Close friend of the party and Bizarre Trax crew member Jhobei delivers a slick 3 tracker for 004. The EP has been crafted with a playful jingle and is demonstrated perfectly through ethereal synths, dynamic FX and addictive basslines. Structured on a house tip, each of the cuts explore different avenues of the genre and offer versatility throughout any set.
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Bristol-based artist Void Cells returns on Blind Allies with a solid five-tracks EP, filled with atmospheric beats and raw, distorted pads.
The record, different to the previous releases, includes a special remix by NX1 and features vocals by Helena Markos.
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Yellow Splatter Vinyl
Nice work from Bojan Jascur a.k.a. N-Ter, also known from his releases on Twilight 76 and Databass. Detroit Sound, made in Europa from a real underground soldier. Very limited units on colored vinyl, packed in a really nice way as we have come to know by the Fundamental crew.
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Annie Hall once again proves why she is one of the most interesting producers right now, continuing to carve her own niche of future machine funk right in between techno, electro and IDM. Overturn delivers a razor sharp remix with plenty of attention to detail, while Inter Gritty closes the EP with some serious old school vibes.
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Dutch multi-talent Oceanic debuts on Rush Hour with the outstanding ‘Total Comfort’ EP, displaying his skills as an increasingly confident producer, taking cues both from classic Detroit and UK techno whilst looking at the future with four slices of delicately woven post-modern breakbeat techno. Excellent stuff!
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Long awaited reissue of Connective Zone's Qwerty EP. Originally released in 2002 on Emoticon, the deep electronica sister label of Headspace Recordings. Fully re-mastered for a fresh 2021 pressing. Connective Zone, aka Lincoln-based duo Graham Sims and Simon Button, have been making their unique brand of deep techno for many years. Warm strings, thick chords, multi-layered synth melodies and crisp beats are the order of the day, with influences coming from early Detroit techno and 'artificial intelligence' era UK electronics. All four tracks pack a soulful punch, drawing from the past but allowing their individual sound to shine through. Rhythmically they range from straight-up 4/4 beats to more syncopated patterns, and are sure to find favour with more adventurous DJs as well as home listeners.
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Synergising their respective studio prowesses and harnessing their accomplished hardware artistry has helped establish Neon Chambers as a modern symbiosis of atmospheric, contemporary club sounds, and multi-rhythmic machine-driven sonics, the two producers have set out on the beginning of a new era of electrifying, astute sound design, and breathtaking modern electronic music.
The duo’s debut EP, One is a whirlwind of crushing modern sonics, that is equal parts jagged rave, progressive dub-fuelled two-step and night time-ethereal IDM. Throughout all five-tracks, the producers wield a wicked awareness of state-of-the-art sound design, that makes each kick cerebral, every bass-sound an epic vibration, and every synth a futuristic cacophony of finely-tuned noise. The sounds are an amalgamation of everything that has made each artistic unique in their own right, while correspondingly helping create something new. ‘Apollo’ is a prodigious working of melodic synthesis, with delicate, and rolling breaks, while ‘Cascade’ moves into a more grandiose, heavenly territory, befit with trance-like, precision synthesis. ‘What it takes’ brings on board a more UK, post-dubstep sound, albeit one with more craft, and sonic mastership. ‘Your Touch’ toys once more with atmospheric rolling breaks and solemn vocal samples, while ‘Helles’, the closing track, is an excursion into more compelling, auditory realms.
Neon Chambers is the new project of UK producer Sigha, and French artist Kangding Ray. Sigha, aka. techno producer James Shaw comes from a steadfast background in abstract and grounded techno, with previous works on Token Blueprint, Avian and his own Our Circular Sound imprint. Kangding Ray, aka. David Letellier, has made a career for himself with genre-breaking and experimental sonic adventures that have taken him across such era-defying labels such as Raster-Noton, and Stroboscopic Artefacts. In 2019, he also started his own imprint ara for more bespoke, avant-garde releases. The duo came together to create Neon Chambers to further extend their analogous ambitions, and create bigger, and more daring live and audiovisual performances.
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Taking reference from the rave energy that has passed through decades of UK dance music and combining influences from harder, noisy, industrial tropes that carry a similar raw approach, Ploy (Timedance, Hessle) delivers his debut LP "Unlit Signals" for L.I.E.S. Records.
Across these eight tracks we move through contained intensity and stifling darkness met with flashes of light and space, reflective of the darker pockets of the grubby dance floors of which this record is aimed at.
This body of work represents the space Ploy has found himself occupying over the past couple of years, an injection of dishevelled closing hours delirium, applied across a spectrum of bpm.
Rhythmically taking influence from elements of broken beats, soundsystem music and organic percussion as opposed to a straighter Techno template, 'Unlit Signals' captures the visceral energy that is much needed and often missing in genres at the forefront of the dance music world.Moreso this LP is reflective of the grim state of current social climates, and the artist's experiences looking for the darker, introspective ends when hitting the nightclubs. Heads down as opposed to hands up, Unlit Signals puts forth an ominous sonic dread that works the system with texture, low end and militant drum play.
Similar to previous Ploy releases it's nomadic in terms of styles and never really slots into one category easily, which ends up being the true beauty of "Unlit Signals".
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Beyond the Mikrosector, passed the Love Quadrant and over the Intersect lies another reality that exists in contrary to our own. This is where we now find Mr. 8040, the Space Dimension Controller, on a planète contraire, a world very much like our own, but one that runs in opposite to the norm. Here he toys with intergalactic Detroit funk and sequenced machines, creating celestial signals of minimalistic, atmospheric boogie. It’s a new course of interconnected, cinematic electro that exists outside of time and yet is apt for moments of timelessness.
Within the world of astrophysics there are select scientists out there that believe space-time gradually loops in on itself. Within this infinite realm of time and space, we can find ourselves once again living our past lives. It’s in this eternal domain that the Space Dimension Controller returns once more, applying his knowledge from the planète contraire to his absorbing palette of C-beams, moon-lit orchestrations, and graviton beats. Matured from his time cavorting through the core of the unknown, the Space Dimension Controller’s sound becomes more focussed, filled with the knowledge of the worlds his visited.
On the A side, Mr. 8040’s strain of progressive and unequivocal deep-space disco lends towards his studio competence, creating lush melodies that will have even the geysers of Enceladus erupting in time along with the symphony of syncopated drum machines. On the flipside, the prodigious Jack Hamill, aka. the Space Dimension Controller, flexes his machine savviness once more creating a timeless electro-funk rhythm for a timeless, time-travelling pioneer.
Repress
Powerful electro tunes on this new The Exaltics / Paris the Black Fu collaboration on the Clone West Coast Series. The 'Dis turb ance int he Tim eline' is a post apocalyptic electronic soundtrack for a world where nuclear mist, cyberatt acks and disinformation camp aigns hav e tran sform edso ciet y. W eex ist , re s istt he th rea t! !!
ohne kommerziellen Wert delivers musical variety with four electrifying tracks on OHNE004. Valura’s Faceless is a modern and fresh sounding interpretation of the classic breakbeat sound and will have you showing off your robot dance moves immediately before the BL Brixton track, React, changes the tone with pure acid and a groovy drum machine thunderstorm. On the B-Side, it’s the hypnotizing VUUDUU who implores you to Take Your Molly (in the name of global peace) before diving into the dubby abyss of Lifka’s eclectic Polymorph.
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Ukrainian hardware lover AC130 is back on Lonewolf with his debut solo EP.The tracks included in 'The Journey' are the reflection of Yaroslav approach to dance music.The artists express his vision through psychedelic and trippy soundscapes, acid lines and bass-heavy grooves.On remix duties Paris based and Forest ill Records affiliate Muelsa.This EP is top shelf material from two talents on the rise! Limited copies.
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Next up on FT, young sound-king Nick León with an incredible 5 track EP. Miami-based León forms his massive world of sound production and design into Future Times shapes. The EP follows up releases on labels like NAAFI and Tra Tra Trax (and more) with a planet of sounds and modes, crossing back and forth into techno and his polyrhythmatic styles. The A-Side plays like a scene, all three tracks connected and growing, meshing classic synth pop hooks and serious percussion dexterity in "Blue Data" and "Scavenger Hunt", along with a stripped down pearl to start things off with in "Igneous Drums". B-Side sees the anthemic, levitating techno of "Gum Tree" and a collaboration with Miami's Greg Beto (NI UN PERO, LIES) in the tunnel-driving, splacked electro cut "Sewer System" - TIP!
Like trudging through viscous air, I Lost All My Data is a blissed-out barrage of sub-bass that nods to a long-lasting passion for sound system culture.
Uploading turbo-charged wubs with molten glass melodies, the debut EP of Giovanni Bonelli (aka Notte Infinita) is a welcomed update for UK style broken-techno conventions. Booting-up with its title track, the record quadrisects the fabric of digital music, each cut a sonic reprogramming of its predecessor. ‘Slippery Tuff’ references off-kilter club, while on the flip, ‘Ecstatic Dub (Roller Mix)’ climaxes in an ultra-sensory faux-organic whorl. Unplugging the whole thang, ‘Oxygen’ manipulates post-dubstep textures, into a data-roused jungle tunnel.
Deciphering glitched-out signal processing and harmonic warps, I Lost All My Data is the software upgrade that every system needs – do not choose Later; Install Now.
This record has been played out/supported by...
Bambounou, Madam X, Special Guest DJ, Opium Hum/Michail Stangl (Boiler Room), Lurka, Bruce, orson (version)
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