Techno Vinyl New Releases - News

Endlec starts his label "Renegade Methodz" with one of his most powerful & personal EPs.

"Year Of The Kill" is a product of its time, having been written and produced during one of the most challenging and unique periods of the modern age, between March and April of the "lethal" 2020.
When the world was in a state of full lockdown, a moment in history that we, as a generation, forever will remember.

It's a pessimistic piece of work, that, across it's 3 trax, features, dark & melancholic melodies, sitting on top of heavy beatz, with Endlec's signature, dirty texture, and his unique brutal kinetics raising the energy, forcing you to take notice and dance until u release WHATEVER THE FUCK bothers u!
Scream from anger, scream from joy.
Cry from happiness, cry from sadness.
Raise your hands in the air and just let your self go.
Listen to the music, in whatever corner of the world u are, alone, with friends, with your lover or with whoever TF u care about and just feeeel.
BE IN the moment.
And dance, dance, DANCE U MTF!

So, at the end "Year Of The Kill" is a very personal work of art,
It is what it is, and if u like it that's great, if u don't, then fuck off
and try figure what's wrong with your ears!!

WE are who WE are, WE do whatever the fuck WE want,
WE ARE RENEGADES!
AND THOSE ARE OUR METHODZ.
credits

2023 repress

After the first cult HIT ep "IM KELLAR EP" on Moustache Records Im Kellar continue their pumping EBM wave techno electro analog driven sound with the awaited ep called "THE SCENE EP" 4 tracks made by two legendary figures and longtime friends from the Rotterdam underground scene: David Vunk and David Spanish. Because you are the scene we are the scene THE SceEeeeeeEennNneeEee... no represses.. Moustache Records delivers new music, always....

Brooklyn via San Francisco. My mom would sing her lyric "my tongue is a machine gun" so passionately at the reflective toaster oven that it shakes me until this day. She really only agreed with my dad about Nina Hagen and the therapeutic prowess of ecstasy pills. I was either side-stepping or spinning between punks and hippies, painted tall tees and the last glimpses of piers laced with D N B - Lebbeus Woods lectures seemingly constant. Why didn't he just move to SF?And then Channel U changed my conception of a beat. A little later I was crushed by Japanoise' thunderous take on spirituality. I guess I realized these are communities not scenes. And sheesh! What a community I'm so grateful to have found. Anyway… This record was made during my first time getting to spend whole days working on music. Missing Tokyo crazily, listening to an endless stream of experimental downtempo from 1992-98. Perpetually graped at .08. Thankfully the machines and I had room to develop a language that not only got a message across but has evocative little tongue rolls and things as well. I desperately hope everyone is afforded that room at some point in their life. But for me meditation doesn't require an empty space. This is an EP that tells the story of a honey bee - I hope y'all find a cute and unmediated relationship together throughout the 5 tracks. This is a bit like a road-trip film through the process of forced digitization. Yes we're all cybernetic at this point but that's no excuse to dull our sensitivities. I guess the question is… since when is being calm a desirable personality trait????

Gratitude time! here's a thank you section that covers a microscopic portion of the things that inspired this ep:

The somehow both merciful and merciless lord Gina Lee I love you. My mom Saam Nomad/Sam and Sam/Gal/Tarwuk/Izumi Suzuki/Nancy Grossman/Coco Fusco/Claude Parent/Amagatsu Ushio/Alexandre Jouveaux/Soil Thornton/Gakuryu Ishii/Juergen Klauke/Tishan Hsu/Olivier Assayas

Basically all my incredibly passionate friends and the communities they help cultivate that are just intoxicating, electrifying and exceedingly thoughtful.

Please help this 12" remain a fable - donate to The Guardians of the Forest. tysm.

First Episode’ is the ultimate work of duo Re-Arbeiten, Ziv Matushka and Natalie Bar. Previously displaying their vast array of complexities, this one facades a more introvert and delicate peak into their glitchy IDM-infused language. As often is the case with Matushka’s productions, they manage to speak the most lyrical poetry using the harshest most elaborate grammar, and vice versa at times, a skill that’s reserved only to the true greats.
This is the duo’s first album, and is one of three which will be released in the coming years. Ziv and Natalie sadly passed away in 2020 and this release is very much in their dear memory.

Green Vinyl

After release at International Chrome and Steel City Dance, emerging Electro talent Dagga make his debut vinyl release at Berlin's Jupiter4. Stomping Techno, acid bass lines and bewitched arpeggios co-exist in Dagga's own unnerving horror dimension, as introspective pads and mesmerising droning dives into the producer authentic approach.

“History repeats itself, first as tragedy, second as a farce” -Karl Marx
Uun returns for his fifth entry in the Ego Death series. This EP was created in solidarity with the global leftist movement that has risen to fight fascism around the world. Tonally the record stays intense throughout, which expresses the passion and immediacy of this coalition. For if we do not understand the past, we are doomed to
repeat it.

Edition of 100 - printed sleeve, hand-stamped centre labels

Depth.Request sees a new hat being thrown into the techno ring. The hat in question is the label's first EP Anvil—a post-tech five-tracker, and the person throwing it is Blasted—an Italian producer with a number of solid EPs to his name. Having had previously shared release credits with him on a number of occasions, Berlin's renowned noisemaker Unhuman fits into the picture as well, being the one charged with remixing duties regarding the titular track.

Setting common tact aside for a moment, the opener showcases Blasted indulging in esoteric inclinations by the means of concentrating on slick, abrasive sound design, cutting the number of kicks in half and utilizing a vocal sample to add a pinch of EBM into the mix. Unhuman's slowed-down rework in turn evokes gears' incessant grind at the backdrop of steam pressurizers going up and down in alteration, producing arrays of heavily plodding, whamming kicks. Breaking free of esoterism and leftfield production, the EP continues with Jawbreaker—a peak-time affair wherein the lows are ravaged by constant sub-bass pressure and ruthlessly striking, syncopated kicks, laid under the neatly-synthesized, impenetrable hats, pertaining to Blasted's signature sound. On Filthy Goat, the assault continues with a renewed strength as anxious synths and panning hats gradually invade the scene shortly before the devastating kicks storm down in a hail of obliterating projectiles, creating a battlefield-evocative environment within this decimating, explosive stomper. Lastly, demonic closer Belial bids its fair digital-only-money's worth of adieu with magnificent ambiance interwoven within the spectrum alongside meticulously arranged drumwork presented through plethora of varied, carefully picked samples.

White / Blue Vinyl

The mysterious Void Settler is back with a brand new album: Given In Vigil!

Tape

Happiness and Sacrifice is based on an audio-visual work by IOM. Sampling images from different historical moments and rituals, it questions the need for giving up personal gratification in order to obtain happiness, and also serves as a critique to the catholic church as it reveals the perversion of this thought.

The sixth part of the Wave Earplug series vinyl compilation LPs promoting synthpop, cold wave, electro, EBM music from around the world. This time from Greece, Hungary, Slovakia, France, USA, Belgium and Holland.

semi clear red + blue mixed vinyl

Murder Tbilisi is pleased to announce new various artists compilation featuring exclusive tracks from Soft Crash, Silent Servant, Volvox, Restive Plaggona, OTHR & Puritan.
Release comes in limited available high quality black & marbled (140 gram 12") vinyl copy of MURDER003 with cover art by ZIMMMERIT.

Industrial Techno to Hard Techno Acid... Definitely dark ambiances, deep and dry...
A bunker ambiance. Hot stuff chasing the strobo dark dancefloor !

Sofia Nøt from the project IAmNøt is a DJ and a producer from Bratislava/Slovakia, who just released her debut album “Changes”.
The album stems from the sounds of electronic dance music of the 90s and describes Sofia’s battle with gender identity. The music video for the track “Changes” won a prize at an international festival in Košice and participated in a prestigious ‘London Music Video Festival. In this video, Sofia kills her “old self” with an axe.

Since 2019 IAmNøt has posted her singles online. Many are also accompanied by story-driven music videos from director Simon Seriš. The music style comprises many genres, including breakbeat, techno, and synth-wave.
In the past three years, Sofia played DJ’s sets filled with breakbeats and 4/4 rhythms across the Czech Republic and Slovakia. You could see her, for example, at the Brutal Assault festival this summer.
Sofia’s debut album “Changes” was released on 9th September and is now available on all major digital platforms and a 12” LP vinyl record.

All tracks were written, produced & recorded by Sofia Nøt

except ‘Estrogen’: written by Sofia Nøt & Pkrek and

‘2020’ contains a guitar by Jakub Spiszak

Enter the darkness with the new Rendered (Architect + 14 Anger) ! features a twisted EBM remix from master "David Carretta"

Comes in beautiful transparent vinyl with graphic b & w sleeve. A must have for the dungeon!

After two 12 inches, the legendary Mick Harris (Scorn, Napalm Death,Lull) steps up with his first full length double lp for L.I.E.S. under his FRET moniker.

Over 10 tracks, "Only For The Weak" displays Harris in his most intense sonic form to date, blasting through the red with reckless abandon and destroying all weakeners and sound systems in his path. This is the definition of black hole industrial techno and while it's completely pulverizing, Harris' heavy trademark dubstyle elements are strongly present, coupled with deeply psychedelic textures swirling within the deadly onslaught of this album. While others have softened up through the years, Mick has upped the ante, staying true to the unrelenting intensity he pioneered behind the drum kit back in the 80s. Turn on the TV, witness the demise of humanity, put this album on and watch it all fall to pieces minute by minute. Never more could music of this magnitude be more relevant. Not recommended for those with medical conditions!

100 copies only

Acid/electro mini album by Chupacabras. Download code included.


Support from: Elena Colombi, Timothy J Fairplay, L.F.T., Myn, Filmmaker, Kluentah, Chris Mitchell, DVS NME, Francois Dillinger, Acidic Male

Testkard 225 was a pioneering industrial project by journalist Danny Beller, which released a handful of cassettes during the 80’s and was a major influence for the electronic and experimental scene in Israel.

Genbaku was the 2nd cassette Testkard 225 released and the 1st to be reissued by Confused Machines. It was originally recorded and released in 1988. Only 30 copies were of officially made and they were quickly sold out. However, thanks to “illegal” home taping, it reached hundreds around the world and made an important mark on the emerging industrial scene in Israel, while getting some decent exposure via the tape trading phenomena around the globe.

Recorded on a four-track with minimal electronic equipment in desert city Beer Sheva, Genbaku is about a world collapsing into dystopia, caused by a drastic event or a virus, that disrupts the existing order of things, kicking off with a seemingly optimistic opening, then going through a darker phase and eventually reaching a safe harbor.

After being considered as a “lost tape” for three decades, it was rediscovered and reissued for the first time, mainly due to the persistence of Noam Rosenberg, owner of the Youtube channel “Boredom Lives Here”, and now it’s finally available again digitally and as a limited edition cassette with the original artwork via Confused Machines.

Time is running and a lot of distorted frequencies have passed in our eardrums since that first self-produced release on Sony cassettes in 2016.

Raw Culture turns 5 and for its fifth anniversary it is its handyman Asymmetrical to blow out the candles.

After his first EP “For Muthafucka Use Only” released in 2017, Asymmetrical returns to his little baby with an album, Blind Faith.

Inspired by Ben Elton dark, savagely comic novel where he imagine a post- apocalyptic society where religious intolerance combines with a confessional sex obsessed, self-centric culture to create a world where nakedness is modesty, ignorance is wisdom and privacy is a dangerous perversion, Blind Faith aims to be a critique of post capitalist society and to redesign the idea and the relationship in the contemporary club.

Two densely engraved sides for a total of 8 tracks ranging from Ebm to techno, from electro to New Wave, all connected by raw rhythms, noise and distant voices.

All tracks written and produced by Asymmetrical at FAUNA53, Roma 2020.

Mastered at Sensorium.

Distributed by Rubadub.

Design by Linkin Bios.