Techno Vinyl New Releases

UFOs are nothing if not predictable and so it proves as this particular one is back in our orbit after more than two years away. The cult label signs up Mexico's DJ Natas to pilot a new mission to the edges of our solar system and hard-hitting cosmic industrial space tech is his vehicle of choice. 'The Titan Of Terror' is a busy sound laced up with wiry synths and acid prickles and it hits hard. 'F The Pain' rides stomping metallic drums and has eerie pads shimmering in the background while 'Stay Deep' is more sparse and dark with textured acid and spoken word musings, making it a more mental trip then 'Abracadabra' closes with a hint of psychedelic magic.

Yesca is back on Shall Not Fade with ‘Paint on Walls’ 12” EP.

2024’s Yesca EP on SNF - “Mood Loops” - set a high bar, so when we say this record is something special you should take note. Of course if you already know Yesca’s music or have had the pleasure of a Yesca DJ set then you will have already this queued up.

Sweet Spot: Ben Sims, Deetron, Oliver Ho, Vince Watson, Grain (Artwork’s Techno alias). Planet-E, Primate Recordings, Paul Mac & Stimulus Recordings found the sweet spot.

According to the OED the first use of the phrase “Sweet Spot” was in 1976 in reference to tennis rackets and golf swings. It’s where everything hits just right. And that’s what this EP does, hits just right. What strikes me is how descriptive the phrase ‘Sweet Spot’ is. Given enough swings and some luck we all know what it feels like to hit the sweet spot in some regard. Finding the sweet spot regularly though takes time and skill. But being able to hit the sweet spot by design every time, well that’s something different. That’s what makes the greats great.

For us at SNF there’s a consensus that in the lineage of electronic music there have been many moments where artists & labels converged on a sweet spot. One such sweet spot for us is in Techno
around 2003 when at the tail end of Hardgroove tempos began to slow and a groovier more refined tech house infused goodness appeared in the racks from a group of killer techno labels & artists (some mentioned above) that moment before the fuller emergence of the 2nd wave of Tech House in the mid 00’s.

That sound, while often emulated, never quite hit the same for us at least – until Yesca came along. His music has everything that we love about that sweet spot. Raw driving groove, rolling basslines and hip shaking percussion. What’s different on ‘Paint on Walls’ is that Yesca stepped on - he had already found the sweet spot on 2024’s Mood Loop EP - now his sound (or swing) is natural. Repeatable, refined and seemingly effortless. To revisit the tennis and golf analogy, this is the start of a Grand Slam run from an artist ready to etch their name in dance music history. Tiger..... Serena......Yesca.

Run the Tracks:
‘How I Do It (They Wonder)’ - A masterclass in less is more, and a serious DJ tool. Full of groove - slow it down and it will light the touchpaper in a house set - speed it up and you’ve got techno weaponry. Forget gatekeeping, this will make you feel like you just found a 2004 techno white label from the likes of Grain or Ben Sims.

‘I Desire’ - House music that I reckon Deetron would be proud of... Blissed out machine funk, whispered vocals, slick jazzy chords and dubbed out techno stabs are all grounded by Yesca’s impeccable, loopy drum programming. The best tunes always end too soon.

‘Domination’ - The ever rising bass, err, dominates this track and this track will dominate on many a dancefloor, but Yesca's knack for dubbed out swinging synth lines has to get a shout out here too. He turns what would be melodic elements into what feels like part of the percussion. Double Threat. Hands Up and Heads Down business.

‘Paint on Walls’ - It would be a tough call to say Yesca’s saved the best til last with the EP’s eponymous track given what’s come before, but Paint On Walls works all the highlights from the rest of the EP into a latin techno/house infused anthem. Skittering percussion, a hint of Detroit goodness and a deep deep rolling bassline and THAT vocal. In every way hopeful yet resistant, and that is what techno is all about.

We release our second record, COPPIES002. Another hand stamped white label EP, collecting tunes from thecommunity, for the community. This time with tracks by Kerr Wilson, Salomo, illousion and APRS. Kerr starts on A1 with his "The Key To My Heart". He showed the first version of the track to Robert around 4 years ago in a memorable summer spent together. We made the promise that this will be pressed on record one day and, here it is! Thanks Kerr! It's a melancholic late-summer tune that makes you tear up and feel like the warm euphoria won't last forever, but it will surely return if you're patient. Salomo follows with a similar moody approach on "Say less (on the DF)", even though we can argue about the meaning of the title ;). illousion builds more tension on the flipside with "Masc or Mask". Entering dubby, rolling terrains with more high intensity drum patterns for later moments of the night. APRS is closing the EP with "I Want to Speak" on B2, maybe the counter argument to Salomos desire of a less noisy dancefloor. He crafted a minimal, loopy trip that drags you down the rabbit hole and won't iet you go til the party is over. COPPIES002 is available on vinyl only with digi download option

Astro’, the new double LP by Donato Dozzy, is in many ways a culmination and intersection of life-long interests, and Tresor Records is delighted to announce that it will launch into the cosmos on November 20, 2026.
Donato Dozzy is beloved for his way of blending synthesised sounds into seamless, deep, hypnotic works, whether as a DJ or in the studio. So it might come as a surprise that at the root and source of Dozzy’s musical inspiration, we find Japanese children’s cartoons and toys.
In the late 70s into the 80s, Italian youngsters, including Dozzy, were captivated by a wave of Japanese cartoons featuring Jumbo Machinders, awe-inspiring robots on adventures beyond our solar system. Every episode came dubbed into Italian, and had its own specially written Italian theme song, each pressed onto a 7inch single. This was the launchpad for two lifelong obsessions: vinyl records and vinyl figurines, and still kept in his home today in immaculate, carefully tended collections.
In 2025, Dozzy took a sample from the first of the Japanese themes he ever owned, Astro Robot Contatto Ypsylon. Marking the first time he had directly sampled a song for his own work, later to become the track ‘Astro’, this created an impulse to begin a series of new music, sparked by the robots in his collection.
Dozzy’s meticulous respect for his collections is reflected in the precision of these tracks. Elements within each track are harmoniously organised together while ever retaining a sense of space that reflects the cosmic subject matter. Explorative tracks like ‘Raydeen’, and ‘Himika (M Song)’ exemplify this with powerful yet gentle arpeggios, while ‘Pegasu’ brings forth visions of robots assembling for a deep-space mission launch.
Much like the human characters in the cartoons who piloted the Jumbo Machinder robots, on ‘Astro’, Donato takes control of mighty machines such as the EMS Synthi AKS to create sonic journeys for us all to embark on. ‘Jumbo Crack’, written on the AKS, is a soaring beatless piece built of rising bass tones and white noise that combine to conjure taking off from earth or a long journey through space. The whole collection is rounded out with ‘Ryoma (Lò Song)’, a gigantic trance anthem that could easily be the closing credits of your favourite childhood cartoon.
With ‘Astro’, Donato Dozzy pulls together threads in his life: the warp of music and synthesisers intertwining with the weft of childhood memories. A tribute to that freedom to dream, and to the sounds that, from the turntable of his childhood, led him toward alien and technological musical territories.

Revelling in adventurous, malleable synthesis and a strong melodic instinct, long-standing techno heavyweight Oscar Mulero brings his Trolley Route alias to Dekmantel. Across four rush-inducing cuts of studio exploration the Spanish veteran showcases a lighter side to his muse without sacrificing maximal dancefloor impact.

Oscar Mulero first debuted Trolley Route back in the early 00s through albums and EPs for Pure Plastic, Minuendo and others, offering a more playful strain of machine music to contrast with the steely output under his own name. Embracing dub textures and Detroit-coded synth leads, the recently-revived alias has become a haven for the looser styles that spill out of his studio. It just so happens these outliers are as crucial as any of Mulero's primary club smashers.

From the swampy chord sequence that dominates 'New Visual Order' to the meaty sub-bass and delay-soaked synth sweeps of 'Relativity Of The Vision', the whole EP is spilling over with madcap charm and a casual boss-level quality that can only come from a true legend letting their hair down.

Originally released in 2006, John Acquaviva presents Swen Weber's ‘First Stroke’ returns on Secret Weapon Records with a
brand new remix from Luca Lozano. A defining Electro House record of its era, built around its instantly recognizable synth
theme, now gets a sharp 2026 update as Lozano moves the hook onto a break-driven groove, adding playful bass movement
and a futuristic vocal touch.
The remastered original is included on the flip, preserving one of the standout club records from the mid-2000s Electro House
boom.

Ogazon inaugurates her newly founded self-titled label. Kicking things off is South Africa's Deano, who previously released on labels such as Hayes, Sungate and Symbolism to name a few. This EP presents four sharp edged yet groovy but overall very functional cuts that represent both the artist and the label very well.

How many orbits before human becomes machine? How many moons are to be found in space?

From the cockpit of 92moons, a celestial mystery broadcasting from earth, comes 'ALT/ERA : The Cockpit'. Her latest transmission forms OG03, a cosmic journey through the birth, revival and expansion of a different era...
Who better to take the controls for the remix than Human Space Machine, steering these signals deeper into the fringes of the (un)known.

GECKO - JUST CLOSE YOUr EYES is finally back on vinyl. Forst time originanny out on Delirium Records in 1998!
The re-issue is re-mastered and as bonus the record includes on the B-side a reverse cut.
Don't buy fakes - choose the original!

Veerus & Mattia Saviolo bring their A-game for the brilliant ‘Move Your Body’. The Italian compatriots aren’t new faces to Drumcode. Veerus has earned his stripes via five fantastic EP over an eight-year period, highlighted by ‘Hypnosis’, ‘System’ and ‘Cycle’. Meanwhile Mattia Saviolo is a recent debutant dropping the excellent ‘Parallel Dimension’ on A-Sides Vol.10. When Veerus suggested a collaboration to Mattia, he didn’t mince his words. “Yes, but it has to be a bomb!” Over two days the pair locked in to build an outstanding peak-time production from the ground up. “We started completely from scratch, with no ideas prepared in advance and no project exchanges before meeting. In just two days the track was finished and everything happened very naturally. We both brought our own vision into the process without stepping on each other’s toes, which made the collaboration feel effortless from start to finish,” Veerus shares. ‘Move Your Body’ has a distinct charismatic appeal not commonly found in techno tracks, highlighted by a stomping riff throughout and tension-filled break, before it turns into a pumping cut in the final stanza. A straight-up belter! Accompanying it is a captivating solo track from Mattia, ‘Mindframe’. An absolute gem, file under futuristic techno that sounds like no other.

Dame-Music celebrates its 55th release with Second State Of Reality EP, a special reissue of two acclaimed Bloody Mary tracks, “Reality One (Acid Mix)” and “Reality Three (909 Mix)”, alongside a brand new remix by techno legend Chris Liebing, one of the genre’s most influential and enduring artists.

For the A-side, Bloody Mary invited Liebing to reinterpret “Reality One (Acid Mix)”. A long-time supporter of his work, she wanted to hear her track through his distinctive sonic approach. The result is a heavy, driving techno remix, pushing the original’s acid energy into darker and harder territory.
The B-side returns to Bloody Mary’s hardware roots, with crunchy TR-909 drums, crisp highs and mind-melting 303 sequences across two raw, hypnotic cuts.

A special reissue celebrating the 55th release on Dame-Music, bringing Bloody Mary’s acclaimed hardware productions back together with a fresh Chris Liebing interpretation.

Over the last two decades, Ste Roberts has quietly established himself as one of the UK's more distinctive underground electronic producers. Drawing equally from house, techno, electro, IDM and experimental electronic music, his productions blur the line between dancefloor functionality and sonic exploration. His debut release for Cyphon Recordings continues that trajectory. Four transmissions exploring machine rhythms, synthetic environments, and fractured dancefloor architecture, where melody emerges through corrosion and groove survives mutation.

Revered worldwide for their love-fueled, technically adventurous all-vinyl b2b DJ sets, Maya Bouldry-Morrison (Octo Octa) and Eris Drew conceived Alchemical Sisters as a vehicle for creating music together. Alchemical Sisters describe themselves as "psychedelic chaos, acid rollers, and big beat, channeled through hardware instruments and animated by love, touch, rhythm, and spiritual fire." Their self-titled debut double album is forthcoming on Interdimensional Transmissions this October, just in time for Samhain XXVI. Alchemical Sisters was recorded in the forests of New Hampshire by Maya and Eris and mixed by BMG in Detroit in the Interdimensional Laboratory on high end hardware for ecstatically euphonic results. In the cold winter months, Maya and Eris emptied the master bedroom of their forest cabin and sealed it as an alchemical retort--a hermetic vessel in which a higher form could emerge. For a year they slept on the studio floor while, in white nightgowns and under the spell of mushrooms, they brought dulcimers and ancestral instruments into communion with turntables, twentieth-century machines, and new technologies. Alchemical Sisters is the substance crystallized within that vessel by their secret fire. They then brought their music to BMG in Detroit to meticulously mix their vision through hardware, in a high end studio environment. For two weeks at the height of winter, we shut out the world and focused on fusing their sonic vision within the Interdimensional Laboratory. Setting up their computer and sound card, BMG processed their tracking sessions through a high end mixing console, using transformers and tubes and the special properties of many machines to create a solid visceral sound out of a dream, to create a powerful euphonic ecstatic experience from their highly personal highly evolved music, whose sources could be both carnal and celestial. It was important to have their music connect before thought, to feel both the power and the gentleness of their sound, to have the texture and presence of their myriad influences unconsciously affect you. Watching them work together, the patience, the focus, the rigorous thought and discipline, the love, the space and the dedication afforded to each other was a genuinely inspiring thing to witness. They truly are Alchemical Sisters, and we are extremely proud to share their debut album on IT, and their debut performance at IT's Samhain XXVI. It truly is a loop point in time, a full circle moment.

After a 4 year break, Travel Light Records returns with a four track EP titled "This Is A New Life" by Madezh. Blending house, techno and minimal elements, this release delivers a colorful sound driven by lush synths, heavy basslines and vocal elements.

repressed !

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, 'Satellite', by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin's Plus8, Sven Vath's Cocoon and of course, Adam Beyer's Drumcode. In his time he has been responsible for underground hits like 'Zoe', 'Polyester' and 'Fire In My Arms', all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, 'Satellite' is Sam's first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

"An einem Samstag im Februar hatte ich eine großartige Nacht als DJ im Oval Space in London. In der Mitte meines Sets brachte ich '1-4 Doctor C'est Chouette'. Ein Fan kam zur DJ-Kanzel um mich zu fragen was ich spielte. Als ich ihm sagte, daß es einer meiner neuen Tracks sei, erwiderte er - zu meiner Überraschung - 'Da ist soviel Melancholie in dem Track, woran hast du gedacht als du ihn gemacht hast' Seine Frage traf einen tiefsitzenden Nerv: er verstand was ich gefühlt habe, als ich den Track machte - ist das nicht, worum's in der Musik geht Aber muss ich ihm wirklich die ganze Geschichte erzählen Es war weder die Zeit noch der Ort um ein tiefsinniges Gespräch anzufangen, also lächelte ich ihn einfach nur an und dankte ihm für seinen Enthusiasmus.

Es gibt Momente in unserem Leben, wenn wir ein etwas Kleines widmen sollten, an die Leute oder Orte, die uns wichtig sind. Darum geht's bei dieser Platte: ganz einfach sagen daß ich dich liebe, daß ich dich vermisse, oder mich schlichtweg bei dir bedanken."

Laurent Garnier

Discográfica 71 is a new record label which explores the borders of our beings through sound, movement and perception, a landscape full of darkness, strong and experimental shades.

The first reference of the label will be handled by Some Science, after his previous work, 'The Universe of Gödel', the duo returns to the scene with 'Shapeshifters', three-tracker EP, where they express their purest sound, a landscape full of darkness, strong and experimental shades,where they show their 'inner chaos' and their more inspirational
moments.

Los ingenieros oníricos se sirven de los artefactos para poder manipular su conciencia y diseñar mundos oníricos por los que viajar. De origen incierto, los artefactos se encuentran dispersos entre planos y han intentado ser rediseñados en nuestro mundo mediante el uso de frecuencias, convirtiéndose en elementos de estudio plenamente funcionales para el ingeniero onírico del plano físico. La correcta correlación de uso entre artefactos permite al onironauta saltar entre los diferentes estados de la experiencia para la formación de universos.

El artefacto ​Onirógeno ​es capaz de inducir al sueño. Sirve de puerta de enlace al mundo onírico y está presente en un estado de semi-consciencia. Dicho artefacto esférico, de naturaleza cromada, reproduce de manera cíclica el proceso de encendido de la máquina de sueños por un operador en un espacio ilusorio. El ingeniero sucumbe a un estado aletargado que permite el vínculo con otros artefactos al ser testigo de una de estas reproducciones.

El artefacto ​Hipnagogia ​es capaz de provocar alucinaciones visuales de intensidad creciente. Permite formar protomundos inconexos. Es un artefacto propio del plano semi-consciente. Debido a lo efímero de los protomundos formados, el ingeniero es incapaz de controlarlos y dotarlos de sentido.

El artefacto ​Efialtes ​es uno de los más inestables y volátiles. Este ente del plano semiconsciente provoca la incapacidad transitoria para realizar movimientos voluntarios durante la transición entre el sueño y la vigilia. Permite al ingeniero crear un canal al plano transitorio. Su presencia o interacción puede darse en los primeros o últimos estadíos. Está muy presente en el mundo semi-consciente y puede ser atraído por el uso de otros artefactos. Emite un zumbido muy característico cuando interacciona.

El artefacto ​Proyector,​ ​toroide derivado de Efialtes, solo presente en el plano transitorio. Crea un canal y permite al ingeniero ingresar, precediendo a la separación física, y materializar la consciencia en el nuevo plano.

Extracorpóreo ​es un derivado del artefacto Proyector, presente en el plano transitorio y con influencia en el plano físico. Permite a la conciencia materializada del ingeniero comunicarse con los impulsos básicos motrices y órdenes cerebrales del plano físico, traduciendo los diferentes protocolos implicados.

El artefacto ​Vacío ​es un espacio unidimensional que interconecta el plano transitorio con el plano onírico.

El artefacto ​Arquitecto,​ presente en el plano onírico, forma y diseña espacios acorde con las órdenes del ingeniero onírico en el caso de que el canal de comunicación sea lo suficientemente consciente. Es una pequeña recreación esférica del universo elevado a infinito en forma de fractal.

El artefacto ​Escultor,​ de hormigón y presente en el plano onírico, crea las diferentes imágenes e inteligencias que habitan el mundo onírico en construcción. Aunque puede ser controlado, a menudo actúa con un mayor libre albedrío, creando imágenes recurrentes.

El artefacto ​Programador,​ de código en cascada y presente en el plano onírico, es la inteligencia encargada de dotar a los mundos oníricos de acontecimientos.

El artefacto ​Devoramundos ​es el artefacto más inestable conocido y con mayor rango de influencia entre planos. Destruye el mundo creado como un agujero negro engulle todo a su paso.

El artefacto ​Cordón​, de plata y presente en todos los planos, sirve como nexo entre el cuerpo físico y la consciencia materializada. A menudo, debido al influjo de otro artefacto, o a la inestabilidad en el canal creado por correlación, es capaz de obligar a la regresión, clausurando el canal de comunicación. Existe un artefacto Cordón que une cada una de las conciencias proyectadas con sus correspondientes cuerpos así como del cuerpo físico. Se desconoce que ocurre en caso de fisión.

El artefacto ​Regreso,​ presente en el plano transitorio-semiconsciente permite al ingeniero recuperar la consciencia y restablecer sus signos vitales.

2025 Repress

Well there we are, we don't have to ask anybody else, we got that from the source!

2026 Repress

Kaiser and Matrixxman introducing their first "Strapped" EP collaboration. Straight, effective Techno DJ tools.

2025 Repress

The second EP of Global Pulse is brought to you by young Dutch prodigy JSPRV35. Riding a constant flow of creative energy, he originates the Kyoto EP: a solid collection of tracks that explore the full spectrum of pure and unpolluted Techno. On this record, Jasper brings it back to the essentials by mixing a minimalistic sound selection with a fast-forwarding rhythm palette, making The Kyoto EP an essential contemporary masterpiece!

Originally released in 2001 under a wrong name due to a pressing plant mix up. Expanded reissue made possible due to Skee Mask's accurate digging.

Schwefelgelb show their diversity in an impressive manner. A vibrant record with a very positive
aura, which makes you want to dance with a smile. Minimalistic and clearly arranged, showing each
element's full potential. Unfolding dance music's power with no distraction.

"Ay" is all about its irresistible groove, which is smooth but yet punchy. A compelling opener which
reminds Leftfield House.

"Randseiter" is an intriguing Techno track balancing stomping EBM rhythm and playful syncopic
melody patterns.

With "Sie Lacht" we turn to a cheerful and uplifting combination of subtle Jungle rhythms, prominent
bass and quirky lead, undoubtedly referencing UK Bass music.

If you're out for some rumble you'll find it in JANEIN's remix of "Ay". Despite its Industrial darkness
it's not too shy to implement melodic parts. A haunting mix of pumping kick and funky stab
sequences.
There isn't really a box for Danny Daze's remix of "Sie Lacht". This digital bonus track is full of
creative surprises.

"Marginale" will be released 5th of September on n-PLEX, 140 g colored vinyl including download
code.

An archive. A dossier. A joint job between Tar Hallow and System Revival Recordings. Sitting in a folder named: "Nouveau dossier contenant des elements." They were waiting to be pushed into the light. UVB in his early years being rough. You hear the man figuring the nights out by burning through the machines.

Thama Series returns with its fourth release, Ikigai, the new EP by Vladw. Four tracks that balance power and clarity within a deep narrative, where LFO-driven synthesizers and intense breakdowns shape a functional and atmospheric journey.

Each piece stands out for its clean structure and a contained energy that unfolds with precision throughout the sonic progression.

The EP is completed by a remix from Orbe, who reinterprets one of the cuts with his distinctive approach, delivering a strong and impactful result.

Este nuevo lanzamiento de BAOX marca una pauta que creemos fundamental: continuar luchando
para comunicar nuestras ideas.

En un mundo tan saturado de propuestas genéricas, copias y grandes corporaciones, tanto privadas como gubernamentales, llenando el cyber-espacio y lo tangible con propaganda y silenciando ciertos temas actuales y queriendo controlar nuestra información, nos refugiamos en la música para intentar movernos sigilosos pero efectivos.

Todos sabemos el reto de seguir lanzando música en formatos físicos, tanto de producción como
económicos, pero esperamos que los sellos y artistas independientes no se den por vencidos y
sepan que no están solos, muchos seguimos intentando conservar esta cultura tan pura del disco,
desde las fábricas, las tiendas, distribuidores, los ingenieros de audio, los artistas e incluso
nuestras familias y amigos que nos apoyan.

El dúo NX1 colabora con Sunil Sharpe, Oxygeno, Rommek y Unhuman en cuatro tracks para la octava referencia de su propio sello.

Nexe Records marks its return by reconnecting with the core idea that first defined its identity — being a true nexus between artists, techno lovers, and the label’s vision. NX1 leads this new chapter with Core VA I, a project built around four collaborations with producers who share the same commitment to authenticity and forward motion in techno. This first volume sets the tone for what’s to come, creating a dialogue between distinct voices while preserving a unified aesthetic.

Opening the record, NX1 and Oxygeno pay tribute to loopy, hypnotic, and driving techno — groovy yet serious, perfectly crafted for deep and focused dance floors. Following up, the collaboration with Rommek delivers an intense, bleepy, and atmospheric track, infused with subtle sci-fi undertones and tension-filled layers that evolve naturally.

On the flip, NX1 and Unhuman explore a more classic but forward-looking take on techno. Clean percussion, dynamic progression, and precise energy shifts give the track a refined sense of movement, balancing power and clarity. Finally, Sunil Sharpe joins to close the release with a bold and energetic piece that captures the raw essence of the club — rhythmic, metallic, and charged with movement.

Overall, Core VA I stands as a statement of Nexe Records’ renewed identity: connecting artists through a shared vision of pure, functional, and evolving techno. Each collaboration offers a different voice, yet all converge in the same pulse that defines NX1’s sound and philosophy.

Berlin's Scheermann debuts on Mutual Rytm with deeply personal EP, 'Viciosa'.

Scheermann is at the heart of the Berlin underground as a DJ/producer, but also working behind the scenes at the Intakt Berlin vinyl pressing plant, where he first met Mutual Rytm founder SHDW. As a resident of the Lorem Ipsum party series, he delivers cultured and compelling grooves, and is also an active member of the Wesertekk collective - supporting and pushing club culture to the forefront in more rural areas. His music comes from a deeply personal place, never chasing hype or headlines, and is usually found at home on his own imprint, SAMMLER. This new EP marks his first appearance away from the label as he unveils a collection of records crafted over five years, with each track representing different moments in his life.

'Viciosa' kicks off with paranoid vocals panning about as swinging, warehouse-ready drums pound heavily below. The gritty synth craft adds plenty of texture as filters build the vibe. 'Placid Sin' is even more intense with unresolved synths tripping you in a loopy state while coarse percussion and cantering drums march on. 'Don't Care' is a rave-ready cut that injects your soul with urgent synth energy over more minimal and moody drums. 'Kano' brings a more elastic rhythm with dubby undercurrents and sleek sonar pulses infusing it with mystery, while 'Reika' is a nimble cut with icy hi hats and curious synth notes layering in late night suspense. First digital bonus 'Resoclap' is a heavyweight swinger with dark, groaning voices, before the second digital bonus 'Mizu' provides a speedy and supple workout for body and mind.

Scheermann 'Viciosa' lands on Mutual Rytm on 22nd August 2025.

Dissident Music presents TANGLED (DSMV001), a five-track Various Artists release exploring the meeting point between hypnotic techno and the raw physicality of contemporary Spanish techno.

Featuring contributions from RNGD, Joton, Sarf, DCM and Elias the Prophet, the record moves through sustained tension, organic texture sand direct-driven grooves while maintaining a refined and balanced identity throughout.

Rather than seeking contrast for its own sake, TANGLED finds coherence through friction itself: different sonic sensibilities intertwining into a shared language. The result is a living and intense record, designed equally for powerful sound systems and darkerclub environments as for more intimate listening spaces where detail reveals another layer of the experience.

The visual dimension reinforces the same sense of organicity.

The cover artwork originates from an original painting by Alejandro Alcántara, later digitalized and reworked by Jose M. Castro, creating a consistent dialogue between image and sound.

As the label’s first vinyl release, TANGLED reaffirms Dissident Music’svision: an independent cultural platform focused on sophisticated, honest and uncompromising techno.

Mastering by Paul Mac at Hardgroove Mastering

After three years without releasing in their own platform, NX1 returns to full control with a new chapter in Nexe Records catalog. This Deprogramation EP not only marks their first EP on the label in that period, but also reaffirms their language through a more refined sound: direct, mental, and designed to alter perception on the dancefloor.

Luke Lund is a self-taught producer and sound artist from Finland. Over the past eighteen years, his work has absorbed influences ranging from the darkest fringes of club culture and the most caustic strains of industrial noise, to the subtlety of musique concrète and the rawness of rock.

It all started when he discovered that abstract sound design could stand as music in its own right, a revelation that ignited his enduring commitment to noise, sound art, dub techniques, and experimentation.

“Peel the Scab” emerges from this premise as a visceral and frenetic immersion into his “lo tech” facet, a term the artist himself employs to define the album’s style.

Allergic to programming, these are pure dub-blooded sessions pushed straight to tape, twisted until they yield under their own weight. It is a work constructed upon dense, disjointed rhythms: brutalist grime infused with a suffocating mutation of dub.

Kätte returns with their second vinyl release with 4 industrial bangers. The project runned by C-System, Nöle and NX1 joins forces to provide a highly intense musical journey.

Mastering by Paul Mac

Grey Echo Recordings launches with its debut release, a four-track EP that lays the foundation for the label’s sonic identity. Crafted by AeFe, the record delivers four distinct interpretations of groove-driven techno, each with its own character while remaining connected through a shared vision of hypnotic rhythms, timeless energy, and old-school influence.

From deep and immersive journeys to more driving and peak-time-focused cuts, the EP explores different shades of techno while maintaining a strong focus on movement and functionality. Hypnotic sequences, rolling percussion, powerful low-end grooves, and subtle atmospheric details combine to create tracks designed for both demanding dancefloors and dedicated listeners alike.

As the first release on Grey Echo Recordings, this EP serves as a statement of intent: authentic, uncompromising techno inspired by the genre’s roots while looking firmly toward the future.

Available on limited edition vinyl.

2026 Repress

MARS004V brings together Robert Cosmic and the Galician duo Slit Observers in a four-track split EP where hard-hitting electro meets cinematic atmospheres, raw basslines and a strong sense of identity. A vinyl release that reinforces Mars Frequency’s vision while showcasing the creative strength of Spain’s contemporary electro scene.