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Kennedy Mann, indie singer-songwriter and lead singer of dream-pop band Highnoon, is a rising artist from the Philly DIY scene, in which she has become memorable for her poignant lyricism, tender vocals, and sharp melodic skill. Combining the analog sounds of dream pop, indie folk, and slowcore, Kennedy Mann's compositions strike you in the heart and linger like a bittersweet memory. Kennedy's journey as a songwriter began with the debut of Highnoon's first album Semi Sweet, a project consisting of self-written pop-rock tunes. As Kennedy continued to write, she quickly gathered a collection of demos that felt too intimate and singular for the traditional rock band format - a world of music she kept to herself like a secret. Kennedy finally launched her solo project in 2023 as a way to bring some of her most personal musical ideas to life. A prolific songwriter and creative force, she began performing her original acoustic demos on TikTok, quickly building a small devoted following around her vocals and songwriting. Through TikTok, Kennedy began to build her own music community, befriending fellow songwriters Kai Warrior, Tofusmell, and Leith Ross along the way. In recent months, Kennedy Mann embarked on the European leg of Leith Ross' first headline tour, allowing her the opportunity to bring her idiosyncratic talents to the world stage. In July of 2023, she released her debut solo single ?Crooked," a charming Kimya Dawson-inspired slowcore track that finds Kennedy pining over her partner's ?ugliest? and most undesirable traits.
Mesmeric, confessional alt-folk with hints of americana - weaving beautiful stories with deep and poignant lyricism and relatable storytelling, creating a sense of familiarity even in the ambiguous, leaving no choice but to feel everything with her. Mann’s debut album,
- Clara Mann’s evocative debut album Rift navigates the fractured environment of the in-between—those liminal spaces exposed between light and dark, growth and remorse, loss and reclamation. It is a record that makes a strong case for hope, those luminescent silver linings in the dark. With Rift, Clara Mann acknowledges the cracks through which both despair and hope can seep. It is a deeply personal record, yet it is universally resonant, holding the mirror up to herself and to the world around her. It is a record that reflects on embracing our fault lines, navigating the ruptures that can erupt from them and moving forwards, in motion, with a renewed sense of self and aliveness. Mann’s debut album, Rift is all of her—her past, her present, her emotions, her experiences—and now, it is for you.
- Influenced by artists like Jacques Brel, Edith Piaf, Judee Sill, and Tom Waits, Mann has a deep love and care for songwriting
- The album was primarily recorded at the 4AD Studios in London, produced and mixed by Fabian Prynn (Martha Skye Murphy, Ex:Re, Fabiana Palladino) who carefully facilitated an imaginative space for Mann to express the playful, strange and real parts of herself
- She has previously toured and collaborated with the likes of Daniel Rossen (Grizzly Bear), Billie Marten, Skullcrusher, Bill Ryder-Jones, Youth Lagoon and Willie J Healey
- 1: At The End Of The Day
- 2: Say It Back
- 3: Dazed & Confused
- 4: Tell Me That I'm Wrong
- 5: See You Later
- 6: Worst Person Alive
- 7: Just Because
- 8: Only So Far Away
- 9: Meet Cute
- 10: Everything I'm Not
- 11: Common Sense
- 12: Autopilot
- 13: All That Was Said
- 14: Girls
Matilda Mann’s debut album, Roxwell, is a heartfelt exploration of love, vulnerability, and nostalgia. Named after the street of her childhood home, the album reflects Mann’s sentimental connection to her formative years in West London, where she grew up as an only child. Her introspective lyrics and delicate vocals navigate the highs and lows of relationships, from infatuation to heartbreak.
“This is my debut album. Every song feels like a part of me, and I’m so, so excited that it’s finally coming out. It explores various types of love, the experience of growing up and reflecting on the past, the struggle of not being able to give someone your all, getting stuck in the past, and accepting what you can’t change.”
Die 60er Jahre waren mit Sicherheit eine erfolgreiche Phase der Manfred Mann's Earth Band. Hits wie „Mighty Quinn", „Do Wah Diddy Diddy", „5-4-3-2-1", „Sha La La" und „Fox on the Run" u.a. sind auf dieser erfolgsversprechenden Compilation enthalten. Außerdem verfügt es über sehr unterhaltsame und informative Linernotes von Manfred Mann, Tom McGuinness und Mike Huƽ, die darin den kreativen Prozess der Aufnahmen, sowie die Hot-House-Atmosphäre und das unerbittliche Treiben der Pop-Maschine der 1960er Jahre beschreiben.
Der mittlerweile 82-jährige Südafrikaner führt seine 1971 gegründete Band noch heute live an, und zum Anlass des bevorstehenden 2000sten Live-Konzert der Band erscheint diese (für Deutschland exklusiv konzipierte) Zusammenstellung von 9 erstklassigen Liveaufnahmen. Inkl. „Spirits In The Night", „Demolition Man", „You Angel You", „For You" und natürlich „Blinded By The Light". Mit dieser (auf der LP nummerierten) Veröffentlichung, bedankt sich Manfred bei seiner loyalen deutschen Fangemeinde!
'In Thy Domain' is a concept album and audio-visual work by British artist Fred Mann. The 12-track, double-vinyl album is a cinematic voyage tracking the evolution of mankind, key themes of human advancement, technology, life after AI, and beyond.
The album traverses multiple genres - including ambient, electronica, broken-beat techno, and experimental drone - to create an immersive musical experience that mirrors the dynamism of human evolution.
The work aligns with the latest scientific knowledge, drawing inspiration from the tipping points of human civilization and the defining timelines that have shaped our species. The music is complemented by a series of artworks and scrapbook images, visible in the vinyl gatefold, which symbolize each track and its corresponding era.
Many of the tracks feature additional production, synthesizers, flute and clarinet by Chris Taylor (Grizzly Bear / Warp), and additional production and drum programming by Inland (Ed Davenport / Counterchange).
Fred Mann premiered ‘In Thy Domain’ live in Prague, October 2019, alongside Alessandro Cortini for Dietl Archive x Polygon.
The album version comes presented on heavyweight double vinyl in a gatefold sleeve designed by the artist himself.
Of all the things that can and should and will be said of Sam Wilkes’ & Jacob Mann’s Perform the Compositions of Sam Wilkes & Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.
Since their meeting as USC music students (Wilkes studied bass, and Mann, jazz/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.
Across its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.
Die erste Best Of der Band auf Vinyl!
19 essentielle MMEB-Tracks auf 2 schwarzen 180g Vinyls im schönen Gatefold. Die Sleeves enthalten Infos zu jedem Track, während im Gatefold ein 8- seitiges, eingeheftetes FarbBooklet mit zahlreichen Fotos aufwartet.
Die besten Single- und Albumtracks, inkl. ‘Davy’s On The Road Again‘, ‘Blinded By The Light‘, ‘You Angel You‘, ‘Don’t Kill It Carol‘, ‘For You‘,
‘Joybringer’, ‘Demolition Man’ u.a.
New album by Aimee Mann. Aimee Mann returns with new album Queens Of The Summer Hotel out November 5th. This LP has 15 songs inspired by the book " Girl Interrupted" written by Susannah Kaysen













