Mad Not Mad is the sixth studio album by Madness. Originally released in September 1985, it marked a departure from the band’s original line-up, with keyboard player Mike Barson taking a break from the group after an astonishingly successful run of five hit albums in as many years.
Style-wise Mad Not Mad presented a more polished side of Madness and contains some of their most sophisticated and political song-writing. The first single, ‘Yesterday’s Men’ finds the band in a smooth, reflective mood, dealing with the dispossessed characters in and around Camden Town, and ’Sweetest Girl’ is a cover of the iconic Scritti Politti track, while ‘Uncle Sam’ is a classic Madness romp relayed through the narrative of a soldier’s experiences during World War II.
Within a few weeks of its initial release, NME listed ‘Mad Not Mad’ at number 55 on their list of the “100 Best Albums Of All Time” and it remains in its 2015 list of the “50 Best Albums Released in 1985”.
This LP reissue is pressed on 180g black vinyl and features brand new liner notes by Chrissy Boy, Chas Smash, Woody and Lee Thompson.
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- A1: Ferdinand Prairie - Old Lady
- A2: Ferdinand Prairie - Bindingsmetal Binds
- A3: Ferdinand Prairie - Asphalte I (Locked Groove)
- A4: Ferdinand Prairie - Asphalte Ii (Locked Groove)
- B1: Hector Mad - Dance Of Resonant Planets
- B2: Hector Mad - Detroit Space Shuttle
- B3: Hector Mad - Ngc 4535 (Locked Groove)
- B4: Hector Mad - Asteroid Rain (Locked Groove)
Matterwave Records presents its faith EP with a combination between new and mature blood of producers to edit "ALLIANCE" release. Specific collaboration series. Ferdinand Prairie and Hector Mad, one side for each one where they express an electronic language balancing minimal techno
forms.
Four original tracks + Locked grooves, high quality limited 12" with a full colour sleeve. 200 copies
Soopasoul is an enigmatic producer, who's purist approach to jazz, funk and soul music has resonated with DJs, break-dancers, music connoisseurs, critics and casual listeners alike. Since furthering his legacy by creating a hugely successful edits series, Soopasoul returns with some more original cuts in the shape of 'A Wild Mad Beat' and 'Swing Down'.
'A Mad Wild Beat' does exactly what it says on tin. Kicking things off with a tough break that knocks so delightfully hard, this energetic vibe moves swiftly into a lead sax being given the freedom front and centre to flow over tight horn stabs, guitar licks, percussion and a monster of a bassline.
But it doesn't stop there. 'Swing Down' switches things up on the flip, with it's up-tempo feel-good rare groove. The band are in full swing here, deftly providing the playful call-and-response to the sexy call-to-action found in the lyrics, all skilfully delivered with the intention to get the dancefloor into the right mood to party all night long.
- A1: You're All Gonna Die
- A2: The Blame
- A3: Come On Palestians
- A4: Apartheit Ain't No History
- A5: What About The Children
- A6: Tommy 17
- A7: City Troops
- A8: The Blame
- A9: Work Together
- B1: You're All Gonna Die
- B2: Com'on Palestians
- B3: Walking In The Streets
- B4: Time For Action
- B5: Apartheid Is No History
- B6: Tommy 17
- B7: What About The Children
- B8: Racist In Business Suits (Encore)
Numa Recordings is back again with a heavyweight release for all the grime heads out there: Badman Ting is a proper roadman anthem featuring Killa P, Irah, Long Range (aka Killa’s Army) and XL Mad (member of Numa Crew).
The original version sees the four MCs riding a heavy drill riddim with an unparalleled mix of dancehall and grime vocal styles. The riddim, produced by XL Mad himself, is minimal and impactful, combining spooky melodies with distorted 808 bass. All these elements make the whole thing.. a ‘Badman Ting!’
- A1: Intro
- A2: Politicanti
- A3: Faccia A Faccia
- A4: Anarchia & Libertà
- A5: Solo Un Cuore
- A6: Camallo
- A7: La Ragazza Dalla T-Shirt Degli Angelic Upstarts
- A8: Un Altro Ribelle À Morto
- B1: Welcome To Genova
- B2: Gioventù Che Brucia
- B3: Ci Incontreremo Ancora Un Giorno
- B4: I Ragazzi Sono Innocenti
- B5: Stesso Sangue
- B6: Oi! Fatti Una Risata
- B7: Uniti Si Vince
- A1: Alternative Ulster
- A2: Roots Radicals Rockers And Reggae
- A3: Silver Lining
- A4: Wait And See
- B1: Gotta Gettaway
- B2: Just Fade Away
- B3: Wasted Life
- B4: The Only One
- B5: Nobody's Heroes
- C1: At The Edge
- C2: Listen
- C3: Barbed Wire Love
- C4: Fly The Flag
- C5: Tin Soldiers
- D1: No Sleep Til Belfast
- D2: Suspect Device
- D3: Johnny Was
Luigi Madonna returns for his first Drumcode EP in five years, teaming up with fellow Neapolitan and label favourite Robert Capuano.
We got our last taste of the creative synergy that marks Luigi Madonna and Robert Capuano’s friendship when the pair dropped ‘Limitless’ in 2017, a brilliant addition to A-Sides Vol.6. Prior to that Luigi hadn’t dropped a cut on DC since 2015’s hook-driven ‘Magic Land’, while Capuano stands as one of the label’s most infallible contributors, last year’s ‘The Walker’ EP was typically impressive.
Crafted between two studios in a pre-COVID-19 world, the three-track conceptual EP opens with ‘Mad World’, as masterfully layered industrial hits and rides depict it’s narrative, while a pulsating melodic lead ensures heavy impact. ‘System Alert’ is inspired by the destructive effects of climate change and the track’s composition mirrors this malaise, as a pitch-bending synth elicits rhythmic chaos alongside Luigi and Robert’s deft drum work. ‘Headquarter’ is steeped in drama and cinematic charm, backed by a distorted vocal sample, stormy oscillating synths and a sharp percussive backdrop.
Rare Brazilian spiritual jazz. Reissue for the first time worldwide from the original master tapes. Legendary sessions produced by Amado Maita. Deluxe Numbered Limited Edition with OBI and thick cover. Recorded Live at S. Paulo in 1982 it was originally issued on Amado Maita’s small indie label in the 80's called Poitou.
Featuring one of the best Brazilian Sax Players, the legendary Nestico and his sister composer, piano player Lilu. Nestico joined several Jazz ensembles in São Paulo, having participated in 1977 in the first Jazz festival held at the Municipal Theater, alongside the musicians Samuel (piano), Nilson (bass) and Caram (drums).
He performed several times in São Paulo with Syncro Jazz group. In 1982 released with the ensemble the LP “Syncro Jazz - Live”, along with the musicians Lilu Aguiar (piano), Peter Wooley (bass), Vidal (sax and flute), Dagmar (trumpet) and Ronny Machado ( drums).
In the repertoire, the songs “Pro César”, dedicated to pianist César Camargo Mariano, “Winter know” and “Black Cock”, all by Lilu Aguiar, “For Guzi” (Peter Wooley), “Cruzan” (M. Santamaria) and Revelation (S. Fortune). The LP contains amazing Fender Rhodes solos in a Heavy Modal Spiritual and Bossa Jazz a la Strata-East & Black Jazz Records.
Berlin based duo Evvol will release their second album 'The Power' on their own imprint Mad Dog & Love via the !K7 Collective. A meditation on love, the intimate and personal offering is a product of turning their thoughts inward after time spent considering the state of the world and politics over the last year. "It's about all relationships, including but not limited to our own", they explain, "and It details the intimate powers that bind us together."
The B-Boy EP presents 4 diverse tracks, from the haunting set opener sounds of ‘Mind Control’ to the ‘Old Skool’ inspired ‘B-Boy’ Madcap goes deeper with a Jungle twist on ‘Bleep Track’ & finishes off with experimental Egyptian vibes on ‘Badlands’
All tracks bring together rolling breakbeats, low frequency sub b-lines & vocal samples.
Support from LTJ Bukem, Digital, Storm, Foul Play, FBD Project & Stretch.




















