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RAMZi's 'hyphea', the new album by Montreal based artist Phoebé Guillemot. It is her latest sonic quest containing 10 new tracks, of which some are versions of the score she made for a documentary about mushrooms called 'Fun Fungi' (directed by Frederic Lavoie).

Recorded between November 2021 and May 2022, writing 'hyphea' started off somewhat as an attempt to escape boredom and frustrations imposed by the severe restrictions during the pandemic. For Phoebé it was a way to reconnect with RAMZi who's spirit brought her back to mystical feelings and gave hope for future magical adventures after having felt disconnected for a while.

RAMZi is a wild spirit from the forest and refers to a parallel autonomous world that keeps evolving. In her own words: “The music remains as a doorway to that world. It has never been about me, I always see that entity bigger than myself. The process of writing 'hyphea' was rather intuitive. I don’t think about styles of music before producing tracks. Those are more like an adventure in itself, each one set in a different ecosystem.”

Artwork by Marinka Grondel.

AVNU (UK) follows up his fantastic recent single on Ellum Audio with a long-awaited and hugely adventurous new album, ‘Tough To Love But Worth The Effort’.

AVNU (UK) is based on the East Coast of Scotland and has been deeply immersed in music for twenty plus years. He has a love of everything from rock, soul and blues to disco, electro, techno, trance and rave. All of that comes out in his innovative sounds, which range from sweat-inducing club tracks to hooky and feel-good grooves. This album finds him working his magic across 15 tracks that bring plenty of fresh perspective to house, electro, synth, techno and pop. They add up to a storytelling record filled with left turns and tracks that work in a range of different contexts.

'Surprise!' opens with a glossy electro beat and shimmering 80s synths that set the tone for the whole record. 'I Love You' brings a French touch influence with plenty of filtered synth loops and crisp drums under a soulful vocal, then 'Supaflake' cuts loose on an old-school funk vibe with nods to early Daft Punk. This most colourful of records plays out through the likes of sombre cosmic techno offering 'Bad Karma,' the longing chords and heavy-hearted electronica of 'Odyssey Jam' feat Mariel Ito and distorted bass of 'Phlegm In The Street' which comes with laser-like synths and menacing vocals.

The future styles continue on 'Yo E, Check This Out' which collides jungle breakbeats with brain-melting sine waves, while 'Wilkie' is a moment to catch your breath amongst bright and shiny synths and deeper drums that suspend you in a celestial sky. 'Proud You’re Mine' is a perfect electro-dance-pop gem that has potential to be a summer festival anthem and the title track closes down with six minutes of enchanting and mystical synth lines and hypnotic drums.

‘Tough To Love But Worth The Effort’ is a spectacularly broad and accomplished album that lives in a world of its own.

Re-introducing Uk producer Jay Strata, a Glasgow Scotland based Dj/Producer/Graphic Artist Since 1990; with releases & remixes on Soiree Records Detroit, Ozone Records, Jack Trax, Crayon... Previously called Jace Syntax.This is Jaces new pseudonym & a chance to reinvent Himself. This Selection reflects Jason's Unique Mystical take on Electronic Music with tracks compiled from a musical period of 15 years plus. Each track has their own Quirk, varying from Haunting Electro, Acid House, Hip House & Detroit Style Techno with live recorded vocals by Siouxla Le Sommer.

Charlotte de Witte takes charge of her KNTXT label's 15th release with the new Universal Consciousness EP. It comes after Amazingblaze - Venture EP and features four more powerful and psychedelic techno cuts.

Charlotte is soon to be playing her biggest ever KNTXT party in mid April. It shall take place in her hometown of Ghent and see her play a historic 10 hour set to a vast crowd of people who shall go on an all night long journey. Also in April, Charlotte returns to London’s iconic Printworks for the first time in five years, this time with her KNTXT concept and once again is set to raise the roof. While staying busy on the road, she continues to curate the Apple Music x KNTXT page while cooking up ever fresh sounds in the studio. This latest EP is another subtle evolution in her signature style.

Says Charlotte of the EP, "following up on my latest Asura EP in September, I decided to delve a bit deeper in the world of psychedelia. All the tracks of the EP are psy inspired, some more than others. I’ve been playing these tracks for a while now in the clubs. It’s been a real pleasure to see the crowd’s reaction and see the amount of track ID requests online. This one is from me to you, I hope you enjoy my Universal Consciousness EP!"

Opener 'Satori' is dark and heavy. The chunky, raw drums hit hard and flat as the squelchy acid synths pan about the mix. An enchanting middle eastern vocal wail brings an extra trance-inducing element that is sure to lock in the hearts and minds of the crowd. The super 'Kali' is a slick and high speed piece that shows the love relation between psy trance and techno. The video game style synths peel off the groove next to alien sound effects, and the subtly evolving acid line burrows deep into your brain.

Then comes the dynamic, bouncy and acid laced-title cut ‘Universal Consciousness’. It's a fulsome tune with rubbery kicks and visceral 303 loops that will melt the mind as dancers fall into its hypnotic and tripped out spell. Last of all is 'Ahimsa' with its bright, lashing acid synths and hammering kick drums. It's the perfect mix of physical groove and psyched-out synth work, and is perfect for both sweaty basements and vast main rooms alike. When the mystical flutes come in, it takes things to another level entirely.

This is another all consuming EP of innovative techno from Charlotte de Witte.

Single release from the forthcoming album “Catharsis”, produced by Sven Va¨th & Gregor Tresher The second release before the upcoming mighty new Sven Va¨th album “Catharsis” gives you another hint at what´s coming at you! Let us tell you, we couldn´t be more excited for everyone to finally experience Sven´s new masterpiece! But before we unleash the beast, we decided to release a second single. This time containing two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set! First up we have “Mystic Voices“, a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find. “Butoh” is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the Techno Realm but heavily twisted by a long break that introduces Japanese percussions that eventually get topped by the haunting vocals of Cana Hatsushiba.

with his third album 'vin ploile' the bucharest, romania based producer, musician and dj petre in-spirescu captured a whole new audience in 2015 and reached out with minimal leftfield ambient sounds to music loving folks, that are not part of the world-wide dance music universe.
well known as one of the key figures of the romanian electronic dance music scene since his first ep 'tips' on luciano's label cadenza, inspirescu stepped away from club sounds that made him famous due to releases on labels like vinyl club, lick my deck or amphia.
also his two solo albums 'intr-o seara organica...' and 'gradina onirica', both released on (a:rpia:r), the record label he initiated with his buddies rhadoo and raresh in 2007, do not have much in common with the sound of 'vin ploile' - a mesmerizing deeply musical album that he only tuned in with some elements of piano, string and wind instruments as well as analogue electronics.
at the end of 2015 his nine slow swinging arrangements where celebrated in many polls and now, just a bit more than one year after the release of 'vin ploile' petre inspirescu delivers 'vîntul prin salcii' - another longplayer enlarged with seven, up to epic twelve minutes long arrangements, that continue where 'vin ploile' ceased.
they all listen to the name 'miroslav' and only differ numerically in their title. you can call them ambi-ent. you can call them minimal music in the sense of classic compositions by steve reich or terry riley. they groove - sometimes more, sometimes less. and they spread the sounds of flutes or saxophones, delicate piano figures, organic jazz drumming, arpeggiated analogue synth-lines, mesmerizing strings, choral singing, alienated looped vocals and spaced out new aged spheres.
what unites them all is the way, the melodies dance upon and in each single tune. their beautiful tex-tures ensnare and they are continuously engaged with experimentation. a mystical album full of evolu-tionary music to which each listener is able to paint his very own emotional picture. moody, dark and at the same time light-flooded shape-shifting compositions - made for those who love to surrender them-selves to a gentle dance between experimentation and attractiveness.
the cover artwork for petre inspirescu's album was made again by the illustrator and photographer julian vassallo, who's artistic works fascinate with a touching spirit of distance, that captures the truth in each single motif. just like petre inspirescu's music, only that his art grooves with notes that tell somehow: there is no truth. there is only perception.

The Drop presents Based On A True Story - 21st Anniversary Edition. Honouring Chris (MU) Faiumu, aka Dj Fitchie. Manuia Lou Malaga. Mystic soul supernova, "Based On A True Story" aka BOATS is the debut studio album from Fat Freddy"s Drop unleashed in May 2005. The BOATS album features 10 fresh slices of future funk, with surprises, fakes & freaky sidesteps throughout. BOATS is Aotearoa"s longest-charting album with 111 weeks in the Top 40, won eight NZ Music Awards and took out Gilles Peterson"s Worldwide Music Awards in the UK. On debut in Aotearoa, the independent released BOATS debuted at #1 and went Gold on its first release day. The tracklist featured six completely new tracks, as well as reworked versions of previously released singles like "This Room", "Hope" & "Ernie" (also known as "Willow Tree"), alongside "Flashback".

A new release curated by Mystic Jungle, founder of Periodica Records, who - together with a small group of artists - has spent the past decade shaping a distinctive sound in his recording studio based in one of the most remote areas of Napoli.

This second release on the West Hill Music catalogue features the voice of American singer Roxana, alongside guitar contributions by Yugoslavian musician Igor Sekulović.

The A-side, "Can’t Make You Out", unfolds as a crepuscular track with a laid-back, exotic atmosphere, marked by subtle funk-rock influences. On the B-side, a stripped-down mutant-funk track built around electronic drums and a repeated vocal chorus leaves space for minimal arrangements and textured guitar lines to emerge.

Limited vinyl-only release.

The open skies of Ochre's new album, Oversail, replace the dense canopies of his last, Understory back in 2020. This time, UK-born, Netherlands-based talent Christopher Leary trades rhythmic intricacy for something more exposed and reflective on a record that unfolds in measured steps, with each passage revealing fragile melodies set against sparse, shifting frameworks. There's a tactile quality to the sound design, hardware elements clicking and sighing like ageing machinery still in motion. Tracks feel suspended and the focus is on slow revelation across the quietly affecting 'Casadastra', airy beauty of 'Meristem' and hopeful synth sequencing of 'Canthropa.'

‘Since the 16th century, the Ecuadorian province of Esmeraldas has been home to a unique Afro-Indigenous culture originating in the integration of the Indigenous Chachi and Nigua peoples with African Maroon communities. Juyungo documents significant Esmeraldan artists and bands playing the Afro-Ecuadorian folklore of the province, as well as including some older field recordings. Based mostly on the marimba, whose origins lie partly in the African balafon, partly in Indigenous percussion instruments, the music is laced with call and response chants, ambient insect and bird noise, the filigree finger-styles of the Andean guitar tradition and the panpipes of the mountains. This is resonant insider roots music at its headiest — the mystic revelation of Esmeraldas, gully deep and lustral.’
- Francis Gooding, The Wire.


The fifth in our series of LPs compiling classic music from Ecuador. Customary Honest Jons runnings: a beautiful gatefold sleeve; superior pressing, with vivid, intimate sound; full-size, sixteen-page booklet, in colour throughout, with detailed, fascinating, bi-lingual notes, and stunning photographs.

The music is transfixing, magical; not like anything else. From start to finish, this album is continuously, profoundly immersive; a kind of journeying, trippy meditation about slavery and cultural resistance, identity and mix, places and spaces, futures and pasts. It’s inscrutable to net-surfing, algorithms, Shuffle. But for a taste try the insurgent marimba roller Agua Largo, jet-propelled by Rosa Huila’s rapturous blend of African spiritualist and Christian chant. ‘Healing music,’ Zakia called it on Gilles Peterson’s BBC show recently. And the ravishing pasillo Kasilla Shungulla — ‘calm your heart’ in the Quichua language — a duet between the Peruvian master-guitarist Raúl García Zárate and viola da gamba by Juan Luis Restrepo from Medellin, recorded in a baroque church in Buzbanza, Colombia.

The prolific Benin-based Afrobeat legends Orchestre Poly-Rythmo de Cotonou return with a spectacular compilation alongside the enigmatic Antoine Dougbe, the self-styled 'Devil's Prime Minister.' This 12-track collection is the sound of the influential band at their peak and merging circular guitars, hypnotic synths, Afro-Cuban grooves and Cavacha rhythms into an unstoppable whirlwind of energy. Dougbe is an inventive songwriter and supplied compositions that the Poly-Rythmo arranged and performed here so they could lay down music that is fierce, mystical and rhythmically complex, as they always do. Few records convey the power of Benin's late 70s scene like this.

Delphine Dora, the prolific French composer and multi-instrumentalist, graces Marionette with a suite of keyboard instrumentals that evoke futurism and the transcendental. Based in France and actively releasing music since the 00’s, Delphine’s remarkable solo and collaborative projects loosely connect the dots scattered across modern classical, folk, ambient, and poetic writing - always seeking new ambitions in terms of her sound.

Leaving behind the chaos of city life for the quiet solitude of a small village in the French countryside, Delphine finds herself fully immersed in the present moment and committed to her multi-disciplinary creative practices, savoring the experiences of deep listening in nature and her environment. Drawing from an academic background in Outsider Art and Art Brut, Dora yearns to express intimate inner dialogues, revealing the beauty of vulnerability through transportive musical passages to the mystical and sublime.

L’inéluctable pulsation du temps was composed in 2018, at a time when Delphine’s life was becoming increasingly busy, marked by relentless touring and concerts unfolding in rapid succession across different places. Written in parallel with L’Inattingible, her most ambitious album, it stands as its instrumental counterpart. The recordings reflect a period of exploration and assimilation of the Nord Electro, an instrument that opened up vast sonic possibilities, particularly for the development of rich polyphonies inspired by repetitive music. The track titles draw inspiration from an essay by Hartmut Rosa on the notions of acceleration and alienation - a reflection that resonates strongly with the pre-covid era right before the quarantine. The album reveals Delphine’s most colorful and rhythmic side, an aural mille-feuille, in total contrast with her previous melancholic vocal works.

On L’inéluctable pulsation du temps, Dora sustains atmospheric drone miniatures that form the foundation for flowing, cyclical arpeggios, spiraling into a liminal dream space where the repetitive phrasing of melodies rewards introspective listening. The compositions move through (dis)enchanted landscapes, taking unexpected turns into more haunted terrain, their contours further blurred by Dora’s intuitive articulation and sense of refinement. By mirroring both the acceleration of time and the experience of alienation, Delphine conjures up timeless sonic meditations, rendering the inevitable pulsation of time as something at once mesmerizing and unsettling.

"Formed in San Diego at the tail end of the 1970s, The Crawdaddys stood apart from the punk explosion surrounding them, reviving the raw rhythm & blues spirit of the early British Invasion with unshakable devotion. Their debut album Crawdaddy Express, originally released in l979 on Voxx Records, captures the band at full throttle, gritty guitars, swirling organ, and a ferocious live energy straight out of a sweaty basement club circa 1965. Reissued to celebrate BOMP!’s 5Oth anniversary, this essential slab of garage revival magic remains a timeless reminder of when rock & roll was wild, loud, and gloriously untamed"

2026 Repress

Turbotito and Ragz's electrifying Naya Beat label has curated a cultured list of remixers to add their spin to the work of legendary Indian vocalist Asha Puthli. This essential remix album features Yuksek, Maurice Fulton, Psychemagik, Kraak & Smaak, Jitwam, and Turbotito & Ragz.

Naya Beat, which translates from Hindi as 'new beat', is focused on uncovering foundational electronic sounds from the subcontinent and South Asian diaspora through reissues, remixes and compilations. It found quick success with its first release, 'Naya Beat Volume 1: South Asian Dance and Electronic Music 1983 - 1992', followed by a rare 1985 Hindi New Wave album by Pinky Ann Rihal and more recently a ground-breaking compilation ‘Awaaz’ uncovering Bollywood electro and leftfield 80s original soundtrack recordings.

Hot off their highly sought after EP of Dimitri From Paris’ seminal remixes of Asha Puthli’s iconic track ‘Space Talk’, the label now offers up the first of two full-length releases based around her music. Cosmic disco pioneer, Studio 54 icon and jazz improviser Asha Puthli has recorded, sung or shared the stage with the likes of Roy Ayers, Alice Coltrane, Grace Jones, Barry White, Andy Warhol and many more. From David Mancuso's The Loft, to Giorgio Moroder's early work with Donna Summer, to hip-hop where she has been sampled extensively, Asha's musical influence and impact is profound. She was the first artist of South Asian descent to successfully crossover and make a mark on dance, jazz and pop culture in the West.

For this LP, Naya Beat tracked down the long mythologised original stems and recordings of Puthli's most seminal albums, including ‘The Devil is Loose’, and working closely with Asha, they have tasked a series of producers inspired by her work to remix her music.
Yuksek opens up with a pumping disco remix of 'I Am Song (Sing Me)' awash with uplifting synths and big claps next to the original vocals, which soar to the heavens. The seminal 'Space Talk' is remixed by Maurice Fulton into super steamy and late-night territory. The live drums and jumbled percussion are lit up with soulful chords as Puthli's carefully delivered vocals seduce up top. 'Lies' (Kraak & Smaak Remix) rides on fat-bottomed drums and bass that unfold with a dub swagger beneath a nebulous eco-system of cosmic synths and dramatic vocals. Label heads Turbotito & Ragz flip 'One Night Affair' into a leggy disco celebration with sweeping synths and bright effects, and Psychemagik's 'Right Down Here' is a pulsating mix of dark, snaking bass and drums with deep space ambience and raw hits making for a turbulent and tense atmosphere. Lastly, Jitwam closes out with a smooth disco sound laced with dynamic drums and cruising chords next to another sensuous top line from Asha Puthli.

Released by Fair Weather Friends Records, "Woven" marks a new chapter for the acclaimed Thessaloniki-based ensemble, featuring special guests Harris Lambrakis on ney and James Wylie on saxophone. Their collaboration expands the trio’s sound with new colors and textures, weaving together tradition and modern expression.

Its cover art is designed by the internationally celebrated and award-winning design studio Beetroot, giving the project a distinctive visual identity that mirrors its sonic depth.

This new quintet formation is a vision that Yako Trio have long aspired to bring to life. The collaboration with Lambrakis and Wylie adds new layers of texture and expression to the band’s music. The mystical, meditative tone of the ney intertwines with the emotive voice of the saxophone, expanding the trio’s sound into new territories. The result is a dialogue full of color, energy, and imagination — connecting tradition with modernism, East with West, and collective memory with contemporary creation.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society.

But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and UB40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long.

Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound.

Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenkini Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious.

Released on 1st September, Tokyo Riddim 1976-1985 is part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

Over the past decade, Siavash Amini’s compelling electronic music has quietly garnered praise from
Pitchfork, The Guardian and AllMusic. From his home base in Tehran, Iran, Amini has collaborated
with artists like Rafael Anton Irisarri and 9T Antiope, and regularly uses literature, film, mysticism, and
medieval Iranian culture as musical launchpads. Amini’s new album, Eremos, illustrates a passage
from Avicenna, the preeminent philosopher and physician of the Islamic Golden Age: one can move
out of darkness, he writes, by confronting the darkness within. The results are - even for Amini -
uniquely immersive, cinematic and moving: a landmark.

First-ever vinyl edition of Magic Castles' 2014 cult album The Lore Of Mysticore. A hypnotic blend of shimmering psych pop, hazy drones, and kaleidoscopic guitar textures, this record captures the Minneapolis band at the height of their creative powers. Originally released in 2014, The Lore Of Mysticore stands as one of the most compelling documents of the contemporary psychedelic underground. Minneapolis-based Magic Castles craft a hypnotic and immersive sound that blends shimmering psych-pop, hazy drones, and kaleidoscopic guitar textures into expansive, sun-drenched songs. This first-ever vinyl edition brings the band's beloved debut album to wax for the very first time, offering fans a chance to experience its swirling, cinematic beauty in a format that truly does it justice. Essential listening for fans of The Brian Jonestown Massacre, The Asteroid #4 and Spacemen 3

In spring 2022, Sankt Otten released their album “Symmetrie und Wahnsinn”, and now the next record is ready to enlighten our maltreated minds. “Tote Winkel” (Blind spots) is once again part of an album series with a geometric context, both creatively and musically.

Stephan Otten and Oliver Klemm made productive use of 2021, which has been decelerated to the maximum by Corona. For the first time, an external studio was booked (Mühle der Freundschaft, Bad Iburg) and the pool of analog synthesizers and other sound generators there was dusted off. Sankt Otten came up with the master plan to first free the spirit of 50 years of German electronic music trapped in the antiquated keyboards and oscillator housings, then to dismantle it, turn it inside out and reinterpret it. Echoes of music from Düssel- dorf are joined by sounds familiar from the Weserbergland, or mystical, sublime arcs of sound and, of course, the sequences typical of the Berlin School - whether side by side or interwoven. In a departure from the usual way of working, the majority of the tracks were created in the studio and in part from improvisations, which makes “Tote Winkel “ the most organic material we have heard from Sankt Otten to date.

New York-based Rafael Anton Irisarri mastered “Tote Winkel”, as he has done on productions by Biosphere, Ryuichi Sakamoto, Tycho, Terry Riley, Fennesz and many more. As part of the series of graphic covers, this extraordinary die-cut artwork was also designed by Daniel Castrejon. The vinyl version comes in a die-cut cover and colored vinyl, the CD in an elegant cardboard slipcase.

The Osnabrück duo Sankt Otten, founded in 1999, have been releasing on DENOVALI since 2009. “Tote Winkel” is their 14th album of timeless (instrumental) music. The band has dedicated itself to the holy trinity of Krautrock, Ambient and contemporary Elecronics.

Peripheral Minimal records is proud to present it's latest release: Cold Colors / Xiu "Tristesse" 7". The single comes from a cassette released by Vocoder Tapes in 2013. It will be limited to 250 copies on black vinyl.

The two tracks on the 7" are beautifully constructed minimal wave / synth tracks, that are simultaneously melancholic and uplifting, perhaps for comparison we could think of: Figure Study, Xeno & Oaklander or Selofan.

Cold Colors is Frédérick Barbe who hails from Bordeaux. He has released material on several well-known labels, including: Lux Rec, Oráculo Records, Waste Editions, Nocta Numerica, F.I.R., Romance Moderne, and now Peripheral Minimal.

Xiu is Oksana Rodionova who is based in Milan but originates from Estonia. "Xiu's music is a synthesis between retro-pop and futurist synth waves. It delivers spacy looped electronica, groovy rhythms, linear lo-fi synth washes, softly dreamy pop melodies sometimes admitting dramatic tones and mysterious textural ambiences. The conceptual background deals with thematics related to dystopia, occult arts and mystic beliefs."

The recordings were made between France and Italy during the "Loneliness" E.P. sessions 2013 / 14.