- A1: Skatalites - Ball Of Fire (3.08)
- A2: The Heptones - I'm Your Man (2.21)
- A3: Lone Ranger - Everything She Want (3.45)
- A4: Horace Andy - New Broom (2.46)
- B1: Michigan And Smiley - Rub A Dub Style (7.50)
- B2: The Maytals - Treat Me Bad (2.51)
- B3: Freddie Mckay - Watch Your Step (2.28)
- B4: Pablove Black - Mr Music (3.07)
- C1: Wailing Souls - Run My People (2.14)
- C2: Willie Williams - Master Plan (4.05)
- C3: The Skatalites - Fidel Castro (3.17)
- C4: Marcia Griffiths - Let Me Hold You Tight (4.03)
- C5: Dub Specialist - Sitting With Stupid (3.15)
- D1: Prince Jazzbo - Rock For Dub (2.20)
- D2: Super And Sleepy - Enemy (2.51)
- D3: Dub Specialist - Luanda (2.27)
- D4: Doreen Schaeffer - This Love (4.25)
- D5: Ernest Ranglin - Ranglin Doddlin' (2.07)
Поиск:name one
Все
- A1: Niney* - Blood & Fire
- A2: Big Youth - Whole Lot Of Fire
- A3: Max Romeo & Lee Perry - Rasta Bandwagon
- A4: Delroy Wilson - Rascal Man (False Rasta)
- A5: Sang Hugh & The Lionaires - Rasta No Born Yah (Extended)
- A6: Michael Rose - Guess Who's Coming To Dinner / Clap The Barber
- A7: Delroy Washington - The Way To Reason
- B1: Slim Smith - I Need Your Loving
- B2: Gregory Isaacs - Rock On
- B3: Ken Boothe - Silver Words
- B4: Dennis Brown - Here I Come
- B5: Johnny Clarke - Warrior
- B6: Junior Delgado - Every Natty
- B7: Junior Byles - Weeping
- C1: Gregory Isaacs & Ranking Buckers - Slave Master / Captives
- C2: Freddie Mcgregor - Chant It Down
- C3: Leroy Smart - Jah Is My Light
- C4: Dennis Brown - No More Will I Roam (Extended)
- C5: Horace Andy - Materialist
- C6: Jacob Miller - Moses
- C7: Niney* - Mutiny
- D1: The Ethiopians - Slave Call
- D2: The Heptones - Temptation, Botheration & Tribulation
- D3: Third World - Roots With Quality
- D4: Freddie Mcgregor - Tease My Love
- D5: Sugar Minott - Lover's Race
- D6: Don Carlos (2) - Mr. Sun
- D7: Barry Brown - Thank You Mama
Nachgepresst und mit leicht erhöhtem Preis wieder lieferbar ist die Doppel-LP von und mit der Produzentenlegende Winston Holness aka Niney The Observer, vollgepackt mit 28 Klassikern aus der Bütezeit des Reggae inklusive Nineys Hit "Blood & Fire". Mit allen Artists mit Rang und Namen und den Musikern der Aggrovators, The Revolutionaries und dem Soul Syndicate, eingespielt in Randy's Studio 17, King Tubby's, Dynamic Sounds, Channel One, Joe Gibbs und dem Black Ark Studio!
- O&Apos;Placar (Feat. Jorge Lopez Ruiz)
- Para Nosotros Solamente (Feat. Jorge Lopez Ruiz)
- Balewada (Feat. Jorge Lopez Ruiz)
- Los Berugos Wor (Feat. Jorge Lopez Ruiz)
- La Hora De La Sed Maldita (Feat. Jorge Lopez Ruiz)
- El Viaje De Dumpty (Feat. Jorge Lopez Ruiz)
- Eterna Presencia (Feat. Jorge Lopez Ruiz)
- Mira Tú (Feat. Jorge Lopez Ruiz)
Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked López Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP.
Recorded in 1976 in the wake of the "Proceso de Reorganización Nacional", the bloodiest period of dictatorship in Argentina, the album was initially frowned upon by critics and public alike, both still firmly rooted in jazz traditionalism and obviously not ready for the new ideas that musicians like López Ruiz were experimenting with. Despite being a commercial flop upon its release, the album has been enjoying a growing reputation over the last two decades, acclaimed by jazz enthusiasts who value it from a different historical perspective and embrace its experimentation during this revolutionary period of change.
Forty-five years after its release, the album receives the Altercat treatment with a much deserved deluxe reissue, with sound direct from the master tapes and an accompanying 12-page booklet with previously unpublished pictures and bilingual liner notes telling everything you ever wanted to know about the album and those who made it possible.
The Berlin based Alexander Kowalski is responsible for projects like DisX 3 (Tresor, Konsequent), Mr. Discoteque (BCC), as Double X together with Stassy (Sender Berlin) and last but not least under his real name Alexander Kowalski exclusive for Kanzleramt. After his debut 12inch for Kanzleramt titled "Live" featured two unchanged live recordings, Alex released his second 12inch "Dark Soul" in 2000 which includes the first solo-studio-recordings for Kanzleramt. This 12" gives you a taste for Alexander Kowalski's follow up LP "Echoes". The acutely harmonic tracks on "Dark Soul" are a tribute to the dark side of Alexander Kowalski and may belong to one of the best productions without a doubt in 2000. Alexander released his really successful long-player "Response" in 2003 and his 12inch release "Alexander Kowalski With Funk D'Void And Joris Voorn" on Kanzleramt at last.
Atte Elias Kantonen is a composer and sound designer based in Helsinki, Finland. “a path with a name” follows well-received releases on Mappa and Active Listeners Club, and finds Kantonen expanding the scope of his dynamic and idiosyncratic practice. Here, he places his listeners within an auditive diorama, affording them myriad views of the microscopic landscapes contained there within. An oneiric narrative is established from the opening track, in which a heavily treated voice proposes a dialogue and introduces us to the wonders of the soundscape. This speaker appears at various points throughout the record, functioning as guide, confidant, and friend. Those familiar with Kantonen’s prior output will immediately recognize the shapeshifting, 3D timbral constructions presented here, arrangements that are positively overflowing with glimmering, delicate, polyphonic detail. This is a record that invites and welcomes speculation about the nature of the quest that it sets its listeners out upon, with Kantonen offering up trail markings to provide (dis)orientation before turning them loose to explore the soil, moss, and tide pools.





