Techno Новости

We’re excited to present our next 12” vinyl. This time, we go back in time once again with a brand-new remix of an absolute classic. Yves Deruyter’s Calling Earth was a mega hit back in the day, now in 2020, the track has been given a makeover by electronic music icon, Umek. From those early days at Bonzai, Yves has been at the forefront, dishing out countless tracks under his own name and a host of guises and collaborations. Still rocking the scene today, producing and DJing for the masses, he has surpassed 35 years as a DJ and it doesn’t look like he will be stopping anytime soon. His tracks have a tendency to find their way into modern sets, holding their own in timeless fashion. So, it’s no surprise that in 2020, Umek decided to have a go at remixing this popular track, which has been played by the likes of Adam Beyer and even got an airing on BBC Radio 1’s Essential Mix. Slovenian artist, Umek, started out in 1993. He was pioneering the sound in his country, bringing the music to the masses at such a young age. In 1999 he founded Consumer Recreation and Recycled Loops and has went on to churn out a plethora of work on other world-renowned labels. He currently runs his latest label, 1605, with great success. His fast mixing skills and uplifting sets earned him the most prestigious of gigs and has played a Radio 1 Essential Mix in 2007. A multi-award-winning artist, Umek continues to deliver the goods, and this is just one example of his genius. What is more special about this particular release though, is not only is it a limited edition, but each vinyl features a unique colour pattern. Three colours will be present, blended together in random sequences to achieve the most vibrant tapestry. This will give the records their own character and will be the talking point of many collections.

On the A-side you’ll find Umek’s Remix. Staying true to the original, while bringing in a strong, contemporary Techno vibe. The intro boasts that familiar scratchy synth before monster kick drums take over alongside a pulsating bassline. Tension mounts as the layers pile on, we’re teased with the main melody until it’s unleashed on the first break to the backdrop of a gnarly, gritty Techno pad. The second break brings in those playful percussions that track is so famous for, resolving in a slowed down tempo and then back to full-on mode for the duration.

The B-side features the glorious Original Mix. First released in 1994 as the A-side to IV (backed with Rave City). The track opened with that hollow tube sound laced with bright hats, leading to a solid, pounding beat and then on to that infectious melody line. This one quickly rose to mega status among throngs of ravers and DJ's. A string of remixes followed as well as multiple releases over the years making this the ultimate classic.

Second step: G-Man “Quo Vadis”, a track released for the first time in 1995... It had in those years massive support of the greatest exponents of electronic club music and in a short time, it became a real classic. Now on Back To Life Records returns with Original Mix
+ D. Diggler remix (Never released on vinyl) + Sparticus.

Thanks to Gez "LFO" Varley for this gem. He say about the track: “Quo Vadis was born as the perfect track to mix between a house set to a techno set ,the track was inspired after the film Quo Vadis and means 'where are you going to?' ".

Repress on the way!

ganz großes kino, weg von all dem minimal kram, einfach ein gutes stück musik

HQ 12 EP plus 2 sided 30x30cm liner notes written by Jerome Hill - 4 sought after tracks, plus extra loops and intros for DJs! - For fans of Early Raves and Hardcore Manic House Music circa 1990-1992
Mental Groove Music and Musique Pour La Danse are ecstatic (and there couldn't be any better way to express our feelings here) to announce the first volume of Mental Groove Classics, music played at the early warehouse raves and illegal fields parties of the same name. A compilation of rare, forgotten or sought after gems, topped with extra loops and intros for the working DJs, and each side of the record ends in style with original pirate radio cuts which showcase the music in its original context, extended liner notes and interviews of the featured artists by DJ, producer and radio host Jerome Hill of Don't / Super Rhythm Trax / Kool FM London fame. All tracks are remastered from the original sources by former Dubplates & Mastering engineer Frederic Stader (aka Dj Maxximus / Warp Records) and cut by Daniel Krieger at the legendary Schallplatten Schneid Technik studios

Techno isn't a genre that has birthed many consistent albums, and the dub techno subgenre even less so, but one indisputable classic is Porter Ricks' debut 'Biokinetics'. Originally issued on the legendary Basic Channel sub-label Chain Reaction in 1996 following a trio of 12"s, 'Biokinetics' was the first of the label's album releases, and still stands as its crowning achievement. Porter Ricks are Thomas Köner and Andy Mellwig, and between them they re-framed the techno sound, imbuing the spacious ambience pioneered by label bosses Mark Ernestus and Moritz Von Oswald with a frosty, isolated experimental bent, and combining it with the sort of haunted minimalism of early Plastikman.
What separated 'Biokinetics' from other albums at the time was its unwavering narrative - the exact sound has been interpreted countless times since, but the immersive qualities of this singular record have rarely been touched. Maybe it is down to the silvery underwater concept that ties each track together - the bubbling pads, sub-aquatic basses and muffled kick drums. But as with any great album, it's hard to exactly put your finger on what makes it a classic. Simply put 'Biokinetics' is one of the most important records in the genre and one of techno's finest albums. It has been re-released ten years ago by Type Records, and now Mille Plateaux is celebrating Porter Ricks' and Biokinetics' 25th anniversary with this sumptuous double viny edition.

Ulf Lohmann, the newcomer of the year. From the deepest suburbs of Cologne, he spreads his musical message around The world. Resistance is futile. His music disarms even the unarmed. Innocence has become sound - unswervingly pure and beautiful. Like the electronic immaculate conception Truthful as love itself . So, leave the container and enter into the paradise of active oblivion. Shut up, you real world! Here comes Ulf Lohmann, here comes Pop Ambient 2001.
STERBENS-SCHÖNER POP AMBIENT & EIN KLEINER MINIMAL HIT MACHEN ULF ZUR ECHTEN ENTDECKUNG. HAMMER !

Rediscover all the gems of electronic music in a double vinyl anthology collection. After the success of the first 3 volumes, here they are finally available again, accompanied by a new volume more emblematic than ever.

finally repressed!!

a big Butch Records with already massive support from Sven Väth, Mathias Kaden, Reboot, Nick Curly, Luciano, Dub Fire, Joris Voorn, Loco Dice, Onur Özer and many more...

Delsin turns to this classic from 1992 EP by Random XS. Originally released by Saskia Sleger's legendary Djax-Up Beats-label. This re-release features the original a-side - a hypnotic vocal acid anthem that has become an absolute classic of the genre - remastered and re-cut, meaning that the infamous gap in the original is no longer there. The b-side has two new remixes from Lost Trax and Delta Funktionen resulting in futuristic, electro tinged, twisted versions with crashing hits and famously busy basslines bringing real warehouse energy.

Originally released in the year 2000, the album represents a pivotal moment in the emergence of the “Birmingham Sound”; a stripped-back sub-genre of Techno, pioneered around this time in the English hub by artists such as Regis, Female, and Surgeon.

Influenced more by Industrial, Music Concrete, and EBM than from the melodic sounds of its Detroit predecessor, Regis later described the music as being made with a fractured pop sensibility which created a sound that may be faceless but by design loses none of the soul of its American counterpart.

Nowhere is this sonic changing of the guard more apparent than in opening track, Washing My Hands, which sets the stage with a vignette of field recordings: arc welders, water boilers and other sounds reminiscent of industrial workshops reframe your senses, placing your mind into a familiar yet unsettling dreamlike space. From this sound- scape emerges a high-pitched, vitreous noise heralding the jarring introduction of Let Them Bleed, the first of several trance-inducing tracks on the album such as Join Us In Paradise, and Guiltless, which layer percussive and sampled loops creating what Peter Sutton (aka Female) described as exotic hypnotics.

This remastered edition of Againstnature also features the additional track, Theme From Streetwalker, previously only available on Volume 6 of the Tresor Compilation series.

Repress of this peaktime techno destroyer from 2004!

The big classic !
Repress from Route Master 29 and Route Master 45 !

Cut from Lawrie, fammily story :)

Repress

Clear Vinyl

A long-awaited vinyl-only sampler showcases some of the most seminal and vanguard recordings from one of the finest minds behind the American electro and Miami bass scene. The four tracks listed here are all original recordings from 1984-85 fully licensed by the author himself James McCauley and accurately remastered via Omaggio Records. Thirty-five years later, its still the case to say: "Welcome to the Future".

Legendary Utrecht DJ and producer P.A. Presents (Peter Aarsman) returns with his first new release since 2000 with this vintage techno stunner, Swirling Gas. This EP also marks the first new music on U-TRAX in more than 21 years, kicking the label s comeback into a higher gear.
Peter ironically is the only artist on U-TRAX that actually is born and bred in the city of Utrecht. Even more irony lies in the fact that he hasn t lived in the city (or stadsie in Utregs, the local dialect) for the past 25 years.
Peter knew he wanted to be a DJ since he was ten years old, in a time when this was still a very unusual career to dream about. Long before house music had landed in Europe, Peter was fiddling around with disco and italo 12 -es and all those years of training is what made him the superior DJ that he still is today. In terms of skills, flair, energy and feel for the dance floor, there are probably not a lot of DJs that can rival with Peter.
While the era of house of techno of the late 80s and the 90s brought him countless DJ gigs, his reputation didn t cross the city borders much, until he bought his first gear and started producing techno music himself. Again, his DJ background proved helpful with producing his tracks, as most of his tracks are dancefloor orientated and usually have an impeccable timing.
Peter debuted with the mini-album Salicylic Acid on U-TRAX in 1993, followed by the Flight Stimulator EP a year later. Both are classics today, but neither brought him as much fame as his 12 Entangled did on Deviate, a record label that was started by a couple of our friends from Utrecht a year prior to U-TRAX. Entangled made it to many charts and compilation albums, including Carl Craig s mix CD as part of !K7 s DJ-Kicks series.
Besides two releases on U-TRAX and three 12 -es on Deviate, Peter recorded a full length album for the latter label. Unfortunately, before the album ever saw the light of day, Deviate closed their doors and the tracks remained on the shelves for the next 17 or so years. These tracks still sound surprisingly fresh and original today and we are super excited to be able to release some of them on this Swirling Gas EP!
The title track Swirling Gas obviously gets its name from the documentary sample that the track kicks off with. The almost heartbeat-like electro rhythms, layered choruses and dreamy synths will give you goose bumps all the way to the soles of your feet.
Raw is quite another thing, but way more complicated and sophisticated than the title suggests. An in-your-face electro bass drum pattern supports layer after layer of additional rhythms, some even touching on salsa, and then big fat layers of pulsating synths take you away into deep space. A unique track that will instantly reward the DJ that has the guts to play it for her/his audience.
Drum Magic on the flipside is exactly that: a magic techno trip built around complicated syncopated drum rhythms, which should serve the adventurous DJ well as a foundation for mixing all sorts of weird stuff on top of. We can t wait to see videos appear with creative mixing ideas.
Final track Freaky is opening with some heavy pounding, yet jumpy beats before it opens up into a bit of a space trip around the 3 minute mark. Though the track has a touch of the Basic Channel sound, its echoing synth tones are very distinct and will light up any venue, no matter how big.
All tracks have been revamped and edited into more current lengths by DJ Zero One, blessed by DJ White Delight and mastered by Thee J Johanz. Label art by Bonk Artwork.

Exactly 25 years ago, in January 1994, U-TRAX released an EP from a new young talent from the Utrecht area. His name: Frank de Groodt, who's debut Missin' You EP immediately established his name as a techno and electro phenomenon. This re-release of the original techno beauty is the first of two releases that U-TRAX will put out in January 2019 to celebrate Frank's 25th anniversary as a recording artist.

Frank at the time lived in Hoevelaken, a small town outside the city of Amersfoort, which is where he was born and lives again these days, some 30 minutes northwest of Utrecht. For his first release he picked the rather unusual moniker Pieces of a Pensive State of Mind as his artist name. Later in 1994, he released his first 12"-es on Djax records as The Optic Crux, and he continued to keep making up artists names in the following 25 years: Sonar Bass, Fastgraph and The Operator. He is also one half of the live outfit Random XS (together with U-TRAX veteran DJ Zero One), collaborated with Arno Peeters (a.k.a. Spasms) as Urban Electro and with Detroit's Dennis Richardson as Ultradyne. And that's not even all of his alter egos.
All four tracks on this re-press have been remastered for maximum impact, including two versions of the title track.

Like all beautiful art, Missin' You is inspired by heartache, referring to a lost love. This track appeared a year prior on the notorious Drome Tapes cassette label, the predecessor of U-TRAX. The Awax Reorganisation is a remix by U-TRAX label boss DJ White Delight, with the help of DJ Zero One and Frank himself, transforming it into a long ambient-ish technotrip. The flipside is where things get even more exciting, with the funky Detroit-techno style Echoic, still a favorite of popular modern-day DJs like Hunee. We have to issue a small warning regarding the closing track: the bassdrums are deformed by a flanger and reverb and the combination with the latest record cutting technology makes Channel Pressure not only a freaky and pumping track, the disorienting sound can also make the audience on the dancefloor a little nauseous!

Original release date: January 1994.
Re-release scheduled for January 11, 2019.
This special 25th Anniversary Release will be available in digital form for purchase and streaming, on black vinyl and limited edition silver vinyl.

The third release on U-TRAX in 1993 was also a third debut, this time by Natasja Hagemeier and Jeroen Brandjes. Early in their career, they used several artist names, but became most commonly known as The Connection Machine. With their debut mini-album The Dream Tec Album they more or less described their style: dreamy techno. It became an instant Dutch techno classic and U-TRAX is proud and delighted to offer a fully remastered re-release, including three never before released bonus tracks (one of which is digital-only).

Natasja and Jeroen resided in Utrecht back in the 90s. In 1991 they assembled all their ideas and recorded the track "24 Hours" with DJ Paradize. Soon after this experience, they started to buy their own gear, all strictly MIDI (which wasn't too obvious in those days). In their early recording years, they had three producer-names (Syndrome, The Connection Machine and Bitch&Bites), that were all collected under the The Utroid Machine Missions umbrella, which was used for their debut on U-TRAX.

All tracks on The Dream Tec Album are The Connection Machine's earliest works, from the 1991/1992 years.

"An Overflow of the Mind" is a beautiful, dreamy track with almost divine sounds and strange voice-samples that serves perfectly as an introduction to their entire repertoire.

Their first production was "24 Hours", and what a brilliant one it is! A well-known jazz-musician talks about a "24 hour party going on", on top of a sinister and trancey rug, woven of sampled sounds from pioneers in electronic music and nailed down to the floor with a deep pounding bassdrum. At the time they made this track, 141 bpm was unbelievably fast...

"Evilish Cosmos" is all about a very sad and personal emotion, so everything we say about it will be absolutely wrong. Just listen to the meandering piano line, distorted voice samples - and feel it.

The first bonus track on this release is "Recognized Pain", which was intended to be part of the original The Dream Tec Album. It had appeared on the Phuture Classical Section C cassette in 1993, on the famous Drome Tapes label that formed the roots of U-TRAX. It truly is an amazing track: pure sonic terror with haunting rhythms, psychedelic synth lines and shards of voice samples that make the listener feel slightly uncomfortable.

"X_Manray" is many electronic music lover's favorite track. It is sooo deep that it is hard not to get hypnotized by it. Warm strings are coupled with deep beats that show up and disappear every now and then. Could serve perfectly to start off any DJ's set, as long as she or he has the guts.

Though "Braindrain" is probably the most danceable track on this album, it is carefully designed to tease the listener. Everything in this track drops in too late and every tone, melody or loop last exactly a few bars too long. Designed as a DJ-teaser and so it is.

The second bonus track, "Cafe d'Anvers", is another previously unreleased work, of which unfortunately no master recording was saved. All that is left, as far as we know, was an old VHS Hifi tape from the U-TRAX Archives. And that is where this bonus track was taken from. Mastering engineer Thee J Johanz managed to restore the quality of the recording somewhat, while at the same time maintaining its dark, clubby sound, a tribute to the famous club of the track's name in Antwerp, Belgium.

"Dream Affected Dream" is one of the most recent productions on this album. It was recorded with CNN playing live on top of it. At this exact moment, CNN was having an interview with David Koresh, the leader of the infamous Branch Davidians sect from Waco, Texas, while they were under siege by an armed police force. Natasja and Jeroen were just ready to record Dream Affected Dream, and spontaneously decided to mix in the audio from CNN. Not very long after that, the cult members set fire to themselves. A very strange and oddly funky track, that also serves as a time-document.

The final track is another bonus track. Like Cafe d'Anvers, "Voight-Kampff" is taken from on old U-TRAX VHS Hifi tape and masterfully mastered into a lovely relaxed dreamtech piece. Very suitable to start the Sunday after a long night of clubbing. This track is available for free to buyers of the complete digital album only.

Original release date: July 1993.

The Advent (Cisco Ferreira) delivers his first full-length Electro album in 17 years. Released this May on Sync 24's burgeoning Cultivated Electronics label, 'Life Cycles' finds the past meeting the future. Because, to get a truer feel for this new long-player, we should head back even further to a 1995 classic - The Advent's debut album, 'Elements Of Life'. In fact, fans will recognise a nod to the original artwork of that seminal release, as 'Life Cycles' takes us full circle, containing unreleased Electro gems from the '90s, available for the first time. "I have been making electro music for nearly 3 decades now and excited to see that it is in demand with this new wave of talented producers out there. 'Life Cycles' is an album where I explore my older past and connect with the future, 2020 and this new electro generation," says Cisco. Ever since Cisco Ferreira discovered Acid House in the London clubs he frequented, his journey has been about making his mark on the electronic music scene. Fresh from college he landed a job as assistant sound-engineer in several recording studios where he learned the art of translating feelings to frequencies, recording high profile artists from the world of Rock, Pop, Dance and Reggae. When acid label, Jack Trax moved in next-door, Cisco started recording for the likes of Adonis, Fingers Inc, Marshall Jefferson and Derrick May. These rendezvous sparked the inspiration for his first EPs on R&S and Fragile. By 1994 Ferreira had signed a record deal for 12 EPs and 3 albums together with Colin McBean. This was the beginning of an era during which the duo set a worldwide standard for high quality underground Electro and Techno. They hit the world with a refreshing sound, both as The Advent, and G Flame (Cisco) and Mr G (the alias Colin still uses today). Nowadays The Advent is a solo project for Cisco as he bombards crowds around the world with his trademark raw, energetic sound. As much as The Advent is known for uncompromising Techno, so his Electro has been a huge influence for a lot of young Electro artists today (including his own son and sometime Electro collaborator, Zein) and when you listen to 'Life Cycles' you'll understand why. From the moment the beats kick in on track 1, 'Music Is Life' we're met with full on Advent power. The album explores classic old-school Electro vibes from the tough machine funk of tracks like 'This Is Not' and 'Vast' to the acid excursions on 'Panda', via some the ghetto boogie of 'L.U.' or 'Stasis V2'. And lest we forget what an amazing live performer The Advent is, there's even the deeply hypnotic 'Live@Motor 1998'.

Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. Three of the finest in this collection were contributed by Surgeon, Basictonalvocabulary', Balance' and Force + Form' all originally came out on the Berlin institution between 1997 and 1999.

Surgeon's inimitable combination of Detroit techno and post-industrial sounds emanating from his British homeland found its fullest expression in these masterful trio of releases on Tresor.

Tresor Records have decided that its high time to give these seminal albums another airing, and will present each in a staggered series of 2LP represses throughout the year.
Force + Form Remakes' accompanies Surgeon's third album on Tresor, and as per its two predecessors, presents essential alternate versions by Surgeon and Mick Harris.

Tresor.116 was remastered in 2015 by Matt Colton at Alchemy Mastering, London.tered in 2015 by Matt Colton at Alchemy Mastering, London. 1

Steve O'Sullivan's work as Bluetrain ranks amongst the finest distillations of sleek techno minimalism and spatial dubwise sonics. As part of Sushitech's 15th anniversary celebrations, they're doing us all a massive favour by revisiting their comprehensive compilation of the finest Bluetrain joints, replete with a tasty coloured vinyl pressing this time around. The tracks are beyond sublime, riding steadfast, understated grooves, which underpin beautifully sculpted, metallic chord clusters that sink in easy but run deep. If you need a dependable clutch of stellar dub-tech-house workouts to suit full-immersion DJ sets, this essential double pack will keep you trucking long into the morning.

The second release in January to celebrate the 25th anniversary of Frank de Groodts career as a recording artist is a re-press of his legendary Sonar Bases 4 10 double 12 . Exactly 21 years ago, in January 1997, Frank elevated to electro stardom with this astonishing combination of dark electronica and electro beats.

Frank at the time lived just outside the city of Amersfoort, which is where he was born and lives again these days, some 30 minutes northwest of Utrecht. His first ever release in January 1994 was a techno EP on U-TRAX, as Pieces of a Pensive State of Mind. Later that year, he released his first 12"-es on Djax records as The Optic Crux, and he continued to keep making up artists names in the following 25 years, like Fastgraph and The Operator. He is also one half of the live outfit Random XS (together with DJ Zero One), collaborated with Arno Peeters (a.k.a. Spasms) as Urban Electro and with Detroit's Dennis Richardson as Ultradyne. And that s not even all of his alter egos.

The sound of these eight unique tracks called for a new moniker back in the nineties: Sonar Base (ironically misspelled on the original release as Sonar Bass). All track on this re-press have been remastered for maximum impact. The double vinyl goodness kicks off with Earth Probe, that very subtly creeps towards us, before it kicks in with a rather obese bassdrum. As if Frank wanted to ease his listeners into his then new sound, this track basically is in techno/acid style, but has the slower tempo that characterizes the rest of the electro tracks of this release.

Immediately following, is the unrivaled beauty of Welcome To Sonar Base #4, a track that slowly builds up before it takes us on a deep space journey at two thirds. The 11 minute Sonar Base #5 has been a DJ favorite for 21 years, reaching out to both electro and techno lovers, while Sonar Base #6 is the type of ultra-pure electro that really puts your woofers to the test.

Arrival At Dwell Probe is another one of our favorites, with superfine beats, desolate voice samples and deep and moody synths. Very musical, truly a top piece that will leave you totally unprepared for Blunted. This track has the rolling type of hiphop-style beats that mix well with LL Cool J's Mama Said Knock You Out, but of course has the space-station atmosphere that makes it unmistakably a Sonar Base track.

The fast pace and merciless beats of Intergalactic Anecdote rush us to the finale: Sonar Base #10, a worthy closing track, with deep bassdrum patterns and melancholic strings that also please fans of broken beats. It stops and goes and keeps demanding your attention, making you wanting to go back again to the first track disc and start your Sonar Base trip all over again.