Поиск:no inc

Lucas Chantre, aka WORLD BRAIN, last graced us with a solo release half a decade ago, with 2019’s Peer 2 Peer. As its name suggests, that album explored the promise and perils of universal connectivity via quirked-up songwriting and instrumental psychedelia. His new release, Open Source, deepens this internal and external journey. Bursting beyond the four walls of ‘bedroom pop’ and reflecting a move from Berlin to Paris—where much of the album was recorded—and on to Brussels, the album has a jazzy, cinematic scope (as on the Brubeck-inspired march “Fromage collatéral,”) enveloping the listener in a cosmic-pastoral audiosphere.

There are still many tones that evoke the software sounds of decades past (the exemplar here is “cAPTCHA,” whose virtual marimba and vocalese suggest a breathless, Exotica-inspired introduction .mov for the information superhighway) but the palette has become richer and more organic, lead by the woodwinds which play a major role throughout, with flute provided by labelmate Martha Rose. (On the aforementioned “cAPTCHA” one also hears the world-class whistling talents of the incomparable Molly Lewis.)

Yet the single most noticeable new element may be the use of Chantre’s native French, sung by his sister on “Ville fleurie” and the gorgeous, fluttering “Minute papillion” (the title an idiomatic injunction to slow down!) Chantre initially wrote these lyrics in English, but felt something wasn’t quite right, only realizing what was off when he heard them sung in another language. That spirit of discovery – of finding a new spark in returning home – suffuses Open Source. It invites us to play, beckons us to relax, reminds us to find serenity amidst the churn of the present: minute papillon, dans le tourbillon.

Hip Hop Collected will take you on a musical journey through the history of hip hop. This 2LP covers the first 20 years of the genre, showcasing 25 early pioneers who participated in the rise of hip hop. This compilation features music from the new labels that started to rise from the underground scene, like Sugar Hill Records, Profile and of course Def Jam. Including artists that defined a genre, a lifestyle and most of all, artists that inspired millions of young kids with both socially critical lyrics as well as classic party anthems.

This hip hop compilation album is part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest and best names of its genre, combined with forgotten hits and less discovered gems, giving the listener an experience of both nostalgia and uncovering new musical grounds at the same time.

The 2LP features Kurtis Blow “The Breaks”, Grand Master Flash & The Furious Five “The Message”, Beastie Boys “She’s On It”, Rob Base & DJ E-Z Rock “Get On The Dancefloor”, and Eric B. & Rakim “Paid In Full” amongst many others.

Hip Hop Collected is available as a limited edition of 5000 individually numbered copies on red (LP1) and white (LP2) coloured vinyl. The album includes an insert with liner notes, photos and credits.

Marja Ahti is a Swedish artist living in Turku, Finland. She works with found sounds, objects and electronics, creating auditory assemblages that reveal a profound sensitivity to sound’s tactile potential. This new record sees her palette expand to include more recognisable acoustic instrumentation, albeit working in collaboration with musicians who are already reconfiguring how those instruments can sound.

Touch This Fragrant Surface of Earth has its roots in a tape piece presented at Lampo in Chicago. Ahti then started working with Isak Hedtjärn (clarinet), Ryan Packard (percussion) and My Hellgren (cello) at the electronic music studios (EMS) in Stockholm. Incorporating recordings from those sessions, Ahti presented a new iteration of the work at the Seventh Edition Festival for Other Music in February 2024 with the trio performing live on stage whilst Ahti helmed the mixing desk, spatialising a specially made tape part through the INA GRM’s Acousmonium speaker orchestra. The piece has since gone through several further iterations before arriving at the version we have here on the LP's B-side where immense bass pressure and high frequency tones buffer restless amplified breath and scrape that folds over itself with extraordinary dynamics and subterranean activity before giving way to gorgeous resonant forms and passages of ritual purpose and sheer, unmistakeable beauty.

The A-side is Touch This Fragrant Surface of Earth’s gentle double. Still Life with Poppies, Mirror and Two Clouds offers a companion reconfiguration of Ahti’s resynthesised percussion sustain and the same recordings of Hedtjärn and Hellgren from EMS, but here they’re nestled in a sonic landscape of calm and restraint that gives them a wholly other character. Ahti also draws on older recordings she’d made of Sholto Dobie’s diy pipe organs and uses these to create repeating patterns and flourishes of sliding pitches that emerge unexpected out of cycling passages of Ahti’s clear struck metal, destabilising electronic interventions and minimal piano figures.

Marja Ahti: “I’ve been fascinated with the kind of elemental quality the sounds I'm using have such as airy sounds or earthy, wooden sounds. These qualities can also be found in wind instruments and percussion and the musicians I worked with on Touch This Fragrant Surface of Earth are really good at enhancing these qualities in their playing. I wanted to have this connection between found sounds, field recordings, or pre-recorded sounds, objects, and material, and see where these sounds might meet each other, and hopefully blend is a natural way without a divide between instrumental music, or acoustic music, or electronic music. But also, when you bring in people they come with their personalities and their ideas which is also energizing and brings surprising things into the collaboration that I couldn't come up with myself. I was really interested in making this a proper collaboration and not just coming up with the piece and giving it to them. We had the sessions at EMS where we could share ideas and Isak, Ryan and My could bring in their own ideas. Making recordings there gave me time to process these ideas and to also approach them in the same way that I would work with any other sound.”

Dave Davis, a legendary name in Belgian electronic music, made his mark with classics on Bonzai Records, including the iconic "Transfiguration." Known worldwide for his DJ sets and as a vocalist under the alias JD Davis (Chab’s "Closer to Me," David Guetta’s "The World Is Mine"), he now teams up with ID10-T, a Swiss producer making waves with his raw, no-compromise techno style.

This release features two tracks crafted for peak-time dancefloors:

• "Insane": A dark, powerful underground techno bomb with deep basslines, sharp textures, and relentless energy. Built to shake the walls and ignite the crowd.
• "RDH": A groovy jackin’ techno weapon, combining bouncy bass, funky patterns, and infectious rhythms. A fresh yet respectful nod to classic techno foundations.

With this electrifying collaboration, Vibes Addikt continues to push boundaries, showcasing a cross-generational vision that fuses rave culture heritage with modern sound design.

Français

Vibes Addikt, le label de N.O.B.A reconnu pour sa ligne artistique mêlant techno et trance de manière percutante et novatrice, présente sa nouvelle sortie : un single explosif signé Dave Davis & ID10-T.

Dave Davis, figure incontournable de la scène électronique belge, connu pour ses classiques sur Bonzai Records — notamment l’intemporel "Transfiguration" — et pour ses prestations aux quatre coins du globe, s’associe ici au producteur suisse ID10-T, talent émergent dont le style se distingue par une techno brute, percutante et sans concession. Dave Davis est également connu sous son alias JD Davis, voix emblématique de titres cultes tels que "Closer to Me" de Chab ou "The World Is Mine" de David Guetta.

Ce single comprend deux titres taillés pour les dancefloors les plus exigeants :

• "Insane" : Un banger techno underground, sombre et puissant, construit pour retourner les clubs à coups de basses profondes, de textures métalliques et d'une tension hypnotique. Ce morceau capte l’essence même de la rave moderne : brut, direct, sans artifice.
• "RDH" : Une véritable arme jackin’ techno, groovy et irrésistible, mêlant rythmiques incisives, bassline bondissante et arrangements funky, qui captiveront autant les puristes que les amateurs de sonorités plus organiques. Un hommage contemporain aux racines du genre, avec une touche résolument actuelle.

Cette sortie marque une nouvelle étape dans l'évolution de Vibes Addikt, toujours en quête de projets audacieux et authentiques. Avec cette collaboration intergénérationnelle, le label affirme une fois de plus son engagement envers une techno de caractère, entre héritage rave et innovation sonore.

Cut loud and proud ‘Sweet Reggae Music 2.0’ includes the only LP appearances for much sought-after sound-systems favourites ‘Whom Shall I Be Afraid Of’, ‘Praise His Name’ & ‘Pon Your Toe’ ‘Longside Broader Than Broadway Hits’ ‘Teach The Youth’, ‘Mary Long Tongue’, ‘Mini Bus’ etc During this golden age of Jamaican music Barrington Levy was the undisputed lord of the dancehall - ‘Sweet Reggae Music 2.0’ is 100% black vinyl proof.

Myd’s “Mydnight” second album on Ed Banger Records, influenced by his DJ Experience over the last three years. Includes club-infused singles “The Wizard” , “Song for You” and “All That Matters is Not Gold” featuring Channel Tres and Trueno. Available on CD & Collector Double Yellow & Black vinyl.

2024 Repress

The stunning three 12inch releases from Dataphysix records released in the mid 90's together on one double album/CD. Including amazing tracks like Scientist, Pornoactress, Sterilization, Rocket scientist, Cellularphone and Speak and Spell

Spectrum marks Shook's bold evolution expanding his analog synth-funk roots into lush, cinematic territory. This 2014 release includes the breakout track Milestones, which reached global audiences through its feature in Better Call Saul. Rich in dreamy keys, retro-futuristic grooves, and emotional depth, Spectrum solidified Shook's voice as a one-man orchestra of vintage soul and electronic storytelling. A fan favorite, now ready for rediscovery on limited 180 gram vinyl.

Ethereal Logic (S.Moreira & Indi Zone) releases new music after a 4-year hiatus. While focused on their solo projects, they made time to revisit their signature blend: organic downtempo rhythms bathed in bliss. The release also includes a remix for Australian drummer and producer Ziggy Zeitgeist.

GATEFOLD VINYL re-issue of the debut album by Punk legends the Anti-Nowhere League which hit No.2 in the Independent Chart and No. 24 in the UK National Chart when first released in May 1982. • Includes the Indie Chart topping singles ‘I Hate People’ and ‘Streets Of London’. • Two bonus tracks have been added including the infamous ‘So What’, later covered by Metallica on the Japanese version of their ‘Metallica’ album. • Inner bag features clippings and gig ads from the era.

Miles Davis' Final Collaboration with Arranger Gil Evans Yields Watershed Innovations: Flamenco-Themed Sketches of Spain Spins Graceful Webs of Sound and Emotion Mobile Fidelity's UltraDisc One-Step 180g 33RPM LP Set Brings Out the Record's Full Spectrum of Color: 65th Anniversary Edition Pressed at Fidelity Record Pressing and Strictly Limited to 5,000 Numbered Copies 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects three different times during their celebrated careers. For their final act, they created Sketches of Spain, a peak moment in each luminary's legacy.

The transformative album weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony that resonates more than six decades after its original release. Part of Mobile Fidelity's Miles Davis restoration series, this 1960 landmark has been afforded the ultimate white-gloves treatment for its 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a dryness that many critics found inhibitive to the record's enjoyment. You can now hear the full-range responsiveness of the woodwinds, strings, and percussion, all of which come alive with superior definition and detail.

The beautiful presentation of this UD1S set befits the record's historical importance. Housed in a deluxe slipcase, it features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the 1960 LP. This reissue is made for discerning listeners who desire to fully immerse themselves with the album. And who wouldn't want to go deep with Sketches of Spain? Whether it is the somber mood piece "Concierto de Aranjuez," renowned for Davis' flugelhorn performance, or the folktale-based "Solea," Sketches of Spain transfixes with playing, ideas, and innovations exclusive to this incomparable effort. It's one reason why Mobile Fidelity's engineers took all available measures to insert listeners into the space originally occupied by Davis, bassist Paul Chambers, drummer Jimmy Cobb, percussionist Elvin Jones, and an 18-piece orchestra. The results are as breathtaking as the music.

Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform flamenco-spiced pieces. Davis' famous Harmon-muted trumpet is complemented by an assortment of bassoons and French horns. Heard together, they create pleasing contrasts and sounds (pp, mf, ppp) that get to what resides at the heart of Sketches of Spain: color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out tones, shades, layers, and textures. What they achieved continues to draw praise from the global music community in the 21st century. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed "a work of unparalleled grace and lyricism" by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken "jazz in a new direction," the Grammy Award-winning effort has never been better.Miles Davis' Final Collaboration with Arranger Gil Evans Yields Watershed Innovations: Flamenco-Themed Sketches of Spain Spins Graceful Webs of Sound and Emotion Mobile Fidelity's UltraDisc One-Step 180g 33RPM LP Set Brings Out the Record's Full Spectrum of Color: 65th Anniversary Edition Pressed at Fidelity Record Pressing and Strictly Limited to 5,000 Numbered Copies 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects three different times during their celebrated careers.

For their final act, they created Sketches of Spain, a peak moment in each luminary's legacy. The transformative album weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony that resonates more than six decades after its original release. Part of Mobile Fidelity's Miles Davis restoration series, this 1960 landmark has been afforded the ultimate white-gloves treatment for its 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a dryness that many critics found inhibitive to the record's enjoyment. You can now hear the full-range responsiveness of the woodwinds, strings, and percussion, all of which come alive with superior definition and detail. The beautiful presentation of this UD1S set befits the record's historical importance. Housed in a deluxe slipcase, it features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the 1960 LP.

This reissue is made for discerning listeners who desire to fully immerse themselves with the album. And who wouldn't want to go deep with Sketches of Spain? Whether it is the somber mood piece "Concierto de Aranjuez," renowned for Davis' flugelhorn performance, or the folktale-based "Solea," Sketches of Spain transfixes with playing, ideas, and innovations exclusive to this incomparable effort. It's one reason why Mobile Fidelity's engineers took all available measures to insert listeners into the space originally occupied by Davis, bassist Paul Chambers, drummer Jimmy Cobb, percussionist Elvin Jones, and an 18-piece orchestra. The results are as breathtaking as the music. Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform flamenco-spiced pieces. Davis' famous Harmon-muted trumpet is complemented by an assortment of bassoons and French horns. Heard together, they create pleasing contrasts and sounds (pp, mf, ppp) that get to what resides at the heart of Sketches of Spain: color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out tones, shades, layers, and textures. What they achieved continues to draw praise from the global music community in the 21st century. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed "a work of unparalleled grace and lyricism" by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken "jazz in a new direction," the Grammy Award-winning effort has never been better.

*Re-press of first-time 7″ release / limited 300 copies red vinyl / Shipping from 11 August* If you were part of a clubbing tribe in 1994 – any clubbing tribe – you will have danced to the Ballistic Brothers astounding ‘Blacker’. A track on a mysterious 12-inch that no-one could quite work out if it was a 12-inch single of a cheaply packaged album (it was in effect a 12 inch EP), but in the end it didn’t matter. It provided any DJ with a guaranteed dancefloor winner. A sly mix of beats and samples, it is nothing short of an anthem, and with the full cooperation of the group, we are making it available for the first time as a 7-inch single. The Ballistics – Ashley Beedle, Rocky, Diesel and David Hill – went on to record a further 12-inch EP and two full-length albums, making them one of the cult names of 1990s music. On the flip of this seven is one of their most popular cuts, what at the time was an LP-only track ‘Cubafro Con Amigos’, which has been specially edited for this release. Following the sellout of the first-time 7″ in 2023, we are excited to offer a repress. Limited to 300 copies and pressed on transparent red vinyl in a black disco bag!

Repress!

It's been 35 years since the first release of the iconic track Risin' To The Top', yet the track sounds as timeless as ever. Now Keni is about to embark on a '35th Anniversary Tour' in the UK and will include this song, which has now been sampled by over 80 artists. These include Mary J. Blige, L.L. Cool J, Doug E. Fresh, 50 Cent, and KRS-One. This 7' version is also now extremely rare, original copies exchanging hands at vast sums. Hang Tight' also comes from the 1982 Changing' album, another classic which will be performed as part of the upcoming tour and was the original B-side to the first UK issue of Risin' To The Top'

Sydney's Lipstick Killers released just one single in their lifetime – the perfect ’79 pairing of “Hindu Gods of Love” and ”Shakedown USA”, released on both their own Lost in Space Records and Greg Shaw’s Voxx Records and produced by Deniz Tek of the band's heroes Radio Birdman - but a posthumous live album and a couple of archival releases followed. It was all incredible.

And it was all put together a few years ago on Grown Up Wrong!'s 2CD set Strange Flash! And while the 2LP version of that release included all the studio stuff and the live in LA 1981 set, there was no room for this brain-burning, chaotic live set from '79. Tour De Force, which was recorded for local radio station 5UV, captures the band as they were still emerging from the cocoon that was the Psycho Surgeons.

The Nuggets influences are there, but it's a Stooges influences which dominate proceedings, and definitive readings of both sides of the Psycho Surgeons classic 45 "Wild Weekend"/"Horizontal Action" are included alongside early Killers killers like "Teen Police" and "Sockman" and later faves like "Hindu Gods of Love', "Shakedown USA" and "Dying Boy's Crawl". The band's hot take on the Thirteenth Floor Elevators' "I've Got Levitation" is also featured. There's also plenty of tunes that were only ever captured on tape on this wild night, including "Human Crash", "Crush On You", "Head Off" and "Bully"!

Sydney's Lipstick Killers released just one single in their lifetime – the perfect ’79 pairing of “Hindu Gods of Love” and ”Shakedown USA”, released on both their own Lost in Space Records and Greg Shaw’s Voxx Records and produced by Deniz Tek of the band's heroes Radio Birdman - but a posthumous live album and a couple of archival releases followed. It was all incredible.

And it was all put together a few years ago on Grown Up Wrong!'s 2CD set Strange Flash! And while the 2LP version of that release included all the studio stuff and the live in LA 1981 set, there was no room for this brain-burning, chaotic live set from '79. Tour De Force, which was recorded for local radio station 5UV, captures the band as they were still emerging from the cocoon that was the Psycho Surgeons.

The Nuggets influences are there, but it's a Stooges influences which dominate proceedings, and definitive readings of both sides of the Psycho Surgeons classic 45 "Wild Weekend"/"Horizontal Action" are included alongside early Killers killers like "Teen Police" and "Sockman" and later faves like "Hindu Gods of Love', "Shakedown USA" and "Dying Boy's Crawl". The band's hot take on the Thirteenth Floor Elevators' "I've Got Levitation" is also featured. There's also plenty of tunes that were only ever captured on tape on this wild night, including "Human Crash", "Crush On You", "Head Off" and "Bully"!

The beloved 2007 hit song by Shione Yukawa, which was also featured on NHK's "Minna no Uta," is finally being released on vinyl!

The long-awaited first 7" release of "Gingham Check no Kotori" comes with a rare, never-before-seen jacket shot taken by photographer Suilen Higashino at the time of its release!

The B-side features the 2008 hit "Kaze yo Fukanaide" recorded in London, making this a luxurious 7-inch vinyl. This must-have record for music fans showcases two exquisite tracks by the naturally gifted singer-songwriter Shione Yukawa, whose captivating voice continues to enchant audiences to this day.

LA-based composer/arranger E. Lundquist (aka Eric Borders) returns with ‘Art Between Minds’. Having cut his teeth in the LA hip-hop and beats scene and explored realms of cosmic-funk under previous monikers, E. Lundquist’s music displays a rich tapestry of influences including the cinematic & experimental jazz-infused library music that influenced his previous LP ‘Multiple Images’. Now he is back with another ample helping of his hallucinogenic sonics, utilizing a bevy of vintage gear to replicate that warm glow of ’70s jazz-funk. From the Fender Rhodes MKI to the ARP Odyssey, to the Mellotron, the keys and synths he employs on these tracks display a genuine appreciation for the groove-driven music of The ‘Me” Decade.

The album plays like the score to a cult classic B-movie. The sun-drenched haze of “Soliloquy” could easily be what you hear during the calm before the storm in a Blaxploitation flick and the laidback crawl of “Euphoria” seems ripped right out of a fuzzy ‘70s blue movie. But there is a certain sophistication here, like the way the horn section, slinky guitar, and trippy synths combine on “Escape” to sound like liquid one moment and like a summer breeze the next.

While E. Lundquist’s artistry will eventually take him to new plateaus of sound, where he is right now is undoubtedly a high watermark in his career. He has become a torchbearer for jazz-funk in a new jazz revolution, updating the sub-genre with his delicate balance of digital and analog elements that will easily appeal to fans of Kamaal Williams, Surprise Chef, BADBADNOTGOOD, Khurangbin, Robohands and similar.

More than thirty years after their seismic arrival, the legendary Wu-Tang Clan remains as relevant as
ever, whether inspiring an acclaimed TV series or securing a historic Las Vegas artist residency. With a wealth of talent that may never be duplicated, the group’s impact has been amplified by the solo careers of all nine members. Masta Killa has been an important part of this legacy, with four acclaimed solo albums containing countless Wu classics. Now, in the midst of the last Wu-Tang Clan tour ever, Masta Killa is back with the highly anticipated new album Balance. Executive produced by Wu-Tang mastermind RZA, the collection is vintage New York hip-hop at its finest, with thunderous drums courtesy of beatsmiths like Easy Mo Bee, PF Cuttin, Nick Price, and RZA himself. Lyrically, Killa proves his sword is sharper than ever, sharing wise words alongside a diverse set of guests including Method Man, Snoop Dogg, RZA, Raekwon, N.O.R.E., Cappadonna, AZ, Uncle Murda, and more. “What the world and the musical universe needs now is balance,” Masta Killa explains. Capturing a wide spectrum of moods and content, Balance embodies its title perfectly.

Woo, formed in 1975 by brothers Mark and Clive Ives in London, is known for its experimental blend of folk, jazz, ambient, and electronic music. Their sound, characterised by the delicate integration of acoustic and electronic elements, has earned them recognition in ambient and healing music spheres. Over decades, the duo has produced over 1,500 tracks, evolving a unique style that evokes dream-like atmospheres and a meditative, soothing quality perfect for moments of reflection.

Dedicated to intertwining the serene beauty of music with the nurturing process of planting seeds when the first new signs of life emerge in the growing season. A carefully crafted collection of ambient & minimalist soundscapes, occasionally branching into the new age. A soundtrack for quiet moments of sowing, nurturing, & witnessing the slow reward of growth.

Each artist will release a recycled cassette and digital format. We plan to release one cassette each month from November through June, aligning our releases with the ideal growing period. Each physical release will precede its digital counterpart by a few months, allowing the music to be experienced in its intended form first, with the tangible connection of a cassette and seeds before becoming accessible to a broader audience in the online sphere. This staggered release allows listeners to engage with the music more profoundly and intentionally, akin to the patience and care required in gardening. Best get that portable cassette player on eBay!

Each release will serve as a soundtrack to quiet moments of sowing, nurturing, and witnessing the slow, rewarding growth process, both in plants and in the listeners' lives. Whether tending to a window sill garden or simply seeking a peaceful retreat in sound, "Music to Watch Seeds Grow By" is an invitation to pause, listen, and cultivate.

Early DJ support including Tom Ravenscroft, Deb Grant, Vladimir Ivkovic,Ruf Dug, Eva Geist, Domenic Cappello, Fergus Clarke & Sofie K.

The rediscovery of Terry Callier is of the high points of in the history of Acid Jazz Records, who present the reissue of the 7” version of the song that started it all - ‘I Don’t Want To See Myself (Without You)’. A true classic of the modern soul scene.

‘I Don’t Want To See Myself…’ was the final release from Callier, whose career encompassed recording for Prestige, Chess’s Cadet label and Elektra, before this one- off single on the independent Erect label.

Despite the record fetching huge sums by the 1990s, his career had been largely unexplored, until Acid Jazz founder Eddie Piller decided to track him down. After several attempts, Eddie finally found him working as a computer programmer, and in July 1990 Acid Jazz reissued the single.

Over the next decade Terry resumed his recording and performing career, releasing new music, and was finally recognised for his brilliance as an artist. In 2006 Eddie found himself once more in conversation with Terry and they agreed on releasing a 7-inch version of the single, with an edit created by Andy Lewis.

This single is long since deleted, and now sells for upwards of £30, so with the full co-operation of his daughter Sundiata and licensed from Terry Callier Music, it is set for reissue in March 2025, backed with ‘If I Could Make You’.