Techno Vinyl New Releases - News

The second part of the collection by Perc, Furfriend, Scalameriya, Blush Response, VSK, Kastil, Yaporigami & Oleka that showcases exclusive tracks in variety of techno styles compiled to form a perfect unit.

'Trumping The Body's lumpen collaboration with The Haxan Cloak and Dylan Carlson's slightly underwhelming sides with The Bug by a country mile. '
THE QUIETUS on 'Mirrors For Psychic Warfare'...

"Kelly and Parker deal in a form of debased, defeated industrial future-folk, a zoned-out space cluttered with crunching metallic debris. Some of the quieter moments skirt the dreaded dark ambient category - but that subgenre always seems to suggest hokey cyberdelic techno-sabbats or the Hellraiser sequel in which chief Cenobite Pinhead sashays around on a spaceship. By contrast Mirrors For Psychic Warfare seed concerns about depleted stocks of tinned food and the likelihood of typhoid.' - WIRE

Claustrophobic sudor that evokes all you held dear from Skinny Puppy, Foetus, Godflesh, Swans..It's been three rough years since Mirrors for Psychic Warfare sprang into existence with their startling self titled debut, but don't think for a second that the time was spent idle.

This unit (comprised of Neurosis' Scott Kelly and Producer Sanford Parker) constructed an even more unnerving and destructive record with 'I See What I Became,' I know, hard to believe.

Over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. Turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter.

There's nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. A sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking Kali Yuga. Good or bad, I'm not sure what we did to deserve this. Aesop Dekker July 9, 2018

'Trumping The Body's lumpen collaboration with The Haxan Cloak and Dylan Carlson's slightly underwhelming sides with The Bug by a country mile. '
THE QUIETUS on 'Mirrors For Psychic Warfare'...

"Kelly and Parker deal in a form of debased, defeated industrial future-folk, a zoned-out space cluttered with crunching metallic debris. Some of the quieter moments skirt the dreaded dark ambient category - but that subgenre always seems to suggest hokey cyberdelic techno-sabbats or the Hellraiser sequel in which chief Cenobite Pinhead sashays around on a spaceship. By contrast Mirrors For Psychic Warfare seed concerns about depleted stocks of tinned food and the likelihood of typhoid.' - WIRE

Claustrophobic sudor that evokes all you held dear from Skinny Puppy, Foetus, Godflesh, Swans..It's been three rough years since Mirrors for Psychic Warfare sprang into existence with their startling self titled debut, but don't think for a second that the time was spent idle.

This unit (comprised of Neurosis' Scott Kelly and Producer Sanford Parker) constructed an even more unnerving and destructive record with 'I See What I Became,' I know, hard to believe.

Over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. Turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter.

There's nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. A sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking Kali Yuga. Good or bad, I'm not sure what we did to deserve this. Aesop Dekker July 9, 2018

There is a purpose behind ambient music: it is utility music. Brian Eno made that clear. If we go by Eno's definition, the music on T.RAUMSCHMIERE's new album is not ambient. Although - or in fact, because - each individual track on this album immediately and effortlessly generates atmospheres, it is impossible not to be drawn in. T.RAUMSCHMIERE sucks the listener into the perceptible endlessness of his pulsating sounds, even though the music does not actually expect anything from the listener. It is not demanding, it does not sound lofty or ethereal. It is in constant movement and evolution while sounding grounded at the same time. The tracks are not weightless; they have body.

2 Disorder Mind AKA TIEUM and Scratch. CLASSIC HARDCORE INDUS SOUND

Bloody good mental acid techno, texturized sounds and grinding beat bumbers... Traveling sounds for intelligent acid.

Awesome hardcore to industrial hardcore sampler on WISHCRAFT RECORDS! Headliner of this phat 12" is the A1 track DIRTY DANCE WHORES by DJ PARTYRAISER & SCRAPEFACE which is already featured on the new THUNDERDOME 2006 compilation and gets hammered by loads of top djs like TIEUM, PARTYRAISER, DARKCONTROLLER, LENNY DEE and many more!

Taking inspiration from industrial dub techno and global bass music, San Francisco's Only Now delivers his debut EP on French label POLAAR.

Berlin-based duo ONTHEGROUND which consists of Myztical and Diagenetic Origin, is about to release 'Role Of The Observer', their follow-up to last year s debut EP 'Touching Higher Ground'. This record is a snapshot of their creative development and hard work which took them at least a year to put together.

The A Side takes up where the last year's EP left off, establishing a template of industrial pummeling techno with a focus on irresistible, broken groove. A1 'The Power Of Prayer' is a powerful banger droning synths and dislocated samples build up the anticipation, before massive kicks drop and propel the tension onwards. A2 'Controlled By Faith' is similarly destructive on the dancefloor, a bundle of rasping, dirty rattles that drive on relentlessly in funky delirium.

The B Side delves into the darker, more elusive recesses of the duo's creativity. On B1 'Ancient Cycles', distorted rumbles morph over pattering, primordial percussive patterns. B2 'Role Of The Observer' ratchets out a heady mesh of fragmented, disorientating textures over frantic, propulsive beats.

Finally Repressed!

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done,
The silver apples of the moon,
The golden apples of the sun.

Heavyweight techno from Finland's finest.

A Certain Ratio Stammen Aus Manchester. Sie Wurden Von Dem New Order Manager Rob Gretton 1979 Entdeckt Und Bei Dem Legendären Label Factory Unter Vertrag Genommen. In Dem Spielfilm 24 Hour Party People Bringt Es Factory-label-manager Tony Wilson Auf Diesen Nenner: having All The Energy Of Joy Division But Better Clothes'. Jedenfalls Sollten A Certain Ratio Sollten Später Weitere Acts Wie Quando Quango Und Swing Out Sister Hervorgehen. Dennoch Existiert Die Band Bis Zum Heutigen Tag. Ihr Post-punk Sound Ist Weniger Puristisch Angelegt Als Der Ihrer Zeitgenossen, Öffneten Sich A Certain Ratio Doch Auch Genres Wie Dub, Disco, Funk Und Soul.

- change The Station Von 1997 Wurde Ursprünglich Auf Rob´s Records Veröffentlicht, Dem Label Des New Order Managers Rob Gretton. Soul-pop Trifft Auf Die Ambient-electronica Dieser Dekade.

Codex Empire debuts on SNTS' label Sacred Court

AUX4411 sees a debutant on vinyl as well as an old schooler brought together on a release with 4 trax each with wicked acid infused IDM. This one is again a 150 limited pressing but on clear vinyl.

* Rubedo Edition - The fourth and final edition of the Magnum Opus series features two striking new remixes of previously released tracks by Schwefelgelb and Blind Delon respectively.

* On the solar side Schwefelgelb's Fokus gets the caustic treatment trom SARIN, replete with off-kilter, catastrophic sonics and annihilating beats.

* On the lunar side HIV+ contributes an intense, menacing vocal line to the epic synthcore grind of Blind Delon's Fuzz

Pinkman delivers another sturdy record for the connoisseurs of discomforting electronics. The second 5 Years Of Tears release unifies 6 artists, each with their own interpretation of the labels ill-famed sound, embodied in vibrating basslines, metallic beats, and corrosive acid. Gear yourself up for yet more nerve-racking music and get accustomed to the obscurity of this series of releases, because the madness is all but finished.

Transparent Red & Black Mixed Vinyl

After 3 years SNTS releases on his label SNTS Records a 4-track EP , getting back to his initial and characteristic sound. Textures, voices, percussions and an intense melancholy surround every track.