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2022 Repress

Angis Music, label run by the DJ Samuele Pagliai, is pleased to present HUMA: the new concept of Alberto Lincetto and Stefano Cosi, both musicians and producers belonging to the Italian experimental soul and jazz scene. Already active in other projects such as PCKT and Collettivo Immaginario, they boast collaborations with international artists such as Chauncey Yearwood, Tommaso Cappellato and Serena Brancale. The debut EP presents two very different scenarios where the solidity and minimalism of the rhythms blend with the deep yet refined harmonies. ""Moon Crab"" is the reminiscence of a cosmic journey with modern funk features, where a liquid and indefinite sound mass slowly evolves into a climax of drums and synthesizers, giving life to an irrepressible flow of emotions. "Absence", instead, with its melancholic tones and electronic acoustic sound represents a perfect epilogue with an open ending. The rest we will discover just by listening.

White Lung are back! This winter brings their fifth and final,
chaotic, bold and hook-driven album, ‘Premonition’. It’s a
whirlwind of driving drums, intricate guitar work, and noholds-barred lyrics about motherhood, pregnancy, and
growth. The themes are deeper. The interplay between
guitarist Kenneth William and drummer Anne-Marie
Vassiliou is more complex, the sound more cohesive.
During an unintentional five year hiatus, White Lung
managed to grow up without settling down, and the trio
has emerged out of its transformative period with raw, feral
energy.
When the members convened in their hometown of
Vancouver in 2017 to begin work with long-time producer
Jesse Gander on their fifth album, they had no idea what
kind of changes were in store for them. Frontwoman Mish
Barber-Way was in the studio preparing to record vocals -
when she realized she was pregnant with her first child. A
pandemic followed, then another baby, then the series of
massive societal meltdowns that we’ve all come to call
“everything that’s been going on.”
‘Premonition’ is about birth and rebirth. It’s about leaving
behind nihilism while refusing to give up the freedom that it
offers. It’s about raging against the world while still finding
space within it for hope and love.
CD into printed inner wallet into outer wallet and 8-page
folded poster booklet.
LP includes 24” x 36” poster.
Press - Reviews in MOJO, Loud & Quiet, Uncut. Features in
Stereoboard, Upset, NME, DIY, The Line of Best Fit, Our Culture,
CMU, Yahoo, The Guardian, Pitchfork, Rolling Stone, The FADER,
SPIN, Stereogum, Consequence, Brooklyn Vegan, Alt Press,
Exclaim!, Treblezine, Femmusic, Ultimate Guitar, Broadway World,
Northern Transmissions.
Radio - BBC 6 Music.

LIMITED EDITION PICTURE DISC EDITION OF PAUL DRAPER'S NEW
ALBUM CULT LEADER TACTICS .Meaty art-rock, austere orchestral
interludes & driving future pop - Classic Rock 8/10 Cult Leader Tactics is
sleek & smart, full of melody, humour and flair - Record Collector 4*
Former Mansun frontman, Paul Draper, returned in early 2022 with a
collection of his finest songwriting since the bands' imperial phase
Cult Leader Tactics', is a self-help manual on how to become a complete cult in
the music industry & is his first solo album since 2017's much- lauded Spooky
Action'. Cult Leader Tactics' offers a satirical analysis of the self- help manual
genre. A guide on how you can get to the top of your chosen profession, or ahead
in life & in affairs of the heart, by acting in a Machiavellian manner, employing
dirty tricks or Cult Leader Tactics' to achieve your life goals. After experiencing
these types of human behaviours & themes, the album arrives at the conclusion
that the only true answer in life is love. Paul plays most of the instruments on the
album, including lead vocals, guitar & various Moogs & synthesisers. An album
produced with long-time collaborator & acclaimed producer Paul P-Dub' Walton
(Massive Attack, The Cure, Bjork) at Loft Studios, it also includes guest
appearances from Porcupine Tree's Steven Wilson & Gam of the band Sweat' as
well as featuring a 288-person C.L.T. Lockdown Choir. Cult Leader Tactics' offers
a selection of Paul's most focused & ambitious work so far, a brilliantly dark
commentary on an industry he is all too aware of. Kscope are proud to present a
limited Picture Disc edition of Cult Leader Tactics'.

2024 Restock

The Barcelona-based label comes back with its release 006 which is a massive EP with 3 tracks from the great Romanian producer Direkt. This is the time to welcome on board Silat Beksi which made an amazing remix to complete the EP.

Supported by Raresh, Ted Amber, Dorothy’s Dream, Vlad Arapasu, Crihan, Mihai Pol, Nu Zau, Barac, Sublee, Giuliano Lomonte, userUNKNWN, Enzo Siragusa, VincentIulian, Prichindel, Lulla, Sepp, Triptil

"Have you ever had this endless feeling of unconditional love for someone or music, between virtuality and reality, which seems to be eternal for your own heart... " — Nicolas Masseyeff French DJ and producer Nicolas Masseyeff shares his first album in almost a decade on Marc Romboy’s label Systematic. The release brims with lush tones, electronica-flecked rhythms and rich soundscapes, suitable for a club-based audience and home listening. Celebrated visual artist Yann Masseyeff—Nicolas’s brother—is responsible for the artwork of the release.
Raised on the French Riviera, Nicolas Masseyeff started out as a local record dealer before purchasing his own shop, Limelight, establishing it as the most respected vinyl haunt in the South of France. Pursuing music production full-time since the late noughties allowed Nicolas to follow his true path, shaping him into the multi-genre artist he is today. Having released on Herzblut Recordings, Systematic, KD Music, Mobilee and several other esteemed imprints, Nicolas has worked relentlessly to craft a sound that transcends house, electronica, downtempo and afro house. Collaborations with Kittin, Oxia and Parallelle wind throughout his back catalogue, as well as remixes for Frankyeffe, Pig&Dan, Nikola Gala, Hot Since 82 and many more besides.
Endless offers an insight into Nicolas’ spiralling world, detailing the artist’s lithe production skills and consideration when collaborating with other talents, like the interdisciplinary singer Kittin. The collection sums up where Nicolas is at now in his career—a storied producer who continues to evolve, sharing an aesthetic rich in melody while retaining a dance-driven flavour. It’s the kind of sound that comes with years of practice, patience and perseverance.

Nach einem wichtigen und dringend benötigten Besetzungswechsel haben DETRAKTOR ein neues Kapitel aufgeschlagen und machen das, was sie am besten können.
Dieses Album schlägt in Sachen Groove und heftigen Riffs, das beides in der Vergangenheit fehlte, eine neue Richtung ein. Die Band erforscht Themen, die vom animalischen Instinkt der Menschheit inspiriert sind und wie dieser unser tägliches Leben beeinflusst.
Von der erstklassigen Aufnahme und Produktion bis hin zu einem härteren und reiferen Sound, schlagen DETRAKTOR mit diesem Album ein neues Kapitel in ihrer Laufbahn auf. Eines, dass alle offenen Fragen darüber beantworten wird, was in dieser langen Zeit der Hoffnungslosigkeit geschehen ist.
Jedes Riff und jedes Wort beweist, dass DETRAKTOR hart daran gearbeitet haben, dem Hörer das beste gottverdammte Headbang-Erlebnis zu bieten, das man sich nur wünschen kann!

Nach einem wichtigen und dringend benötigten Besetzungswechsel haben DETRAKTOR ein neues Kapitel aufgeschlagen und machen das, was sie am besten können.
Dieses Album schlägt in Sachen Groove und heftigen Riffs, das beides in der Vergangenheit fehlte, eine neue Richtung ein. Die Band erforscht Themen, die vom animalischen Instinkt der Menschheit inspiriert sind und wie dieser unser tägliches Leben beeinflusst.
Von der erstklassigen Aufnahme und Produktion bis hin zu einem härteren und reiferen Sound, schlagen DETRAKTOR mit diesem Album ein neues Kapitel in ihrer Laufbahn auf. Eines, dass alle offenen Fragen darüber beantworten wird, was in dieser langen Zeit der Hoffnungslosigkeit geschehen ist.
Jedes Riff und jedes Wort beweist, dass DETRAKTOR hart daran gearbeitet haben, dem Hörer das beste gottverdammte Headbang-Erlebnis zu bieten, das man sich nur wünschen kann!

V.39 here you have, 40 special cuts and tracks of the most aclaimed deejay-producer of all the times, DJ PREMIER, helped for someones of the more importants stars of Hip Hop like NAS, SNOOP DOG, GANGSTARR,... This is a special and powerful weapon for all the Hip Hop creators and DJ's.

Emanating from a ‘prehistoric’ existence near the end of the last millennium, Andy Votel and his slightly older college mates were once best recognised in Mancunian clubs and bars as teenage vinyl nerds and bum-fluffed battle rappers under the collective name Violators Of The English Language (which in acronymic form explains Andy’s own exotic pen-name).

As steadfast supporters of the 1980s / 90s Brit-core rap scene coming out of London, the multicultural Violators’ Mancunian accents were perhaps a bridge-too-far to secure dream job contracts for humble labels like Kold Sweat and Music Of Life. An unlikely constructive meeting with Gang Starr’s DJ Premier (while Andy helped out at a radio station), plus playing warm up DJ sets for countless US rap heroes might have temporarily added inspirational fuel to the fire, but after an active period combining graffiti, rapping, scratching, obsessive record digging and beat making into their daily operations, adulthood eventually began to rear its unwelcome head.

A decade later, Andy Votel and his digging skills would begin to provide direct sample material for the likes of Madlib, Mos Def, Jay Z, Nas, Dr Dre, Ghostface Killa and Action Bronson, amongst others, and the Violators’ black book of breakbeats and catalogue numbers soon began to feed a same-butdifferent rap beast.

For a project that has taken thirty years, it would be totally inadequate to call the formation of Hypocritical Beatdown Records a lockdown-project. There’s a deep history and psychology in these records by Violators Of The English Language and their spin-off groups Magnets (Rap Group) and ProVerbs, that combines stage-fright, loss, pride, creative-schizophrenia, racial inequality, surrealism, personal politics, brotherhood, artistic-constipation, better judgment, love, anti-love, soul searching and much more.

As well as Andy Votel taking care of both production and part of the microphone duties, some might recognise fellow MC and solo recording artist Figure Of Speech as a prominent voice here. The trio of Magnets (Rap Group) sees Andy also joined by local B-Girl legend Jeni Chan aka Penny Chew, and rapper and DJ Benjamin Hatton who has previously recorded with Kid Acne, The Mongrels and Sheffield’s Invisible Spies’ long-running squadron. Widely respected visual artist Rick Myers (now living in Massachusetts) also contributed scratches for many of these recordings via file sharing and custom dub-plates to keep the Violators’ authentic line-up intact, as well as galvanising the crew’s semi-reluctant art-school roots.

Extra production credits for the label also go to Sean Canty from Demdike Stare, and the late great Dan Dwayre aka Black Lodge (Mo Wax) who sadly passed away during the completion of these recordings. The members of Violators Of The English Language who you’ve not yet heard of will quickly make themselves known as the needle drops on this long-mooted debut vinyl release.

The period of 1967 – 1968 when Rocksteady was in full flow, would also be a turning point for Bunny ‘Striker’ Lee, when he became a producer in his own right. Many of the great tunes during this eventful year came out of his stable and initially saw the light of day on his own imprint label ‘Lee’s’. This album has been assembled from some of those fine tunes and tells the story of reggae in what was a stellar time for both reggae and Mr Bunny Lee.

Edward ‘Bunny’ Lee later to become known as ‘Striker’ (b.23rd August 1941) got his introduction to the music business around 1962 when his future brother in law singer Derrick Morgan introduced Bunny to producer Duke Reid, who gave him a job as record plugger for his Treasure Isle label. 1966 saw Bunny Lee move on to working for producer Ken Lack who ran his own label Caltone. Bunny’s first credit as a producer was released on the label when he produced ‘Lloyd Jackson and the Groovers’ with a tune called ‘Listen To The Music’.

As we stated earlier by 1967 Bunny Lee was leading the way and his vast stable of singers, were producing hit after hit for him. Many of those artists are featured on this compilation. The Sensations ‘Long Time Me No See You Girl’, the Uniques that featured the great Slim Smith are here on some of their greatest cuts ‘Love and Devotion’ and ‘The Beatitude’, ‘Girls Like Dirt’. ‘My Conversation’ a song that would be a big hit for the Uniques would also go on to be of the most covered songs and redone over rhythms, in the history of reggae music. The great singer Pat Kelly features on ‘Somebody’s Baby’ and ‘Little Boy Blue’ all massive hits, when originally released. Bunny’s love of Jazz and the brass sections would also shine through with some of Jamaica’s finest musicians featured here with the excellent tenor sax work of Val Bennett which gave us our album title track ‘Jumping With Mr Lee’ and ‘Jumping With Val’. The Alto sax work of Lester Sterling are featured on the timeless cut ‘Bangerang’ and ‘Tribute To Scratch’. The big sound of Trombonist ‘Vin Gordon’ features on ‘Sounds and Soul’. Not forgetting the previously mentioned King of Ska Derrick Morgan on ‘Hold Your Jack’. A song that in a few years’ time would provide the backbone for Mr Max Romeo’s cross over and controversial hit ‘Wet Dream’. So yes, a fine collection of tracks from the great producer Bunny ‘Striker’ Lee. Sit back and enjoy the reggae music of 1967-1968 with of the best sounds in town.Sit back and enjoy…..

A double shot of Y2K digi thrillers from Sydney via Bromley electro-dub producer Jeff Dread. Part of the city’s burgeoning network of blunted bass and sound system culture, Dread worked in parallel with the likes of Sheriff Lindo, Andy Rantzen and Ali Omar, issuing two dynamite albums on Creative Vibes in 1999 and 2001.

Utilising the Atari 1020 Ste, Dread would frantically live mix up to 9 tracks direct to CD-R, echoing the same rough and ready low tech intuition as Jamaican trailblazers King Tubby, Scientist and Jack Ruby and their UK-based disciples Jah Shaka, Adrian Sherwood and Mad Professor. While unmarked discs of his indulgently durational sessions litter the archives, this plate showcases versions immortalised by two crucial compilation CDs. Wicked stepper ‘Dub The Farmer’s Daughter’ burrows the ear canal with its addictive melodica and tightly coiled acid synth lines, edited for high impact by Sheriff Lindo for his volume of Dub For the Masses (Dread would curate its successor), while ‘Out On A Limb’ hails from Just Is, a double album sequenced by legendary Sydney queer party crew Club Kooky. A bass bin creeper that was extended with horns for his second longplayer Return From Alpha One, it’s this unembellished work in progress that really stings.

With Dread’s allegiance to local sound system heavyweights Firehouse, these totally brained studio jams are tried and tested weapons, finally blasting on the sacred 7” format.

Live At The L.A. Forum präsentiert einen außergewöhnlichen Auftritt der Jimi Hendrix Experience im April 1969. Vor einem ausverkauften Haus spielten Hendrix, Schlagzeuger Mitch Mitchell und Bassist Noel Redding ein einzigartiges Set mit Highlights wie "I Don't Live Today", "Purple Haze", "Red House" und einem erstaunlichen Medley aus "Voodoo Child (Slight Return)" und "Sunshine Of Your Love" von Cream. Diese unverfälschte Aufnahme, die von Hendrix' langjährigem Tontechniker Eddie Kramer neu abgemischt wurde, fängt die Jimi Hendrix Experience in ihrer unvergleichlichen Hochform ein. Ein Teil dieses Auftritts war zuvor Teil einer kurzlebigen Westwood One Radio-Dokumentationsbox Lifelines 1990-1992, war aber seit zwei Jahrzehnten nicht mehr in irgendeiner Form erhältlich. Die CD-Veröffentlichung mit einem 24-seitigen Booklet - komplett mit Linernotes von Billy Gibbons von ZZ Top, der die Show aus erster Hand miterlebte - gibt diesem bahnbrechenden Auftritt die richtige Plattform und präsentiert den kompletten Auftritt, der direkt von den originalen 8-Spur-Masterbändern abgemischt wurde.Enregistrée au printemps 1969 devant un public déchaîné et à guichets fermés, la performance captivante de la formation originale (Jimi Hendrix, Mitch Mitchell et Noel Redding) n'a jamais été publiée dans son intégralité. Cet album sort à temps pour le 80e anniversaire de la naissance de Jimi Hendrix. Après le succès massif du tiercé gagnant Are You Experienced, Axis: Bold as Love, Electric Ladyland en 1967-68, le trio est devenu l'attraction internationale la plus populaire du rock. C'est au L.A. Forum que le groupe dévoile pour la première fois la fameuse reprise de « The Star Spangled Banner », que Jimi allait canoniser quatre mois plus tard à Woodstock. Le live comprend «Purple Haze» et un medley incendiaire de 17 minutes de « Voodoo Child (Return) » et « Sunshine Of Your Love » de Cream. Le concert a été enregistré simultanément par Wally Heider et Bill Halverson, et récemment remixé par Eddie Kramer, producteur et ingénieur de longue date de Hendrix, pour une fidélité audio maximale et inclut une préface de Billy Gibbons de ZZ Top, qui a assisté au concert en 1969.

Folk Implosion's fan favorite album is available on cassette for the first time! They say there's always something special about the first time and this record is that first time for the Folk Implosion. The band left the acoustic guitars and fragmentary sketch modus operandi of their earlier cassette behind to focus on an eccentric version of home studio craft, held together by a few cheap microphones (including a Radio Shack PZM) and a Tascam cassette 4-track recorder sequestered under the eaves of a 3rd floor, Cambridge Massachusetts double-decker house apartment. Wood floors and Christmas lights were as much a part of the vibe as an Ampeg VT 40 guitar amp and a small chord organ. The duo would wait until the downstairs neighbor went to work in the morning and then would play until the tunes snapped like a high-pitched snare drum. The setup would close down just before the neighbor came home from work, keeping the peace long enough to see the project through to completion. Once tracked, the band snuck into Fort Apache studios with Tim O'Heir (producer of Sebadoh's 'Bakesale' LP) early one morning, freeloading off the Sebadoh sessions that were set to get going that afternoon. Tim mixed the songs through a very hi-fi Neve board in a matter of hours with the Tascam sitting right on the giant board like a tugboat keeping time with an oil tanker. The duo hoped that the spirits of ancestors like The Troggs, Devo, Al Green, and The Bee Gees would be pleased with the scent of tribute that arose from the ashes of the pyre. Today, they are pleased to see the Slaps and the Sputniks on view again nearly 30 years later. Tracklisting: 1. Blossom 2. Sputnik's Down 3. Slap Me 4. Chicken Squawk 5. Spiderweb-Butterfly 6. Had To Find Out 7. Better Than Allrite 8. Why Do They Hide 9. Winter's Day 10. Boyfriend, Girlfriend 11. Shake A Little Heaven 12. Waltzin' With Your Ego 13. Take A Look Inside 14. Start Again

Vinyl is limited to 200 copies per colour. 'Rad Wings of Destiny' is the long-awaited, brand-new album from Californian band Ugly Kid Joe. It will be their first new album since 2015's 'Uglier Than They Used Ta Be'. 'Rad Wings of Destiny' will see the band teaming up with Producer Mark Dodson – who was behind the desk for Ugly Kid Joe's multiplatinum debut album release 'Americas Least Wanted' in 1992. An album which celebrates its 30th Anniversary this year. The 10-track album includes the singles “That Ain't Livin'”, “Kill The Pain” and “Long Road”. It features Whitfield Crane on Vocals, Klaus Eichstadt and Dave Fortman on Guitar, Cordell Crockett on bass and drumming duties shared between Zac Morris and Shannon Larkin. Ugly Kid Joe return to the UK for a headline appearance at Hard Rock Hell along with a co-headline tour alongside Massive Wagons. Tracklisting: That Ain’t Livin’; Not Like The Other; Everything’s Changing; Kill The Pain; Lola; Dead Friends Play; Up In The City; Drinkin’ And Drivin’; Failure; Long Road

Vinyl is limited to 200 copies per colour. 'Rad Wings of Destiny' is the long-awaited, brand-new album from Californian band Ugly Kid Joe. It will be their first new album since 2015's 'Uglier Than They Used Ta Be'. 'Rad Wings of Destiny' will see the band teaming up with Producer Mark Dodson – who was behind the desk for Ugly Kid Joe's multiplatinum debut album release 'Americas Least Wanted' in 1992. An album which celebrates its 30th Anniversary this year. The 10-track album includes the singles “That Ain't Livin'”, “Kill The Pain” and “Long Road”. It features Whitfield Crane on Vocals, Klaus Eichstadt and Dave Fortman on Guitar, Cordell Crockett on bass and drumming duties shared between Zac Morris and Shannon Larkin. Ugly Kid Joe return to the UK for a headline appearance at Hard Rock Hell along with a co-headline tour alongside Massive Wagons. Tracklisting: That Ain’t Livin’; Not Like The Other; Everything’s Changing; Kill The Pain; Lola; Dead Friends Play; Up In The City; Drinkin’ And Drivin’; Failure; Long Road

Vinyl is limited to 200 copies per colour. 'Rad Wings of Destiny' is the long-awaited, brand-new album from Californian band Ugly Kid Joe. It will be their first new album since 2015's 'Uglier Than They Used Ta Be'. 'Rad Wings of Destiny' will see the band teaming up with Producer Mark Dodson – who was behind the desk for Ugly Kid Joe's multiplatinum debut album release 'Americas Least Wanted' in 1992. An album which celebrates its 30th Anniversary this year. The 10-track album includes the singles “That Ain't Livin'”, “Kill The Pain” and “Long Road”. It features Whitfield Crane on Vocals, Klaus Eichstadt and Dave Fortman on Guitar, Cordell Crockett on bass and drumming duties shared between Zac Morris and Shannon Larkin. Ugly Kid Joe return to the UK for a headline appearance at Hard Rock Hell along with a co-headline tour alongside Massive Wagons. Tracklisting: That Ain’t Livin’; Not Like The Other; Everything’s Changing; Kill The Pain; Lola; Dead Friends Play; Up In The City; Drinkin’ And Drivin’; Failure; Long Road

Fiocco and Scoop are both productions from DJ/producer Jan Vervloet. These 2 massive hits were originally released on A&S Productions and now available for the first time in their radio edits on black wax.

Red Carpet Massacre is the 12th studio album by English new wave band Duran Duran, originally released on November 13, 2007. The album debuted at #36 on the US Billboard 200 (#5 Top Alternative Albums), and reached #44 on the UK Albums Chart. The album features production from Timbaland on 3 tracks (“Nite-Runner” ft. Justin Timberlake, “Skin Divers,” and “Zoom In.”

coalesce koh-uh-les 'to come together in or form one mass or whole'
Tritonal have embarked on a brand new chapter in their story which
began with 'Out Of The Dark', the first single from their upcoming fifth
album 'Coalesce'
Encompassing all that they've learned on their musical journey thus far, the
upcoming album solidifies production, art and meaning.
The upcoming record is a grandiose progressive trance production that sees
Tritonal's refined sound at its very best, supported by outstanding vocal
performances from a variety of collaborators, and is already set to be a favorite
amongst fans and supporters alike. In recent weeks, the duo wrapped up festival
appearances at EDC in Mexico City and Las Vegas, Metropolis Festival in
Brooklyn, and Dreamstate Harbor in Los Angeles, bringing their captivating and
vivacious sets to crowds across the country.
Double Gatefold, Neon Magenta Color Vinyl, Insert

GALDERIA präsentieren ihr neues Album "Endless Horizon", das durch seine kraftvollen und melodischen Metal Songs besticht, die einmal mehr vom Geist der Freiheit und Einheit erfüllt sind. Freut euch auf schwere Riffs, atemberaubende Leadgitarren sowie fantastische Vocals und Chorarrangements.

"Endless Horizon" ist ein melodisches Metal-Album mit 10 Songs voller Chorgesänge und Harmonien.
Es bietet eine massive Produktion, schwere Gitarrenriffs, atemberaubende Leadgitarren und fantastischen Gesangs- und Chorarrangements. Das Album wurde im Domination Studio vom talentierten Simone Mularoni gemischt und gemastert. Das Artwork wurde vom guten Freund der Band, Felipe Machado Franco, entworfen, mit dem sie seit ihrem ersten Album ein großartiges visuelles Universum erschaffen haben. Die Band ist sehr stolz auf das Ergebnis und für sie ist es bei weitem das beste Album, das sie zusammen gemacht haben. Seb und Tom haben Seite an Seite am Songwriting und an den Arrangements gearbeitet und dabei etwas wirklich Einzigartiges geschaffen. Alle Songs sind vom Geist der Freiheit und Einheit erfüllt.
Das Hauptthema des Albums ist das Erwachen des menschlichen Bewusstseins und die Emanzipation der Menschheit. Es geht um die Entscheidung, die wir treffen müssen, um diese Welt zum Besseren zu verändern, indem wir uns einfach selbst verändern.