Techno Vinyl New Releases - News

XX001

The third release in Haven's white label series keeps up its focus on crunchy dance floor bangers with the first in a line of special VA compilations with "Sardonic Tonality Vol.1".

The record starts with a bang on the A1 with a noise-drenched banger of colossal proportions from everyone's favourite UK modular wizard Ansome - mammoth kicks, crisp percussion, and a rolling synth line ensure a moving dungeon dance floor in this leviathan of a track. This is followed by a trippy smasher from Haven co-head Keepsakes on the A2, featuring twisted vocal samples, hellish pads, and pounding drum patterns for fans of demonic techno heaters.

The B-side is kicked off with a hectic pounder from New Frames on the B1, with a hyperactive EBM-style bass-line, tight drum programming and contorted voices making up a frenetic dance floor weapon. Finally, the release ends with a creepy, tumultuous journey from Russia's Draag on the B2. Evolving, pulsating synth work and frenzied percussion make up this fevered march down a wormhole, closing out yet another soundtrack to society's decay from the Haven team.

Emerging this January with a duo of debut EPs, Black (Vegan Tinder Lord) and White (Hexxex) , Ϟᑢrəən ϟHAᗌ/W blends pummelling techno, industrial grit and experimental noise for a mood-spanning sound inspired by everything from Google Street View to visiting the dentist.

The Black EP gleans from the heavier end of the club music spectrum, plunging into a hardcore well of nosebleed kicks and synapse-frying synths that bang with raw dancefloor energy. The White EP pauses for reflection, transforming Screen Shadow's spiky reveries into tightly-woven technicolour dreamscapes.

Track highlights include the humour-spiced, pitch-shifted "Vegan Tinder Lord"—immortalised by its disembodied, Amnesia Scanner-esque voice—and the percussive, hardstyle-tinged assault course of "Scanna Hex".

On it's white counterpart ,"Hexxex" builds on a Drexciyan beat, while "Corridor" explores the sort of glitchy experimentalism that gets under your skin."Vaxuum" and "Time Orphans" mine deep ambient soundscapes, with the former constructed from a grainy loop and the latter built from rich orchestral tones.

Artwork and music go hand in hand, with logo designer Number III (Paul Nicholson, Aphex Twin logo designer ) cooking up the striking black and white imagery.

LTD EDITION.

The forthcoming falling ethics effort (FEXLVN003) contains tracks by three stalwarts of modern day techno. UVB's 3000 years of lies is a work of percussive endurance which contains five minutes of thumping drums, a low down synth roar and several squeeks of fx. Kastil's Arcanism is an hypnotic endavour into uncharted territories. The main sounds have a repetitive and clear quality that pierce through eardrums and will grab the attention of crowds. Amsterdam based Dimi Angelis closes down this three track effort. ''Flirting With The Machine'' is a lenghty voyage into pure synthesis. A monotonous sound with razor sharp clarity serves as the spine of this track while the kickdrum dictates the pace. Adventurous music at it's best.

What about to blend the best talents and skills of ebm totems (such as Front 242 or Armageddon Dildos) with some recent industrial funk influences (such as Valis or High- Functioning Flesh) and then add the energy & the rage of being 20 years old nowadays ... ?
THAT’S CHROME CORPSE (Seattle/USA).

Extracted from their first album “ANYTHING THAT MOVES”, “DETECTING MOVEMENT” represents their vinyl debut and for sure the beginning of a very succesful professional career.

All tracks have been specially remastered for LONG CUT vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Nico Nightingale as "Neud Photo" has been on a tear lately and this latest offering for Mysidian shows up as his most dark and menacing. The electro meets techno sound we know him for is still prevalent but the amnesia-inducing ‘Dreamz’ also carries thumping EBM and New Beat influences. R&S meets Subway meets Mute.

While each track plays on it’s own themes independently with tasteful vocal samples and industrial energy, the thing they all have in common is obvious. They completely satisfy aural wishes excited only during states of R.E.M. They are simply and undisguisedly realizations of wishes.

Employing a toolkit of cutting-edge DSP, Swarm Intelligence reimagines classic rave frameworks for dancefloors of the future. "Ultraware" traces a path through electro, big beat, jungle and acid - optimising and reconstructing until only fragmented traces remain. Following up from his widely acclaimed "Against the Dying Light" album, this EP marks a new shift in the ever-evolving Swarm Intelligence sound. A relentless explorer of audio technology, here he utilizes spectral processing alongside convolution and granular synthesis to craft a gritty sonic repository for the four tracks. Even in moments when the sequences disintegrate into chaos before reassembling into a coherent form, there is never a feeling that Swarm Intelligence is not in full control - this is an artist who thrives on complexity.

ZONAL, the brainchild of Justin Broadrick (Godflesh/Jesu/JK Flesh) and Kevin Martin (The Bug/King Midas Sound) present their monumental Relapse Records debut, Wrecked. ZONAL continues where their previous collaboration Techno Animal left off, and combines a brutal ongoing obsession with beats, bass, dub, drone, noise and riff.

Under their new guise, the enigmatic duo push the parameters and atmospheres that have earned them critical acclaim further and deeper; ZONAL's sound has become ever more corrupted, corroded, slower and lower; with the theme of exploring inner/outer space acts as the gelling agent for this shockingly monolithic sound.

Anyone who witnessed their sonic destruction and lyrical detonation c/o MOOR MOTHER at both ROADBURN and UNSOUND festivals will not be disappointed by the slo-mo meltdown.

repress

Los Angeles based Principleasure releases his debut LP 'I (One)' on 30th April to critical acclaim. 'An enthralling debut album' according to Mixmag who promptly made it their Album of the Month, 'A brilliantly crafted debut album' proclaim Future Music Magazine and 'Brooding with icy contempt' say Electronic Sound in their full page review. With festival support from DJs as diverse as Dixon and AME to A-Trak, 'I' comes hot off the back of 3 EPs released in 2018, with videos from Hirad Sab (Sevdaliza) and Yoshi Sodeoka (Digitalism), support from BBC Radio 1 (Annie Mac) and KCRW (Mario Cotto).

Funeral Souvenir’s "La noche del anhídrido" is an Spanish cult electronic masterpiece recorded by Miguel A. Ruiz (Orfeón Gagarin) in the eighties, now issued for first time in 180 gr virgin vinyl.

Besides of all the album the vinyl includes, like bonus tracks, the lost songs of the German compilations of 87 and 88 and free download code of the digital version, antistatic inner sleeves & insert with original material and info of the issue in heavy paper. All songs remastered from the original tape.

"LA NOCHE DEL ANHÍDRIDO" was recorded in 1987 and initially released in cassette format C-30. A work of industrial environments with rhythmic touches voice treatment and above all some icy metallic effects to call them somehow) that imbue the whole album and give it timelessness.

This work could be introduced today as a scoop of Miguel A. Ruiz and nobody would notice that 32 years have passed since this artist conceived it. This is the merit of the great sound artists, who know to make their work remain beyond time, space and dimensions. A privilege for our minds."

Josep Maria Soler Solá. September 2019. Stahlfabrik / Wet Dreams.

Several members of the NNY Records label have embarked on a new editorial adventure, this time for the cassette and digital format. Industrial Possession is the new label in which they will be dedicated to publishing artists whose productions transit through areas close to EBM, Industrial and Techno.

The first of these releases is in charge of the producer Antonio Barbetta, who dresses in the clothes of his alias Raw Ambassador in which he is engaged in billing productions influenced by the best EBM and Industrial today. This first, “Under My Control” work includes eight excellent themes that also have an Acid and Techno touch that makes it irresistible to fill with darkness and induce the dance of the most demanding dance floor.

Banging Industrial techno with some crazy new ideas like this long noizy acid break in the Slope Unit track or the noise industrial ambient long intro on the Duellist tune... FAT! Once again offering a wicked sleeve... limited edition! BIG Stuff!

A Banger.

Iron Sight (Isak Hansen) returns on Strange Therapy with the second chapter of his sonic story: The Broken Son. The Danish artist continues his saga with a very narrative work exploring his inner world and memories throughout a double cassette release. Expect grim atmospheres and industrial-tinged scenarios, in which noisescapes and distorted vocals deliver a sincere and powerful performance enriched by crunching rhythms. But this not all: eerie and evocative ambiances, as well as surprising elements coming from distant sonic dimensions, shows us another side of his soul and art in a work full of pathos.

A Losers Game welcomes us with sparse rhythms and noisy vortexes underlined by aggressive vocals and mysterious atmospheres. A sense of dread and tension grows around us giving aural form to inner turmoil and unspoken words. Orchestral synth-lines enrich the track with an elation doomed to be cut short by the main theme. The Loser starts as an ambient piece full of evocative sounds and soothing atmospheres, a different affair showcasing emotional takes and grandiose choirs and arches. Then, destructive kick drums and malevolent vocals perturb our peace once again without forfeiting the previous motif in a climaxing communion of opposites.

This Is Not Your House/The Family rewards us with a beautiful mantra full of elegance and orchestral undertones. A hidden crescendo reaches desperate shouts among celestial soundscapes fusing ethereal movements and sharp noises – giving once again body to a mental dimension made of contrasting feelings. I Had A Name explores droning effects in a rare atmosphere rich in majestic awe, adding horn sounds and mechanical glimpses. We reach a compulsive march made of war drums and demonic vocals in a slow but crushing manifestation of rage. The perfect balance between elements conjure a unique feeling in the listener.

So Wrong dwells in dark ambient paranoia before engaging us with broken rhythms and sulfurous passages, building a techno-gothic pastiche with organ sounds. Iron Sight’s craft shows itself by the means of corrosive bass sounds and roaring vocals, picturing a scenario made of fractured tension. A suffering mind finds here is apt description thanks to a well thought songwriting, as well as a beautiful passage during the final part of the number. Devil’s Deadly Stare surprises us with soulful choirs akin to ethereal music, upon which a clean voice sings for us a crooning piece. This is a moment of pure bliss and a demonstration of Isak’s love for music in various forms. The listener will maybe think to retro and folk elements, but the track finds strength in its own peculiarity.

Cell employs sharp noises in a hypnotizing theme with droning repetitions and sparse sound, a representation of brooding feelings reaching sudden hard and distorted beats. Hoarse vocals guide us in a hellish but crawling mantra made of restrained aggression. Something is following us in its sonic corridors, but we never find a real conclusion to the alarming chase – the episode ends abruptly with a sense of suspense and dreamlike stupor, Gods Eyes ends our journey with elegant arpeggios and the usual sparse electronic elements. But if we think this is just a peaceful outro, we have to think again: stomping distortions and ogre-like vocals have their say during the slow crescendo. There is no happy ending at the end of the album, a sorrowful desperation mixed with rage is the final statement of a work of sonic art.

French trio Empire State bring their sophomore release to Veyl in the form of 'B.R.U.', a scorching hot noholds- barred 6-tracker full of kicks to the face, fermented lyrics and monumental riffs. Post-punk, postindustrial, post-apocalyptic and post-everything else, if tracks like 'Cuntworms' and 'Blow' don't get you hyped we don't know what will. For fans of Suicide, Powell, Giant Swan.