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Ntogn - Threads

Ntogn

Threads

CDTOME4
TOME
01.03.2016

second full length album was made for the art installation 'Where Threads Lead', curated by Frantic Art Gallery in Tokyo.

The idea is to give a sonic interpretation of strings as both art and as an all encompassing structure of life. Ntogn's approach to this has been to work with few evolving elements, flowing and curving like threads in a web. Resulting in a varied lot of sonic braids.

Early support by Cio D'Or, Svreca, Takaaki Itoh, Valentin Corujo (Exium), Mod21, Attemporal, Eomac, Iori, Jonas Kopp, Rasmus Hedlund, Retina.IT, Victor Martinez, Periskop, Sam Kdc, Antonio Vazquez, BLNDR, Luigi Tozzi

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Various Artistsv - Svprasensible Destination
 
7

* Kapvt Mvndi Records releases a first Various Artist compilation. Svprasensible Destination is a Post Techno sound from Abstract to Acid and experimental tones. A very full music experience from artist productions reflecting the forthcoming and past vinyl.

* Compilation opens with an intense piece from Astronomy Domine, a New Wave Techno production to declare war on stars. Pioneering artists such as Emanuele Rizzuto and Stefano Rocchi well represent the efforts of the label in releasing analogue music as well as all the other great producers tracks released into this. Compilation closes with master piece from Schwartz, a movie sound track for an epic end or beginning... A new music as discord, and as a discordant accord,the source of time.

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Zuli - Bionic Ahmed Ep

Zuli

Bionic Ahmed Ep

12inchUIQ002
UIQ
15.02.2016

Lee Gamble's UIQ label introduces the hypnotic, rugged and cerebral solo debut by Cairo multiinstrumentalist, producer and sound artist, Ahmed El Ghazoly a.k.a. ZULI, with the Bionic Ahmed EP. Ghazoly is a co-founder of VENT, a usic-space-turned-club-night in Cairo with a sister night and record label based in London, and he has also been a prominent figure in Egypt's underground music scene for almost a decade now,ZULI has conceived a unique sound straddling slow techno and jungle with squawking, alien electronics and smeared microtonal melody in a familiar spirit to his label boss' psychoacoustic dancefloor projections. At the top of the EP he offers a knuckle-cracking Robotic Handshake in 4D synching neck-snap sub knocks with shimmering gamelan tones and gremlin voices like a lost Dabrye bomb, before seducing us with the creamed microtonal timbre of Compactpact and resetting the levels to Beneath-style bleep & bass pressure with 131001G. However, the biggest highlight appears on the B-side opener Robotic Jabs in 4D, where desiccated 2-step jungle patterns spark at the core of a lush, fluid synth swell like some nerve-pinched Nubian Mindz reverie, whereas the decelerated thump of Ahmed trades in STL-style dub-house triplets, and Dr. Beckett convulses like a Gantz riddim undergoing an ayahuasca ceremony.In all, a striking debut from a highly individual new voice on the scene - highly recommended if you're into Lee Gamble, Coil, Urban Tribe or Beneath.

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Kerridge - Fatal Light Attraction

Kerridge

Fatal Light Attraction

2x12inchDNSKER02 2X12"
Downwards
15.02.2016

Kerridge returns to Downwards in 2016 with the custom-built electronics of Fatal Light Attraction following last year's incursions on his own Contort label. The project premiered at Berlin's Atonal 2015 edition, featuring Kerridge working alongside Andrej Boleslavsky & Maria Júdová to create an intense, kinetic shadowplay synched as an illusive counterpart to the music and performance.As Kerridge's 3rd long player, it marks a more fluid, or effluent, refinement of his sound, blurring the boundaries between organic audio sources and custom-constructed synths to flooding the senses with waves of bristling, oxidising industrial tones and coruscating texturhythm seemingly intent on separating flesh from bone. It's evil stuff, all seven tracks of it, forming a closed feedback system of guttural, choking frequencies and cardiac arrhythymatics..

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Youth Code - Commitment To Complications
  • 1: (Armed)
  • 2: Transitions
  • 3: Commitment to Complications
  • 4: The Dust of Fallen Rome
  • 5: Anagnorisis
  • 6: Doghead
  • 7: Glass Spitter
  • 8: Lacerate Wildly
  • 9: Avengement
  • 10: Shift of Dismay
  • 11: Lost At Sea

'A scorched-earth take on Wax Trax-style electro-industrial that nonetheless point out to influences as diverse as Depeche Mode's Construction Time Again and Whitehouse's Birdseed. ' FACT

The year 2015 saw hardcore inspired EBM outfit, Youth Code, step into line with what most would consider is their well-earned stake in the current world of industrial music. Spending most of that time touring selectively on their own in Europe and then sweeping through North America with the legendary Skinny Puppy, Youth Code pulled together their newest songs, hunkering down with producer Rhys Fulber (Front Line Assembly / Fear Factory), and intertwined the ideas that would become their second full length album, Commitment to Complications.
Born in 2012 out of a Los Angeles bedroom, Youth Code was the instinctive creation of musicians Sara Taylor and Ryan George. The band made their spontaneous live debut at LA-based record store Vacation Vinyl's employee showcase. Word of the incendiary live performance quickly spread and was followed by release of the well-circulated, coveted, Demonstrational Cassette, which saw the band hone their semi-improvised initial set into something altogether more muscular, resonant and lean.
Soon after, Youth Code was invited to release a limited edition single with the legendary Genesis P-Orridge's label, Angry Love Productions. The single quickly sold out and saw the band receive praise from industrial heavyweights including Skinny Puppy and Front Line Assembly. Shortly after the single's release, the band signed with label Dais Records to release their 2013 self-titled full length album, which solidified the band's widespread critical praise from outlets as far ranging as Pitchfork, Fact Magazine and MetalSucks. In 2014, Dais saw through the release of their much anticipated EP, A Place to Stand, which featured remixes by Silent Servant, Clipping, God Module and Sanford Parker.
Since then, Youth Code brought their brand of Industrial to audiences all over the US on supporting gigs with AFI, Nothing, The Body, Suicide Commando and the now infamous Eye vs. Spy Tour with industrial legends Skinny Puppy, Front Line Assembly and Haujobb.
Commitment to Complications reflects Youth Code's time spent with various electronic alumni and scales up the aggressive notch left behind in their previous releases. Youth Code's introduction of the album starts on a reflective note but quickly changes gears into hyper drive BPM pacing with rhythmic complexity driven in with the track Transitions that can only be referenced as maniacal. Songs like Doghead and Shift of Dismay show the band as a frontrunner of definitive industrial anthems and critical songwriting skill. Another harbinger of Youth Code's dire shift into more strident terrain would be evident in the inclusion of Ben Falgoust (Goatwhore) and Todd Jones (Nails) as guest performers. The band's cohesive collaboration with producer Rhys Fulber is in full display, driving the band's aural trajectory into consuming and contentious industrial electronics.

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Laurapalmer - Laurapalmer

Laurapalmer

Laurapalmer

12inchMEC017
Mecanica
11.02.2016

LAURAPALMER is the new obscure-techno' project by the italian artist Tiff Lion. She has already shaped a successful career with Tying Tiffany. Five top-seller albums, lot of singles & video clips and played hundred of shows and festivals in Italy, Europe and America.

Now, she is getting focused into LAURAPALMER and have finished her debut 12' with 3 tracks influenced by old-school techno from KK Records (Psychick Warriors Ov Gaia, Kode IV, Zen Paradox), early Plastikman and a touch of pure industrial

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Ling - Attachment Ep

Ling

Attachment Ep

12inchCDS:003
Pan X Codes
15.02.2016

LING releases his debut EP on PAN & Visionist's CODES label.
'Attachment' is a data-centric collection built from field and browser recordings, loosely exploring the themes of habitual mental tendencies. 'The idea that taking an instinctual interpretation of information potentially warps and distorts reality. If data triggers internal responses, it risks following a predetermined path that can stray from reality.The heavily processed sample material re-explores recordings collected from over the last 4 years. Reconstructed within sound collages across the record, they strive to find an independent voice but at times back away in order to grapple something else. Merging explorative futurist sounds, Ling's glacial and at times glitchy constructions feature fleeting snippets of differing vocals or malfunctioning machines, whilst dipping into tentative, broken melodies. Loose references to UK culture and contemporary sounds are restructured, offering moments of something teasingly familiar before withdrawing into abstraction.The EP was made in summer 2015 in Liverpool, mixed by Chris Pawlusek, mastered by Matt Colton at Alchemy, and features artwork by PWR Studio & Bill Kouligas with additional art by James Whipple

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Imaginary Forces - And What

Imaginary Forces

And What

12inchHALC003
Halcyon Veil
09.02.2016

Rabit's unpredictable Halycon Veil imprint trigger a quartet of reticulated grime and noise mutations from London-based Anthoney J Hart a.k.a. Imaginary Forces,.And What locates Imaginary Forces at his most brutal, disciplined, continuing to draw on his British heritage with signals to the ghosts of '90s/'00s pirate radio on one hand, whilst signing to early electronic masters and literary references on the other - creating something new, visceral and more immediate than his previous releases in the process. Upfront, the swarming concrète jungle militancy of And What sets a scorched aesthetic steeling the body for Chat 'Bout's pavement-cracking hooves and atonal buzz, before cannily conflating the atmospheres of pirate radio and J.G. Ballard with the eviscerating intensity of High Rise.Down below, Make Ends Meet trades an instrumental grammar of glottal grime galvanised with glossolalic noise texture, and the Makes Ends Meet (London Something Version) whips those same elements into a strobing vortex of UK-style footwork rufige. This is Imaginary Forces' 5th 12' to date, following editions for his Sleep Codes label, Fang Bomb and Bedouin Records, plus a CD with Entr'acte between 2014-2015. It's scheduled for release around the same time as his mighty Basic Rhythm LP for Type Recordings.

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Kerridge - Sonic Instruments Of War

Kerridge

Sonic Instruments Of War

7"-VinylCNTRT003 7"
Contort
03.08.2015

Following on from that mighty Drum & Bass mixtape from Karl O'Connor, Sam and Hayley Kerridge's Berlin event series-turned-label return with a killer addendum to their first release - Kerridge's 'Always Offended Never Ashamed' album. These two new tracks are a clarion call to arms - both sides excerpted from a Kerridge live performance for the NTO, Berlin 2013. Convulsing chunks of distorted, heaving junglist venom on the A-side's brutal 'Sonic Instruments Of War #01', the flipside explores more abstract terrain thru vicious, atonal outbursts. Highly recommended if yr into the Downwards catalogue, HATE or recent material from Shapednoise.

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Powell - Ancient Methods And Richard H Kirk Remixes

Cabaret Voltaire legend, Richard H Kirk, and the indomitable Ancient Methods take the skin right off Powell's 'Club Music' (DIAG009) killers for the 1st remix-only release on Diagonal. Ancient Methods takes pole position with two strong versions of 'Club Music'. The 'Körpersäure91' remix fits the label's fetish for Front 242 with a mighty display of stentorian holler, steel-tipped drums and acid-guzzling revs, taken to frantic techno-punk extremes with the double-timed, full body douse of 'Pogo Im Säurebad'.Conversely, Richard H Kirk's dressing down of 'So We Went Electric' fractures and disembowels the original in two parts. The Main Mix salts Powell's slugger to a rasping, grinding shadow of its former self while retaining its stiff, coiled backbone; a desiccated Dub Mix leaves only traces of purified, metaphysical dread from the wild-eyed original in its wake.If you're reading this, it's likely both remixers need little introduction: Sheffield's Richard H Kirk was instrumental in forging the templates of industrial music and bleep techno between the late '70s and early '90s both with the seminal Cabaret Voltaire and as a solo artist; Ancient Methods galvanised modern industrial techno with a series of uncompromising, deadly effective 12's launched from Berlin since 2007, first as a duo, then solo, and also in collaboration with Karl O'Connor as Ugandan Methods

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Cassegrain & Tin Man - Window Window

In support of their exclusive track, 'Oxide' featured on 'Berghain 07 - Part II' (o-ton87 - released 18.05.2015), Cassegrain & Tin Man present a full EP of material from the same sessions. Infrastructure founder Function will mix Berghain 07, the latest in the series of DJ mixes by the Berlin club's residents. As part of the release two 12''s will also be released featuring exclusive tracks including one from Cassegrain & Tin Man, and the in-depth A&R process for this landmark project led to the signing of this full EP from the trio.

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Emptyset - Demiurge

Emptyset

Demiurge

12inchSUB010
Subtext Recordings
21.01.2016

Issued now for the first time on vinyl is the complete studio album Demiurge produced by Emptyset, the collaborative art/electronics project founded by James Ginzburg & Paul Purgas. The release demonstrates this moment in the development of the project's production processes, examining non-grid based structures and the integration of sculptural feedback into the analogue signal chain. The collective body of work exhibits the precursor to their current studio work with raster-noton and highlights the project's emergence and transition into a distinct sonic grammar, reflecting upon the reappropriation of analogue media and the innate physical properties of sound. TRACK LIST:

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V/a - Visions - Vol. Ii

* Blackwater Label is back with a second various artist compilation.

This time we selected a Post Balearic sound. A full spectre audio selection from abstract to drone. Let's chill out.

* We compiled for Visions VOL. II music from Key Clef proposing an emotional opening track that lead into a post techno and dark tracks such as .Subion and Fire At Work productions. The centre of the release comes with duo Fini & Lamanna,a unique guitar and synth piece representing the exact feelings of the compilation as well as sentimental tracks from Spygeist, Giuseppe Marra and Phooka. Enrico Cosimi aka Tau Ceti releases an incredible classic drone modular manipulation and analogue music from Livio Improta and Phorm to close the circle.

* Final tracks in a post Balearic Ambient mood provided by artists Valerio Moscatelli and Loris Ligonzo.

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Surgeon - From Farthest Known Objects

* This is the seventh Surgeon album.

* "While exploring new production techniques using old and unlikely hardware, the results were so unusual that I really had the sense that these pieces of equipment didn't actually create these sounds, rather they were in fact some kind of elaborate reception device that allowed me to tune into transmissions from Distant Galaxies. The music I could hear was actually the received transmissions of Pop Hits from those Distant Galaxies that were being played on their radio stations.
I quickly recorded all that I could before losing the transmission.

* I consulted with Dr Andrew Read, the astrophysicist with whom I recorded Guitar Treatments in 1999. He has worked on the discovery of the most distant galaxies and astronomical objects in the Universe. Together we came up with a possible list of where these musical transmissions may have come from."

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A Thousand Details & Sturqen - Kantes

It's been almost 2 years since our inaugural vinyl release, but after a long gestation period, the 2nd Reaktivate vinyl EP is finally here, and we hope the wait was worth it. We certainly feel very proud of it and are aware of what it has to live up to, after having one of the tracks from RKTV001 going as far as landing a slot in Pangaea's FabricLive 73 Mix-CD.
The idea for this release was born even before the 1st one was out on the streets. It's the story of how a bunch of music fans tried to make their dream release come true. The common goal was to put together a release that summed up what the label stands for, irregardless of commercial or dancefloor acceptance. It was a question of faith, belief, and musical passion coming together. Everyone at RKT has long been a fan of Portuguese duo from Porto, Sturqen's brand of power electronics and defiant experimentation and felt in that in their work, there was a techno sensibility worth stimulating. Label mentor A Thousand Details (Gustavo Lima, one half of Quantic Spectroscopy) is a particular fan and felt Sturqen's music inspired him to stretch his own musical muscle towards less obvious and straightforward directions, so the invite for a collab felt natural and was promptly accepted. The result was a collection of pieces that put together Sturqen's free-form twisted and burned industrial explorations, with A Thousand Details's rhythmic inclinations and desire to break free from dancefloor convention. Three pieces were carefully selected with the intention of showcasing the range of the project, but other ideas were explored and presented to someone who, from the start, seemed like the most natural fit for a remix : canadian rhythmic noise masters Orphx. This is where the dream part of the projected starting becoming a reality : to our collective delight, Orphx are fans of Sturqen's work and immediately jumped at the chance, delivering an engrossing, hypnotic and majestic remix for 'Canis'. The final piece of the dream gained form when almost by chance, RKT fan and friend, and UK industrial techno enforcer Casual Violence, got word of the project and told us he wanted to have a go at 'Kantes'. What he came up with sealed the release in ways that, as far reaching as our dreams were, we couldn't have envisioned : a scorched-earth techno slow burner that glues all other pieces together.
The music presented in this release turns out as being a perfect reflection of the ideas that were at it's the genesis and the struggle to make them true. It's not far-fetched to say that even if we had never done anything before this record, or do anything else beyond it, the whole journey was made worthwhile by seeing this come true. We can only finish by saying what matters the most. Thank you to the artists for this beautiful nightmare, thank you to you for lending us your time and ears and being the most important part of it.

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Various - Ad Rvina Imperii

* Ad Rvina Imperii is the first chapter of a series of various artists compilations co-produced by Kapvt Mvndi (Blackwater )with Love Blast Records and Stirpe 999 Anti Label. .

* A side comes with Fire At Work and Somatic Responses productions.

* A1 Fire At Work - Spartacvs is a slow motion track with increasing melody. A hypnotic industrial piece made with modulators.

* A2 is Somatic Responses - Dark Ervption, an experimental track mixing Drone and Rough music .

* On side B comes single track Luciano Lamanna - Giammai Per Sempre, a rough techno track with very deep influences and experimental sounds all made via modulator machines.

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Dj Disc.co - Overdubs Always ...

A collection of ambient tools & left of center dancefloor gems culled from the prolific Always Human Tapes label intended for both home listening & club play by adventurous DJs. Usual HQ Dispco packaging. 9 tracks.

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Jack Latham (jam City) - Lux Laze

Jack Latham(Jam City)

Lux Laze

10inchUTTER1
Utter
26.11.2015

New London-based label, Utter, present some of the earliest recordings by Jack Latham a.k.a. Jam City in a remastered edition of his icy soundtrack to a sci-fi short film originally self-released by the director/producer, Daniel Swan on VHS and corresponding cassette in 2010. The OST would have emerged just prior to Jam City's 'Classical Curves' and we can pretty much hear the hyaline dimensions that would be explored in 'Classical Curves' come into being across its five tracks (including a bonus 'lost' track not found on the original), as Latham constructs dreamy, floating worlds embedded in vast reverb structures and blooming bass radiation. It's easy to hear the tensions and economy of production palette that would come to define his later work, where he would consolidate a canny, mid-fi emulation of hi-end, cinematic sound design with eviscerated club dynamics. Yet there's something deeply elusive, gossamer fine about these recordings that hold up on their own terms.

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Spr - Ep1

Spr

Ep1

12inchVIS001
VIS
26.11.2015

SPR embraces Hamburg's harbour city sorrow in a dank and blood-drained 33 minute debut for vis, a very watch-worthy new label administered by Golden Püdel's Nina Trifft (veteran of mixes
for the likes of Blackest Ever Black's Krokodilo Tapes and Berceuse Heroique) and Tobias Duffner.EP1 unveils thee krankiest sequence of post-industrial ambience and rotten rhythms in four glowering parts secreting bilgy drones and keening electro-acoustic strings in effluent flow as grim as Reeperbahn run-off. You may well have heard these pieces lodged in one of many, lauded mixes by the label's co-creator, Nina, diffused amidst myriad industrial obscurities and clankenheit atmospheres. And it's easy to hear why she and Good News would pick this up for their first release. Mass docks first like something from Mika Vainio's Kilo, connoting an imposing sense of scale thru
super-wide reverbs, distant sonar signals and bone-powdering rhythmic noise before the sludgy concrète dub of Concubine comes ashore to perform its cranky functions.
Flipside, they neatly divert that vibe with Minerva, coursing bittersweet pads and sloshing undercurrent buoyed by churning subs, whilst Quadrant seems to dissolve the remains in a bath of
hydrochloric DSP, leaving only cadaverous remains.Lovers of Blackest Ever Black, Zhark, or Weevil Neighbourhood aesthetics will be in their element here.

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Dual Action - Auto Body

Dual Action

Auto Body

12inchAVN015
Avian
04.08.2014

Originally released on Hospital Productions as a limited cassette edition of 42 copies, Avian is now proud to announce a vinyl reissue of Dual Action's Auto Body. Behind Dual Action stands Mathew Folden from K.P., who presented his first solo cassette release for Dominick Fernow's label in 2012.

Dual Action combines the eerie atmospheric sound collage of crowded chinatown streets with the deafening silence of a new apartment and the hard industrial beats of subways and freeways. A dynamic, physical autonomism. Body complete.

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The Sprawl (logos, Mumdance, Shapednoise) - E.p. 1

THE SPRAWL is a scindicate of mutant soundcarriers individually known as Logos, Mumdance and Shapednoise. Following their improvised live conception at Berlin's CTM15 festival, EP1 documents THE SPRAWL's debut studio transmissions in the first of a series to be archived by The Death of Rave. As their moniker suggests, The Sprawl is heavily influenced by William Gibson's eponymous and prescient trilogy of sci-fi novels; most crucially the cybernetic predictions of Neuromancer and the ways in which its notions of uploaded consciousness and the effects of technology have played out in our collective reverie. Hacking up memories of late '90s tech-step and the millenial dread of early grime thru a matrix of modular synths, haptic constructs and computer software, the trio))) jack-in a quartet of corrupted memory updates emulating the physical and mental impact of SimStim overload and fractious hyperreality.Head first, 'Drowning in Binary' plunges into a maze of recursive techno-chambers vacillating white hot dis-torsion with arcing, weightless pads, before glyding across a tumultuous topography of chrome burning flares and violent, body-quaking detonations in the morphing scape of 'From Wetware To Software'.With 'Haptic Feedback' they grasp the quicksilver rush of classic Prototype and Reinforced Records in a strobing sequence of picnoleptic, kinaesthetic flashbacks and transitory segues smeared with vision-blurring noise, stranding us in the below-kelvin, post-human headspace of 'Personality Upload' unaware of up from down.By design or chance, the results distill a scrambled uchronia of references, incomparably conflating the obscure French speedcore subgenus of La Peste with a ruffneck take on cinematic sound design whilst also skewering the UK's 'ardcore continuum by way of new wave Italian noise physix. Like Gibson's original series, The Sprawl will reveal its dimensions in due course for the DJ conspiracists, bunker dwellers and tech-noise terrorists. Mumdance also releases solo on XL, most notably with grime prodigy Novelist, and also runs the Different Circles club-night and label in London with production partner Logos, who released the 'Cold Mission' LP to widespread acclaim in 2013. Shapednoise is a Berlin-based native of Palermo, Italy, and co-founder of Cosmo Rhythmatic and Repitch Recordings.

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A Thunder Orchestra - Shall I Do It (mick Wills Reconstruction #2)

Re-issue of A Thunder Orchestra's 'Shall I Do It', a haunting yet beautiful slice of hypnotic proto techno from the vaults of the rich eighties Belgian new beat / synth wave / EBM noir scene, originally recorded in 1985 and released on a handful of cassette tapes on Ladd-Frith records

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Angus Maclise - New York Electronic, 1965

Drone-based experiments (notably with Tony Conrad, extremely present on the album, and John Cale), and purely electronic compositions - a path (almost) nobody knew MacLise had explored. Miraculously salvaged by Gerald Malanga, these archives provided a new perspective on the artist's whole body of work and expanded considerably his artistic palette. And so we are now able to draw a whole record's worth from MacLise's early electronic music. Angus MacLise, born, March 4,1938 in Bridgeport, Connecticut, was a percussionist composer, poet, and calligrapher. He was a member of La Monte Young's Theater of Eternal Music, with John Cale, Tony Conrad, Marian Zazeela and sometimes Terry Riley. He contributed to the early Fluxus newspaper V Tre, edited by George
Brecht and George Maciunas, and was also an early member of The Velvet Underground, having been brought into the group by flatmate John Cale when they were living at 56 Ludlow Street in Manhattan. MacLise played bongos and hand drums during 1965 with the first incarnation of the Velvet Underground. Although the band regularly extemporised soundtracks to underground films during this era (The Invasion of Thunderbolt Pagoda by Ira Cohen, Chumlum by Ron RiceŠ), MacLise never officially recorded with them. Later in the 1960s, Angus and his wife Hetty traveled around between Vancouver, Paris, Greece and India, finally settling in Nepal. They also
had a son, Ossian Kennard MacLise, who was recognized by Rangjung Rigpe Dorje, the 16th Karmapa, as a reincarnation of a Tibetan saint, or tulku, and at age four became a Buddhist monk. MacLise died of hypoglycemia and pulmonary tuberculosis in Kathmandu
in 1979, aged 41. He recorded a vast amount of music that went largely unreleased until 1999. These recordings, produced between the mid-'60s and the late-'70s, consist of tribal trance workouts, spoken word, poetry, drones and electronics, as well as many collaborations with his wife Hetty. In 2008, Hetty MacLise bequeathed a collection of her husband's tapes to the Yale Collection of
American Literature.

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Sandra Electronics - Sessions

Cassette of Sandra Electronics sessions. These are recordings based on their live sets as well as the first recordings of Sandra Electronics that were made in Birmingham during the late 1980's and 90s. The A side of the tape features reworked rehearsal takes of tracks which first appeared on the early Downwards 7"s and in 2011 were released as part of the White Savage Dance EP. They also include two versions of Her Needs, which we had released under the Sandra Plays Electronics pseudonym in March, 2013. The B side of the tape contains the original recordings from those Downwards 7"s, all made in Birmingham during the late 1980's and 90s. For the first time ever, we present to you the quintessential Sandra Electronics collection of rare outtakes and early recordings.

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Andy Stott - Faith In Strangers

Andy Stott returns with his first new album since 2012's 'Luxury Problems', no.55 in Pitchfork's 'best albums of the decade so far'

- It also featured high in numerous year-end charts in 2012; including The Wire, Resident Advisor, Pitchfork, The Quietus, Tiny Mixtapes,

PopMatters, XLR8R and more

- Includes vocal contributions from Alison Skidmore on six tracks

- The album straddles analogue club music and vocal pop songs - somewhere between Ron Hardy, Prefab Sprout, Dome, Actress, Cocteau Twins and Arthur Russell

- Mastered and cut by Matt Colton at Alchemy 'Faith In Strangers' was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it's a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener 'Time Away' featuring Euphonium played by Kim Holly Thorpe and last track 'Missing' a contribution by Stott's occasional vocal collaborator Alison Skidmore who also appeared on 2012's 'Luxury Problems'.. Between these two points 'Faith In Strangers' heads off from the sparse and infected 'Violence' to the broken, downcast pop of 'On Oath' and the motorik, driving melancholy of 'Science & Industry' - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with 'No Surrender'- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while 'How It Was' refracts sweaty Warehouse signatures and 'Damage' finds the sweet spot between RZA's classic 'Ghost Dog' and Terror Danjah at his most brutal. 'Faith in Strangers' is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott's mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott's career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

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Ascion & D.carbone - Substructures

Ascion&D.carbone

Substructures

12inch3TH005
3TH
23.02.2015

After three years, Ascion and D.Carbone return with "Substructures", their most experimental release to date on their label 3TH.
The A-side of this record holds two droney offbeat tracks, "RAM Expedients" and "Lo-fi Fields", combining a rare/abstract and genuine mix of Middle-Eastern electronics, cyberpunk and UK warehouse techno. The B-side contains the tracks that are responsible for the nomenclature of this release: "Substructures one/two". Being more oriented to genres such as IDM and rave techno, they are characterized by powerful beats and cutting edge ambients and vocals. Both tracks have been recorded during one of their live performances in London 2013.

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Black Mecha - Aa

Black Mecha

Aa

12inchRAVE011
The Death Of Rave
30.10.2015

The Death of Rave is proud to host the initiation of Black Mecha with AA, their sci-fi vision of heavy electronics strongly informed by the outer limits of black metal and a cryptic, esoteric weltanschuuang.Official communiqué from the Grand Lodge of Internal Masonry: Black Mecha AA provides fragmented metaphoric sci-fi audio conceptualization based around some of the formative ideology developed by the Grand Lodge of Internal Masonry. With centralized focus on the deterrence and defence technique aspects of Internal Masonry, namely, Black Ray and its resulting Architecture Antithesis, or AA, mental effect, the six tracks create a realm conducive to execution of thought rumination, and an embankment for sharp inner pathways.' For us, Black Mecha does not exist safely within any pre-defined idiom. It is by nature a noumenal gesture in the void, projecting uncharted escape beyond staid, putative perceptions of genre.Fascinating for its sense of discipline and focus, Black Mecha AA is poised in the balance between meditative hypostasis and raging yet controlled emotion, characterised in the bellicose momentum of Starship Aspicio or the strobing, stately majesty of Altruego, and to cataclysmic impact with the eviscerated electronics of Black Ray. But make no mistake: it's not showboating industrial noise or melodramatic angst, the sense of control amidst panic and dread is palpable and compelling in a way hardly experienced with such elemental force.For listeners of a steeled disposition and open mind there is a logic and ingenuity at play in this record which begs the rarest, private consideration.But overall - enjoy this music in your own way, because that is the only way of Black Mecha!

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Giorgio Gigli - The Right Place Where Not To Be

Giorgio Gigli achieves his debut album after a personal path grown with his work on Zooloft Records. In the same way his dj sets reflect the spirit of that evolution. He explores sophisticated ambient layers as much as obsessive and hypnotic techno landscapes. The Right Place Where Not To Be' is the title of this first full-length sonic movie', a work emerging from the depth of his soul that filters, in a proper way, every musical input he developed over the years. A scenario where human and animal life-form perished and only plants and minerals survived. Giorgio performs that concept writing an ultra-detailed soundtrack, using rich textures that hide secret acoustics, nhanced by alienating atmosphere that captivate the listener. The album is focused on obsessive rhythmics cut on low frequency, a persistent motion, a stable tremor, world exclaiming its life-forms in so far as details the missing ones. Sky is darkened by dub clouds and stratified sonics that electrify space around. Blooming sensations that cover a wide spectrum, alternating feverish tension to lights of trust. Confines are dejected, techno meets ambient, throwing up an amniotic fluid which is immersed our unconscious. A sonic bubble from a faraway era, a timeless atmosphere that describes a vision that seems to answer to most important question: why Giorgio brilliantly manages the hard task of creating an album that describes in a cinematic manner a surreal concept with no loss of tension. LP is enhanced by a stylish Triple Gatefold with evocative artwork that expresses Giorgio's thoughts. A sequence of mountains dominated by clouds of a clear sky, depths of flowers, the tinged memory of a wonderful past. Photography by Marcello and Alessandro Gianvenuti was created with B/N poses from an old Hasselblad, somewhere in the Dolomites, and enhanced by watercolour-painted textures at a later stage. Whole graphical project is curated by Studio Lord Z.

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Why Be - Snipestreet

Why Be

Snipestreet

12inchHALC002
Halcyon Veil
30.10.2015

Rabit's Halycon Veil label swerves left with a freakish 2nd release coming from the Korean-born, Danish-raised Why Be - a member of DJ Hvad's Syg Nok squad, Janus regular and contributor of Total Freedom's 'Blasting Voices' compilation.Equal measures grime, bumpy techno and internet-world electronics tot up to a frictional but fluid batch tripping across imagined 'floor-spaces and the stranger black holes between their cracks.'Heroin Hat' crosses wires between ersatz Afro melodies and sublow techno with the playful dexterity of Physical Therapy whereas the massive blackened mass of 'Whalin (Kyselina OST)' proves an impressive aptitude for beat-less, abstract sound design on a majestic, show-stopping scale. Back to the 'floor on the B-side, he glances askew at ballroom house from the midst of a gif-like loop vortex with 'Deeq' and its b*tch-slapping, c*nty counterpart 'Late (Laser Ha)' throwing down limb-synched edits for the voguers.Very safe to say: if you're into Physical Therapy, Total Freedom or Rabit - this 12" is a strong look.

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Kamixlo: Demonico - Pan X Codes

Kamixlo:Demonico

Pan X Codes

12inchCDS:002
Pan X Codes
30.10.2015

Kamixlo lands on PAN and Visionist's newly relaunched imprint CODES with his debut EP, 'Demonico.'
A Brixton- based producer with Chilean blood, Kamixlo is a key member of South London's roaming Endless party, now being singled out as an incubator for up-and-coming talent.
Following an appearance on collaborator Blaze Kidd's 'Exclusivo' mixtape, 'Demonico' is a stark, raw, and militant opening statement. From the satanic drones of opener Otra Noche,' Kamixlo's club-forward approach combines Latin influences of reggaeton and bachata with punishing crunch and spat percussion. Brash, anthemic, and primed for club play, this year has brought Paleta' into heavy rotation in London's underground scene. Splxcity' sweeps distortion's outer bounds, and in Lariat,' hints of melody provide brief cover from a hailstorm of ballistic vocals before the whole track dissolves into oil.Having just delivered his inaugural LP 'Safe' on PAN, Visionist re-grids Lariat' with signature cut-and-paste techniques and glacial synths. The EP is mastered by Matt Colton at Alchemy, and features artwork by PWR Studio & Bill Kouligas with additional art by Daniel Swan.

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Kangding Ray - Cory Arcane

Kangding Ray

Cory Arcane

CDR-N167CD
Raster
30.10.2015

cory arcane found her comfort zone in a constant state of crisis, and her liberation through love, sensuality, and high-speed internet access. as some might recall, she used to struggle with her own decay, navigating an intricate web of bureaucracy, endless social-media scrolling, 24-hour news channel feeds and marketed strategies of seduction. her intense and continuous obsession for surf, breakdancing and cat videos might have saved her from a silent decline, but it would be her first attempts at integrating a professional ballet company that provided the initial spark. her unorthodox dance movements were often considered shocking, transgressive, and barely legal; and even though some recognised her genuine talent, it was clear she would never make it into this structure. this is when she started her slow drift towards the outer limits of society, in search of the way to achieve the conditions for absolute freedom. her emancipation was surely marked by different forms of excess: the inappropriate use of fireworks, the consumption of large quantities of alcohol and controlled substances, as well as the occasional blasts of kitchen appliances. she bypassed the gender war and became an expert in advertising sabotage. soon cory would give academic courses on the true liberation of the mind, or, in her own words, the apotheosis of senses. lately, she could be seen squatting in the outskirts of different giant metropolises, embracing the mayhem, contemplating the crumbling of a system. the sound of the city, mixed with the music on her headphones, would weave complex rhythms and futuristic textures into a beautifully coloured, pixellated surface. looking out onto this fabulous chaos, she smiled.

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Surgeon - Basictonal-remake

Surgeon

Basictonal-remake

12inchTRESOR085
Tresor
02.04.2015

Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down.

Three of the nest in this collection were albums contributed by Surgeon,
Basictonalvocabulary', Balance' and Force + Form' all originally came
out on the Berlin institution between 1997 and 1999.

Surgeon's inimitable combination of Detroit techno and post-industrial sounds emanating from his British homeland found its fullest expression in these masterful trio of releases on Tresor.

The Basictonal-remake 12' accompanied Surgeon's rst Tresor album in 1997, with additional Versions as well as a remix by long-time Birmingham collaborator Mick Harris.

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Russell Haswell - As Sure As Night Follows Day

Russell Haswell

As Sure As Night Follows Day

2x12inchDIAG024LP 2X12"
DIAGONAL
09.10.2015

As Sure As Night Follows Day is Russell Haswell's landmark second album for London's Diagonal Records. Consolidating a quarter-century at the coal face of extreme computer music, techno and death metal in 19 tracks and 49 minutes, it's Haswell's most coherent yet varied burst of activity to date — zigzagging from improvised n0!se outbursts and asphyxiated R&B to a brace of thundering acid bullets that positively froth for the 'floor.The album was extracted over a fast-working period in late 2014, and is best perceived as a sort of fractured regression to his formative influences: you can hear the picnoleptic recollections of grindcore shows in the Black Country, the refracted shades of mega-raves at Coventry's Eclipse, the conflating toxic texture-memories of early Japanese noise, and the incandescent stomp of Mills and Hood in that early 90s phase.Fortunately for the ravers, this album includes some of Haswell's most direct dance floor attacks to date. 'Hardwax Flashback', for instance, finds him in pure tekno panik mode — a four-to-the-floor wrecking ball groove that someone, somewhere, may even be able to mix. 'Gas Attack' distils his penchant for all things Belgium into a vicious strain of New Beat lactic acid. Haswell then doffs his cap to Detroit electro legends Drecxiya on 'Underwater Electronic Struggle' — a story goes that he once thrashed a jet-ski all over the Mediterranean while listening to 'Wave Jumper' in his 'phones — before he does the salty freestyle electro flex 'ting on 'Industry Knowledge (For Oscar)' while reminding his trusty apprentice, Powell, that he still has a lot to learn. In between these 'floor-flexers, we find more freakish disturbances and intrusive drum-box improvisations: the modular mind-floss of 'Rave Splurge Noise' or 'Noise Rave', for instance, or the self-explanatory 'Improvisation #1'. 'In The AirToday' investigates warehouse-ready electro-acoustic percussion, while the chaotic clusters of 'Interlude' swarm and invade your senses with psychoacoustic incision. This is Diagonal and Russell at their most f**ked up and fizzy, and an important reminder of the artist's stream-of consciousness genius — and the pressing need for more chaos and unpredictability in electronic music today.

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Drooids - Self-titled Ep

A sort of Cabaret Voltaire for the iPhone age, DROOIDS are a collective of three multimedia artists who produce electronic music using improvisational, often anarchic methods. Utilizing a hodgepodge of gear both old and new, and not-wholly-quantized, they create a collage of sounds that verges on chaos before slipping back into a dark yet weirdly club-oriented beat.


Their live shows usually feature multiple guest collaborators, costumes, sculptural props and performative antics. For their debut release on LSE we tried to capture the spirit of these shows and recorded over 11 hours of DROOIDS improvising in the studio of the course of one week. Those 11 sprawling hours then got edited down to these 4 snapshots, mastered and pressed in a limited edition of 200 (40 with original gelatin silver prints) for our 6th vinyl release.

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