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* The long awaited follow-up to `Dub from the Heart Part 2’ which was released 26 years ago.
Good things come to those who wait.
* A modern venture into raw dub-wise territory with weighty sub bass-lines built for sound system and annoying the neighbours.
* Featuring the voices of Ranking Joe, Jah Mason, Hughie Izachaar and Martin Luther King Jr.

Debut of Maurizio Martinucci's (aka TeZ) pseudonym SARMUNG on the newly born Amsterdam-based, Orizzonti Paralleli record label.

"TeZ is an Italian interdisciplinary artist and independent researcher living and working in Amsterdam. He uses technology as a means with which to explore perceptual effects and the relationship between sound, light and space. Since 2010 he has been a permanent member of Adi Newton’s seminal british band Clock DVA and a regular contributor of Antigroup.

Under the SARMUNG name he is now exploring the subtle atmospheric intersections between ambient, IDM, acid and minimalist Sound. For this project TeZ has been inspired by the mythological Persian collective Sarmung whose music was meant to accompany secret sacred dance."

Comes with full picture cover and insert!

The 25th anniversary re-issue of the #1, multi-platinum album Ricky Martin - featuring the worldwide hit “Livin’ La Vida Loca”. The album debuted at #1 on the US Billboard 200 with first week sales of 661k copies. It made Ricky Martin the first male Latin artist in history to debut at Number One on the Billboard 200. The lead single “Livin’ La Vida Loca” topped the charts in more than 20 countries. It topped the Billboard Hot 100 chart for five consecutive weeks, becoming Ricky’s first #1 single on the chart. A x14 trk double Black LP Vinyl.

The 25th anniversary re-issue of the #1, multi-platinum album Ricky Martin - featuring the worldwide hit “Livin’ La Vida Loca”. The album debuted at #1 on the US Billboard 200 with first week sales of 661k copies. It made Ricky Martin the first male Latin artist in history to debut at Number One on the Billboard 200. The lead single “Livin’ La Vida Loca” topped the charts in more than 20 countries. It topped the Billboard Hot 100 chart for five consecutive weeks, becoming Ricky’s first #1 single on the chart. A x14 trk double Black LP Vinyl.

China Forbes, the beloved lead singer of the globe-trotting “little orchestra” Pink Martini, releases her first solo album in 15 years, with 11 all-new original songs. Forbes has toured the globe for over 25 years with Pink Martini, performing on the world’s most prestigious stages, including the Hollywood Bowl, Royal Albert Hall and Carnegie Hall. Her new album finds her returning to her singer-songwriter roots, sharing a journey of autobiographical songs. Forbes received the 2022 Ella Fitzgerald Award at the Montreal Jazz Festival. Previous winners include Diana Ross, Etta James, and Aretha Franklin. The Road is about figuring out,learning to accept, struggles and triumphs, lessons learned and knowing oneself. Promo: Feature in R2. Interviews on 7 BBC stations. Reviews in The Times, Telegraph, Guardian, Mojo, R2. Ads R2, Mojo

Freedom is deeply rooted in the working-class rock of the 70's and 80's, giving us a sound like no other. With meaningful lyrics, power chords and mighty choruses, they're inevitably creating a soundtrack to the journey of life itself. Nicke Andersson once described Freedom as a "bargain basement Springsteen" - a band making music meant to follow you through thick and thin, far into those never-ending summer nights.
Since Freedom first started in 2019, they've established themselves as an amazing live act, filling clubs throughout Sweden with both energy and audience. In 2022 they were honorably chosen to play at the official release party of The Helicopters at the notorious Hamburger Börs in Stockholm.

The band recently added two new members to the crew: Ola Göransson (Heavy Feather, Stacie Collins) and Matte Gustafsson (In Solitude, Siena Root, Heavy Feather). Their combined experience of heavy roots-rock and sense of stage presence, makes Freedom one of Swedens strongest live bands - guaranteed.
Their self-titled debut album from 2021 became a great topic of conversation, leaving a permanent mark in the rock-world of Sweden. Finally, it's time for the awaited second album to be released - once again produced by Martin "Konie" Ehrencrona (Viagra Boys, Håkan Hellström and Les Big Byrd).

Armageddon Patronage verkörpert den immensen Antrieb einer Band, die auf Hochtouren läuft und ihre ganz eigene Mischung aus extremem Metal verfeinert. Nach einer Reihe von intensiven Festivalauftritten ist der Name Strychnos nun in aller Munde. Angetrieben von diesem enormen Schwung hat die Band unermüdlich gearbeitet, um Armageddon Patronage weniger als zwei Jahre nach ihrem Debüt aufzunehmen und zu veröffentlichen.
"Diese Veröffentlichung stellt eine natürliche Fortsetzung dessen dar, was A Mother's Curse begonnen haben", meint Bassist/Sänger Martin Leth Andersen. "Die Band versucht, die Schlüsselelemente des Debüts zu verfeinern und weiter voranzutreiben - sowohl in Bezug auf die Aggressivität als auch auf die atmosphärischeren Teile. Dieser Nachfolger zeigt auch eine Reihe neuer Details wie alternative Instrumentierung, Gesangsvariationen, Intros, Outros und ein paar bemerkenswerte Gastauftritte."
Es ist selten, dass sich eine Band mit jeder neuen Veröffentlichung so exponentiell verbessert. Verpasse Strychnos nicht... denn man weiß nie, wie lange der Untergrund sie noch halten kann!
Armageddon Patronage wurde von Lasse Ballade in den Kopenhagener Ballade Studios aufgenommen und gemischt und von keinem Geringeren als Necromorbus' berüchtigtem Tore Stjerna gemastert.

Unrelentingly grim and gruesome death metal that fractures the speed of sound. Continuing to morph both stylistically and conceptually, mangling and overwhelming all they encounter.

The Flying Dagger is Cressida's first release on Shaw Cuts, which deals with themes of greed, revenge, honor, chivalry and the internal struggle between good and evil that exists within all of us.
Yu Ying happens upon the scene of an atrocity and double murder. She outrageously kills the perpetrator, who is the son of the infamous Green Dragon Clan boss Jiao Lei. The broken rhythm and heavy hitting drums of "Cat's Claw" shine a light on the shocking act of violence.
Upon learning the surprising news, Jiao Lei proclaims war on her and attacks Yu Yingo's father Yu Yuan who manages to escape with his children although he gets severely injured. The pounding drums of "Radiate" and its thrilling ambiance boosts up the families energy and keeps everybody safe.
The pursuit is on and Jian Lei is hell-bent on killing them all, preferentially with his throwing knifes. However, he is thwarted in his plans by the emergence of the mysterious stranger Yang Qing whose ability to throw projectiles rivals that of Jiao Lei.

"Medusa" and its percussive lunacy paired with unexpected groove twists guide our hero through times of many tough challenges and evil encounters.
Chief Jiao tries to tempt Yang Qing with money to join his Green Dragon Clan, but our hero cannot be bought. With the help of the furious "Do I Stay" and its steamroll drum pattern, pushing bassline and raw atmosphere, he comes to the rescue of several victims of the Green Dragon Clan instead.
Yang Qing uses his martial proficiency to fight on the side of society, but is he strong enough for the rousing finale? The bass-heavy vibe of "Let the Devil In" and its swirling vocal cuts blended with funky breaks and warm pads, send out one more energy before everything is heated up to the max. Step further!

This record invites you on an extraordinary journey, in the form of a spatio-temporal and transgenerational sound collage, into the parallel and singular universe of one of the major counter-culture movements of the 1960s fantastic realism. A cross between thematic compilation and sound creation, it offers a selection of rarities and nuggets with psychedelic and esoteric tonesby groups from the late 60's - early 70's French psychedelic scene, such as Haira, Guy Skornnik and Martin Circus, as well as previously unreleased tracks by major current and emerging bands such as The Limiñanas, Zombie Zombie featuring Pacôme Thiellement, The Penelopes or Terrains vagues, Rubin et le paradoxe featuring Brigitte Fontaine, Tuxedomoon or Exotourisme (Perez and Dominique Gonzalez Foerster). These tracks were created especially for the occasion. All mixed and interspersed with audio archives by Jacques Bergier, Louis Pauwels or Eugène Canseliet and sounds from installations designed by visual artists (Veronique Belland, Alexis Chapelain). At once cutting-edge and accessible to the uninitiated, between fantasy and science fiction, esotericism and occultism, popular culture and contemporary art, avant-garde and pop music, this disc offers a poetic ode to the Strange, to curiosity, to the capacity for wonder and the desire for knowledge, with a view to re-enchanting reality. Conceived by Jean-François Sanz (author, director and curator) and Hermione Volt (visual artist), in collaboration with Laurent Paulré (founder of the Contours label and producer at Radio France), and with the complicity of Céline Du Chéné (author and journalist), this album, an atypical sound object, is the musical extension of the eponymous group exhibition UN AUTRE MONDE ///DANS NOTRE MONDE, which opened at Galerie du Jour in Paris.

Sam's Place ist das erste Studioalbum der amerikanischen Blues/Rock/Country/Funk Band seit 12 Jahren und gleichzeitig eine Hommage von Little Feat an den Blues mit dem Schlagzeuger Sam Clayton als Leadsänger im Mittelpunkt. Es ist auch ihr erstes Studioalbum mit Scott Sharrard an der Gitarre und Tony Leone am Schlagzeug sowie den langjährigen Mitgliedern Bill Payne an den Tasten, Kenny Gradney am Bass und Fred Tackett an der Gitarre. Das Album wurde in Memphis, TN im Sam's Phillips Studio aufgenommen und von Little Feat und Charles A. Martinez produziert. Das neue Werk strotzt nur so vor Energie und beinhaltet musikalische Einflüsse vieler verschiedener Künstler wie Muddy Waters, Willie Dixon, Sam Clayton, Fred Tackett oder Bonnie Raitt die als Gast-Sängering mit von der Partie ist. Little Feat wurde 1969 in Los Angeles von Lowell George gegründet und löste sich nach dessen Tod 1979 auf. 1988 fanden sich die verbliebenen Musiker wieder zusammen und und veröffentlichten seit dem eine respektable Anzahl hochkarätiger Alben, die ihnen auch n Deutschland, Österreich und in der Schweiz Verkäufe in 6-stelliger Höhe bescherten. Nach "Rooster Rag" 2012 geht es jetzt mit Vollgas Richtung "Sam's Place" um mit Little Feat eine große Blues-Party zu feiern.

Produced by is an EP featuring original songs created by Adrian Younge featuring talented artists Black Thought, Estelle, Gallant, Georgia Anne Muldrow and Terrace Martin. From Younge's perspective, each of these songs collectively celebrate the spectrum of black music and were intentionally created for Black History Month. Recorded and mixed by Adrian Younge at Linear Labs, the preeminent analog studio of Los Angeles, CA.

Armageddon Patronage verkörpert den immensen Antrieb einer Band, die auf Hochtouren läuft und ihre ganz eigene Mischung aus extremem Metal verfeinert. Nach einer Reihe von intensiven Festivalauftritten ist der Name Strychnos nun in aller Munde. Angetrieben von diesem enormen Schwung hat die Band unermüdlich gearbeitet, um Armageddon Patronage weniger als zwei Jahre nach ihrem Debüt aufzunehmen und zu veröffentlichen.
"Diese Veröffentlichung stellt eine natürliche Fortsetzung dessen dar, was A Mother's Curse begonnen haben", meint Bassist/Sänger Martin Leth Andersen. "Die Band versucht, die Schlüsselelemente des Debüts zu verfeinern und weiter voranzutreiben - sowohl in Bezug auf die Aggressivität als auch auf die atmosphärischeren Teile. Dieser Nachfolger zeigt auch eine Reihe neuer Details wie alternative Instrumentierung, Gesangsvariationen, Intros, Outros und ein paar bemerkenswerte Gastauftritte."
Es ist selten, dass sich eine Band mit jeder neuen Veröffentlichung so exponentiell verbessert. Verpasse Strychnos nicht... denn man weiß nie, wie lange der Untergrund sie noch halten kann!
Armageddon Patronage wurde von Lasse Ballade in den Kopenhagener Ballade Studios aufgenommen und gemischt und von keinem Geringeren als Necromorbus' berüchtigtem Tore Stjerna gemastert.

The prolific and versatile Ian Martin arrives on Shipwrec with four tracks that make up Future Dawn. Cosmic Garden opens. A piece that blurs genre lines; soft synth-lines are coupled with ruffled rhythms that immerse the listener in gentle orchestral ebbs and flows. Sounds of isolation introduce Future Dawn, modulations reaching over an ever-widening expanse before strings descend. Drums arrive late in this atmospheric journey, one that pulses with a primal energy while conjuring vivid images. The ominously titled Dead Calm opens the flip. Soundtracks have always been an inspiration for Martin and the scores of the silver screen are at the forefront of this work. Brittle beat patterns are the bedrock on which melodies whirl - a bitter acid bass bubbling as tension builds to paranoic peaks. Darker skies loom with the marine chop of Phantom Machine finishing. A flotsam and jetsam of hi hats swirl in the liquid undulations of distorted bass and aquatic echoes, rougher rusted rhythms providing ballast to the eddies and maelstrom of Martin's machines.

FOR FANS OF: Suicidal Tendencies, Metallica, Exodus, Testament, Vio-lence, Forbidden, Power Trip, Cro-Mags
Im Gegensatz zu den Legionen, die versuchen, den Crossover für die heutige Zeit neu zu erfinden, orientiert sich Take Offense to am Sound und der Attitüde ihrer kalifornischen Vorbilder - Bands wie Cryptic Slaughter, EXCEL und Suicidal Tendencies, die sich ebenfalls stark an die Skate-Ästhetik anlehnten, aber den Sunset Strip und die angrenzenden Gitarrengötter wie George Lynch, Warren Di Martini und Eddie Van Halen verehrten.

T.O.tality ist ein Liebesbrief an diese Szene und diese Zeiten, vorgetragen in Form einer Armada von vierzehn mit Nitro bestückten gepanzerten Fahrzeugen, die die Barrikaden der Genre-Konventionen sprengen und den Clip mit frischen Ideen füllen. Es ist eine Hommage an lokale Helden mit vertrauten Ansätzen, die ganz und gar und zweifellos Take Offense sind. "Es gibt Sounds und Klänge, die mich stark beeinflusst haben, und ein Teil davon stammt aus dem Kalifornien der 1980er Jahre", sagt Greg Cerwonka mit Nachdruck. "Der Gitarrensound, vor allem bei Bands aus Venice Beach,
wo einige der großen Crossover-Bands herkamen, hat seine Wurzeln im Hair Metal - sie waren davon umgeben. Während Crossover also definitiv ein anderer Stil und Sound ist, ist das, was einige dieser Hair-Metal-Gitarristen gemacht haben, unbestreitbar - wir versuchen, das in einer Weise zu übernehmen, die für uns Sinn macht."Take Offense sind bereit, Ihre Stadt mit ihrem bisher überzeugendsten Album zu erobern. Aber egal, wie weit T.O.tality kommen, in ihrem Herzen werden sie immer die Band sein, die am Generator an der Laderampe hängt.

FOR FANS OF: Suicidal Tendencies, Metallica, Exodus, Testament, Vio-lence, Forbidden, Power Trip, Cro-Mags
Im Gegensatz zu den Legionen, die versuchen, den Crossover für die heutige Zeit neu zu erfinden, orientiert sich Take Offense to am Sound und der Attitüde ihrer kalifornischen Vorbilder - Bands wie Cryptic Slaughter, EXCEL und Suicidal Tendencies, die sich ebenfalls stark an die Skate-Ästhetik anlehnten, aber den Sunset Strip und die angrenzenden Gitarrengötter wie George Lynch, Warren Di Martini und Eddie Van Halen verehrten.

T.O.tality ist ein Liebesbrief an diese Szene und diese Zeiten, vorgetragen in Form einer Armada von vierzehn mit Nitro bestückten gepanzerten Fahrzeugen, die die Barrikaden der Genre-Konventionen sprengen und den Clip mit frischen Ideen füllen. Es ist eine Hommage an lokale Helden mit vertrauten Ansätzen, die ganz und gar und zweifellos Take Offense sind. "Es gibt Sounds und Klänge, die mich stark beeinflusst haben, und ein Teil davon stammt aus dem Kalifornien der 1980er Jahre", sagt Greg Cerwonka mit Nachdruck. "Der Gitarrensound, vor allem bei Bands aus Venice Beach,
wo einige der großen Crossover-Bands herkamen, hat seine Wurzeln im Hair Metal - sie waren davon umgeben. Während Crossover also definitiv ein anderer Stil und Sound ist, ist das, was einige dieser Hair-Metal-Gitarristen gemacht haben, unbestreitbar - wir versuchen, das in einer Weise zu übernehmen, die für uns Sinn macht."Take Offense sind bereit, Ihre Stadt mit ihrem bisher überzeugendsten Album zu erobern. Aber egal, wie weit T.O.tality kommen, in ihrem Herzen werden sie immer die Band sein, die am Generator an der Laderampe hängt.

Warehouse Find!

pezzner is back with this, his third ep for freerange, following on from the almost here and other lover releases that kicked off his solo alter ego. he is now in demand for his remix skills with upcoming remixes including mike monday and mark farina for om, lusine for ghostly international and josh wink for shaboom. It's easy to hear why he is being heralded as the man to rival dave taylor's earlier house productions with his totally unique sound and floor friendly arrangements which guarantee peaktime plays from dj's across the board - justin martin remix

Clock DVA is one of the pivotal groups of industrial music. Founded more than forty years ago, the instrumental outfit has seen a contemporary partnership of electronic experimentation forged between Adi Newton and Maurizio Martinucci since 2010. It is their source material that proves fertile ground for two remixes, remixes by two heavyweights of electronic music. Atom™ delivers his re-imagining of “De-Konstructor.” A lone string is met by snapping snares as an alluring, yet cold, melody unfolds. Newton’s raspy throaty words rise, a stark prescient poetry countered by angular acid-twisted keys before samples buckle and loop. The second stalwart of electronics drafted in is Scanner for his reframing of “Rayonist Refraction #1.” A ghostly female voice haunts a backdrop of electrical fizz and voluminous cracks of shuddering thunder. Guitar strings tremble in this eerie landscape with a smattering of spoken text bringing solace to this hostile environment. Music for an all to immediate reality.

“Suddenly it’s ok to be a square” - Twelve Cubic Feet, a clear case of a band which should have been bigger than The Beatles but, for some malignant reason, became a blurry footnote in the history of underground music. Formed from the ashes of Exhibit A in the Spring of 1981, the band disappeared leaving no trace shortly after 1983. During their brief existence they released a series of stickers, a monthly newsletter, two cassette tapes and their incomparable ‘Straight Out Of The Fridge 10”, which was at the very top of our dream records to release since we started Sealed Records. Twelve Cubic Feet released this perfect 22 minute 7 track album in 1982 on Namedrop Records (home to Doof, Philip Johnson and Cold War and ran by Philip Johnson and 12CF guitarist Paul Platypus). It is a glorious scratchy DIY indie pop gem with a post punk spirit. The sound is naive and fragile yet very addictive. Based around jangly clean guitars, drums that are on the edge of falling apart, haunting keyboards and a female vocalist that has a knack for a golden pop hook. Hard not to fall in love with. It’s beautiful with a ragged charm that deserves to be heard by the masses. Anarcho Indie pop anyone?? The band played a lot of the anarcho punk haunts of the early 80’s - Autonomy Centre in Wapping, Centro Iberico and London Music Collective and were equally heralded by punks (Andy Martin from The Apostles released one of their tapes) and the DIY music crowd. The line up changed after the 10” and they recorded a Joe Foster produced demo and fell in with Alan McGee's Communication Club crowd. Twelve Cubic Feet burned bright for just a handful of years and now it’s time to burn bright again. Hopefully this reissue will help them reverse one of their sticker statements “today we’re nobodies but tomorrow you’ll know who we are”. This reissue comes with the 16 page booklet that came with the original 10". Twelve Cubic Feet feature members who did time in bands such as Khmer Rouge, The Reflections, Solid Space, Doof and What Is Oil? Amongst others. For fans of the Marine Girls, Girls at our Best, Hornsey At War, Swell Maps and Postcard Records