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CAUSTIC CASANOVA, die psychedelischen Heavy-Riffonauten aus Washington, DC nutzen auf ihrem fünften, das Gehirn schmelzenden Album die starke Kernkraft ihres hyperkinetischen Zentrums, um diverse Soundpartikel in die musikalische Wechselwirkung einzubinden und in einer kaleidoskopischen Heavy-Rock-Extravaganz explodieren zu lassen. Im Jahr 2005 als Trio gegründet, schlagen Schlagzeugerin und Sängerin Stefanie Zaekner, Bassist und Sänger Francis Beringer sowie Gitarrist Andrew Yonki, mit CAUSTIC CASANOVA immer wieder neue Wege ein, um ihre ebenso packende wie unvorhersehbare Musik spannend zu verfeinern. In ihren Klangräumen verbindet sich sardonischer Noise-Rock und proggiger Sludge im Stile von BARONESS, RED FANG und TORCHE mit der gewaltigen Wucht der MELVINS, der Experimentierfreude von BORIS und flottem Gitarren-Heldentum sowie einem Hauch von verdunkeltem Post-Punk. Mit der Aufnahme eines zweiten Gitarristen in der Person von Jake Kimberley im Jahr 2019 machte sich das nunmehrige Quartett auf eine Abenteuerreise mit dem erklärten Ziel, das waghalsigste und rockigste CAUSTIC CASANOVA Album aller Zeiten zu erschaffen. Dabei nutzen die Amerikaner geschickt alle erweiterten Möglichkeiten, die sich aus ihrer Verstärkung mit einer zweiten Gitarre ergeben. Gleichzeitig unterstreichen die Vier auf "Glass Enclosed Nerve Center" auch all ihre bisherigen Stärken: Beringers straffer, melodischer Bass pumpt heftig die beiden heiß-bruzzelnden Gitarren auf, die den gesanglichen Dreiklang flankieren. Zaenkers flexibles Schlagzeugspiel treibt die fünf mäandrierenden Songs des Albums einfallsreich an und fühlt sich sowohl im swingenden Bill-Ward-Stomp als auch in der Hibbeligkeit des Math-Rock wohl. Langjährige Reisende in CAUSTIC CASANOVAs Fahrwasser dürfen "Glass Enclosed Nerve Center" als eine Art von berauschender Rückkehr empfinden, zu der auch das ehrgeizig ausufernde, 22-Minuten-Epos 'Bull Moose against the Sky' erheblich beiträgt, welches die gesamte B-Seite des Albums in Beschlag nimmt. Doch auch wer den massiven Sound dieser galoppierenden Psychedelic-Sludge-Büffel noch nicht kennt, bekommt hier herausragendes Songhandwerk und eine reiche lyrische Erzählkultur geschenkt, die jede Sekunde und unzählige Wiederholungen wert sind. Drei, zwei, eins... nun geht es rund!

DNO hits double figures as Denver’s Trisicloplox & Sectra return with more industrial-strength electro-sludge.

Sectra sets the tone with ‘Mail Theft’, a hulking mass of sand-blasting static, insectoid jitter and low-end boom. It’s an intimidating, uneasy listen, like tuning through the haunting emptiness of post-apocalyptic broadcast frequencies, only to be interrupted by sudden bursts of unseen filth and gore.

Trisicloplox follows with a brace of tracks. ‘Bruised’ does exactly what it says on the tin, gargantuan kicks pummelling layer upon layer of dense sound into an impenetrable wall of noise. Ritualistic rhythms and gluttonous amounts of overdrive swarm over distant wails, sending everything into a spiral into despair.On ‘Megastructure’, doom metal meets hip-hop, as rough-hewn drums crunch above a bassline that takes its cues from the Super Hans School of Electronic Music: “The longer the note, the more dread.”

And finishing up the vinyl offerings is ‘Dead On Arrival’. Coming courtesy of Sectra, the most traditionally ‘club-focused’ effort of the lot sees a serrated breakbeat and venomous acid lick sparring over dissonant pads.

As always, digital listeners are offered a little bonus, this time the only full collab: ‘The Dead InTheir Shrouds’. Shunted along by a systematic kick, the track’s jackhammer subs become all-consuming, seemingly sucking all the air from the room and hurling it back out of the bassbins in a violent frenzy.

A bold release that’s not for the faint of heart, the ‘Dead Structure’ EP further cements Trisicloplox & Sectra as truly original talents and DNO as an outlet that can never be pigeonholed.

Rhythms of postmodern realism at the very bottom of the DNO.

The Hamilton, Ontario-based metalcore heavyweights have announced their upcoming full-length, A Eulogy For Those Still Here, due out October 7th from Pure Noise Records. The record finds Counterparts tapping into a deep sense of uncertainty and dread and pushing their visceral sound to even greater extremes to make their most definitive statement yet.

Stygian Dark, the purveyors of dirty, down-tuned,
old school death metal, release their debut fulllength album, ‘Gorelords Of War’.
 The band was created by vocalist Dave Ingram
(Benediction, Bolt Thrower) and guitarist Rogga
Johansson (Paganizer, Massacre, Heir Corpse
One, Revolting, To The Gallows). The line-up is
completed by Alwin Roes (Dead End) on bass and
Jon Rudin (Wombbath, Just Before Dawn, Dead
Sun, Wormveil) on drums.
 For fans of Benediction, Grave, Asphyx, Obituary,
Six Feet Under, Dismember, Gorefest, Bolt
Thrower.
 Now available as three different coloured vinyl
editions: clear smoked grey, marbled grey and
marbled red

Stygian Dark, the purveyors of dirty, down-tuned,
old school death metal, release their debut fulllength album, ‘Gorelords Of War’.
 The band was created by vocalist Dave Ingram
(Benediction, Bolt Thrower) and guitarist Rogga
Johansson (Paganizer, Massacre, Heir Corpse
One, Revolting, To The Gallows). The line-up is
completed by Alwin Roes (Dead End) on bass and
Jon Rudin (Wombbath, Just Before Dawn, Dead
Sun, Wormveil) on drums.
 For fans of Benediction, Grave, Asphyx, Obituary,
Six Feet Under, Dismember, Gorefest, Bolt
Thrower.
 Now available as three different coloured vinyl
editions: clear smoked grey, marbled grey and
marbled red

Stygian Dark, the purveyors of dirty, down-tuned,
old school death metal, release their debut fulllength album, ‘Gorelords Of War’.
 The band was created by vocalist Dave Ingram
(Benediction, Bolt Thrower) and guitarist Rogga
Johansson (Paganizer, Massacre, Heir Corpse
One, Revolting, To The Gallows). The line-up is
completed by Alwin Roes (Dead End) on bass and
Jon Rudin (Wombbath, Just Before Dawn, Dead
Sun, Wormveil) on drums.
 For fans of Benediction, Grave, Asphyx, Obituary,
Six Feet Under, Dismember, Gorefest, Bolt
Thrower.
 Now available as three different coloured vinyl
editions: clear smoked grey, marbled grey and
marbled red

We are proud to present he latest from Turbo Recordings Executive Honcho Tiga, a massive ode to passive-aggressive income remixed by Héctor Oaks, Der Zyklus, and Decius.
“No one wants to work their body anymore,” says the Montreal merrymaker from atop a throne in the exact shape of a digital wallet. “I get it. Who wants their surplus sweat equity vacuumed up off the dance floor by corporate parasites when the real future’s in decentralized skanking? But that’s why people in my position - the top one-percent in terms of nightlife and hospitality take-home pay - have to offer real benefits to risking it all in the clubs. I’m talking dance-move insurance, competitive drink ticket packages, and - most of all - the kind of brick-and-mortar bangers Rhythm Nation was founded upon back in 1814.”
While gratingly content with the original version, Tiga has nonetheless chosen to flood the Marketplace of Ideas with a plurality (3) of voices he feels will optimally position this release in today’s unforgiving Neo-Centrist landscape. This stunning grassfed vinyl 12” opens with a remix by Berlin-based vinyl-only DJ Héctor Oaks, who has been described as “operating at the absolute vanguard of rave.” Please remember that describing people this way is basically injecting them with Imposter Syndrome.
The release also features a remix by Der Zyklus, an alias of Gerald Donald, the epochal genius from Drexciya, Dopplereffekt, Japanese Telecom, Abstract Thought, Zerkalo, Zwischenwelt, and many other fantastic projects. Finally, Decius closes out the EP with all the British Mischief you might expect from UK luminaries from Trashmouth Records, Fat White Family, and Paranoid London.
"I’ve designed my entire life around the concept of ease,” adds Tiga. "I never wanted to work for a law firm. I wanted to make beats for a law firm. I’ve always been selfemployed, and that why my street cred’s off the street charts. And I’ve let as much of
that freedom trickle down to the audience as I can. Because when it comes to music,
there’s no such thing as an acceptable minimum wage. You gotta know that you gotta
give it all you got or you’re gonna get got.”

transparent yellow vinyl LP

Remastered 2022

A great and classic euro/italo disco gem from 1981 completely remastered and re-pressed on limited edition yellow vinyl, this is the Jimmy Ross' biggest breakthrough indeed. James Albert Ross, also known as Mel Turner , was a singer from Trinidad who teamed up with Kano's founders Luciano Ninzatti and Stefano Pulga, to write this iconic album

It includes the massive hit "First True Love Affair" which reached #7 on the Dance music Charts and the song reached #90 at the US Billboard and it was Larry Levan's favorite at the infamous Paradise Garage, and remixed by Levan's himself the following year. "Fall Into A Trance", "Chocolate Ice", and S.O.S. Of Love" are the other major highlights. A must-have for all collectors! Out on October 7th!

All artists are well known for their outstanding sound design and mixing skills. Get carried away by pounding drums and razor sharp hi-hat patterns. Intense synth workouts, nebulous atmospheres and well-chosen floating percussion parts are desi- gned to melt the boundaries between modern sci-fi sounds and 90s techno vibes.

This release is an absolute weapon and meant to create a higher state of tension and high voltage energy on any techno dance floor. ‘Insolate – Cosmic Paranoia’. The track’s kick drum has a clear crisp knock to it while the sub-bass swells and cradles around it perfectly. The sharp acid stabs in conjunction with this make it a very stomping track while the arpeggiated synth in the background flows with the voice resonance.

‘Mode_1 – Broken Machines’ is the second track on the EP and has a bit more depth and groove to it. The massive low end grooves beautifully with the flowing synth as well as the bright variations of hi-hats.

Next up we have ‘Elias the Prophet – Masochist’ which has a very bright kick and a wobbling bass that’s sure to make your chest rumble. The tight and delicate hats loosen up creating a washing of bright noise that flows over the track while the synth continues to send you into another realm.

The fourth track ‘Joton – Ziggurat’ fits perfectly due to the distressful synth. The track’s sub swells between every fourth and first beat while giving it space to ride smoothly beneath the kick drum between these intervals. The hats remain tight while the cymbals flow over the track creating even more tension.

To coincide with the Brian Jonestown Massacre’s start of their 2022 European tour is the release of two new tracks by the band. Recorded in Berlin & remotely between 2020 & 2021, the opening track “Fudge” is from the forthcoming album “The Future is Your Past” the second track “The Future is Your Past” is exclusive to this release (Yes I know it’s not a typo the B side is the name of the forthcoming album but the track is not on the album). With Anton Newcombe (Vocals/ Guitars) Hakon Adalsteinsson (guitar), Hallberg Daði Hallbergsson (bass), & Uri Rennert (drums) playing on this offering . The release comes in a heavy weight PVC bag with the artwork being a J card so you can see the vinyl 10” - Tracklisting SIDE A – Fudge SIDE B – The Future is Your Past European Dates – 2022 - 25/09 FRANCE Nancy – L’Autre Canal , 26/09 FRANCE Grenoble – La Belle Electrique , 27/09 FRANCE Toulouse – Le Bikini , 28/09 SPAIN Barcelona – Apolo , 29/09 SPAIN Madrid – La Paqui , 30/09 SPAIN Bilbao – Kafe Antzokia , 01/10 FRANCE Bordeaux – Le Vigean , 02/10 FRANCE La Rochelle – La Sirene , 04/10 FRANCE Paris – La Trianon , 06/10 THE NETHERLANDS Nijmegen – Doornroosje , 07/10 GERMANY Cologne – Luxor , 08/10 SWITZERLAND Zurich – Mascotte , 09/10 GERMANY Munich – Strom , 10/10 CZECH REPUBLIC Prague – Lucerna Music Bar ,11/10 GERMANY Dresden – Beatpol , 12/10 THE NETHERLANDS Amsterdam – Paradiso , 14/10 BELGIUM Antwerp-Desertfest 2023- 28/01 U.K Falmouth – Princess Pavilions , 29/01 U.K Bristol – SWX ,31/01 U.K Brighton – Concorde 2 , 01/02 U.K Brighton – Concorde 2 , 03/02 U.K Birmingham – Academy 2 , 04/02 U.K Manchester – Ritz 05/02 U.K Glasgow – Barrowlands, 06/02 U.K Edinburgh – La Belle Angele , 07/02 U.K Newcastle – Riverside , 09/02 IRELAND Dublin – Academy , 10/02 U.K Belfast – Limelight 2 , 11/02 U.K Liverpool – Camp & Furnace , 12/02 U.K Nottingham – Rescue Rooms ,14/02 U.K Leeds – Stylus , 15/02 U.K London – Forum , 18/02 GERMANY Hamburg – Knust , 19/02 DENMARK Copenhagen – Amager Bio , 20/02 SWEDEN Gothenburg – Pustervik , 21/02/23 SWEDEN Stockholm -Slaktkyrkan , 22/02 NORWAY Oslo – Rockefeller , 23/02 SWEDEN Malmo – Moriska Paviljonen , 25/02 GERMANY Berlin – Festsaal Kreuzberg

"Layers Of Lies", aufgenommen im Winter 2004/2005, war das erste selbst produzierte DARKANE-Album. Ein neues Studio war gebaut worden und die Band verbrachte Abende und Wochenenden dort, um ihr viertes Album fertigzustellen.

Das Ziel war es, eine Mischung aus den früheren drei Alben mit einem brutaleren und futuristischeren Sound zu schaffen. "Wir wollten unseren Sound weiterentwickeln und dabei unserem Stil treu bleiben", erklärte Christofer in vielen Interviews.

Es wurde viel Arbeit in die Gesangsarrangements gesteckt und Andreas Sydow klang mit seinem aggressiven Gebrüll besser als je zuvor. Für das bombastische und doch eindringliche Intro "Amnesia Of The Wildoerian Apocalypse" wurden wieder einmal ein Chor und ein Orchester engagiert.

Blabbermouth schrieb in einem Review zu "Layers Of Lies":
"Songwriting-mäßig hält DARKANE die Dinge relativ einfach im Sinne von Strophe-Refrain-Verse, lässt aber nicht die Intensität für irgendwelche Flüster/Crooner-Strophen oder Crossover-Tracks sinken. Songs wie "Fading Dimensions" und "Secondary Effects" enthalten rasante Thrash-Tempi und einprägsame Refrains in diesem völlig synthetischen, aber seltsam ansprechenden melodischen Robotergeschrei... Letztendlich ist "Layers Of Lies" ein eingängiger, ansteckender, unwiderstehlicher, charismatischer Arschtritt von einem Album!"
Nach der Veröffentlichung von "Layers Of Lies" im Herbst 2005 produzierten DARKANE ein Video für den Track "Secondary Effects" und gingen anschließend auf ihre erste abendfüllende US-Tournee mit Fear Factory, Strapping Young lad und Soilwork, die für die Band sehr erfolgreich war.

"Expanding Senses" - der heftige Nachfolger von "Insanity" - bietet viel Abwechslung in den Songs. Es gibt die schnelleren Tracks voller Chops, und dann gibt es mittelschnelle Songs mit viel Gitarren-Crunch (ein neuer Aspekt von DARKANE). Und natürlich dürfen wir die Tracks nicht vergessen, die beides mischen und sich von brutal zu melodisch und wieder zurückbewegen, während sie auf dem Weg dorthin das atmosphärische Cyber-Gefühl einbauen.

"Expanding Senses" ist etwas weniger progressiv und chaotisch, sondern eher geradlinig. Das ist aber in Ordnung, denn DARKANE haben es sich zur Aufgabe gemacht, ihre Songs konzentrierter, aber nicht zu einfach zu halten.

Andreas Sydow zeigt einen Gesangsstil, der eher an Slayers Araya erinnert, was perfekt zu den Songs passt.
Zu den herausragenden Tracks "Innocence Gone" und "Chaos vs Order" wurden zwei Videos produziert, die DARKANE einen weiteren Schub gaben. Diese beiden Songs werden immer noch bei den meisten Live-Shows gespielt.

Um "Expanding Senses" gebührend vorzustellen, absolvierten DARKANE ihre ersten größeren Tourneen, u.a. mit Testament, Behemoth, Death Angel und Marduk, und sie traten auch auf einigen Festivals wie dem Sweden Rock Festival und dem Wacken Open Air (Deutschland) auf. Auch in Japan und Israel waren sie erstmals zu Gast.

Obscure congregation SPECTRUM MORTIS was formed in somber MMXV and under the sign of Baal. The gates of hell were opened to emerge their malevolent entrails to the black spell of death and destruction. Among the shadows arise Aataa and Aath to celebrate a black mass and closed with the arrival of Sheram and Ta’ao. These four reptiles complete to the perfect black circle for the enhancement to the necrosophia and the arts of the occult sciences.?The band released two mini albums : "Blasphemare Nomen Eius" in 2016 and "??????" in 2018 and a split album with Mexico's Hacavitz. SPECTRUM MORTIS played many live ceremonies as an authentic celebration of the fall of light and the cult of black fire under the sign of Baal. After signing with Listenable records, SPECTRUM MORTIS focused on the writing of their debut full-length album, immersed in ancient worlds between infinite passages buried in the sands of time, going back to the Sumerian saga of Apkallus and Ziggurats. Under that primordial influence, the band entered The Empty Hall studios in Madrid in 2021 and recorded “BitMeseri - The Incantation” scheduled for a September 2022 release. The band elaborates about 'Bit Meseri -The Incantation‘ : "We wanted to recover the essence of both mini albums and translate them into an authentic black celebration to continue enhancing the obscure arts and dimensions that we have managed to create with these works. This congregation will continue to write cold riffs of death under the path of ancestral rites and traditions, always low extreme care and obscure dedication. " SPECTRUM MORTIS transcends the listener with its inspired ceremonial occult death metal and their ‘Bit Meseri - The Incantation’ deeply masters that genre with great atmosphere and conviction. For fan of early MORBID ANGEL, IMMOLATION, NECROS CHRISTOS, DEAD CONGREGATION

“If you can’t say it, you don’t have to,” sings John Fullbright on “Bearden 1645,” the opening track to his new record “The Liar,” out September 30, 2022. The song details Fullbright finding refuge in playing the piano, starting as a child and still today. For fans, it may feel like a bit of a rebuttal to “Happy,” the opener from 2014’s “Songs,” one of several in his repertoire that speak explicitly about mining one’s angst in order to make music. In that way, “Bearden 1645” is also a firm nod to the fourth wall: Fullbright knows you’re thinking about his songwriting. He is, too…but not quite the way he was before. The public at-large hasn’t heard much from him since the critically lauded “Songs,” a chasm of eight years that seemed unthinkable for an artist with so much hype surrounding his early career. Why did it take so long? “Honestly, I don’t know, and that’s been the scariest question to think about and the hardest one to answer,” Fullbright said. Maybe it was a tacit rejection of mounting industry pressure, mixed with a little fear. Or maybe it was the adjustment to a massive upheaval of his way of life. Whether we bore witness or not, it’s been a critical period of change for Fullbright, now in his 30s. Since his last release, he moved out of rural Oklahoma—the aforementioned Bearden has a population of about 130 people—to Tulsa. Once there, he worked to build a place for himself in the context of an established and vibrant musical coterie, performing often as both a bandleader and, more curiously, a sideman: storied loner John Fullbright lugging a piano from this small stage to that one with an uncharacteristic looseness. “It’s been a process of learning how to be in a community of musicians and less focusing on the lone, depressed songwriter…just playing something that has a beat and is really fun,” Fullbright said. “That’s not to say there are no songs on this record where I depart from that, because there are, but there's also a band with an opinion

Monster Truck tick all the musical boxes that have garnered the Hamilton-based band a reputation as one of Canada’s hardest-hitting rock outfits, live and on record.

On Monster Truck’s fourth full-length album Warriors, the band (bassist and lead singer Jon Harvey, guitarist Jeremy Widerman, keyboardist Brandon Bliss, and former drummer Steve Kiely), take their signature, riff-driven brand of rock to new heights and bombastic lows. With blazing shared riffs, massive gang vocals, and an ‘all for one, and one for all’ spirit, Warriors reads like a mission statement; one that telegraphs the tireless work ethic Monster Truck has displayed since starting out in 2009, as well as where they’re at and where they’re heading, sonically, in the future.

After the release of their highly successful self-titled album in summer 2021 (#1 in Germany and Spain etc.), HELLOWEEN -- one of the most respectable German metal exports and pioneers of German melodic speed metal -- are finally bringing their new anthems to the packed arenas, leading them all around the globe with their »United Forces« tour. The creators of the albums »Keeper Of The Seven Keys, Pt. I & II« (87‘/88‘), which are considered to be among the most successful German metal records of all time and are reckoned internationally as absolute milestones of power metal, haven’t only cemented but even expanded their status as giants of the scene. Caused by the pumpkinheads‘ aforementioned triumphant wave of success, the group’s back catalogue albums are also more in demand than ever which is why Atomic Fire are now set to release a series of brand new vinyl editions including the following hot HELLOWEEN records: »The Dark Ride« (2000), »Rabbit Don’t Come Easy« (2003), »Keeper Of The Seven Keys - The Legacy« (2005), »Gambling With The Devil« (2007), »Straight Out Of Hell« (2013), »My God-Given Right« (2015), and last but not least their latest offering »Helloween« (2021).

Includes :

• Exclusive, ltd. Deluxe Earbook CD of "Helloween"
• 3-Track Bonus-CD
• Black 2LP Vinyl incl. 2 bonus tracks
• Unique Helloween wall clock
• Album Cover Art Print
• Six pins
• Logo Necklace
• Patch
• Certificate of Authenticity

After the release of their highly successful self-titled album in summer 2021 (#1 in Germany and Spain etc.), HELLOWEEN -- one of the most respectable German metal exports and pioneers of German melodic speed metal -- are finally bringing their new anthems to the packed arenas, leading them all around the globe with their »United Forces« tour. The creators of the albums »Keeper Of The Seven Keys, Pt. I & II« (87‘/88‘), which are considered to be among the most successful German metal records of all time and are reckoned internationally as absolute milestones of power metal, haven’t only cemented but even expanded their status as giants of the scene. Caused by the pumpkinheads‘ aforementioned triumphant wave of success, the group’s back catalogue albums are also more in demand than ever which is why Atomic Fire are now set to release a series of brand new vinyl editions including the following hot HELLOWEEN records: »The Dark Ride« (2000), »Rabbit Don’t Come Easy« (2003), »Keeper Of The Seven Keys - The Legacy« (2005), »Gambling With The Devil« (2007), »Straight Out Of Hell« (2013), »My God-Given Right« (2015), and last but not least their latest offering »Helloween« (2021).

After the release of their highly successful self-titled album in summer 2021 (#1 in Germany and Spain etc.), HELLOWEEN -- one of the most respectable German metal exports and pioneers of German melodic speed metal -- are finally bringing their new anthems to the packed arenas, leading them all around the globe with their »United Forces« tour. The creators of the albums »Keeper Of The Seven Keys, Pt. I & II« (87‘/88‘), which are considered to be among the most successful German metal records of all time and are reckoned internationally as absolute milestones of power metal, haven’t only cemented but even expanded their status as giants of the scene. Caused by the pumpkinheads‘ aforementioned triumphant wave of success, the group’s back catalogue albums are also more in demand than ever which is why Atomic Fire are now set to release a series of brand new vinyl editions including the following hot HELLOWEEN records: »The Dark Ride« (2000), »Rabbit Don’t Come Easy« (2003), »Keeper Of The Seven Keys - The Legacy« (2005), »Gambling With The Devil« (2007), »Straight Out Of Hell« (2013), »My God-Given Right« (2015), and last but not least their latest offering »Helloween« (2021).

After the release of their highly successful self-titled album in summer 2021 (#1 in Germany and Spain etc.), HELLOWEEN -- one of the most respectable German metal exports and pioneers of German melodic speed metal -- are finally bringing their new anthems to the packed arenas, leading them all around the globe with their »United Forces« tour. The creators of the albums »Keeper Of The Seven Keys, Pt. I & II« (87‘/88‘), which are considered to be among the most successful German metal records of all time and are reckoned internationally as absolute milestones of power metal, haven’t only cemented but even expanded their status as giants of the scene. Caused by the pumpkinheads‘ aforementioned triumphant wave of success, the group’s back catalogue albums are also more in demand than ever which is why Atomic Fire are now set to release a series of brand new vinyl editions including the following hot HELLOWEEN records: »The Dark Ride« (2000), »Rabbit Don’t Come Easy« (2003), »Keeper Of The Seven Keys - The Legacy« (2005), »Gambling With The Devil« (2007), »Straight Out Of Hell« (2013), »My God-Given Right« (2015), and last but not least their latest offering »Helloween« (2021).

Includes :

• Exclusive, ltd. Deluxe Earbook CD of "Helloween"
• 3-Track Bonus-CD
• Transparent Orange 2LP Vinyl incl. 2 bonus tracks
• Unique Helloween wall clock
• Album Cover Art Print
• Six pins
• Logo Necklace
• Patch
• Certificate of Authenticity