Search:necro

Rotes Vinyl mit schwarzem Marble-Effekt. Gatefold Sleeve. Limitiert auf 500 Exemplare. Re-Release des 2016er Albums der kalifornischen Metal-Band. Das Album wurde von CARNIFEX und Mick Kenney (ANAAL NATHRAKH, BLEEDING THROUGH) produziert und aufgenommen und von Jason Suecof (DEATH ANGEL, CHELSEA GRIN, JOB FOR A COWBOY) mitproduziert. »Slow Death« wurde von Mark Lewis (THE BLACK DAHLIA MURDER, WHITECHAPEL, DEVILDRIVER, DEICIDE) in den Audiohammer Studios in Sanford, Florida, gemischt. Das Cover des Albums wurde vom renommierten Künstler und langjährigen Mitarbeiter, Godmachine, erstellt.

Tomb Of The Forgotten – NECROPSY’s early demos reissued on vinyl in January via Svart Records NECROPSY is one of the few really legendary bands of the obscure Finnish death metal scene of the late ’80s / early ’90s. Dark and twisted death metal in the vein of early SENTENCED, early AMORPHIS, CONVULSE, DEMIGOD, PURTENANCE, DEMILICH and ABHORRENCE. Tomb of the Forgotten (The Complete Demo Recordings 1989-1993) is available on Svart 4LP slipcase edition on black vinyls.

Tomb Of The Forgotten – NECROPSY’s early demos reissued on vinyl in January via Svart Records NECROPSY is one of the few really legendary bands of the obscure Finnish death metal scene of the late ’80s / early ’90s. Dark and twisted death metal in the vein of early SENTENCED, early AMORPHIS, CONVULSE, DEMIGOD, PURTENANCE, DEMILICH and ABHORRENCE. Tomb of the Forgotten (The Complete Demo Recordings 1989-1993) is available on Svart 4LP slipcase edition on black vinyls.

In 2006, Danger Mouse is King Midas of the music world. He has an uncanny knack for creating jagged, dense, frenzied beats and odd, eerie, vivid soundscapes that never compromise the music's natural flow. Meanwhile, rapper and singer Cee-Lo, a veteran of Atlanta's Dirty South scene, has never been one to be constrained by hip-hop conventions, and is a willing partner in adventure. The result is an intrepid psychedelic blend of pop, hip-hop, soul, and rock that consistently challenges and delights. It's no wonder that "Crazy," with its modest riff, irresistible hook, and disarming opening line ("I remember when, I remember, I remember when I lost my mind") became a worldwide Internet sensation a full six months before the official release of St. Elsewhere. But that relatively simple soul-pop gem is the tamest track on this wide-ranging, often dark and introspective collaboration. (In fact, the duo considers Gnarls Barkley to be a wholly new creation, as opposed to a collaboration of existing artists.) "Everybody is somebody, but nobody wants to be themselves," Cee-Lo croons on "Who Cares?" He and Danger Mouse try very hard not to be their old selves as they creatively and confidently break down boundaries, but the brilliant cores of their musical personae--Cee-Lo's eccentric spiritual soul man and Danger's bold sonic explorer--remain. --Marc Greilsamer

Members of: Winterfylleth, Necronautical. Born from the fury and decay of North-West England’s postindustrial landscape, Magnetar presents their debut album, a unique amalgam of classic and raging
extreme metal. Melody and brutality in equal measure. Musically, the album can be seen as a triumvirate
of influences: primarily the great melodic black/death Swedish bands of No Fashion Records in the early
90s, the muscularity and speed of 80s North & South American thrash/death acts such as Slayer,
Sepultura, and Infernal Majesty, and last but not least, the hallowed British bands of the 80s including
Judas Priest, Motörhead, and Iron Maiden

Regrooved Records proudly present the ultimate reissue of Axiom Funk's legendary album, Funkcronomicon! This psychedelic and funkalicious masterpiece continues to amaze listeners with its eclectic variety, thanks to the impressive roster of artists under the name Axiom Funk.

At the heart of this project is legendary producer and bassist Bill Laswell, whose artistic vision and skills seamlessly unite the album. Funkcronomicon features appearances by many (former) members of Parliament-Funkadelic, making Funkcronomicon a de facto release of this legendary band. Among the featured musicians are the p-funk legends George Clinton, Bootsy Collins, Bernie Worrell and Jerome “Bigfoot” Brailey, and it features the last studio recordings from guitarist extraordinaire Eddie Hazel. Nex to that it also features contributions from icons such as Sly Stone, Maceo Parker, Fred Wesley, Bobby Byrd, the dynamic duo Sly & Robbie and Herbie Hancock and many, many others.

Funkcronomicon masterfully combines funk with the mythical Necronomicon by H.P. Lovecraft Lovecraft's cosmic horror stories, which radiate liveliness despite the ominous title. The cover art by the legendary Pedro Bell, this was one of his last projects before his vision was tragically lost, adds to the album's enigmatic allure and is reminiscent of Lovecraftian rituals.

Now it's time for a high-quality vinyl reissue of this cultural phenomenon. Remastered and pressed onto three discs, this new batch of Funkcronomicon now comes with extensive artwork and now offers you the ultimate listening experience for this classic album. Don't miss your chance to own a piece of funk history. Get your funk on with this must-have reissue!

Analog Mutants consist of Phill Most Chill on the vocals, DJ Snafu of Bankrupt Europeans fame on production and the inimitable DJ Grazzhoppa on the cuts.

Vocals: Phill Most Chill

Phill Most Chill grew up in Conecticut half hour away from Boogie Down Bronx and by the late 80s had already established himself in the hip hop scene, having released a very strongly received (and eventually highly collectible fetching amounts in the high three digits) single (On Tempo Jack/ That Girl), the preccedent setting left field Baritone Tiplove releases and writing for the seminal Rap Sheet magazine. The Arcahaelogists' Classics and Soulman's World of Beats tape series and column further established him as an elite beatmaker and sample collector, with highly acclaimed producers seeking him out to purchase records in conventions. The random rap craze brought renewed attention to Phill Most's releases in the late 90s, leading to reissues of On Tempo, the release of previously unissued Baritone Tiplove records, his return with the Lo-Fi EP, and then the highly influential Fast Rap EP on Nobody Buys Records which led to a flurry of funky uptempo releases across the globe again. The interest in Phill Most records over the whole 2010s was rabid, with further releases produced by Bankrupt Europeans, Mr. Fantastic and Chris Read flying off the shelves, and two full length albums produced by 90s stalwarts Paul Nice and DJ Format, as well as the recent Jorun-PMC album being now considered classics in the boom bap scene. Having now signed with Chuck D's Spitslam label, Phill Most continues his journey in stepping all over MC conventions, and these first two Analog Mutants release are a perfect example of this.

Produced by DJ Snafu

DJ Snafu has been part of the Bankrupt Europeans crew since 2004, co-founding Nobody Buys Records in 2012 with the other two Bankrupt Euros members. Huge collector of vinyl from the 50s ad 60s primarily, and with an interest in modular production, FM synthesis and marrying modern techniques with the love of sampling old records, the Analog Mutants project is his first without the Bankrupt Euros crew. Having produced among others for Chill Rob G on his seminal return to music with the classic Tell 'Em on the Chilled Not Frozen EP, Roc Marciano on the Goodfelons label, DITC legend AG on The 21st Day and Chicago legend MC Juice's return to vinyl after 15 years, this is Snafu's first whole album to produce since Rise of Demigodz' debut album The Cornerstone in 2006 (released in 2013). Snafu shows he's honed his skills and developed an even crazier side to his production in the 5 year that passed between the last Bankrupt Euros project and the Analog Mutants album and the first three Analog Mutants singles are a sign of things to come in the post Bankrupt Euros years.

Scratches: DJ Grazzhoppa

DJ Grazzhoppa got infected in 1983 with the hip hop virus, demolishing local DJs and winning the European DMC Championships in 1991, and taking 3rd place in the ITF World Championships in 1998! His unique and immediately recognizable style was first heard on Blade's legendary 12” Clear The Way, and caught so many ears that the list of MCs and producers who queued up to work with him is seemingly endless. From MF Doom, Ruste Juxx, Guilty Simpson and Cage to Necro, Keith Murray, Big Daddy Kane, Kool G Rap and of course the Bankrupt Europeans projects with Phill Most Chill, MC Juice and Chill Rob G! This is a short list of a page of credits spanning over 4 pages long- if you have hip hop records, Grazzhoppa is already in your collection!

Analog Mutants consist of Phill Most Chill on the vocals, DJ Snafu of Bankrupt Europeans fame on production and the inimitable DJ Grazzhoppa on the cuts.

Vocals: Phill Most Chill

Phill Most Chill grew up in Conecticut half hour away from Boogie Down Bronx and by the late 80s had already established himself in the hip hop scene, having released a very strongly received (and eventually highly collectible fetching amounts in the high three digits) single (On Tempo Jack/ That Girl), the preccedent setting left field Baritone Tiplove releases and writing for the seminal Rap Sheet magazine. The Arcahaelogists' Classics and Soulman's World of Beats tape series and column further established him as an elite beatmaker and sample collector, with highly acclaimed producers seeking him out to purchase records in conventions. The random rap craze brought renewed attention to Phill Most's releases in the late 90s, leading to reissues of On Tempo, the release of previously unissued Baritone Tiplove records, his return with the Lo-Fi EP, and then the highly influential Fast Rap EP on Nobody Buys Records which led to a flurry of funky uptempo releases across the globe again. The interest in Phill Most records over the whole 2010s was rabid, with further releases produced by Bankrupt Europeans, Mr. Fantastic and Chris Read flying off the shelves, and two full length albums produced by 90s stalwarts Paul Nice and DJ Format, as well as the recent Jorun-PMC album being now considered classics in the boom bap scene. Having now signed with Chuck D's Spitslam label, Phill Most continues his journey in stepping all over MC conventions, and these first two Analog Mutants release are a perfect example of this.

Produced by DJ Snafu

DJ Snafu has been part of the Bankrupt Europeans crew since 2004, co-founding Nobody Buys Records in 2012 with the other two Bankrupt Euros members. Huge collector of vinyl from the 50s ad 60s primarily, and with an interest in modular production, FM synthesis and marrying modern techniques with the love of sampling old records, the Analog Mutants project is his first without the Bankrupt Euros crew. Having produced among others for Chill Rob G on his seminal return to music with the classic Tell 'Em on the Chilled Not Frozen EP, Roc Marciano on the Goodfelons label, DITC legend AG on The 21st Day and Chicago legend MC Juice's return to vinyl after 15 years, this is Snafu's first whole album to produce since Rise of Demigodz' debut album The Cornerstone in 2006 (released in 2013). Snafu shows he's honed his skills and developed an even crazier side to his production in the 5 year that passed between the last Bankrupt Euros project and the Analog Mutants album and the first three Analog Mutants singles are a sign of things to come in the post Bankrupt Euros years.

Scratches: DJ Grazzhoppa

DJ Grazzhoppa got infected in 1983 with the hip hop virus, demolishing local DJs and winning the European DMC Championships in 1991, and taking 3rd place in the ITF World Championships in 1998! His unique and immediately recognizable style was first heard on Blade's legendary 12” Clear The Way, and caught so many ears that the list of MCs and producers who queued up to work with him is seemingly endless. From MF Doom, Ruste Juxx, Guilty Simpson and Cage to Necro, Keith Murray, Big Daddy Kane, Kool G Rap and of course the Bankrupt Europeans projects with Phill Most Chill, MC Juice and Chill Rob G! This is a short list of a page of credits spanning over 4 pages long- if you have hip hop records, Grazzhoppa is already in your collection!

Analog Mutants consist of Phill Most Chill on the vocals, DJ Snafu of Bankrupt Europeans fame on production and the inimitable DJ Grazzhoppa on the cuts.

Vocals: Phill Most Chill

Phill Most Chill grew up in Conecticut half hour away from Boogie Down Bronx and by the late 80s had already established himself in the hip hop scene, having released a very strongly received (and eventually highly collectible fetching amounts in the high three digits) single (On Tempo Jack/ That Girl), the preccedent setting left field Baritone Tiplove releases and writing for the seminal Rap Sheet magazine. The Arcahaelogists' Classics and Soulman's World of Beats tape series and column further established him as an elite beatmaker and sample collector, with highly acclaimed producers seeking him out to purchase records in conventions. The random rap craze brought renewed attention to Phill Most's releases in the late 90s, leading to reissues of On Tempo, the release of previously unissued Baritone Tiplove records, his return with the Lo-Fi EP, and then the highly influential Fast Rap EP on Nobody Buys Records which led to a flurry of funky uptempo releases across the globe again. The interest in Phill Most records over the whole 2010s was rabid, with further releases produced by Bankrupt Europeans, Mr. Fantastic and Chris Read flying off the shelves, and two full length albums produced by 90s stalwarts Paul Nice and DJ Format, as well as the recent Jorun-PMC album being now considered classics in the boom bap scene. Having now signed with Chuck D's Spitslam label, Phill Most continues his journey in stepping all over MC conventions, and these first two Analog Mutants release are a perfect example of this.

Produced by DJ Snafu

DJ Snafu has been part of the Bankrupt Europeans crew since 2004, co-founding Nobody Buys Records in 2012 with the other two Bankrupt Euros members. Huge collector of vinyl from the 50s ad 60s primarily, and with an interest in modular production, FM synthesis and marrying modern techniques with the love of sampling old records, the Analog Mutants project is his first without the Bankrupt Euros crew. Having produced among others for Chill Rob G on his seminal return to music with the classic Tell 'Em on the Chilled Not Frozen EP, Roc Marciano on the Goodfelons label, DITC legend AG on The 21st Day and Chicago legend MC Juice's return to vinyl after 15 years, this is Snafu's first whole album to produce since Rise of Demigodz' debut album The Cornerstone in 2006 (released in 2013). Snafu shows he's honed his skills and developed an even crazier side to his production in the 5 year that passed between the last Bankrupt Euros project and the Analog Mutants album and the first three Analog Mutants singles are a sign of things to come in the post Bankrupt Euros years.

Scratches: DJ Grazzhoppa

DJ Grazzhoppa got infected in 1983 with the hip hop virus, demolishing local DJs and winning the European DMC Championships in 1991, and taking 3rd place in the ITF World Championships in 1998! His unique and immediately recognizable style was first heard on Blade's legendary 12” Clear The Way, and caught so many ears that the list of MCs and producers who queued up to work with him is seemingly endless. From MF Doom, Ruste Juxx, Guilty Simpson and Cage to Necro, Keith Murray, Big Daddy Kane, Kool G Rap and of course the Bankrupt Europeans projects with Phill Most Chill, MC Juice and Chill Rob G! This is a short list of a page of credits spanning over 4 pages long- if you have hip hop records, Grazzhoppa is already in your collection!

This is going to be the scariest spoken word record you’ve ever heard. We’re not joking…and neither is Vincent Price. The star of such horror classics as House of Wax, The Abominable Dr. Phibes, and Theatre of Blood (and, of course, narrator of Michael Jackson’s Thriller video) can barely hide his delight while he takes his audience through a graphic and occasionally grisly history lesson in witchcraft from the Bible through the Middle Ages, the Spanish Inquisition, and Nazi Germany. Then, accompanied by occasional eerie, abstract electronic music, Price’s sinister satisfaction only mounts as he provides instruction in the dark arts, with such tracks as “How to Make a Pact with the Devil” and “Curses, Spells, Charms.” It’s all in good fun, of course…or is it? The mysterious writer of the script, one Terry d’Oberoff, has only one other credit to his name: as the “mascot” of an early ‘70s band called…wait for it…Black Magic. This 1969 double-LP release has long been coveted by collectors of the curious and macabre, and for its first reissue in over 50 years, we are giving it the Real Gone treatment, reproducing the gatefold jacket and the full-size, 8-page booklet that accompanied some copies. It’s a combination history textbook and how-to manual in witchcraft, with a title page depicting a particularly unsettling spell called “The Hand of Glory” involving the severed, salted, and dried hand of a convicted felon. We are releasing this one-of-a-kind album on clear with orange “pumpkin” swirl vinyl…Happy Halloween.

After more than a year here is a new vinyl of the well known H2OH Recordings Label.

This time pressed in black and red and the vinyl contains some remixes of the well know Necronomicon track

Ltd. grey marbled vinyl. After many years of silence, the legendary death metal force of NECROPHAGIA, one of the very first death metal acts, has reawakened. The band's revamped line-up have signed to Time To Kill Records for the release of the their final album, "Moribundis Grim". In the years of 2016-2018, the band's last line-up - Killjoy, Serge Streltsov, Shawn Slusarek and Jake Arnette - composed and started recording what became their final opus, "Moribundis Grim". Unfortunately in 2018 Killjoy passed away before finishing the album. In 2022 with the help of special guests and former Necrophagia members - John McEntee from Incantation, Titta Tani (ex Goblin) and Mirai Kawashima from Sigh - the album was finally completed. In a way, it is quite sensational to see another NECROPHAGIA album released at this point in time, meaning 40 years after their first demos were released!

Necrodeath is one of the most important and outrageous names in extreme metal; formed back in 1984, it is one of the first extreme metal bands originating in Italy. They take inspiration from Slayer, Dark Angel, Possessed, Venom, Kreator, Bathory, Celtic Frost and Sodom. The band is also renowned for its live performances and notably for their "wall of sound". The band released a cult-demo tape titled 'The Shining Pentagram' and obtained an incredible success in the underground, which is still considered a real "piece of thrash/black history". Tons of tributes in major magazines, fanzines and other underground outlets highlighted the release of the first two legendary albums 'Into The Macabre' (1987) and 'Fragments Of Insanity' (1989). And today after dozens of full lengths, EPs and side projects the long voyage to hell is not over yet. New Necrodeath album, anticipated by the single on vinyl and video "Transformer Treatment", is the confirmation of a trade-mark consolidated in almost forty years, where the old school of extreme metal is present throughout the album. "Singin 'in the pain" is a concept based on the movie "A Clockwork Orange" by Stanley Kubrick, where the band takes us on a one-way black/thrash journey, represented by immorality and violence, and back to a vain attempt at redemption and normality.

Eine neue Kraft erwacht. Sie dehnt die Grenzen des Bewusstseins aus. Sie verschlingt alles, was sich ihr in den Weg stellt. Sie läutet die "Reaperdawn" ein. IN APHELION könnte der ultimative Extrem-Metal-Adrenalinstoß sein. Es ist die euphorische Black-Metal-Idee des Gitarristen und Sängers Sebastian Ramstedt (bekannt als Gitarrist und Songschreiber von Necrophobic). Dunkler, seltsamer, epischer und progressiver als von den Bewunderern seiner Arbeit erwartet, ist dieses neue Ventil für dunklen, künstlerischen Ausdruck entstanden, der fest mit der Bösartigkeit des nordeuropäischen Black Metals verbunden ist, aber gleichzeitig eine tiefe Verbundenheit mit dem klassischen, traditionellen Heavy Metal und der schwarzen Magie der psychedelischen Wiederholung aufweist. Basierend auf einer Kernbesetzung, bestehend aus Ramstedt (Gitarre/Gesang), Schlagzeuger Marco Prij (auch Cryptosis), Rhythmusgitarrist Johan Bergebäck (Necrophobic) und Bassist Tobias Cristiansson (Necrophobic, ex-Grave...), haben IN APHELION den kompromisslosen DIY-Weg eingeschlagen, um ihren aktuellen Status als neue Century Media Band zu erreichen. Die Atmosphäre von "Reaperdawn" ist ein wirbelnder Strudel aus obsidianem Funkeln und schillerndem Ruß. IN APHELIONs meisterhafte Mischung aus obskurer Blasphemie und grandiosem Old-School-Gestöber hat eine neue Potenz-Ebene erreicht, da Songs wie der imposante Opener "The Fields In Nadir" und das hymnische "When All Stellar Light Is Lost" den Black-Metal-Ethos weiter unterwandern; mit übermenschlichen Blasts und schädelrasselnden Thrash-Passagen, die einige wahrhaft euphorische und inspirierende Wogen der melodischen Bosheit untermauern.

High Roller Records, reissue 2024, black vinyl, ltd 350, lyric sheet

High Roller Records, reissue 2024, splatter vinyl, ltd 350, lyric sheet

Dive into the abyss with Swedish Stillborn's latest masterpiece: "Netherworlds".

Following the monumental success of their previous album "Nocturnals", the band unleashes an even darker opus that pays homage to their cult classic "Necrospirituals" while carving out new realms of sonic exploration. With "Netherworlds", Stillborn propels their distinctive sound to new heights, crafting songs that are both hauntingly beautiful and crushingly heavy.

Experience the chilling atmospheres and gripping melodies as Stillborn takes you on a journey through the depths of the unknown. The production on "Netherworlds" has a sharper edge and more refined, ensuring that every riff, every chord, resonates with bone-shaking clarity.

Prepare to be mesmerized by the sinister allure of "Netherworlds". Embrace the darkness and join Stillborn on their relentless quest to redefine gothic metal. Don't miss out on this monumental release that will leave an indelible mark on the genre.

Sound Like: Paradise Lost, Type O Negative

Dive into the abyss with Swedish Stillborn's latest masterpiece: "Netherworlds".

Following the monumental success of their previous album "Nocturnals", the band unleashes an even darker opus that pays homage to their cult classic "Necrospirituals" while carving out new realms of sonic exploration. With "Netherworlds", Stillborn propels their distinctive sound to new heights, crafting songs that are both hauntingly beautiful and crushingly heavy.

Experience the chilling atmospheres and gripping melodies as Stillborn takes you on a journey through the depths of the unknown. The production on "Netherworlds" has a sharper edge and more refined, ensuring that every riff, every chord, resonates with bone-shaking clarity.

Prepare to be mesmerized by the sinister allure of "Netherworlds". Embrace the darkness and join Stillborn on their relentless quest to redefine gothic metal. Don't miss out on this monumental release that will leave an indelible mark on the genre.

Sound Like: Paradise Lost, Type O Negative

Eintauchen in ein musikalisches Phänomen, das
seinesgleichen sucht: Das 30-jährige Jubiläum des
ikonischen Albums "Tales From The Thousand Lakes"
von AMORPHIS wird mit einer Live-Aufnahme zelebriert,
die in Sachen Brillanz und Intensität neue Maßstäbe
setzt. Diese einzigartige Veröffentlichung, erhältlich auf
BluRay, CD und Vinyl, wurde im geschichtsträchtigen
Tavastia-Club in Helsinki, Finnland, aufgenommen in
chronologischer Abfolge. Erhältlich ab dem 12. Juli 2024,
manifestiert diese Veröffentlichung die unvergleichliche
Dynamik und künstlerische Einzigartigkeit von
AMORPHIS. Selten wurde die rohe Kraft und emotionale
Tiefe eines Live-Auftritts so authentisch eingefangen wie
in diesem klanglichen Erinnerungsstück und
außergewöhnlichen Konzertfilm.
"Tales From The Thousand Lakes" entfaltet sich weit
mehr als ein gewöhnlicher Live-Mitschnitt; es ist eine Ode
an die finnische Mythologie, eine Verbeugung vor der
unberührten Natur Finnlands. Mit bildgewaltigen
Aufnahmen entzündet dieser Live-Mitschnitt ein Feuerwerk
intensiver Emotionen und belebt die einzigartigen
Kompositionen von AMORPHIS neu. Jeder Song ist ein
kunstvoll inszeniertes Meisterwerk, das die Zuhörer auf
eine emotionale Zeitreise entführt und tief im Herzen
berührt. Vom dramatischen Auftakt "Into Hiding" über das
unvergessliche "Black Winter Day" bis zum zauberhaften
"Magic & Mayhem" - jede Melodie eine Perle, die in der
fesselnden Live-Atmosphäre zusätzlichen Glanz erhält.

In a world full of cheesecake rappers, one man has assembled a phenomenal team to bring you madness. The original originator, ultramanetic, high-wire rap legend Kool Keith brings a star studded album to the fore. "Feature Magnetic" highlights MF DOOM, SLug of Atmpshere, Mac Mall, Necro, Craig G, Dirt Nasty, Ras Kass and more. This special edition 24 for '24 Artist Series Vinyl also features original oil painting art by KipDaFog for this oen time pressing on tri-color canary cake vinyl.

Die schottische Progressive-Post-Metal-Band DVNE wird ihr neues Album "Voidkind" am 19. April über Metal Blade Records veröffentlichen. Die 2013 in Edinburgh vom Franzosen Victor Vicart und dem gebürtigen Schotten Dudley Tait gegründeten Progressive-Post-Metal/Sludge-Künstler DVNE haben seit ihrem zweiten Album, dem kaleidoskopisch hypnotisierenden "Etemen Aenka" aus dem Jahr 2021, mächtig Dampf gemacht. Die LP, ihre erste Veröffentlichung für das legendäre Label Metal Blade Records, war ein konzertierter Aufstieg für diese rätselhafte Band, der es DVNE ermöglichte, in Großbritannien und Europa auf Headline-Tour zu gehen und Spots auf so anspruchsvollen Festivals wie Hellfest, ArcTanGent, Desertfest, Damnation und Resurrection zu bekommen. Die Live-EP "Cycles Of Asphodel" aus dem Jahr 2022 mit neu interpretierten Titeln des Albums sorgte für eine stetig wachsende Fangemeinde, und jetzt, im Jahr 2024, wird das dritte Album "Voidkind" die fünfköpfige Band (mit Maxime Keller an den Keyboards) an die Spitze ihres Könnens katapultieren.

Hailing from the always-vibrant Polish black metal scene, THROAT are miasmic morbidity personified. While so many of their domestic contemporaries honor the paradigmatic sounds of the Temple of the Fullmoon, THROAT instead mine a wider, wilder style of black metal that looks both east and south. Theirs is a clanging, crunching sound that various ly nods to Necromantia, Mortuary Drape, Hungary's Tormentor, early Samael, and fellow Polish iconoclasts Cultes des Ghoules: catacombed, ancient, unsettling.

To date, THROAT released the debut demo New Flesh Nectar in 2020 on the esteemed Fallen Temple label, and now conspire with PRIMITIVE REACTION to add that portentous recording with a new EP titled Blood Exaltation. Totaling four tracks in 33 minutes, the Blood Exaltation collection stands as a terrifying testament to THROAT's eldritch black metal horror: a bridge from the past to the present, scorched by fires unknown but reeking of delirium-inducing sulfur all the same. The potency of the two-song Blood Exaltation EP presents the trio in their current sonic incarnation, more gutted and (s-l-o-w-l-y) grinding, a protracted spelunk among shape shifting landscapes whereby throat, strings, and skin chafe together in a vulgar manner. The earlier New Flesh Nectar demo displays THROAT at

their most atmospheric; partially due to the distant recording, partially due to more wide- open spaces they were sowing, the two songs on this introductory recording nevertheless

retain a palpitating creepiness, particularly when they drop the tempo down to a tribal trudge - an element they'd explore further on this collection's namesake recording. Shed thy skin for this Blood Exaltation!"

High Roller Records, picture disc, ltd 500, handnumbered, lyric sheet, deluxe plastic bag, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021.

Platz 5 Powermetal SOUNDCHECK 05/24
Aus den Tiefen des Black-Metal-Undergrounds kommt eine seiner wichtigsten Figuren mit einer neuen Band und einer noch härteren Gangart. Als Frontmann der legendären schwedischen Maniacs Nifelheim hat Hellbutcher den schlechten Ruf des echten Black Metal mit eiserner Faust verteidigt. Jetzt, mit der gleichnamigen neuen Band, geht die wilde Mission weiter: Nichts weniger als die totale Metal-Manie wird hier geboten. Nach dem Ende von Nifelheim, die Ende 2022 ihre letzte Show spielten, verschwendete Hellbutcher selbst keine Zeit, um weiterzumachen. "Mir wurde klar, dass ich meine eigene Band gründen musste, um den wahren Geist des Metal aufrechtzuerhalten. Ich war unglaublich inspiriert!" Zusammen mit alten Weggefährten des Bösen, den Gitarristen Necrophiliac (ebenfalls von Mordant) und Iron Beast, dem Bassisten Eld und dem Schlagzeuger Devastator (Ex-Nifelheim), machte sich HELLBUTCHER schnell daran, diese Vision in die Tat umzusetzen.

Tauchen Sie ein in den dunklen und genreübergreifenden Sound von Totengott in „Beyond the Veil“. Totengott taucht mitten in der derzeit vorhersehbaren und monochromen Metal-Szene auf und besteht aus drei erfahrenen Musikern aus Metal-, Rock- und Hardcore-Bands aus Asturien (Spanien). Das Ziel besteht darin, die düstersten Songs zu veröffentlichen, die sie schreiben können, und die Wichtigkeit des Bösen und Morbidität von Kompositionen über Technik und Rohheit über Demonstration zu betonen. Da es sich bei Totengott um
eine schwierig einzuordnende Band handelt, kann man sie als Occult-Metal-Trio mit Doom/Death-Metal-Einflüssen vorstellen, ohne dabei andere Genres wie Thrash, Gothic oder Ambient außer Acht zu lassen. Aus musikalischer und philosophischer Sicht schöpft die Band aus Quellen wie der härtesten Seite von Celtic Frost, der rohen und epischen Seite von Bathory, der Atonalität von Kryzstof Penderecki, der klanglichen Ernsthaftigkeit von Conan und den Texturexperimenten des frühen Pink Floyd. Totengott vermeidet Einschränkungen in der Art und Weise, wie sie Musik verstehen.

Nadsvest is a black metal entity based in Serbia, comprised of Serbian native S and New Zealander A. S (Gorgoroth) and A (Barshesketh) crossed paths in 2015, and after a clear musical symbiosis had become evident, formed Nadsvest.

After an EP and a split with Portugal's Necrobode, Nadsvest crafted their definitive debut album. Musically, Nadsvest is a hellish combination of the first, second-wave and bestial black metal scenes, with unhealthy doses of heavy metal and nods to Serbian folk music, yet unmistakenly capturing that old school sound as only forged in Eastern Europe. Lyrical themes deal with the black arts through the lens of the darker aspects of Serbian folklore.

Conceptually, Slovo meseca i krvi is an epic poem exploring the stages in the process of awakening the primal werewolf force in the warrior, the triumph of the spirit and the ultimate sacrifice of the flesh.

Nadsvest is a black metal entity based in Serbia, comprised of Serbian native S and New Zealander A. S (Gorgoroth) and A (Barshesketh) crossed paths in 2015, and after a clear musical symbiosis had become evident, formed Nadsvest.

After an EP and a split with Portugal's Necrobode, Nadsvest crafted their definitive debut album. Musically, Nadsvest is a hellish combination of the first, second-wave and bestial black metal scenes, with unhealthy doses of heavy metal and nods to Serbian folk music, yet unmistakenly capturing that old school sound as only forged in Eastern Europe. Lyrical themes deal with the black arts through the lens of the darker aspects of Serbian folklore.

Conceptually, Slovo meseca i krvi is an epic poem exploring the stages in the process of awakening the primal werewolf force in the warrior, the triumph of the spirit and the ultimate sacrifice of the flesh.

Armageddon Patronage verkörpert den immensen Antrieb einer Band, die auf Hochtouren läuft und ihre ganz eigene Mischung aus extremem Metal verfeinert. Nach einer Reihe von intensiven Festivalauftritten ist der Name Strychnos nun in aller Munde. Angetrieben von diesem enormen Schwung hat die Band unermüdlich gearbeitet, um Armageddon Patronage weniger als zwei Jahre nach ihrem Debüt aufzunehmen und zu veröffentlichen.
"Diese Veröffentlichung stellt eine natürliche Fortsetzung dessen dar, was A Mother's Curse begonnen haben", meint Bassist/Sänger Martin Leth Andersen. "Die Band versucht, die Schlüsselelemente des Debüts zu verfeinern und weiter voranzutreiben - sowohl in Bezug auf die Aggressivität als auch auf die atmosphärischeren Teile. Dieser Nachfolger zeigt auch eine Reihe neuer Details wie alternative Instrumentierung, Gesangsvariationen, Intros, Outros und ein paar bemerkenswerte Gastauftritte."
Es ist selten, dass sich eine Band mit jeder neuen Veröffentlichung so exponentiell verbessert. Verpasse Strychnos nicht... denn man weiß nie, wie lange der Untergrund sie noch halten kann!
Armageddon Patronage wurde von Lasse Ballade in den Kopenhagener Ballade Studios aufgenommen und gemischt und von keinem Geringeren als Necromorbus' berüchtigtem Tore Stjerna gemastert.

Unrelentingly grim and gruesome death metal that fractures the speed of sound. Continuing to morph both stylistically and conceptually, mangling and overwhelming all they encounter.

Genre-defying Dutch death metal legends Pestilence have singled-out and re-recorded twelve emblematic anthems from across their 38-year career into "Levels of Perception". Patrick Mameli - whose signature vocal, guitar and songwriting skills constitute the hallmark of Pestilence - finds "Levels of Perception" to be a testament to the band's role in death metal's progression. Re-recording of the tracks has not only managed to breathe new life into them - half thanks to new line- up, and other half by implementing subtle changes which reflect Mameli's matured vision and refined with years of experience aesthetic - but also sets them apart from cheap, unimaginative compilations, by unifying the album's sound as befits a full-length release. "I've always wanted to do a best-of album, because it would mean that I've achieved something in the past; something that still has its value today," Mameli comments. "To be able to choose from songs that I composed in the distant past, transporting them into the now, with the line-up of the recordings that consisted of Michiel van der Plicht (drums), Rutger van Noordenburg (guitar) and Joost van der Graaf (bass) - I found this to be of great value and sheer awesomeness."

Genre-defying Dutch death metal legends Pestilence have singled-out and re-recorded twelve emblematic anthems from across their 38-year career into "Levels of Perception". Patrick Mameli - whose signature vocal, guitar and songwriting skills constitute the hallmark of Pestilence - finds "Levels of Perception" to be a testament to the band's role in death metal's progression. Re-recording of the tracks has not only managed to breathe new life into them - half thanks to new line- up, and other half by implementing subtle changes which reflect Mameli's matured vision and refined with years of experience aesthetic - but also sets them apart from cheap, unimaginative compilations, by unifying the album's sound as befits a full-length release. "I've always wanted to do a best-of album, because it would mean that I've achieved something in the past; something that still has its value today," Mameli comments. "To be able to choose from songs that I composed in the distant past, transporting them into the now, with the line-up of the recordings that consisted of Michiel van der Plicht (drums), Rutger van Noordenburg (guitar) and Joost van der Graaf (bass) - I found this to be of great value and sheer awesomeness."

Genre-defying Dutch death metal legends Pestilence have singled-out and re-recorded twelve emblematic anthems from across their 38-year career into "Levels of Perception". Patrick Mameli - whose signature vocal, guitar and songwriting skills constitute the hallmark of Pestilence - finds "Levels of Perception" to be a testament to the band's role in death metal's progression. Re-recording of the tracks has not only managed to breathe new life into them - half thanks to new line- up, and other half by implementing subtle changes which reflect Mameli's matured vision and refined with years of experience aesthetic - but also sets them apart from cheap, unimaginative compilations, by unifying the album's sound as befits a full-length release. "I've always wanted to do a best-of album, because it would mean that I've achieved something in the past; something that still has its value today," Mameli comments. "To be able to choose from songs that I composed in the distant past, transporting them into the now, with the line-up of the recordings that consisted of Michiel van der Plicht (drums), Rutger van Noordenburg (guitar) and Joost van der Graaf (bass) - I found this to be of great value and sheer awesomeness."

Genre-defying Dutch death metal legends Pestilence have singled-out and re-recorded twelve emblematic anthems from across their 38-year career into "Levels of Perception". Patrick Mameli - whose signature vocal, guitar and songwriting skills constitute the hallmark of Pestilence - finds "Levels of Perception" to be a testament to the band's role in death metal's progression. Re-recording of the tracks has not only managed to breathe new life into them - half thanks to new line- up, and other half by implementing subtle changes which reflect Mameli's matured vision and refined with years of experience aesthetic - but also sets them apart from cheap, unimaginative compilations, by unifying the album's sound as befits a full-length release. "I've always wanted to do a best-of album, because it would mean that I've achieved something in the past; something that still has its value today," Mameli comments. "To be able to choose from songs that I composed in the distant past, transporting them into the now, with the line-up of the recordings that consisted of Michiel van der Plicht (drums), Rutger van Noordenburg (guitar) and Joost van der Graaf (bass) - I found this to be of great value and sheer awesomeness."

Armageddon Patronage verkörpert den immensen Antrieb einer Band, die auf Hochtouren läuft und ihre ganz eigene Mischung aus extremem Metal verfeinert. Nach einer Reihe von intensiven Festivalauftritten ist der Name Strychnos nun in aller Munde. Angetrieben von diesem enormen Schwung hat die Band unermüdlich gearbeitet, um Armageddon Patronage weniger als zwei Jahre nach ihrem Debüt aufzunehmen und zu veröffentlichen.
"Diese Veröffentlichung stellt eine natürliche Fortsetzung dessen dar, was A Mother's Curse begonnen haben", meint Bassist/Sänger Martin Leth Andersen. "Die Band versucht, die Schlüsselelemente des Debüts zu verfeinern und weiter voranzutreiben - sowohl in Bezug auf die Aggressivität als auch auf die atmosphärischeren Teile. Dieser Nachfolger zeigt auch eine Reihe neuer Details wie alternative Instrumentierung, Gesangsvariationen, Intros, Outros und ein paar bemerkenswerte Gastauftritte."
Es ist selten, dass sich eine Band mit jeder neuen Veröffentlichung so exponentiell verbessert. Verpasse Strychnos nicht... denn man weiß nie, wie lange der Untergrund sie noch halten kann!
Armageddon Patronage wurde von Lasse Ballade in den Kopenhagener Ballade Studios aufgenommen und gemischt und von keinem Geringeren als Necromorbus' berüchtigtem Tore Stjerna gemastert.

Although the band is partly known for being the first band that Philip Anselmo (PANTERA, DOWN, NECROPHAGIA) was part of, RAZOR WHITE represents much more than that, especially for aficionados of heavy metal made in the United States. An example of this is the tremendous 1988 cassette ("The Black Demo"), which contains a valuable proof of what late 80's US Metal could offer. But RAZOR WHITE aren't just a page of 80's metal glory.

The 1991 album "Just What The Doctor Ordered" represented the natural next step for many bands at the time: an album with a better production and more mature, only released on CD, being nowadays a highly sought after collectors item.

20 years after its release, Cage's legendary debut album "Movies For The Blind" is now being reissued on vinyl for the first time! Featuring productions by DJ Mighty Mi, El-P, RJD2 and Necro among others, "Movies For The Blind" remains one of the most influential records of its era as well as one of the stand-out titles in the Easter Conference Records catalog.

With over two decades of gruesome grinding under the belts, you might think that EXHUMED would be ready to slow down. You'd be DEATHLY wrong. Necrocacy is EXHUMED's political manifesto for a new dark day---no democracy, no equal rights, no freedom of choice---bow down to your one true master---THE SAW. Nine sickening new tracks of prime Exhumed gore---blazing guitars, filthy vocals and obscene blasting drums. Quite possibly their finest hour, as the years roll by EXHUMED refuse to mellow. This is a band that stinks like the rotting flesh of a nation waiting for revolution: vote Necrocracy Party 2013!

Goregrinding metal gods EXHUMED have awakened from their slumber and delivered unto us All Guts, No Glory, their first new record in almost eight years. All Guts, No Glory's 11 choice cuts of grinding death metal combine the raw ferocity of their legendary Slaughtercult album with the wild ambition of 2003's Anatomy Is Destiny. As crimson concertos such as "Dis-assembly Line", "As Hammer To Anvil", and "Funereality" illustrate, All Guts, No Glory is EXHUMED's finest moment yet!

"In partnership with Rob Zombie and Lionsgate, Waxwork Records is thrilled to present The Words & Music of HOUSE OF 1000 CORPSES! From the mind of Rob Zombie, this unique double album features a first-of-its-kind movie soundtrack experience by presenting the complete audio to the iconic 2003 feature film, HOUSE OF 1000 CORPSES as an immersive deluxe double LP set.

Pushing the boundaries and exploring new and inventive ways of collaborating, Rob Zombie and Waxwork are excited to deliver the complete Words & Music of HOUSE OF 1000 CORPSES from the film's opening credits through its credits crawl as an interactive read-along experience for fans of horror, vinyl records, and comics! Featuring all new artwork by Pete Bregman, deluxe gatefold packaging, an 11""x11"" 28-page booklet, printed inner sleeves, and a heavyweight character cut-out sheet to create your very own House Of 1000 Corpses spookshow!

HOUSE OF 1000 CORPSES is a 2003 American horror film written, co-scored, and directed by Rob Zombie in his directorial debut. The film stars Sid Haig, Bill Moseley, Sheri Moon, and Karen Black as members of the murderous Firefly family. The film explores multiple genres including horror and exploitation, and it was initially shelved by the movie studio for its graphic amounts of blood and gore, as well as scenes involving torture and necrophilia."

"The Words & Music of House of 1000 Corpses" by Rob Zombie includes the following tracks: "From "These are all my Dolls."" and more.

This version comes as a 2xLP Set in a Printed Inner Sleeve packaging + Comic Book.

The vinyl is pressed as a swirl, orange & purple & green vinyl.