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After Janko Nilovic and Harlem Pop Trotters, Underdog Records has now reissued Martial Solal - Locomotion in a colored vinyl edition. This grooviest French jazz-funk and avant-garde album features Henri Texier and Bernard Lubat, and was originally released in 1974 on the PSI label. A masterpiece!
- A1: Vladimir Cosma - Courage, Fuyons
- A2: Salix Alba - Vol De La Voiture
- A3: Louis Marischal - Tu M'tapes Sur Les Nerfs
- A4: Martial Solal - Dancing
- A5: Roger Morès - Dancing
- A6: Bert Paige - De Discotheek
- A7: Pieter Verlinden - Theme 19 (Générique + Générique Variation I)
- A8: Henri Seroka - Theme Axel
- B1: Rocco Granata - Jonny's Theme
- B2: Krzysztof Komeda - Les Trucs Du Miroir
- B3: Quincy Jones - Love Theme From 'The Getaway' (Faraway Forever)
- B4: Roger Morès - Ballade
- B5: Alessandro Alessandroni - La Terrificante Notte Del Demonio (Demon Arise)
- B6: François De Roubaix - Poursuite Sur Les Dunes D'ostende
- B7: Jean Marie Bigman - Bolero Pour Denise (Bolero Voor Denise)
- B8: Alain Pierre - Nacht Shift
Sdban Records, the renowned independent groove & jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, is thrilled to announce the upcoming release of its latest compilation album, "The Belgian Soundtrack: A Musical Connection of Belgium with Cinema." Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventies.
Curated by the passionate duo Robin Broos and Tom 'Pélé' Peeters, known for their profound appreciation of obscure soundtracks, "The Belgian Soundtrack" showcases the exceptional talents of both local and internationally acclaimed composers and musicians. From obscure finds composed by lesser-known artists to Hollywood scores performed by world-renowned musicians, this compilation offers a vibrant blend of tracks, including the occasional contribution from renowned international artists who have lent their musical prowess to Belgian films.
"The Belgian Soundtrack" came into being as a serendipitous adventure. Former film journalist Jan Temmerman reached out to us one day, offering a treasure trove of vintage soundtrack albums discovered in his attic," recounts Robin Broos. "With 650 long players, mostly unheard of titles, we embarked on an extraordinary quest-to listen to every single one of them, totaling a staggering 29,250 minutes. It was like watching the original Star Wars trilogy 78 times!"
What started as a quest soon evolved into an intriguing investigation fueled by curiosity. Along the way, Broos and Peeters unearthed dozens of treasures, delved into the backgrounds of obscure composers and musicians, and witnessed an array of enigmatic films. "We encountered an abundance of (un)necessary nudity that we never could have imagined existed," Tom Peeters laughs. The outcome of their explorations is "The Belgian Soundtrack," a meticulously curated collection of funky, melodic, and uplifting tracks, each crafted exclusively for the silver screen and boasting an unexpected Belgian connection.
Favorite Recordings presents Dark Is The Color, the first LP by Alan Shearer reissued on vinyl for the first time. Despite being initially composed and produced for the French library label PSI, this rare
and obscure in-demand gem from 1985 sounds retrospectively like a proper album with great coherence and sophistication all along. Indeed, these 11 tracks will delight synthesizers addicts. Expect deeply emotive instrumental compositions, with ingenious analogue sequencing on stimulating chord progressions. The result is a highly retrofuturistic album, sometimes almost anticipating 90's videogames
scores. Just imagine Wally Badarou in a bunker with Talking Heads watching New York 1997 from John Carpenter.
Composed mostly step by step on a Sequential Pro-One synthesizer, Dark Is The Color is the product of the exciting state of mind from the 80's era with new sounds, new tools and new trends on the music spectrum. Influenced by bands like Talking Head or Japan, the sirens of the new wave scene strongly resonate here with Alan Shearer's familiarity and craftmanship with synthesizers.
Back in the days, Alan Shearer aka Frédéric Viger was working for his father’s music label, “Musique Pour L'image”, and their sublabel “PSI”. He started with Marathon Life under his real name before taking the Alan Shearer monitor. These records were produced for radio, TV and cinema industries but as well for companies’ internal communication. They represented a real investment from the label and these catalogues are usually full of amazing music from great artists such as Martial Solal, Vladimir Cosma, Joël Fajerman, Harlem Pop Trotters and even Manu Dibango.
About his musical illustration process, Alan Shearer tells: "Soundtracks are indeed my biggest influences and I'm a real fan of American composers as Jerry Goldsmith or Elmer Bernstein. I've always considered soundtracks as the new classical music or classical music of our century. There is a real state of mind producing music for illustration: you have to stick to the video. You should not tell what the image is saying but accompany what it is saying. You have to find a unique link, people always told me music should not be noticed for itself in a movie, that's what makes it good.”
- A1: Alex North - Main Title
- A2: Duke Ellington - Main Title And Anatomy Of A Murder
- A3: Elmer Bernstein - Breakup
- A4: Miles Davis - Florence Sur Les Champs-Élysées
- A5: Adolph Deutsch - Randolph Street Rag
- A6: Henry Mancini And His Orchestra - Hub Caps And Tail Lig
- A7: John Barry - Car Chase - Night Chase
- B1: Barney Wilen - Témoin Dans La Ville
- B2: Jean Wiener - Grisbi Blues
- B3: Martial Solal - Duo
- B4: Michel Legrand - Juke-Box
- B5: Claude Bolling - Poursuite
- B6: Serge Gainsbourg, Alain Goraguer - Black March
- B7: Georges Delerue - Rock
- B8: Michel Magne - China Jazz Hot
- C1: Duke Ellington - Mood Indigo
- C2: Charlie Parker - Parker's Mood
- C3: Irving Berlin / Fred Astaire - Cheek To Cheek
- C4: Louis Armstrong And Ella Fitzgerald - Love Is Here To S
- C5: Dean Martin - Ain't That A Kick In The Head
- C6: Duke Ellington / Ella Fitzgerald - Drop Me Off In Harle
- D1: Irving Berlin - Blue Skies
- D2: Duke Ellington - Jubilee Stomp
- D3: Fats Waller - I Ain't Got Nobody
- D6: Ray Charles - What'd I Say
- D4: Frank Sinatra - Come Fly With Me
- D5: Billie Holiday - I Can't Give You Anything But Love
The American guitarist Wes Montgomery was one of the greats of jazz.
For all friends of this style-defining musician and beyond, Jazzline presents the NDR Hamburg Studio Recordings for the first time and thus
never before published.
In addition to Wes Montgomery, the musicians Johnny Griffin, Ronnie Scott,
Ronnie Ross, Martial Solal, Hans Koller, Michel Gaudry and Ronnie Stephenson
took part in this session. A fascinating line-up! There is also a 34 minute Blu-ray
of the band’s rehearsals as a bonus, which includes five of the tracks.
In the spring of 1965 this outstanding guitarist had only three more years
to live, as in 1968 Wes Montgomery passed away after suffering a heart attack. The European concerts, particularly the happy hours spent at the NDRJazzworkshop on April 30, 1965 in Hamburg, were probably among the best
memories Wes Montgomery had of himself and of the great art he mastered
so well. Simply a must have album!
Harlem Pop Trotters is one of the best jazzfunk albums in the French library, and one of the grooviest too. Written & produced by Jean Claude Pierric & François Rolland for Les Tréteaux in the mid ‘70s, this real masterpiece is now reissued on Underdog Records (Janko Nilovic, Martial Solal) in a rare colored edition!
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