Techno News

Exhausted Modern builds on his artistic journey with the release of the Year of the Rat remixes EP, a collective reinterpretation that takes the murky, hidden depths of the album to new rhythmic dimensions. Philipp Otterbach starts off the A-side with a spellbinding composition for the thoughtful, dissolving Pineal Gland into an ethereal cluster of solemn melodies and vocals. Annechoic's take on Apathy Eats You Alive delves into the melodic side of the track, polishing it for the dance floor. Poperttelli draws out T-Maze from dark introspection to beats that waver between a glitch and a heartbeat, with the feeling of having been resuscitated. The B-Side sees Ayaz putting words to a 180-degree spin on Food of the Gods with hallucinogenic dynamism: a grimy tale of facing the unavoidable. Finally, NVST returns with her Hifive remix of Hard Working Rats, oscillating between heavy and melancholic with soul-permeating resonance.

Collecting orders for Repress

IM YOUR MASTER.

Since launching in 2018, Constant Sound's electro-fired offshoot Inflitrate has put out some superb music from artists including such admired old hands as Borai, London Modular Alliance and Ste Roberts. On the label's first missive of 2021, it welcomes Relpek AKA Constant Sound regular Kepler (both aliases of Leeds-based Matthew Farrow). What we get is a series of well-made and well thought out electro numbers that combine punchy beats and fuzzy analogue basslines with a variety of spacey and ear-catching musical elements (lead lines, chords, riffs etc). Rumbling and far-sighted A-side cuts 'Nova' and 'Binary' are arguably the toughest and most club-ready, while 'Celestial' and 'Delay' are a little deeper and more melancholic in tone. Impressive stuff all told.

Dalmata Daniel presents the sixth installment of their DDS split series, manifesting a relentless torrent of raw, bumping beats and electric thunderbolts: Kraków-based Olivia brings her otherworldly sequences and hazy reverberations, while hailing from Tel Aviv, Rapha delivers acidic treatments and sinister, menacing tones of a dark, untold future.

Side A opens up with "Freak", where Olivia's swirling synth arpeggios quickly aim to enchant all listeners, tangling up their brainwaves with several layers of wicked, throbbing beats. Continuing her witching hour, "Odejdź" introduces off-kilter pulses, cries and whispers in a dungeon, where no one can find the exit. Echoes tremble and screams get distorted in the dark, moist and uncanny aisles of these non-Euclidean spaces. Hyperbolic and demonic, hypnotic and manic: "Odejdź" puts ashes in our eyes and takes us to places we never thought were possible in this bleak realm of our world.

Flip the record, drop the needle and let side B commence: Rapha opens up with "Aggressive Disorder", a hip hop-infused marching beat with cosmic howls and blasting basslines. Next up, as a gargantuan machinery of steam-fueled engines, "Bomber Jacket" takes a confident, industrial maneuver at demonstrating nasty, scattered pieces of percussive grit, simmering its way to a textured and refined amalgam of rough and frantic pulsations. Closing the split release, "Access Point" elevates the voyage to outer space: fresh and squelchy electro patterns kick in right away with sweet, rumbling lower frequencies, and while you may enjoy the interstellar ride with stardust in your eyes, don't forget to watch out for potential alien screams and growls behind you in the cabin; they should come as no surprise if DDS06 is the OST to your personal, gruesome, galactic adventure.

Comes with a patch

Savage Grounds return to the never ending warpath with their new EP "Body Weight Compressor". After a one-year break, which was used to collect ideas, machines and material, they are releasing six titles with brooding melodies, sounds from the factory, diystopian texts and authoritative marches. An unnaturally restrained chaos. Being released by Infoline Global it provides a reflection of the city they live in.

We live in the dark. We have nothing to say. We are the void inside you that devours everything.

Technoindigenous Studies is the newest outlet of producer/composer Gabriel Reyes-Whittaker, aka Gifted & Blessed, serving as a platform for his many alter egos and side projects. As the name implies, Technoindigenous Studies is the union of modern musical technology with the ways and intentions of the ancestors.

The first release on the label is from one of Gabriel's lesser known monikers, The Reflektor. We know The Reflektor as half of the west coast electro funk duo POLY, and since then he released an EP with Kyle Hall's Wild Oats label titled Las Ruinas Mayas, which paid homage to the ancient Mayans. This new EP, simply titled Taíno, is a tribute to his own indigenous Caribbean ancestors. Each of the 4 track titles is taken from the Taíno language. Call it techno, electro, music to move to, whatever you wish. There's room for your own personal interpretation. That's what makes the Gifted & Blessed sound what it is.

Another massive acidic vocoder electro banger EP from Sound Synthesis!

Comprising Marco Simioni, Mattero Mazreku, and Francesco Pio Nitti, Qualia are a group of Italian producers who have never met in person. Due to the covid pandemic, they had to colaborate in the cloud, yet the results are impressively coherent.

Having previously released records on Detroit Underground and fellow Utrecht label 030303 between them, they arrive on U-Trax in April 2022 with their eponymous EP of four deep tracks taking influence from a range of genres, including acid-techno, ambient, noise, and beyond.

Leading the release, 'Perception' brings beautiful strings, funky 808 drums and acid tones for a deep and moving opener. The track clearly reveals the inspiration Qualia got for this release from the early Gescom releases. Stretched across the A2 is the ambient bliss of 'VV Cephei A', which brings Boards of Canada-esque drones and tones.
On the flip, the title track 'Qualia' brings a headsy dose of braindance to the mix, recalling the early experiments of Aphex Twin with merciless 303 squelches and distant reverberations. Closing track 'Until I Break Apart' leads with dark, moody strings before a pounding kick introduces a stark tempo shift before deep ambient atmospheres engulf the final minutes.

“Nice EP. Need a proper listen in a dark room with only the speakers and me ;)”
Minus Magnus — Mhost Likely

“Beautiful Ambient soundscapes!”
IDA — Ectotherm, Boiler Room Glasgow

“Excellent release from U-Trax. Perception and Until I break apart are my fav's.”
Drox — Nightimedrama, Crobot Muzik, Analog Cabin, Southern Outpost

“Interview & Premiere”
— Parkett Channel

“The best part is “VV Cephei A”, where a floral intro leads to colliding drone pulses.”
— Terminal 313

Home Deus was designed not evolved.

Back from the wilderness. Synth in one hand, long-range camera in the other, techno's most enduring naturist Eulberg returns to Stephan Bodzin's Herzblut.

'Mimikry & Mimese' is every fathom as deep as you'd hope it to be... Both sonically, conceptually and how they draw their influence.

‚Mimikry' is classic Eulberg, several tales bound together into one immersive narrative where melodic phrases that at first appear disparate, gradually correlate with each other by way of delicately placed rhythmic elements and FX. With spiked melodic hooks, the elements display signs of danger, but the heart and soul - like all Eulberg tracks - is warm and friendly.

'Mimese' takes a similar twist to 'Mimikry' in that the melodic arrangement is based on distinct themes that gradually align, morph and complement each other. Deftly developed over a looser drum arrangement with much denser cosmic pads, its yet another unique story told in Eulberg's inimitable way.

Two whirling immersive narratives, two camouflage concepts that reveal, upon closer inspection, that all is not what it seems. Eulberg's adventures into the wilderness continue...

HC Records, had previously published four compilations in digital formats with artists who fully matched the conceptual and musical ideals of this collective. Twelve of those tracks now see the light in the label's eighth vinyl reference, a special limited edition on double 12”, with the iconic Hypnotica colours: yellow and black.

Limited edition clear vinyl in hardplastic cover with visual illusion effect.

Blueprint welcomes Token's Kr!z to the label with his second ever solo EP.

Kr!z, hailing from Ghent (Belgium) has always had a strong empathy for the gloomier, dark, raw sound of techno with artists like Jeff Mills, Surgeon and James Ruskin playing a major influence in the 90's, helping him to define his musical taste and develop his own identity in the Techno scene. As a respected and established figure in Belgium for almost two decades, his DJ schedule takes him all over the world. In 2007 he launched his own label, Token, which he's rapidly established as a firm fixture with its timeless and powerful sound.

In 2019 he released his debut solo EP 'Mantra' on Token, and with James Ruskin being a big supporter we now come full circle with the release of his 'Neutrino EP' on Ruskin's own Blueprint.

Crafty dubbed out & carefully drifting House / Downtempo excursions, luxury gatefold cover.

One NL Mentalcore oldschool banger and 2 Experimenta lbroken tunes... What is underground ?

300 copies only

NCA frontman Brassfoot releases his first, eagerly anticipated full length project. ‘SWEAT’ aka NCA 005 delivers 9 volatile club tracks, perfectly curated for peak-time DJ sets, or sweat inducing gym sessions alike. Showcasing his signature sound, Brassfoot opens another chapter of this ever-growing NCA story.

Lost In Space is an exotic music excursion into the unknown - discovering the sectors of Outer Space and encountering unexpected occurrences which is to be the objective, narrative and attraction. Like the architecture and habitation structure of a jungle, life exist and persist everywhere, but only by the degree of our 5 basic human senses.An extraordinary musical creation by the Electronic Music and artist Jeff Mills, he conceives Lost In Space with the future of mankind's advances in Space travel and colonizing other planets in mind. It is a reach to grasp for subjects like the other types of time", "the crashing of Worlds" and "the illusions we create" in our minds and what we believe to reality. Fusing Classical and Electronic music is the only way to play out a scenario of such magnitude of possibilities.The music was created for the classical orchestral version commissioned by Orchestre National Du Capitole de Toulouse, France. The concerts are scheduled to be in early April 2018.

Struck but not beaten, 777 crawls back out to present Nasty King Kurl's next mischievous achievement: Baba Bass Tunes

777_24! A barkin' bad electro bass release with five booty bustin' tracks leaving no body unturned!

A Sagittarium returns to Rekids this May with ‘Strange Brew EP’

Following his ‘Mazes & Monoliths’ EP on Rekids in 2021, as well as releases on Running Back, Hypercolour, Idle Hands, and Craigie Knowes, the Elastic Dreams boss returns to Radio Slave’s label for another standout three-track EP of colourful and psychedelic cuts.

Leading the release is ‘The Mind Blanks At The Glare’, which sees the Bristolian utilise low-slung breakbeats, bouncing basslines, and fluttering synths for a chugging start to the EP. ‘Don’t Look In The Freezer’ follows with dubbed-out FX and stomping low end, before ‘Cosmic Trigger’ brings hypnotic bass together with trippy, twinkling arps and dreamy pads for a gentle final.