Techno News

CiM returns to Delsin with a nine track LP crafted out of his personal Amiga archives. Simon Walley started off in the early 90s trying to write Amiga demo scene music. Influenced and inspired by the blossoming techno electronica sounds in the UK around that time, he tried to replicate those sounds via old school tracker techniques. Learning through ripping modules by Romeo Knight, Audiomonster, Firefox and Mantronix from demo disks, and writing/re-writing in Protracker resulted in a unique style, creating fresh clashing beats out of tweaked Amiga samples. A 386 PC that drifted in tempo was sync'd by ear to add pads and melodies that the MIDI-less Amiga couldn't generate. Recording most of it on the fly, fooling around in Protracker and leaving all mistakes in and un-edited. All tracks written between '96-98.

Furthur Electronix breaches the milestone 50 releases mark! To celebrate they deliver a perfectly executed “FE” style EP from Lou Karsh. Limited copies..

Featured on the second various out on Kump, Maahrt is back among us. This seventh record is a two-faced coin pierced by a single disturbance. A Strange Wedding re-imagines this bridge as an aerial cyberpunk movie sequence whereas Odopt sharpens its angles.

4 Tracks Of Heavy Bleep N’ Breaks Dance Floor Destruction! Unknown Artist, dont snooze..

With this straight electro ep the longtime connection between STILLEBEN ´s own LUKE EARGOGGLE and LUNATIC became manifest. the innovator and his friends KAN3DA and WELTWIRTSCHAFT bring four various and origin tracks that are kept together through the typical STILLEBEN sound, packed in a carefully screenprinted, LUNATIC jacket. the producers show again their talent for bringing musical devices in harmonics and arrangement together with innovative ideas in this classic genre. each track has its own, different moment on the dancefl oor - pushing forward with ICELANDIC LADY and the remix of OCEAN MOVERS the record delays with the deep meandering DIE GANZE WELT on the b-side. finally the remix of JENNIFER TOUCH ´s ASTRA with it ´s disco-attitude reminds of their wide spectrum like shown in EARGOGGLE ´s MONKEYSHOP project or KAN3DA ´s former release on AC RECORDS.

The record label 'Gladio Operations' launches it's second release onto the market after the recognition of it's debut EP 'Flight to Anywhere', released in June. 'War To The Future' gives its name to the first series of V/A from the label, which includes four electro cuts, exclusively orientated for the dance floor.

The EP opens with a producer from Barcelona Univac, who after releasing Chernobyl tracks on the Dutch label Moustache Records, gifts us with Station Cero, a powerful, devastating track resonating with industrial sounds.

The second track titled Poison, bears the signature of the Ukrainian artist Lectromagnetique, a track loaded with excellent dark and enigmatic sounds. The owners of the Gladio Operations label, UHF, open side B with Unexplained Situation, a vertiginous journey wrapped in rich and deep psychedelic textures.

With releases on well renowned labels such as Bass Agenda and Bunker Records, the Serbian producer Alavux closes the EP with Sunset, a fantastic track with an aggressive bass line and significant and repetitive sequences.

The two inimitable long tracks from George Thompson AKA Black Merlin have reached Offen on 13.11.2019, and Offen said: let there be 013! Featuring words by Alexandra Grübler on „Textured Land“. Artwork by Patrick Keuthen, mastered by Enrico Mercaldi at Time Tools Mastering.

What started as an underground techno label in the early 90's, Juice Records typified the head in the clouds ambition of the techno generation by both sound and action. Anything was possible and similar minds would be reached through the vinyl medium. By the mid 90's, Juice Records established itself as a southern beacon to the techno and house music movement.

… but many people would have little knowledge of where the label sits in todays music sphere. Juice Records, wether by choice or default have remained free from the uber industry of dance music but continue to represent with our Adelaide based music activities.

What started as casual discussions about Antony's studio activities with label owner, Donato, soon progressed to talk of an album. A couple of years and many iterations would follow till the vision was clear. Juice 020 highlights the musical existence that Antony commits too. It goes beyond the drum machine and synthesiser sounds the label would be known for and embraces a wider spectrum with use of a Yamaha baby grand, Fender Rhodes, Washburn bass and Yamaha Electone E-75.

With a definitive genre hard to pin on the album, Juice 020 remains very much a traditional Juice Record. It is a clear example of what Adelaide happenings have been missed by the global industry while it plays with a techno formula that goes beyond our underground imaginings.

''Based in Flint, Michigan, USA the four young sons of an electrician welded together their debut album. This album, titled Elektroworld, is a personal tribute to the well known pioneers of the electro-disco-beat; Kraftwerk.'' Clone Classic Cuts reissue of the illustrious Elecktroids' one and only album from 1995.

A free and unconstrained expression – permanent and cutting-edge creativity - complex and amazing personality, Mr Oizo is always where you don't expect him. On the popular peaks and in the depths of the avant-garde, he counts his fans as well as his sceptics with its sounds and images of surprise, destabilizing and disturbing.

In his universe, neutrality does not exist. The bridges, and bridges between sound, image and writing are perpetually destroyed to be reinvented.

Second part of The Slaves Of Darkness, mix of styles from dj WEB, FRNK, Gee M, Sorog, Phase O'Matic and Odic Force... HELL YEAH

Drumcode mainstay Bart Skils links up with emerging DJ/producer Weska for a maiden collaboration.

The duo first met in 2013 when Bart played Toronto’s iconic Coda, where Weska was a regular.

In friendship and in music, they clicked effortlessly. Since then, the Dutchman has become one of DC’s most vital contributors, releasing a consistent stream of standout productions on the label, highlighted by the now-classic ‘Your Mind’ with Adam Beyer.

Meanwhile the rhythmic power of Weska’s productions caught the ear of Beyer who gave the young Canadian his debut on the imprint with ‘Other Places’ when ‘A-Sides Vol.7’ dropped last summer.

When Weska migrated to Berlin a plan was hatched to collaborate, with the pair swapping ideas back and forth, before linking up in Amsterdam to finish the work.

The propulsive ‘Polarize’ EP is the result, a pair of cuts that have highlighted Beyer’s gigs at Department Festival in Stockholm, Junction 2 and his behemoth B2B with Cirez D at EDC Vegas.

The title cut packs a punch with rugged basslines and pin-sharp percussion, while stabs of melody dip in and out with euphoric effect. ‘Lost On You’ is a heady trip into the abyss with a sinister vocal line and powerful climax.

First long play by Hidonash on Soil Records where he show all his talent and creativity between electro, techno and industrial music.

Paula proceeded to question each dot down that wave and each answer led her back cross the river, up the ruler which measured her life.

Remixes by Cignol, Vertical67, Sound Synthesis, 36

Yasuke, eine sechs Episoden umfassende Netflix Anime-Serie des in der Bronx geborenen, in Japan lebenden Animationsfilmers, Produzenten und Regisseurs LeSean Thomas (Cannon Busters, Children of Ether, The Boondocks), erzählt die Geschichte eines Samurai-Kriegers afrikanischer Abstammung in einer fantastischen Version des feudalen Japans in einem alternativen Universum voller Magie, Mechs und natürlich dem Schwertkampf.

Für Flying Lotus war es ein Traumprojekt, er beriet bei der Story und arbeitete neben dem renommierten Anime-Schöpfer Studio MAPPA als ausführender Produzent. Die Fähigkeiten des mit dem Grammy ausgezeichneten Produzenten kommen auf dem Album voll zur Geltung, indem er Synthesizer-Melodien, Basslinien und maschinell generierte Drum-Patterns miteinander vermischt und gleichzeitig neues klangliches Terrain erkundet - traditionelle japanische Perkussionsinstrumente wie die Taiko und die Hyoshigi sowie westafrikanische Perkussion, eine Anspielung auf die afro-japanische, feudale und doch futuristische Welt, in der Yasuke lebt. Flying Lotus gewann kürzlich zusammen mit Thundercat einen Grammy für das beste Progressive R&B-Album (It Is What It Is) und erhielt bei den 63. Grammy Awards auch eine Nominierung als Produzent des Jahres.

VAYA001 - Selected Electronic Music from Leipzig: Filburt, Josi Miller, Lydia Eisenblätter, Mbius, subkutan, Varum. Vor dem Hintergrund, dass durch die Covid-19 Pandemie sowohl Clubs als auch Kulturstätten unter erheblichem Existenzdruck stehen, wollen wir unseren Beitrag zum Clubund Kulturerhalt beitragen: der Erlös aus Vinyl und digitalen Verkäufen kommt dem Live Kommbinat und somit Leipziger Veranstaltungsstätten zu Gute.

“What motivates us as human beings?” Zobol muses. Some might argue that the present day has produced a new culture of inefficiency and burn-out – a world where greedy landlords reign supreme, where broken bureaucracy flourishes and where people have become slaves to the system. But all is not lost. Hope sits on the horizon, and Jon Chmielewski is exploring the possibilities. For the 12th release on Welsh imprint Haŵs, the undeniably genius producer presents an electro EP that seeks to communicate something far bigger than himself.

‘Empathy Droid’s Lament’ is a cascading opener, quaking with all of the energy of a determined figure reaching into their reservoir for just one more push. ‘Rogue Landlord’ sits in a twilit world of ghostly melodies and swelling horns that cohabit with a dark restlessness at each other’s presence – but an irony lies in the harmony of the situation.

On the B-side, ‘R U OK?’ dilutes rippling synth lines with a bulky bass and inquisitive melodies, purging itself of emotions like a late-night spent soul-searching. For the closing remix, Reptant strips down and warps the original into fresh drum patterns, rupturing the rhythm into a storm of glitches, pops and perfectly sequenced percussion.

Zobol and Reptant are clearly on the same mission: to breathe life into the humdrum and start the road to recovery on the dancefloor. ‘Diminishing Returns’ posits an answer to its first question: that innovating with what we have is the way to overcome monotony, as well as reassuring that the collective pulse is still very much warm.