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Twenty years ago, ILL BILL released “What’s Wrong With Bill?”, a raw, unfiltered snapshot of where his mind was at during a dark, creative and transformative time. Chaos and clarity in musical form, a record built from trauma, truth and the New York streets that raised him. He never imagined it would become what it did: a cult classic with a revered mystique that continues to be quoted and debated 20 years later. This album captured ILL BILL at his most urgent, most aggressive and most alert to the madness around him.

For the first time in two decades, “What’s Wrong With Bill?” is being reissued on 2LP vinyl, a complete capsule including an alternate variant cover, 20th anniversary commemorative OBI strip, and, for the first time ever, a cassette edition, alongside a remastered limited edition CD. This is more than nostalgia, it’s encapsulated arcana, proudly representative of an era when Hip Hop was dangerous, fearless and alive. This one is for the true believers who never forgot.

Jefferson Berry combines story telling with the intricacies of Jam Band and Roots instrumentation. His songs are performed by a cadre of unique players:
The Urban Acoustic Coalition. The band is anchored by the virtuosity of
Bud Burroughs and the harmonies of Theresa Ratliff. While acoustic by nature, never missing is the locked-in bass/drums drive of Uncle Mike and Adam Stranburg. Complementing all this with a variety of guitar styles, Berry’s projects bring a danceable style and contemporary point of view to a unique wing of Philadelphia’s local music scene. With the release of his fourth album in five years, this reputation is spreading nationally. Berry’s lyrics are informed by his years in corporate media followed by a dozen years teaching African
American History, Economics and Government to inner-city Philadelphia high school students. Symeer Woods (aka Lil Uzi Vert) and the late
Rasheen Jones (aka Runup Rico) were among his students. Double Deadbolt Logic was originally released in 2020 and has 11 all original tracks in total featuring “At The Festival” and “Get To The Store”

Jefferson Berry combines story telling with the intricacies of JamBand and Roots instrumentation. His songs are performed by a cadre of unique
players: The Urban Acoustic Coalition. The band is anchored by the virtuosity of Bud Burroughs and the harmonies of Theresa Ratliff. While acoustic by nature, never missing is the locked-in bass/drums drive of Uncle Mike and Adam Stranburg. Complementing all this with a variety of guitar styles, Berry’s projects bring a danceable style and contemporary point of view to a unique wing of Philadelphia’s local music scene. With the release of his fourth album in five years, this reputation is spreading nationally.
Berry’s lyrics are informed by his years in corporate media followed by a dozen years teaching African American History, Economics and Government to inner-city Philadelphia high school students. Symeer Woods (aka Lil Uzi Vert) and the late Rasheen Jones (aka Runup Rico) were among his students. Born Into A Blizzard is the latest release from Jefferson Berry & the UAC and has 10 tracks in total featuring “Leaving Santa Maria", “Thirty Miles to the Beach” and “Philly Eats its Own”.

Jefferson Berry combines story telling with the intricacies of JamBand and Roots instrumentation. His songs are performed by a cadre of unique
players: The Urban Acoustic Coalition. The band is anchored by the virtuosity of Bud Burroughs and the harmonies of Theresa Ratliff. While acoustic
by nature, never missing is the locked-in bass/drums drive of Uncle Mike and Adam Stranburg. Complementing all this with a variety of guitar styles, Berry’s projects bring a danceable style and contemporary point of view to a unique wing of Philadelphia’s local music scene. With the release of his fourth album in five years, this reputation is spreading nationally. Berry’s lyrics are informed by his years in corporate media followed by a dozen years teaching African American History, Economics and Government to inner-city Philadelphia high school students. Symeer Woods (aka Lil Uzi Vert) and the late Rasheen Jones (aka Runup Rico) were among his students. Prairie Fire was originally released in 2023 and has 11 tracks in total featuring “That Was Me”,
“Long Way From Home” and the title track “Prairie Fire”.

Celebrating over a decade of hip-hop excellence, Legacy of Hits delivers 15 career-defining tracks from Rich Homie Quan, one of Atlanta’s most influential voices. From the breakout anthem "Type of Way" to the multi-platinum-certified smash Flex "(Ooh, Ooh, Ooh)", this collection captures Quan’s ability to craft both raw street records and timeless radio staples that shaped the sound of Southern rap.
The set includes fan favorites like “Differences”, "Walk Thru (feat. Problem)”, "They Don’t Know”, "Blah Blah Blah”, “Reloaded" and "15 Shots, giving fans a complete retrospective of his impact. With production from heavyweights such as Yung Carter, Metro Boomin, London on Da Track, Trauma Tone, and Yizzle, the project stands as a true testament to Quan’s consistency, resilience, and influence.
Available in both vinyl and CD formats with exclusive collectible packaging, Legacy of Hits is more than just a greatest hits, it’s a landmark release that celebrates Rich Homie Quan’s journey, artistry, and legacy.

Elegante Popmusik. Gewaltige Hooks. Voller Streichersound. Das L.A. Musikerkollektiv Storefront Church um den Phoebe Bridgers-Schlagzeuger Lukas Frank nahm sein 2024er Album ""Ink & Oil"", das erstmals flächendeckend erhältlich wird, mit einem kompletten Live-Orchester auf. Textlich bewegt sich Lukas auf der Schattenseite der Straße. Musikalisch ist er der Hammer. Erinnerungen an Scott Walker, Nick Cave, Brian Wilson und den frühen John Grant werden wach. Die Mitglieder treten - ähnlich Broken Social Scene oder Black Country, New Road - in wechselnder Besetzung auf, darunter Laetitia Sadier, Phoebe Bridgers, Zachary Cole Smith (DIIV), George Clarke (Deafheaven), Circuit Des Yeux, Lauren Auder, Cassidy Turbin (Beck), Sam Wilkes und ein Dutzend weitere. Storefront Church steuerten den Song ""The Gift"" zur Netflix-Serie ""The Queen’s Gambit"" bei und nahmen den Roxy Music-Klassiker ""More Than This"" als melancholische Gothic-Version auf.

Iconic hip-hop duo The High & Mighty, composed of rapper Mr. Eon and producer DJ Mighty Mi, make their long-awaited return with Sound of Market, their first studio album in over twenty years. The release marks a powerful comeback for one of underground hip-hop’s most celebrated duos — a project steeped in nostalgia, boom-bap grit, and the timeless energy of East Coast rap.

Named in honor of Sound of Market Street, the legendary Philadelphia record store that served as a hub for crate diggers, DJs, and hip-hop heads for decades, the album pays homage to the culture that shaped The High & Mighty’s sound and identity. Much like the store itself, the record celebrates deep cuts, rare finds, and the shared love of vinyl that connects generations of hip-hop fans.

Across 17 tracks, Sound of Market revives the duo’s trademark wit and sharp lyricism while showcasing an impressive lineup of collaborators, including Kool Keith, The Alchemist, Your Old Droog, Large Professor, O.C., Chubb Rock, King T, Skillz, and many more. The result is a cohesive, sample-driven experience that bridges the classic and contemporary — reaffirming The High & Mighty’s status as true architects of independent hip-hop.

From the opening anthem “Two Man Crew” and the surreal swagger of “Pinky Tuskadero” with Kool Keith, to the cinematic boom of “Mighty’s Big 5 (Live from The Palestra)”, the record moves effortlessly through sharp lyricism, layered production, and a shared reverence for the foundations of the genre. Sound of Market is both a return and a reminder — a record that feels timeless in its authenticity.

2025 Repress

Chris Stussy makes his long-awaited FUSE debut as he drops the heavily-requested ‘Midtown Playground’, with Huerta joining on remix duties.

It’s rare for an artist to command such intrigue and interest across every single release they line up. Yet, the captivating global gaze around Chris Stussy seems to be snowballing with every unreleased production teased in his ever-impressing sets. Now undeniably one of the scene’s most in-demand names, the humble and hardworking Dutchman has been letting the music do the talking over recent years, with his Up The Stuss project welcoming a new musical focus and providing a platform for him to grow and evolve into an artist at the very top of his game. Not letting up, the surging DJ/producer and label boss now adds another label debut to his catalogue as Enzo Siragusa invites him to his iconic FUSE imprint for the very first time, bringing the release of one of his most requested tracks to date, ‘Midtown Playground’ - with LA-born, Berlin-based DJ, producer and Leisure boss Huerta also making his first appearance on the remix.

From the instantly recognisable synths and lead melody to the skipping percussion and rumbling core bassline, ‘Midtown Playground’ perfectly showcases the sound that Stussy is quickly making his own. The same can be said for ‘From The Delicate Mist Of Morning’, a more subtle but hypnotic offering, while ‘Blueprint’, another unreleased stand-out, offers that commanding yet playful groove he’s become so known and loved for. Delivering his flip of ‘From The Delicate Mist Of Morning’, Huerta dives into a deep, colourful and breezy journey through cosmic spheres, while digital purchasers can enjoy a bonus cut in ‘Mythical Power’ - a warping, jacking and menacing effort built for bustling late hours dancefloors.

To celebrate the 50th anniversary of Profondo Rosso, Dario Argento’s masterpiece with its iconic Goblin soundtrack, comes a once-in-a-lifetime collector’s box set.

This box set, limited to 450 copies, includes:

GOBLIN - PROFONDO ROSSO / 2LP SET
Special double vinyl reissue with gatefold cover and brand new artwork including the original soundtrack, plus a bonus disc that contains a collection of tracks with the actual music used in the movie.

CALIBRO 35 - CANZONCINE PER BAMBINI / 12” LP
Exclusive 6-track LP featuring brand-new compositions by cinematic jazz-funk masters Calibro 35, blending their trademark sound with nursery rhymes sung by a real children’s choir.
The project is inspired by one of the film’s key scenes — a sort of MacGuffin around which the music playfully revolves — transforming that cinematic idea into a standalone concept full of irony, tension, and imagination.

FABIO CAPUZZO - NEL ROSSO PIÙ PROFONDO
LP-sized book, in English, containing one of the most detailed and thorough analysis on both “Profondo Rosso” movie and soundtrack ever written, courtesy of Fabio Capuzzo,one of the greatest Italian experts on the matter.

LENTICULAR IMAGE, revealing the film’s key scene, turning this edition into a true display piece.

A celebratory release of extraordinary cultural and collector’s value, blending cinema, music, and memorabilia into a total experience. An unmissable tribute to Profondo Rosso, fifty years on.

Electric Satie is a one-off conceptual project by Japanese composer Mitsuto Suzuki, who is mostly known for his work on Final Fantasy soundtracks. Released on CD-only in 1998, “Gymnopédie ’99” reimagines Erik Satie’s beloved piano compositions in electronic form ranging sonically from downtempo bossa-nova (featuring Brazilian percussionist Marco Bosco and vocalist Silvio Anastacio) to freestyle ambience and chillout room IDM, not far from the music featured on Music from Memory’s “Virtual Dreams II” or Warp Record’s “Artificial Intelligence.” A deeply imaginative composer and arranger, Suzuki harnesses a unique mix of drum machines, synthesizers, live percussion, soprano saxophone, piano, and spoken word to craft a lush and vividly futuristic sound world that video game soundtrack enthusiasts will easily fall into.

The Germany-based band Rikas' new album, "Soundtrack For A Movie That Has Not Been Written Yet," promises to be their most cohesive and contemplative project to date

Comprising 11 brisk yet beautiful tracks, the album showcases the band's tight tempos and mellow delivery. "We started this record just to have fun. It's not been that easy, because so much change has happened," guitarist and keyboardist Sascha Scherer reflects. "We've had to learn to adapt... This record is more inward-looking. We were reflecting. " Scherer further explains, "I think a lot of bands have trouble staying still. When you stop touring and moving to a new city each day, you feel lost. I feel like our new album is capturing that feeling of go, go, go." This feeling of inertia contains layers: there's a sense of restlessness, but also brotherhood and camaraderie-- feelings Rikas aim to depict in each of the album's videos. "For our sophomore album, we wanted to create a very homogeneous one," Scherer continues. "Which was not easy to achieve because we have made the experience that throughout all of our records every song differs from each other. We have four songwriters who happen to be also multi-instrumentalists in our band, and that's why we don't have to put much effort into diverse record making. Instead, we had to put pressure on ourselves to make something consistent. But we also didn't want to make every song sound the same. So the concept of the album lays in its topics."The songs for "Soundtrack For A Movie That Has Not Been Written Yet" were written over the past year, adapting and shaping old snippets and ideas, as well as creating songs completely from scratch. "For some reason, when we started writing and listening back to the songs, they all shared a similar feeling of cruising, traveling, being in motion," Scherer says. "This wasn't intentional at first, but felt more and more suiting as we proceeded with the writing. We found we'd enjoy the songs most while driving in our van, looking out the window, seeing the landscapes passing by. This has something very meditating to itself already, amplified even more by a suiting soundtrack. This is the soundtrack we tried to write. The album in its entirety is supposed to feel warm, hugging, like 'being bedded in cotton.'" For the visual content of the album, the band decided to travel to San Remo, northern Italy, to capture some of the late November sun. "In a way, you could say we tried to film the first part of the movie whose soundtrack we had just written," Scherer concludes. "Soundtrack For A Movie That Has Not Been Written Yet" is a testament to Rikas' ability to adapt and reflect on their journey, offering listeners a meditative and immersive experience that captures the essence of being in motion.

“Stuck in My Head / Home is Behind” marks the most profound and personal release from Jamie Collomb, known to many as Oneduz - artist, father, husband, and co-founder of The Global DNB Collective. This vinyl project, created with unwavering passion and intention, was Jamie’s proudest work, a true reflection of his artistic soul.
Tragically, Jamie passed away unexpectedly just as the record entered production. Featuring original tracks by Eclipsed Shadows and Noisesmith, and powerful remixes by two of Jamie’s heroes: drum & bass legends Blame, and longtime friend and inspiration Danny Styles. This release stands as both a musical statement and a lasting tribute.
Following Jamie’s passing, his creative partner Andy (Syntax Era) and GDNBC designer Ryan Feyler (Drbblz) came together to carry his vision across the finish line. Every detail of this release honors Jamie’s legacy.
All profits from this album will go directly to support Jamie’s wife, Shanda, and their two young children, Porter and Hadley. This is more than a record, it’s a celebration of Jamie’s life, his music, and the community he helped build.

The perfect soundtrack for a summer roadtrip in an old car across Death Valley.

“Calexico's musical textures are woven out of a dazzling array of instruments and styles, including mariachi trumpets, countrified pedal steel, Latin jazz percussion, and carnival organ, just to name a few. The songs move at siesta speed, casually looping and loping along, never getting overheated. Bandmates Joey Burns and John Convertino have their hands in so many musical pies--including projects with OP8, Giant Sand, Victoria Williams, Giant Sand, and Richard Buckner--one wonders how they find the time to create the sun-soaked music of Calexico. But thank God they have.” --Tod Nelson

Assembled by Pedro Alves Sousa, Má Estrela is a conjuration of ideas and obsessions around dub, leftfield dance phenomena and the hypnotic potential of urban somnambulance.

In a levitating state, not exactly detached from the unease of these end times, Sousa surrounds himself by a number of accomplices from past and present endeavours to project a scrying mirror reflection of distinct languages of trance and liberation - dub's space and infinity, jungle and footwork's broken shards, DJ Screws legacy perpetually reanimated via numerous slowed down anonymous versions on Youtube and the lyricism and fire of jazz.

Temporarily a quartet, comprised of Sousa on saxophone and its electronic processing, Bruno Silva and Simão Simões on electronics and Gabriel Ferrandini on acoustic and electronic drums, after the departure of Miguel Abras, Má Estrela had in their 2022 debut album their first document of this ongoing process that’s now continued with ‘Tornada". Miguel Abras has since been replaced with Bruna de Moura and Má Estrela came back to being a five piece.

Coming out in November through Discrepant, with Miguel Abras' bass still present, 'Tornada' deepens the symbiotic connection between those rhythmic, melodic and textural particles in a mutating flux of continuities and disruptions throughout seven tracks. Featuring the invocations of Elvin Brandhi in 'All You Did', 'Tornada' makes its way amidst harmonic spectres, rhythmic debris that breathe for life and a certain, implicit idea of ritual that sustains itself liminally between the ethereal dissolution of time and the physical projection of space.

At the end of the project’s 20th anniversary celebrations, ROME tolls in the next era of the band with two fresh and visionary albums: ‘The Hierophant’ and ‘The Tower’. Whatever the great poets have affirmed in their finest moments is the nearest we can come to an authoritative religion or truth. It is in this spirit that ROME welcomes the listener into the temple of ‘The Hierophant’, ROME’s final album of its second decade of existence.

‘The Hierophant’ represents the enigmatic accompanying piece to the more introspective and seclusive recent work (of ‘The Tower’). Starting its journey during ‘Days of Assembly’, from the opening ‘Secret Harbour’ along ‘On Sorrow's Embankment’ to its logical finale in the mythical North with ‘Apollo of Hyperborea’, ‘The Hierophant’ is a spiritual travelogue seeking out the word and world of this ‘My Frail Ambassador’, the proclaimer of the sacred truce, interpreter of the ancestral laws and our guiding light through these darkened times.

Dare To Wonder is the new album by London jazz rap duo Summers Sons. Two brothers, surname Summers. Turt on vocals and Slim on production.

Dare To Wonder consists of 12 songs about love, life and connection. Compared to previous Sons’ albums, it’s safe to call Dare To Wonder a feel good album in its best sense. It doesn’t turn a blind eye to the madness of the world today. But it dares to take a step back and marvel at the beauty of the world around us. It dares to wonder. Wonder awakens our curiosity and leaving us thirsty for more knowledge. But it also humbles us – keeping us from thinking we know everything already.

Since 2018 Summers Sons have released five albums on Melting Pot Music (Undertones, Uhuru, The Rain, Nostalgia, Still Nothing Still) – which accumulated over 50 million streams to date – and a string of high profile collaborations with The Silhouettes Project, Twit One, C.Tappin, Nix Northwest and Frankie Stew & Harvey Gunn.


INFOTEXT DE

Dare To Wonder ist das neue Album des Londoner Jazz-Rap-Duos Summers Sons – zwei Brüder mit dem Nachnamen Summers. Turt am Mikrofon und Slim an den Beats.

Dare To Wonder umfasst 12 Songs über Liebe, Leben und Verbundenheit. Im Vergleich zu ihren bisherigen Alben darf man Dare To Wonder mit gutem Gewissen als Feel-Good-Album im besten Sinne bezeichnen. Es verschließt nicht die Augen vor dem Wahnsinn der heutigen Welt, aber es wagt die Perspektive, um die Schönheit um uns herum neu zu betrachten. Es wagt, zu staunen. Staunen weckt unsere Neugier und macht uns hungrig nach mehr Wissen. Gleichzeitig macht es uns demütig – und bewahrt uns davor, zu glauben, wir wüssten schon alles.

Seit 2018 haben Summers Sons fünf Alben über Melting Pot Music veröffentlicht (Undertones, Uhuru, The Rain, Nostalgia, Still Nothing Still) – mit über 50 Millionen Streams – und hochkarätige Kollaborationen mit The Silhouettes Project, Twit One, C. Tappin, Nix Northwest und Frankie Stew & Harvey Gunn veröffentlicht.

Two musicians, two different folk music traditions, two soundscapes hundreds of miles apart and one nightingale song. Nightingale melodies inspired this intoxicating folk album by Slovakian flautist Michaela Antalová and Norwegian double bassist Adrian Myhr. The Oslo-based duo’s album follows their meditative 2021 debut Zvony (Bells), which featured harmonium, field recordings of crickets and a Slovak male choir.

Sing Nightingale is a translation of ‘Zaspievaj Slavicku’, a traditional Slovakian song. The duo experiments with this theme of the songbird; exploring instrumentation from around the world and its rich tonal textures. On ‘Night Singing’, Michaela plays a Slovakian fujara, a tall, upright wooden bass flute originally played by shepherds. The fujara’s smooth, deep tones are laid over a recording of a nightingale by musicologist Tomáš Šenkyřík, with Michaela’s flute mimicking the bird’s nocturnal chirps and warbles to attract a mate. Michaela is carefully imitating the bird, who is in turn improvising his melody. In ‘Worm Moon’, named after the springtime full moon in March, when nightingales return from Africa where they have spent the cold winter, Adrian’s slow and resonant double bass is brightened by the sweet trills of a real nightingale and Michaela’s fujara.

The Norwegian Hardanger fiddle or hardingfele, features on two specially written songs; ‘Lament’ and ‘Rosenhave’ (rose garden) which bring together the nightingale’s symbolic associations with undying love, sacrifice, deep sorrow and loss. Celebrated Hardanger fiddle player Helga Myhr plays alongside Adrian’s double bass and Michaela’s seljefløyte or willow flute. Helga also plays on ‘Flagre’ (Flutter) and ‘Dance Nightingale’. The seljefløyte is very similar to the Slovak overtone flute koncovka. By using this Norwegian instrument, Adrian and Michaela’s new compositions are reminiscent of both countries’ folk traditions. Folk music often comes from unknown sources; the original writer may not be known and the melodies are typically passed down orally. Michaela and Adrian’s project merges the different folk musics from their respective countries, finding common ground in the sonic qualities of instruments and evolving a new hybrid folk style, authentic in its own right.

For the stunning adaptation of the traditional Slovakian fujara song ‘Dolu Ovce Dolinami’ (‘Sheep down the valleys’), Adrian’s friend Javid Afsari Rad plays the Iranian santur, similar to the traditional Slovak string instrument cimbalom. By coincidence, Iran’s national bird is the nightingale, making another unexpected connection to the symbolic bird. These 11 tracks are a beguiling fusion of traditional folk styles, approached by musicians from an avant-garde, improv and jazz background. The album pays tribute to a hugely expressive bird and finds a strange, soothing universality in the folk sounds of different countries.

Alvorada is Montanha’s first long play: an ambient-leaning work, nocturnal in mood yet touched by electricity, tracing a journey from waking activity into dream logic. Recorded mostly in the late hours of the evening with windows open to the city, letting its air and sounds influence the music, it sometimes reached the early moments of sunrise. The title, meaning “dawn,” reflects both the liminal hours of its making and the band’s own renewal. These tracks are closer to drawings than songs: narratives written between instruments, moments of tension and release, fragments of memory and dream. The tracklist follows this nocturnal voyage with the patience of Eno, the disquiet of Uematsu, and the madness of Miles Davis’ Decoy, oscillating between streets and sleep, routine and reverie.

Montanha was formed in 2010 by André Azevedo, Nuno Oliveira, João Sarnadas, and Tito Silva, bonding over architecture school all-nighters on videogame soundtracks (Age of Empires, Super Mario). They began as a psychedelic rock combo and in 2013 released their self-titled EP which introduced a raw, improvised energy. But the album that was meant to follow was abandoned as the band entered hiatus. The four members turned their creative drive towards co-founding Favela Discos, where experimentation with media and form reshaped their ideas of music, and developed their taste, their way of playing, and a more personal sound that was more open and disconnected from a defined genre.

By 2017, Montanha had returned to the studio with new experience, no longer a rock band in the traditional sense but a project devoted to improvisation and electronic soundscapes. An ever gentrifying city forced them to abandon acoustic drums, and they embraced electronic beats instead, and became mobile; one guitar dissolved into full synths, leaving the other to converse with bass. Improvisation remained their compass. In improvisation there are no mistakes, only missed opportunities. Montanha found their opportunity in the routine of the studio to break routines of pop and experimental. The result is a body of nearly fifty hours of recordings, sculpted into an album.

Alvorada is not only Montanha’s first LP but also the dawn of their new phase. Improvised yet carefully sculpted, the record expands the territory of the song into nonlinear narratives, letting the language of night, dream, and city seep into its form.

Agathe Plaisance, a self-taught visual artist and musician, creates a universe where the softness of folk origins gradually metamorphoses, giving way to sonic explorations that push the door open to other worlds. Her light-and-dark electronic pop plunges us into her inner world, with deeply intimate lyrics about illness, addiction, the relationship with oneself and with others. The Lynchian atmosphere created by the synth layers surround an ethereal voice, echoing the work of artists such as Cat Power and Mazzy Star. Through a live performance of continuous tension, the woman in the making explores herself and seeks to transcend her pain in order to reinvent herself. With this new album, Agathe Plaisance delivers an intense and introspective work, born from a period of deep depression. She explores with honesty her anger, losses, fears, and addictions, while also casting a clear-eyed gaze on those of others. Despite the darkness that runs through the record, glimpses of hope, love, and light begin to surface, offering a path toward healing. Deep Rest is more than just a title - it's a metaphor, a play of shadow and light at the heart of the project. The artist transforms pain into a tool for reinvention. Her folk beginnings gradually give way to more electronic and experimental sounds - a shift that mirrors her personal rebirth.

A record label born in Madrid in 2025, with the intention of physically producing electronic music, without pretensions of musical genre or trends. We seek to reveal unpublished talents and release with artists who share our sonic aesthetic. The purpose is to showcase a pure and authentic expression in every work. DEFENESTRE RECORDINGS presents its first release: ALARMA 2ØØØ, produced by RØBØT CITY (alias Salvador Rojo). The album consists of eight tracks, materialized in a 12-inch vinyl record that has been hand-treated and screen-printed on each copy, reflecting the project’s human and sentimental essence. Composed and produced entirely in analog by Salvador Rojo in Lugo (March-June 2025), the record is a journey into the artist’s sound universe: Side A delivers 4 tracks of pure, hard-hitting electro (paranoid, industrial, powerful beat), achieving a harmonious and emotional sound; while Side B presents cuts that take us from more ambient soundscapes to organic, astral, and liberating techno. ALARMA 2ØØØ is the first declaration from DEFENESTRE RECORDINGS, a label committed to hardware sound and pure, unfiltered expression.