mastery are undeniable. With Urmah, he further showcases his expertise, expanding his palette to display a refined command of the 170 BPM tempo. The LP is a testament to his ability to innovate and redefine, solidifying his reputation as a pioneering force in electronic music.

After his last Ep Paralyzed, Sciahri returns to Sublunar with his new project Pareidolia. Pareidolia is a project that blends the most groovy and immediate techno with the most futuristic and sophisticated, creating a mix of bangers that reflect the artist's current vision.

In the first part we move from the classic and effective sounds of 'Vortex' to the more direct and powerful sounds of 'Roven', then to the B-side with the floor-heavy track 'Infatuation' and finally to the dark and tribal sounds of 'Glow', which closes the EP.

Cognitive Prophecy returns for its second instalment with Skatman - and his ‘Superstitious Thoughts’ EP - a diverse 5-track deep dive into the label head’s current vision on melodic electronic music.

FSL returns with a 12" from Germany born, Dublin based artist Small Crab on her label debut.

Deemed "one to watch in 2025" by Mixmag, real name Anastasia Rigaud takes us on an education of Introspective and laid out steppers for the smoked out dark room.

To top it all off the release features a very driving main room cut mix from London based, Dublin's son Glimmerman.

Buckle up for Dubblack002, this time courtesy of Italian rising star TAGLIABUE. The Milanese DJ & producer is a an ideal ambassador of the label’s ethos, with his deep and mysterious electronic attitude. The opening track ‘Odissea’ lays the groundwork for the record to rise, with a cryptic intro which breaks out in a progressive detonation, referring to a late 90s/early00s sound but interpreting the scenario with a modern, actual twist.

‘Baraka Trance’ keeps the standard high and, as the title suggests, offers the artist’s POV on the Trance matter with a high-tempo, neatly arranged beat and a slightly acid bass-line, both creating a constantly evolving eight minutes-long acoustic journey. ‘A Oltranza’ slows the pulse but doesn’t decrease the pressure with captivating rhythmics perfectly blended with an avant-garde harmonic section; a complex but never baroque arrangement that constantly holds the listener on the rope. Three tracks with unique features, presenting a vast array of musical influences all merging to produce a cohesive, new and unheard record. Music written and composed by Tagliabue, project curated by GNMR.

The Silence returns with this limited edition addendum to their debut album for the true diehards that need their darkness to be a little more complete. To sweeten the deal this EP contains an extended version of their tortured dubstep anthem 'Something Hardcore' and the already infamous 'Industrial Counter'.

Repress

"Analogue proudly welcomes UFO95 & Hadone - two of the finest talents in the new wave of techno. Their split EP features a combination of four blistering, space-infused, deep and high-energy cuts. A standout release that deserves a place in every serious collection."

Clear Vinyl 2025 Repress

In the late summer of 1994, Upadhmanyia (John Mackaay & Michel Rehatta) invited Leo Verhoef (LFU) to collaborate on a track. They met a few more times afterward at a power station converted into a studio in IJsselstein, The Netherlands. "Hasiya" was quickly born and was already in stores by early November 1994. John & Leo drove to house club iT in Amsterdam, where they gave the track to DJ Marcello, resulting in an iT hit! The track was quickly picked up by DJs worldwide, and Richie Hawtin used it in a live set in Denver on November 19th of that year, which can be heard on SoundCloud (Hasiya is mixed around 43:00). The track was also a huge hit on dance floors in England and Spain.
In late 1994, Hasiya appeared on a CNR Music EP titled "Welcome To The Club," along with four other hits from producers like Pete Lazonby, The Shaker, and Drum Club. A double CD of the same name followed in early 1995, released in Belgium, featuring Hasiya alongside artists like Robert Miles, Digital Express, Aura, Natural Born Grooves, and other hits of the era. In early 1995, Arcade released "House Party '95 the Kinky Klubmixx," mixed by Koen Groeneveld & Addy van der Zwan. The same CD was released in Scandinavia as "House Party '95 (5)." Hasiya flourished among the most popular house tracks of the time. The record spent three weeks in the Dance Music Mega Top 30 and peaked at number 22 around the holidays of late 1994.
For 31 years, Hasiya was only available on record, CD, tape, or YouTube. Starting November 21, 2025, it will be resurrected from the underground into the world of digital downloads and streaming. The 2025 Remaster, along with five new mixes, will be widely available, including a limited vinyl release of 350 copies. The 30 test pressings have already been received with open arms by various DJs and received immediate support from Eris Drew and Octa Octa during ADE.
Because Hasiya was created in 1994, the only available remix material is the original DAT tape, which, thankfully, was still stored in an old box in a dusty attic. Most of the sounds for the new versions have been recreated and re-recorded.
Rehatta's Reanimated Mix:
This remix - created by one of the two founders of Upadhmaniya - combines driving, percussive beats with a thrilling, progressive break featuring ascending, dizzying strings. This trick returns shortly afterward to rev things up again. An accessible remix for dance floors worldwide.
LFU 2025 Version:
This straightforward, raw techno version with a touch of acid is ready to rock dance floors. LFU's updated version of the 1994 original, which he created with Michel & John, will undoubtedly remain a head shaker from here on out.
John Consemulder Metaphysical Mix:
With a pumping groove and a funky bassline as an intro, John Consemulder's remix immediately strikes a chord. A refined and elegant approach to the original, with sounds as mysterious and exciting as the flowing lava in the 'Gruta das Torres' - a cave in the Azores - the setting where this tech-trance remix was created.
Davje Remix:
Davje's version begins with the typical club and hard-trance bassline of the late '90s. You're drawn into a trance journey where beat changes sometimes try to throw you off track. Davje's creative Hammond organ interpretation of the Hasiya theme surprises and transports you back to the hippie era by the end of his remix.
Bojcot Remix:
Junglist Bojcot creates an exciting, nuanced, and mathematical remix with a beat that feels like jungle and half-tempo. He conjures up the sounds of LFU's 2025 Version, creates a bassline that sounds like a disturbed bumblebee, and adds a surprising string section. Massive!

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200 Records marks its 50th release with a four-track EP showcasing both fresh faces and long-time contributors to the label. M.R.E. opens with a vibrant house cut, full of energy and warmth. Blauert follows with a deep, dub-tinged house track, subtle but with a steady, driving rhythm that keeps things moving. Havantepe contributes a deep and intricate Detroit-inspired techno track, rich in texture and unmistakably his own. Till Krüger rounds off the release with a timeless B2 track: —subtle, melodic, and unmistakably his in style.

Highly recommended by Paul Nazca, Tim French, Chad jackson, Brett Gould, Johan, Sinca, Spencer Brown, Steve parry, Ruede Hagelstein,
Karotte, Alexander maier, Greg Eversoul, Dibby Dougherty / Island Hill, Adi Shabat, Michel de Hey, Francesco Chiocci, Paul James Nolan,
Yas Cepeda, Urmet K, Satoshi Fumi, Steve Raschke, Siavash, Ranj Kaler, Nhar / Bernhard Siefert, Four Candles, Alex Neri, Dimitri Schnider / Definition,
Yves Eaux, Cerillio, Paco Osuna, Lonya, Richie Hawtin, Just Her, Stefano Lotti, Nick Stoynoff, Joseph Capriati, Luke Garcia, Mihai Popoviciu, Daniel Mehlhart, Joris Voorn, Jamie Jones, Greg Fenton, Audio Jack, Stefan Weise....to name a few!

Apnea welcomes VC118A to the label for the first time with Back To Life, his next album following the 2024 collaboration Flow Zone with CRC. Across nine tracks on two 12''s, he delivers a potent mix of deep electronics, acid bleeps, mechanically crafted rhythms, and atmospheric dub infusions--pulling the listener into a hypnotic, meditative space. Driven by futuristic machine grooves and evolving textures, Back To Life moves between fluid, weightless passages and tightly constructed sequences, balancing structure with deep immersion. Each track unfolds with intention, guiding through shifting sonic landscapes that blur the line between motion and stillness. Landing April 2025 on Apnea.

Yogg delivers the second release on his Polarized Future label, with four deep and sub-heavy cuts on ‘Don’t You’. Produced in his new Brussels studio, the EP channels the tension between familiarity and instability. The sounds here are deconstructed, fizzing and alive, produced with a pointillistic attention to detail.

This is music built for soundsystems, with a strong emphasis on bass weight and meditative, spacious minimalism. Elements are removed to the bare essentials, at times feeling like a contemporary reimagining of the early sound of dubstep; echoing the unease of a society in the midst of a dystopian timeline.

2025 Repress!

Re-issue of Drexciya's 4th storm! Another seminal work of 6 Futuristic deep & Drexciyan Electro/Techno tracks. Hypothetical questions translated into music by one of the visionaries of contemporary electronic music. ''Music beamed through Dimensional Waves by Abstract Thought...'' Remastered from the original session tapes.

Alexander Skancke is making his debut on raum...musik with three techno-tinged tracks that perfectly display his immense talent and remarkable versatility in music production.

Over the past years, the Berlin-based, exquisitely friendly Norwegian face behind the desk of Bikini Waxx Records has gathered an extensive body of work brimming with quality.

The "Moon and the Sun" EP shows Alexander in total control of a hypnosis-inducing, slightly delirious dark room where Techno is the language of choice. Its title track 'Moon and the Sun' fills the entire A-side of the record with menacing vocal echoes on top of constant, bass-heavy locomotive grooves that are simultaneously dark and deeply shamanic. B-side's 'No Snakes Please' brings forward crisp, robust percussion arrangements and chugging basslines combined with euphoric (yet understated) vocal samples.

'LSD' finishes the EP with a deeper take on the sonic language explored thus far by adding spatial textures and a discrete bassline work to the mix while filling the space with razor-sharp drum arrangements for added excitement — Three different arrangements of varying aesthetics that are, ultimately, Alexander's very own vision of Techno.

Straight from the stone head, 3hrvl and the spiral sorcerer of ozz speak to you, the chosen ones.