Search:myth

Fundamental Frequencies teams up once again with the master of the dark arts DJ Fokus for the first-ever reissue of his second mythical 94 jungle scorcher released on his own Suicide Records.

Having broken out with two 12”s on Monroe Production’s Blueprint Records, DJ Fokus quickly followed up at the Monroe Studios, under the watchful eye of legendary engineer Pete Parsons (Voyager), with two self-funded 12”s on his Suicide imprint before putting pen to paper with Lucky Spin Recordings. Now regularly demanding three figure sums both releases have achieved cult status amongst jungliests both young and old.

Available for the first time since its initial 1994 pressing with the lacquer cut by Beau Thomas (Babylon Timewarp/Intense).

PHANTOM OF THE AFTERS is the 3rd album from Irish rapper Kojaque, out on his very own Soft Boy Records. With landmark projects Deli Daydreams and Town’s Dead, that saw him 2x nominated for Choice Music Prize, receive support from Radio 1, 1xtra, 6Music, support Loyle Carner & Lana Del Rey and headline festivals across Ireland, Kojaque changed the rap landscape (and Irish culture) for good. Collaborations on his latest project include Biig Piig, Wiki, Charlotte Dos Santos and Gotts Street Park. The album traces blurred outlines of childhood trauma, depression, grief and love, interweaving the physical and emotional journey of central character Jackie Dandelion with bigger questions about immigrant identity, homesickness, cultural stereotypes and ultimately the reconciliation of self. Kojaque has created a cinematic-universe that is bigger in scope but also more tender and intimate in approach than ever before. It’s this willingness to be vulnerable - grotesque, even - that’s captured in the album’s iconic artwork, which subverts the bigoted depictions of Irish caricatures in 19th and 20th century Punch Magazine cartoons and sees this particular Phantom of the Opera remove not just those distorted masks, but also his own.

With songs that are cocksure and contemplative, brutally honest but also refreshingly myth-making, PHANTOM OF THE AFTERS marks a new era from Kojaque: one of his generation’s most unique talents. In suitably audio-visual style, the album traces blurred outlines of childhood trauma, depression, grief and love. It interweaves the journey of central character Jackie Dandelion from Dublin to London with bigger questions about immigrant identity, homesickness, cultural stereotypes and ultimately the reconciliation of self. It’s this willingness to be vulnerable - grotesque, even - that’s captured in the iconic artwork, which subverts the bigoted depictions of Irish caricatures in 19th and 20th century Punch Magazine cartoons and sees this particular Phantom of the Opera remove not just those distorted masks, but also his own.

The record drops alongside one of its more brooding moments, ‘WHAT IF?’: a soulful ode to anxiety, and the crippling impact of fear in moving forward in life or your relationships. “I’ve been obsessed with Charlotte Dos Santos ever since I heard her project Cleo,” Kojaque comments. “She’s just got such a distinct voice and sound. I sent the track over hoping she’d be into it and she sent me back a near perfect hook.” A fully independent artist, Kojaque has brought a stellar lineup of guests together on his latest work: from Biig Piig, Charlotte Dos Santos and NY rapper Wiki (who featured on ‘JOHNNY MCENROE’) to Gotts Street Park (‘BAMBI’) plus production credits such as Calvin Valentine (Ryan Beaty), Tony Seltzer (Eartheater, Freddie Gibbs) and Karma Kid (Hak Baker, Shygirl).

PHANTOM OF THE AFTERS will see Kojaque continue to blaze a trail around the world. He first came to prominence with the genre-bending concept record Deli Daydreams: it became the first mixtape to ever be nominated for the Choice Music Prize, and demonstrated his prowess not only as a polymathic artist, but DIY label-head (co-founding Soft Boy Records, which was subject to a Boiler Room documentary) and visual artist (Kojaque has received a prestigious Royal Hibernian Academy Award for his film-making). Even as the rest of the world sat up and paid Irish Art some long-overdue attention, Kojaque’s creative output has remained thrillingly uncompromising. Tour-de-force debut album Town’s Dead examined everything from gentrification, masculinity and mental health to a gnarly love-triangle unfolding on New Year’s Eve, held together by a multi-hyphenate attitude. Once again nominated for the Choice Prize, Kojaque played a sold-out UK & European headline tour around the restrictive local lockdowns, with the album landing additional support across the likes of Radio 1, 1xtra, 6Music, plus shows with Lana Del Rey and Loyle Carner (who also sampled Kojaque on hugo). With his landmark projects to date, Kojaque changed the rap landscape (and Irish culture) for good. On PHANTOM OF THE AFTERS, you sense he’s just getting started.

When Bob Vylan won the first MOBO award for Best Alternative Music Act in 2022, the punk-grime duo took to the stage and used the platform to speak about how they managed to achieve the impossible as independent artists in a genre-defying space. “We released an album this year that we produced entirely, mixed entirely, recorded entirely, all from my bedroom…so everybody that’s here, bigging up Atlantic and bigging up Warner, fuck that, us man did it ourselves”.

It was an acceptance speech that rattled the room and built anticipation for their next projects.

Humble as the Sun, the forthcoming album from Bob Vylan continues with much of the rage and urgency that they have come to be known and loved for, but this latest project shows that they are now stronger and wiser, bolstered by the wins and learnings that they have fought hard for along the way. The resulting tracklist aims to leave the listener feeling power alongside their anger, and brings a fresh and compelling blend of punk, rock, grime and rap together in an experimental way.

Following on from the last album, Bob Vylan Presents the Price of Life, the message woven throughout Humble as the Sun remains dark in places but is high-energy, defiant and unapologetic in its critique of a broken social and political system that so many have fallen victim to, but feel powerless against.

This album is for the underdogs, the ones who come out swinging and those who refuse to be defeated in the face of injustice, and aims to remind listeners that anger is a fire that can be harnessed and put to use. The album creation started from a conversation with the sun, which is, after all, a big ball of fire that sustains life.

From masculinity to myths about the G Spot, the themes and topics explored on Humble As The Sun make for an often humorously empowering celebration of the peoples ability to endure, overcome and bring about change.

The lyricism on this album is even more layered than their previous projects, still darkly humorous, anti-establishment and unforgiving but at times pauses to deliver much-needed words of afrmation to listeners, “You are loved. You are not alone. You are going through hell but keep going.” Bobby assures the listener, ofering an antidote to the state of the world, aiming to give some power and agency to those who hear it. At a time when so little trust or faith exists between the people and the powers that be, Bob Vylan ofers out a hand in the despondent darkness that has overwhelmed so many in the shadow of a burning planet. They guides the listener to a place where they can see some light and feel empowered to do something, to fight back, to continue pushing forwards despite the challenges faced along the way.

Mixing all of the best quintessentially British - and Jamaican - musical elements from punk to drum and bass, grime and rock, Bob Vylan creates a sound that reflects the state of the nation, at once voicing the frustrations that normal people have, while also highlighting one’s ability to persevere, overcome hardship and to change.

A post-modern mixtape of 12 microgenres created by The Numero Group. Bending the rules of the compilation with a selection of songs bound by their soaring spirit and adventurous approach, REACH is inspirational living for algorithmic times. The only LP guaranteed to save your life during humanity's apocalyptic demise.

Baba Stiltz has written and produced the award winning soundtrack for the Swedish Movie „Shame On Dry Land (Syndabocken)“. Awarded the „Guldbagge“ price for best feature film soundtrack in 2024, the music is dense, at times oppressive, than again light-mediterranean, all perfectly accompanying the stories vibe. The score is now available on vinyl and digitally for the first time.
Baba Stiltz moving between Stockholm & LA. A myth, a young legend. Writing music since the tender age of 13, not bound by genres or expectations. Used to do Skweee before he defined his own sound of Tech House - skipped that (temporarily?). Now moving on to more folkloristic styles: country, rock, indie… you name it. Good Musik.

LEGENDO is a work of sonic weird fiction. A pulp fantasy. A descent through the cracks in reality, punctuated by bizarre encounters and freaky transformations. It oozes an odd mixture of wonder and fear, a fascination with whatever might be lurking around the next unlit corner, met with relentless excitement and leading towards ghastly discoveries. Like a vision of a new mythological age, one that aims more at subverting and making fun of itself than educating towards any kind of morality. Or a self-conscious fantasy RPG turning into a full-on immersive experience. The author, Lubomir Grzelak AKA Lutto Lento, arranged this eccentric narrative as a follow up to his previous LP, the ominous Dark Secret world, while also settling out to subvert the atmosphere of that record. In his Haunter debut he embraces his own quirkier side, delving further into eerie derision and surreal trickery. He achieves that by remodeling his penchant for heavy bass and gloomy dub into a kind of otherworldly folk music, drawing in deterritorialized string instruments, cheeky digital sound design, Coil-ian horror synths, and drums that remind as much of heavy metal as of Hollywood neo-classicism. It is by pushing the envelope on the most contradictory elements that LEGENDO ascends to a form of mocking poetry. Many weird characters are encountered through the narrative: from the various musicians that contributed to the music (such as vocalist John Glacier, guitarist Adam Repucha and koto player Katarzyna Karpińska), but also many fringe fascinations that hail from Grzelak’s native Poland: from the 1897 painting ‘Skarby Sezamu' by Stanislaw Wyspiański that inspired the track of the same name, to the delirious paganism of outsider artist Stanislaw Skukalski, to the lullaby referenced in ‘Iskiereczka’. These entities all dwell inside LEGENDO and conduct its chapters, rendering the liminal dimension of its sound as real as it is in its creator’s mind.

'Clannad in Concert' was the first live album by, now globally recognized, Irish folk band Clannad, released in 1978 by Ogham Records It was recorded at an unknown location during their 1978 tour of Switzerland, during which the group decided to continue with the band full time. This 2023 remastered CD re- issue replicates the original artwork as it was first released. The cover features an elaborate mythological Celtic design by artist Roy McCullough. The interior artwork also features lyrics in the original Irish language. The line-up consists of Ciaran O Braonain, Maire Ni Bhraonain, Pol O Braonain, Noel O Dugain and Padraig O Dugain. The band line up features O Braonain and O Dugain siblings without sister and niece Eithne Ni Bhraonain (better known as Enya) who joined the group for two years between 1980 and 1982. Nicky Ryan, who would later become Enya's long-time production partner, was on producer duties for this live recording

In Menstrual Night was recorded in 1985 by Current 93, who could never be: David Michael Tibet, Hilmar Örn Hilmarsson, Steven Stapleton, Diana Rogerson, John Balance, Ruby Tathata Wallis, Keiko Yoshida, Rose McDowall and Bee. The album was mixed by Steven Stapleton, and was originally released as a picture disc on United Dairies / Maldoror (UD022/M) in 1985.

Los Angeles-based Fabiano Do Nascimento is a multi-string guitarist and songwriter who melds the traditional idioms of his native Brazil (i.e., samba, choro) with the more contemporary and experimental strains of jazz, pop, and electronic music. Das Nuvens (“The Clouds”), out July 2023 on Leaving Records, is a crisp, frequently blissful, and deceptively groove-oriented showcase from a consummate musician — a rich and varied collection of songs, all of which seem to prioritize, and thrive in, the soft and intentional spaces between notes.

Das Nuvens constitutes the free-form, exploratory work of a musician who, having mastered a distinct musical language, seeks to apply his skill towards broader, more experimental modes of expression. Fittingly, track one — built around a contemplative, pointillistic refrain— is titled “Babel,” a reference to the legend of man’s attempt to build a tower to heaven, and how God thwarted this alleged act of hubris by shattering man’s shared language, sowing chaos and confusion. Though a stern parable on its face, it is a myth that enshrines our world’s dizzying array of languages (of modes of being), and the subsequent beauty of cultural exchange through art. In this regard, it is a fitting opening statement for an album that collapses and collages not only contemporary and classical Brazilian and pop idioms, but also the diverse range of indigenous music that Nascimento has encountered and studied in his travels as a touring musician.

- The second album of hypnotic primordial music from Berlin-based harper/multi-instrumentalist/vocalist Andy Aquarius that explores the mystical fringes of ambient, folk, and classical music. Hush Hush is honoured to welcome back Berlin-based harper, multi-instrumentalist, and vocalist Andy Aquarius to the label to help present 'Golla Gorroppu,' his second album of hypnotic primordial music that explores the mystical fringes of ambient, folk, and classical music. A follow-up to his acclaimed 2021 debut album 'Chapel,' 'Golla Gorrupu' leans into the emotional natural sentiments of European Romanticism and American Transcendentalism and reveals itself as an animist take on an internal expedition of a mythological mountain range. The album’s title, 'Golla Gorroppu,' is a phrase coined by Andy that stems from his meditations on the Sardinian Gorropu mountain range, a territory he explored in between the autumn of 2020 and spring of 2021. His personal translation of the title is "The Throat of the Mountain.” With this transformative experience as his foundation, Andy found meaning in his latest work. He shares: “At the heart of the mountain range lies a massive gorge (Gola/Goia) which is said to house various creatures of the night, amongst them trolls, the 'mother of Goroppu' and the devil himself. The first half of the record is tuning into the moving forces of the mountain - first the Rains, Groundwaters and Rivers, then the animal kingdom, represented by the goat and inspired by a remarkable meeting with a Sardinian mouflon (a wild sheep) during a solitary hike.
The second half of the record channels the kingdom of rocks - moving from the mountains' murky intestines towards their loftiest peaks, covering all the mossy mysticism and crystalline vistas that lie in between.” Sounding as indomitable and spirited as the landscape it portrays, 'Golla Goroppu' is a wayward epic that cries for you to become the mountain goat you always dreamt to be. Through his lyrical harp expressions and gentle vocal accents, Andy Aquarius’ latest statement traverses a magical terrain full of intrigue, nuance, and beauty.

Turnend Tapes first vinyl offering beyond the realms of the club emerges Peculiar Glow Vol.1. An EP of radiant atmospherics from multiple artists prescribing sonic esoterism.

Shell Company introduce the record with ‘Pearl’, an exhibition of their indelible sound, nurtured by the Manchester underground; inducing intoxication through twang of guitar and stunning spoken word whilst grimy, glitched-out soundscapes modulate and vaporise.

Sailingwing follows with ‘Splendid Isolation’. A kaleidoscopic dream sequence sounding like a distant relative to Talk Talk’s Spirit of Eden. One that is voltaic and woozy drifting with spectral timbre.

Bringing side A to a close with their track ‘I Might’ is Infant, another artist flourishing in Manchester’s fertile scene. A soft and hopeful slice of blissed out synth pop showcasing Infant’s mesmerising instrumentation, voice and lyricism.

Das Wettbüro’s ‘Abendtarif’ opens side B with an auditory bath of cool electronics intersecting the styles of different eras and geographies. Ultra kinetic and slick, the group make a visionary contribution to the rich lineage of Krautrock before it.

Zoe Couppe & sigh nova offer up a sublime composition of glistening electronics and granular field recordings that mirror the spoken musings of aquatic motion amongst other abstractions. With mythic air, ‘Memoria Fluida’ guides this collection of music to its conclusion.

Peculiar Glow’s first volume is a touchstone for endeavours to follow under this project and we are delighted to share the result of what has been a lengthy but exceptionally rewarding process.

Der Dark-Ambient-Pionier, die stygische Drone-Legende und das fast schon mythische Wesen LUSTMORD durchstößt mit "Much Unseen Is Also Here" einmal mehr den Schleier - die neueste Solo-Veröffentlichung des Künstlers in einer beeindruckenden, 40-jährigen kreativen Karriere an der Spitze der Industrial-Musik. Auf Drängen von Cosey Fanni Tutti und Chris Carter von Throbbing Gristle, Musik zu machen, die seine unverwechselbare Aura einfängt, übernahm Brian Williams 1980 Lustmord und begann mit Sounds zu arbeiten, weil die Musik, die er hören wollte, einfach nicht existierte. Lustmord veröffentlichte 1989 sein drittes Album "Heresy", das zu einem Meilenstein in der Industrial-Szene wurde und heute allgemein als Ursprung des Dark-Ambient-Genres gilt. 35 Jahre später führt Much Unseen Is Also Here" das Vermächtnis von Heresy" fort und knüpft an dessen fesselnden Erzählbogen an. "Much Unseen Is Also Here" besteht aus drei verschiedenen Teilen und ist dazu gedacht, in einer einzigen, ununterbrochenen Durchgang angehört zu werden; es entführt den Hörer in eine kompromisslose Parallelwelt, die nur in der Musik existiert, bevor es ihn am Ende für immer verändert wieder hinauswirft. Lustmord, der seit 1994 in L.A. lebt, hat auch als Komponist und Sounddesigner an der Musik für ikonische Film- und Fernsehproduktionen mitgewirkt, darunter "The Crow", "Strange Days", "From Dusk Till Dawn", "Underworld" und in jüngerer Zeit die FX-Serien "Fear The Walking Dead" und "First Reformed"von "Taxi Driver"-Autor Paul Schrader aus dem Jahr 2017. Immer noch entschlossen, die Grenzen von Sound, Genre und Medien zu erweitern, hat Lustmord auch zu den Soundlandschaften von Videospielen wie Assassin's Creed, League of Legends und, passenderweise, dem von H.R. Geiger inspirierten Survival-Horror-Spiel Scorn von 2022 beigetragen.

Die Symphonic-Metal-Wikinger LEAVES' EYES haben schon immer in einer eigenen Liga gespielt. Wer eines ihrer aufwendigen Musikvideos oder eine ihrer spektakulären Liveshows mit atemberaubender Bühnenkulisse gesehen hat, kann das bestätigen. Mit ihrem neuen Album "Myths of Fate" kommen sie nun mit einem neuen musikalischen Epos zurück. Es erwartet euch fesselnder Symphonic-Metal mit hymnischen Melodien, kraftvollem Gesang und epischen Geschichten.
Am 22. März 2024 wird "Myths of Fate" in mehreren limitierten Vinyl-Varianten, als limitiertes 2CD Earbook, limitiertes 2CD-Digipak und digital veröffentlicht.

Die Symphonic-Metal-Wikinger LEAVES' EYES haben schon immer in einer eigenen Liga gespielt. Wer eines ihrer aufwendigen Musikvideos oder eine ihrer spektakulären Liveshows mit atemberaubender Bühnenkulisse gesehen hat, kann das bestätigen. Mit ihrem neuen Album "Myths of Fate" kommen sie nun mit einem neuen musikalischen Epos zurück. Es erwartet euch fesselnder Symphonic-Metal mit hymnischen Melodien, kraftvollem Gesang und epischen Geschichten.
Am 22. März 2024 wird "Myths of Fate" in mehreren limitierten Vinyl-Varianten, als limitiertes 2CD Earbook, limitiertes 2CD-Digipak und digital veröffentlicht.

Die Symphonic-Metal-Wikinger LEAVES' EYES haben schon immer in einer eigenen Liga gespielt. Wer eines ihrer aufwendigen Musikvideos oder eine ihrer spektakulären Liveshows mit atemberaubender Bühnenkulisse gesehen hat, kann das bestätigen. Mit ihrem neuen Album "Myths of Fate" kommen sie nun mit einem neuen musikalischen Epos zurück. Es erwartet euch fesselnder Symphonic-Metal mit hymnischen Melodien, kraftvollem Gesang und epischen Geschichten.
Am 22. März 2024 wird "Myths of Fate" in mehreren limitierten Vinyl-Varianten, als limitiertes 2CD Earbook, limitiertes 2CD-Digipak und digital veröffentlicht.

"Das größte Problem, das die Kunst heutzutage hat, ist, dass sie nicht mehr weh tut", sagt GHØSTKID-Sänger und Provokateur Sebastian "Sushi" Biesler. "Vor allem hier in Deutschland haben die Leute so viel Angst davor, Grenzen zu überschreiten. Kunst zu machen, die zum Nachdenken und Fühlen anregt." So ist es nicht verwunderlich, dass Sushi und Co. mit dem zweiten Album von GHØSTKID, HOLLYWOOD SUICIDE, die Grenzen ihres Heimatlandes verlassen haben, um ihren energiegeladenen, hakenreichen Nu-Metalcore weiterzuentwickeln. Das Ergebnis ist ebenso aufrichtig wie musikalisch ambitioniert und klanglich makellos. GHØSTKID liefern Goth-Nu-Rock-Core, der die ohnehin schon hohe Messlatte, die GHØSTKID 2020 mit ihrem selbstbetitelten, von Pandemie überschatteten Century Media-Debüt gelegt haben, noch höher legen wird. Von den Trap-Metal-inspirierten Beats und dem erdrückenden Metalcore-Riffing, das den Titeltrack des Albums eröffnet, bis hin zu den beunruhigenden Melodien des elegischen Schlussstücks "Helena Drive" ist "HOLLYWOOD SUICIDE" ein perfekter Schnappschuss eines Künstlers, der aus seinen eigenen persönlichen Trümmern vor einem zerfallenden, mythischen kalifornischen Milieu kriecht. "HOLLYWOOD SUICIDE" ist erhältlich als: transparent-rote 180g LP

Katà Métron is the Greek mythology-inspired collaborative album from Italian ambient auteurs ILUITEQ and Lorenzo Montanà.

For ILUITEQ, Ancient Greek culture, with its myths and philosophy, has strongly influenced their everyday lives and has provided constant inspiration in their musical endeavors. The Greek expression "Katà Métron" means "according to the right measure," representing how human beings should live in harmo- ny with themselves and nature. More often than not, the dominant model is to go beyond our limits, and having a "sense of measure" is not capitalistically profitable as we must nourish our constant desire to always wish for more, not caring for the consequences of such a "bulimic" attitude.

Lorenzo Montanà should need little introduction, with a more than two-decades-long career, a vast body of work on labels such as FAX and Projekt, and highlighting such collaborative partners as Pete Namlook and Alio Die. ILUITEQ approached Montanà as they admired his textural take on ambient. The duo presented the Greek mythology concept in which they might collaborate, and Montanà became instantly inspired to partici- pate. Montanà's contributions to "Katà Métron" shape the sound of ILUITEQ in new, evocative music territo- ries, where meticulously crafted rhythmic patterns and melodic echos blend with the Italian duo's soothing and ethereal ambient soundscapes.

10 year anniversary edition of MØ’s acclaimed debut album, ''No Mythologies To Follow'', which includes x4 previously unheard tracks from the original recording session. Reissued on red translucent vinyl and contains an A3 art poster and 12” insert. Stock is limted & will be allocated.

Repressed! Presented here, the definitive reissue of a lauded and misunderstood Krautrock album, German Oak’s Down in the Bunker.

The release has been fetishized and demonized, lauded and misunderstood for nearly four decades. In this definitive reissue of the album, the German Oak trio – together again after 30 years apart – have approved the remastering of their 70s music; finally tell the story behind the creation of their dark, brooding album – and the occult-obsessed record collector behind the original album’s release and its myth – and they share previously unreleased music and photos.

This two LP set presents the album as it was initially released, and a second disc of other songs by the band, both rare and previously unreleased

Der Dark-Ambient-Pionier, die stygische Drone-Legende und das fast schon mythische Wesen LUSTMORD durchstößt mit "Much Unseen Is Also Here" einmal mehr den Schleier - die neueste Solo-Veröffentlichung des Künstlers in einer beeindruckenden, 40-jährigen kreativen Karriere an der Spitze der Industrial-Musik. Auf Drängen von Cosey Fanni Tutti und Chris Carter von Throbbing Gristle, Musik zu machen, die seine unverwechselbare Aura einfängt, übernahm Brian Williams 1980 Lustmord und begann mit Sounds zu arbeiten, weil die Musik, die er hören wollte, einfach nicht existierte. Lustmord veröffentlichte 1989 sein drittes Album "Heresy", das zu einem Meilenstein in der Industrial-Szene wurde und heute allgemein als Ursprung des Dark-Ambient-Genres gilt. 35 Jahre später führt Much Unseen Is Also Here" das Vermächtnis von Heresy" fort und knüpft an dessen fesselnden Erzählbogen an. "Much Unseen Is Also Here" besteht aus drei verschiedenen Teilen und ist dazu gedacht, in einer einzigen, ununterbrochenen Durchgang angehört zu werden; es entführt den Hörer in eine kompromisslose Parallelwelt, die nur in der Musik existiert, bevor es ihn am Ende für immer verändert wieder hinauswirft. Lustmord, der seit 1994 in L.A. lebt, hat auch als Komponist und Sounddesigner an der Musik für ikonische Film- und Fernsehproduktionen mitgewirkt, darunter "The Crow", "Strange Days", "From Dusk Till Dawn", "Underworld" und in jüngerer Zeit die FX-Serien "Fear The Walking Dead" und "First Reformed"von "Taxi Driver"-Autor Paul Schrader aus dem Jahr 2017. Immer noch entschlossen, die Grenzen von Sound, Genre und Medien zu erweitern, hat Lustmord auch zu den Soundlandschaften von Videospielen wie Assassin's Creed, League of Legends und, passenderweise, dem von H.R. Geiger inspirierten Survival-Horror-Spiel Scorn von 2022 beigetragen. Other Woes Are Yet To Come Edition (single colored (pink) vinyl, ltd to 220 copies ww)