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Available for the first time on vinyl and reaching #2 on the iTunes Jazz Album Chart, CODE RED brings together hits like SILENT MOVIE and the title track CODE RED with newer songs including the sultry album closer ALL THE WORLD'S A STAGE. The album is pure class from start to finish and has been the most requested vinyl issue on the FRESHLY SQUEEZED roster since its original digital release in 2021.

LEEDS based Little Violet is the writer, pianist and vocalist behind these impeccably rendered songs featuring her brilliant studio band. With its high quality contemporary production, vintage styling and superb musicianship, the album was described as "an instant classic of RETRO POP" that takes inspiration from the likes of Caro Emerald and runs with it to create something at once both modern and timeless. "If you think they don't make albums like they used to any more, this is probably one you should hear..."

The prolific, virtuosic original Bjarki Sigurðarson returns to the concept album format, with ‘A Guide To Hellthier Lifestyle’. It’s the first LP to be released on Differance.

‘A Guide To Hellthier Lifestyle’ explores the psychological landscape of contemporary social issues, offering a sideways rumination on lifestyle dilemmas and wellness obsessions, presenting itself as a response to the modern condition. It combines storytelling with innovative sound textures – encouraging listeners to pause and contemplate the absurdities of contemporary life. Neither a critique nor an endorsement, it represents an honest exploration of our world through Bjarki’s sonic lens, gleaming a heart of darkness, but eventually finding light.

The album utilises hyper-stereo techniques, soothing melodies, complex audio structures, AIgenerated voices and sampled vocals – influenced by Coil, Genesis P- Orridge, and Paul Lansky. Bjarki investigates how specific frequencies can impact consciousness, awareness, mood, and mental state, thereby influencing our perception of reality. His vaporous sound design provides a listening experience that bridges the physical and imaginative realms; sometimes placing the listener in contemplative sanctuary, and at others making them lost – somewhere strange, uneasy, disconnected.

Bjarki on his Guide To Hellthier Lifestyle

“This new album has been two years in the works. It’s sort of my take on all the social weirdness and wellness obsessions happening right now. It kicked off with a track I started in California – the story of a soul that got born into the wrong womb. During that time, I was noticing more and more of this whole ‘wellness religion’ everywhere – people trying to sell you ‘good vibes’ and random people offering you life coaching sessions on Instagram who maybe have less life experience than a houseplant. All these apps that track our every move; it’s like they’re repackaging control and calling it ‘self care’. Capitalism in yoga pants. Thats when I started putting ‘A Guide To Hellthier Lifestyle’ concept together. A never ending, self improvement rabbit hole. We are all being sold this idea that we are not quite enough and we need to buy our way out to being better.

At one point, I took a break from the album and started working on another album full of satirical speeches, AI generated voices, where I create my own voices and type in some ideas of speeches, taking the piss out of wellness gurus and life coaches. I messed a lot with these AI voice generators, creating these deep, faux serious monologues. Proper weird stuff, but it cracked me up. Reminded me of the early days, when I was 13, making tracks on Fruity Loops, mucking around with text-to- speech generators. After the break I came back to finish ‘The Guide’ on a much deeper level.

I moved part of my studio to Latvia and continued in the countryside for few months. I realised that I just wanted something beautiful. So, yeah, this album is all of that. It’s spiritual, bits and pieces from the past, all these weird cultural moments, and whatever strange places my head goes. It’s a reflection, a rebellion, a bit of a piss take. But mostly, it’s just me, doing what I do.” - Duncan Clark

The album will be released only in its entirety, December 13th digi, with no advance singles.

Frank Sinatra was one of the greatest performers and first musical superstar of the last century. His voice, timing and performance created the standards for vocalists ever since. Even today’s performers like Michael Bubble, Jamie Cullum and Robbie Williams are highly inspired by ""Ol' Blue Eyes."" On Frank Sinatra Collected, his career and musical legacy is celebrated on 2 LPs, spanning over 5 decades. In association with Frank Sinatra Enterprises, the 31 recordings on Collected include not just his most famous songs, but also delves into some of his best album tracks and collaborations with Count Basie, Quincy Jones and his daughter Nancy, all showcasing the versatile artist he was. Frank Sinatra Collected is available as a 2LP, housed in a deluxe gatefold sleeve with liner notes inside. 10.000 numbered copies are pressed on “Sinatra Ol' Blue Eyes"" translucent blue coloured vinyl."

Les Disques Bongo Joe is reissuing Au Revoir, the debut album by Société Étrange, originally released in 2015 on the Lyon-based label S.K. Records, and now considered a cult classic. This Lyon trio, composed of Antoine Bellini (electronics), Romain Hervault (bass), and later joined by Jonathan Grandcollot (percussion), explores a minimalist instrumental soundscape, where repetition and tension play a central role.

Au Revoir was created with a raw and intuitive approach, mostly composed during the group’s earliest days. At the time, Antoine and Romain were working as a duo, experimenting with drum machines and electronic sounds inspired by the post-punk of the 80s, the robotic grooves of Neu! and Cluster, and the DIY spirit of early hip-hop. The result is a music that is both hypnotic and introspective, where the presence and absence of sonic elements balance with minimal precision. Between electronic layers and winding bass lines, the tracks move forward like on a foggy road, uncertain but captivating.

For this reissue, Société Étrange offers two new recordings. One of them is a revisited version of Voiturin à Phynance, renamed Voiturin à Fifinance for the occasion, with Jonathan Grandcollot now fully integrated into the group. His percussive style, both organic and melodic, has profoundly transformed the group’s sonic dynamics, adding richness and texture to this new version. The previously unreleased track Blanchard completes the edition, offering another facet of their universe, more spontaneous and free.

This reissue is more than just a re-release of an out-of-print album. It is a testament to the evolution of Société Étrange, a group that blurs genre boundaries, seamlessly blending post-punk, krautrock, dub, and electronic minimalism. With Au Revoir, the trio crafts a singular instrumental sound, where each note seems to carry a unique weight and intention, borrowing equally from abstraction and narrative.

FTR006 features Bob Marley's backing singer Judy Mowatt and a great dub version on the B side by the one and only Roberto Sánchez!

The Holiday Album That Turned Mariah Carey into the Queen of Christmas: Featuring the Standard “All I Want for Christmas Is You,” the Singer’s Blockbuster Merry Christmas Exudes Joy, Spirituality, and Conviction
Sourced from the Original Master Tapes, Presented in Audiophile Sound for the First Time, and Strictly Limited to 3,000 Numbered Copies:

Mobile Fidelity’s UltraDisc One-Step 180g 33RPM LP Set Plays with Superb Detail, Openness, and Definition
1/2" / 30 IPS / Dolby SR analogue master to DSD 256 to analogue console to lathe

Mariah Carey didn’t become the Queen of Christmas just because of her fervent love of the holiday. Or as the result of a brilliant marketing plan. The iconic singer earned her title by way of her blockbuster Merry Christmas, a 1994 album that quickly joined the likes of Bing Crosby’s White Christmas, A Jolly Christmas from Frank Sinatra, and Nat King Cole’s The Christmas Song as an all-time holiday vocal classic. Featuring a balanced mix of inspired originals and well-chosen covers, Carey’s fourth studio record has only grown in stature as new generations discover its magic. Mobile Fidelity’s 30th anniversary edition reissue of Merry Christmas makes her spellbinding performances and upper-tier register come alive like never before.

Sourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 3,000 numbered copies, the pioneering label’s UltraDisc One-Step 180g 33RPM LP set of Merry Christmas plays with superb detail, depth, and dimensionality. Available in audiophile quality for the first time since its original release three decades ago, and featuring the bonus track “God Rest Ye Merry, Gentlemen,” the nine-times-platinum set breathes with a newfound openness and transparency that enhance the spirituality, passion, and festive tenor of Carey’s singing.

Benefitting from superb groove definition, a nearly inaudible noise floor, and dead-quiet vinyl surfaces, the music takes on a heightened energy and anticipatory emotion synonymous with the holiday season. Carey’s signature vocals explode with liveliness and dynamics, the full scope of her acrobatic range presented in clear, transparent sound that practically places her on a small stage in your listening room. This collectible version also breathes with the kind of warmth, intimacy, and coziness you want from a landmark vocal album.

Recorded when Carey helped put “diva” back into everyone’s vocabulary, Merry Christmas gave the New York native another smash right out of the box. What nobody knew at the time was the degree of the album’s staying power — and how, many years removed from its initial promotion cycle, its legend would still grow and even spark a 2010 sequel. Having re-entered the Top 200 charts every year since 2019, Merry Christmas ranks as one of the three most commercially successful holiday LPs ever made and, in due time, will likely earn the top distinction in that class. A global blockbuster, it seamlessly ties together Christian, gospel, and secular threads and speaks to a boundless audience, independent of denomination.

Most obviously, the record remains inescapably connected to “All I Want for Christmas Is You,” an uptempo anthem that towers as a holiday standard and one of the biggest-selling singles in history. Punctuated with celesta chimes, sleigh bells, springy keyboards, and joyous beats, the song echoes the simple albeit engaging melodies and doo-wop style of beloved holiday classics of yore — and blends such elements with contagious dance-pop rhythms to create an atmosphere rich in joy, wonder, and excitement. Radiant with golden soulfulness and sincere conviction, Carey’s exuberant singing and on-point phrasing put it all over the top. And how.

The song stands as the only effort in Billboard history to top the Hot 100 chart during at least three separate runs. Carey’s blockbuster has already hit No. 1 during five runs, spanning every year between 2019 and 2024. That’s just one of the many records the singer holds — and only one of the multiple highlights from Merry Christmas, which includes two other Carey-penned originals, “Miss You Most (At Christmas Time)” and “Jesus Born on This Day.”

Though slightly lesser known, Carey’s remarkable rendition of Darlene Love’s “Christmas (Baby Please Come Home)” further links her album with the big, lush, Wall of Sound heritage that helped inspire its production. Carey’s heartfelt take and transformation of the traditional “Santa Claus Is Coming to Town” into an animated tune that even adults can believe, as well as her clairon reading of “Joy to the World” — cleverly augmented with bits of Three Dog Night’s 1971 hit of the same name — further reinforce her status as Queen of Christmas.

At the peak of her powers, Carey finds equivalent success when tapping more spiritual veins. Witness the reverence she brings to the timeless carol “Silent Night,” the piousness she invests in “Jesus Oh What a Wonderful Child,” and the sacred feeling she conveys throughout “O Holy Night.” You’ll also never think of “Hark! The Herald Angels Sing” and “Gloria (In Excelsis Deo)” the same way again after hearing Mimi pour her heart and soul into them, and pair the songs together.

Indeed, it’s Carey’s pliable voice, melismatic technique, and five-octave range — on display here in definitive fashion — coupled with her undeniable love for Christmas and understanding of the religious significance of the season that make Merry Christmas a must-have holiday staple. And on Mobile Fidelity’s LP, something you better add to your wish list.

Ni A Nhw (‘Us And Them’) is a new collection of songs by Carwyn Ellis, sung mostly in his native Welsh. Drawn from his catalogue under four different guises - Colorama, Rio 18, Bendith and solo as Carwyn Ellis - it features songs spanning over a decade, most of which have not been available to stream before. Or on vinyl for that matter!

The music itself is mostly in a folk-pop / singer-songwriter vein so although it spans a number of years and projects, it holds together well. There are seasoned favourites - ‘Llythr Y Glowr’, ‘Gall Pethau Gymryd Sbel’ and ‘Ti’ have been staples on BBC Radio Cymru over the last 5 years or so. Covers include’Gorffennaf’ (‘Luglio’ in it’s original Italian) which was released with Rio 18 this Summer, and ‘Cân Am Gariad’ (Lesley Duncan’s ‘Love Song’) and ‘Hwiangerdd Takeda’ (‘Takeda no Moriuta’ in it’s original Japanese), both recorded with Bendith for their long-sold out 12” EP on Manchester’s legendary Aficionado label in 2017. Some of the songs on the album were previously only released digitally via Bandcamp as fund raisers during the Covid era - ‘Gair O Gysur’ as Rio 18 and ‘Drudwen’, ‘Cardigan Bay’ and ‘Ti’ as Carwyn Ellis himself.

As the album draws to its close, the tunes take a slightly more electronic turn, beginning with ‘Kerro’, from the Colorama mini album ‘Llyfr Lliwio’ originally released in 2011. The CD and streaming versions of the album close with the Begin remix of ‘Hapus?’ By Colorama, an epic Balearic chill out tune if ever there was one!

As Carwyn finishes work on the next Rio 18 album (due in 2024) this is a welcome reminder of his varied skills as a singer, songwriter, arranger, producer and collaborator - a colourful chameleon, comfortable working in any number of musical styles, and never prepared to sit still. This collection, following on from 2014’s ‘Dere Mewn’ CD, brings together all of Carwyn’s remaining Welsh rarities, whether solo, as a bandleader or as a collaborator. Ni a Nhw. Us and Them.

The world's first album released as a 140g EcoRecord rPET LP, made from recycled PET. Each LP is made entirely from, on average, nine recycled
plastic bottles.

Bushwacka’s first release for Radio Slave’s Rekids, the ‘Heaven On Earth’ EP, is out on October 11th 2024 and sees the UK House and Breakbeat innovator deliver two tracks complete with versions.

Title track ‘Heaven On Earth’ is a slice of low-slung House in which a drawling spoken-word vocal about love for music dominates. It’s a track with the sort of cast-iron, funky groove that has permeated Bushwacka’s music since day one. The ‘Instadub’ dubs out the vocals and takes ‘Heaven On Earth’ in a heady direction.

On the flip, Version One and Version Two of ‘Roger That’ see Bushwacka drop finely tuned funk-infused Deep House, with the former treading an earthy heads-down path while the latter ups the melody, chord and vocal sample prominence, creating a restrained euphoria throughout.

Bushwacka, aka Matthew Benjamin or Matthew B/Just Be/Makesome Breaksome and countless other aliases, has been a pivotal part of the electronic music scene for over 30 years. While his wildly successful project with Layo Paskin as Layo & Bushwacka! is his most prominent, this former London School Symphony Orchestra percussionist’s roots go much deeper. A pioneer of the nascent Rave and Acid House scenes who went on to be one of the progenitors of Tech House and UK Breakbeat scenes, Bushwacka’s influence is huge but far from static, with releases on the likes of Classic, Aus and NuGroove in the past few years alone.

Music To Varnish Owls By. Does Geoff Bastow have a claim for the best album title of all time? It's certainly up there. It's also one of the hardest to find library funk records. But don't let the eye-catching name fool you into thinking this isn't serious business.

As a key member of Giorgio Moroder's team, the legendary Geoff Bastow shouldn't need any introduction. You'll be familiar with his singular brilliance as the brains behind the much-sampled boogie/disco classics "You Don't Like My Music (Hupendi Muziki Wangu?!)" and "Don't Stop", released by his group, K.I.D.

But 1975's Music To Varnish Owls By is where it all began for our hero.

It's packed with incredibly soulful, soothing music that - despite being utilised a few times by Knxwledge - remains still largely un-mined. So, beat-makers, get cracking. And instead of that hyper-rare original, spend that £300 on something else.

Born in 1949, Bastow was a Munich-based English songwriter and record producer. Originally working as a guitarist and pianist in dance bands around his home county of Yorkshire, he moved to London in the early 1970s and then Munich in around 1976. He was one of the main architects of the Munich disco sound of electronic innovator Giorgio Moroder and also released heaps of killer library records for legendary labels like Bruton (with brother Trevor), Impress, JW Music Library and the Munich-based Sonoton between the 1970s-2000s. Bastow died tragically young, in Berlin, Germany on 16 March 2007, at the age of just 57. But he left behind a truly incredible electronic music legacy. He deserves to be much better known and this reissue should bring him to a fair few more ears. Let's see why...

Light-hearted opener "The Rough With The Smooth" contains a killer open drum break and is basically guitar-drenched flute-laced piano-funk. However, the first genuine highlight, "Beautiful People", is just majestic. Reflective, pastoral and silky smooth - as the title suggests, it's just straight beautiful; a chiming, deeply soulful instrumental that has to be heard to be believed. Sampled by Knxwledge but nobody else of note, which is crazy. Slo-mo soul beat "Tumbleweed" is another stone cold track just desperate to be laced by a skilled MC. Laconic, lysergic funk with nostalgic overtones, the guitar is prominent but the flute and glock really elevate it to perfection.

"Bits And Bats" is clav-enhanced Blaxploitation-esque street-funk with tough bass and crunchy drums that, despite its hardness, manages to flirt with breeziness. All in all, sumptuous, pounding wah-wah brilliance. Another huge one, up next. The insistent piano-funk head-nodder "A Change Of Pace" is a total sleuth-funk jammer, with a wonderfully soft snare and more hypnotic, melancholic flute lines. Man, we'd love to hear Alchemist chop this up. It even sounds a bit like Bastow was keeping things thoro with this one. Closing out Side A, the bright and breezy Bossa of "Janelle" makes it a perfect run of six untouchable gems. As elegant as it is sleazy, it sounds like it could've been on the classic KPM greensleeve, Piano Viberations.

Side B opens with the Ramsey Lewis-inspired "Time And A Half", a deceptively simple bass, drums and piano workout, decorated with stylish percussion with some great chord changes and hints of drama via a great bass solo. The heavy "Supersplash" is a doped-out drama suite with fuzzy wah-wah guitars, electric piano and glock. "Fillet Of Soul" is a catchy wah-wah propelled shuffle with piano and vibes, super dynamic but also incredibly chill.

"Well Above Average" is exactly that, a funky instrumental that serves as a straight ahead guitar-soul workout. Oozing bass-driven class, it gets better with every listen. Some open drums for your delectation, too. The fuzzy clav-and-vibes funk of "The Clan" - also understandably sampled by Knxwledge - is a monster head-nod slow jam whilst, seeing us out, the uber-relaxed "Sing Song" rounds things off in bright fashion with its slow but insistent clav, electric piano and glock greatness. Swoon.

As ever, the audio for Music To Varnish Owls By has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

PRESSED ON BLUE INK-IN-CLEAR COLORED VINYL IN A GATEFOLD JACKET WITH OBI, A FOLD-OUT LYRIC INSERT AND TWO BONUS REMIXES

Among hip-hop fans, Boogie Down Productions first two albums – Criminal Minded (1987) and By All Means Necessary (1988) – loom very large. And for good reason: they both captured one of the late 1980s most important and influential crews at their highest powers of lyricism and musical invention. That said, too many people sleep on BDPs third LP, Ghetto Music. Released in 1989, when the hip-hop world was truly beginning to explode and reach new heights of sales and exposure around the world, the album is arguably as powerful as the group's first two. As on By All Means Necessary, in the wake of the tragic death of the founder, producer, and DJ Scott LaRock, KRS-One pushed along mightily on the production side, with help from his extended crew. Musically the sound created on albums 2 & 3 was funky, catchy, and continually innovative, giving him the perfect backdrop to build his Edutainment syllabus. Lyrically there was never a question about KRS-One's power, and on Ghetto Music he continues to impress, teach, and ask important questions. Clear cases in point are two of the album's singles, "You Must Learn" and "Why Is That?" but he gets even deeper on tracks like the anti-police thought-piece "Who Protects Us From You" (still sadly relevant in 2024), "Ghetto Music" and "World Peace." Out of print on vinyl since 2017, Get On Down in partnership with Sony's CERTIFIED is proud to present this '89 classic fresh for 2024 you suckas! Pressed for the first time on double-colored vinyl and packaged in a gatefold jacket with a fold-out lyric sheet and two bonus remixes.

DESTROY BOYS" catalog vinyl is back in stock!

2024 has been a big year for the band with the release of their new album, Funeral Soundtrack #4 (available on Hopeless Records) and Epitaph Records are harking back to these two seminal vinyl releases from the band"s early days, just in time for Black Friday! "Sorry Mom" (2017) ( on vinyl for the first time!) and "Make Room" (2018)- both albums will be available on black vinyl. DESTROY BOYS formed in 2015, when founding members Violet Mayugba and Alexia Roditis were just 15 years old, and each release has marked a period of growth and change. "Looking back, our first three albums marked the deaths of things," says guitarist Violet Mayugba. "They were soundtracks to our funerals, whether they were for our ages, our mental states. We"ve gone through a lot of changes as a band and as people." "The first one (Sorry, Mom) was our high school album," Mayugba explains. "On the second record (Make Room), we went to college and were saying goodbye to our childhood. On the third one, we"d just gone through COVID and, speaking for myself, I lost my entire sense of self and gained a new one." Now, at 24, Mayugba and Roditis are standing firmly on solid ground with more resolute and confident than ever in their place as musicians.

Jorge Ben is surely one of the world’s greatest all-round musical artists. He is internationally renowned and vastly influential as a vocalist, musician, performer and phenomenal songwriter. Famed for penning ‘Taj Mahal’, which was the source for Rod Stewart’s ‘Do You Think I’m Sexy?’, and also ‘Mas Que Nada’, one of Brazil’s most iconic anthems, Jorge Ben is a powerful musical force. A simple glance at his impressive back catalogue reveals a master of his craft, with a depth and quality that is seldom paralleled.

For 'Tudo Ben' we take a side-step, focusing on Jorge Ben’s songs that have been performed by other artists. Complied by Mr Bongo, Greg Caz and Sean Marquand, this collection features the Brazilian legends Elza Soares, Claudette Soares, and Wilson Simonal, alongside prodigious artists such as Marijô, Os Brazoes, and Doris Monteiro to name but a few. The selection covers a wide range of genres including samba, bossa nova, MPB and batacuda workouts. Many of the songs featured have become staples in Mr Bongo DJ sets over the years and are some of our most loved classics. As with many of history’s great songwriters, Jorge Ben’s songs transcend genres and styles, they can be covered and reinterpreted, yet the quality of the writing holds up to the standard of the original.

In the dark days of the mid to late 2000s when the end of vinyl seemed inevitable, Mr Bongo released 'Tudo Ben' on CD only. Years later, we finally get to put this right and present it for the first time on vinyl with alternative artwork by Mr Krum.

New single with echoes of Slowdive, Lush and the Cocteau Twins. Limited edition 7-inch on Precious Recordings of London comes with free badge – plus an exclusive B-side. Download card also included – with a bonus 'Popkiss version' of the title track.

Blueboy continue their extraordinary re-emergence after 20 years of separation with a magnificent new single that hits you in the solar plexus and then forces you to sing along.

At various times, their guitar-led sound has been described as having echoes of bands like The Smiths, Slowdive, Lush and The Cocteau Twins.

Darkness, light and shade, melancholy and euphoria, sadness and joy are Blueboy's natural territory; in ‘Deux’, an anthemic chorus is juxtaposed with quietly spoken verses, mood and emotion driven by
ever-present guitar.

The thread of you, through everything, pulls me upwards … Could it be I'm not one; we are deux?



Blueboy first got together in the early 1990s and went on to build a global following, touring Europe and Japan and featuring regularly in the UK independent charts with a series of acclaimed singles and well

regarded albums.



Having reformed in 2024, founder member Paul Stewart was joined by Gemma Malley (now on vocals) to play in London, Cologne and Paris; their comeback single ‘One’ was launched at a triumphant full

band show in London where drummer Martin Rose and bassist Mark Cousens rejoined the team from the 1990s line-up.



Later this month, Blueboy will play to 45,000 people at the Joyland Festival in Jakarta along with Bombay Bicycle Club, St Vincent and Air

Da Beatminerz defined the dark, gritty sound of underground Hip-Hop in the '90s. Formed in 1992 by brothers Walter “Mr. Walt” and Ewart “DJ Evil Dee” Dewgarde, the production duo pioneered Hip-Hop's brooding vibes, a tonal shift that came with the release of Black Moon's classic debut album Enta Da Stage. As producers of the seminal 1993 project in its entirety, Da Beatminerz set a precedent for hardcore Hip-Hop.

Their sample-heavy, gutter tracks laced with heavy basslines, and hard kicks and snares helped reshape the music genre. Da Beatminerz continued to refine their distinct sound and identity with countless classic records for other artists and two albums of their own (2001’s Brace 4 Impak and 2004’s Fully Loaded w/ Statik) over the course of their illustrious 30-year career.

Stifled Creativity is the duo’s first full-length album in 20 years.

“We started working on this album in 2009... We had one focus and the focus was to stick to our core sound. We just wanted to bring back our traditional way of attempting a classic album. Everybody has their own type of hip hop that they love. Well, this is ours.” - Mr. Walt













m Adore HER (feat. Keith Murray)



q It’s All 4 U [REPRISE] (feat. Halley Hiatt & AZ)













[m] Adore [HER] (feat. Keith Murray)



[q] It’s All 4 U [REPRISE] (feat. Halley Hiatt & AZ)













[m] Adore [HER] (feat. Keith Murray)



[q] It’s All 4 U [REPRISE] (feat. Halley Hiatt & AZ)

After the recent release of the first pre-single, "One Of These Days," the new and fifth studio album by Mother’s Cake, titled “Ultrabliss”, will be released on October 18, 2024, via Embassy of Music (available for pre-order starting July 17).
Inspired by Stanley Kubrick's cult film “A Clockwork Orange” (1971) and largely free from structural constraints of traditional songs, the Austrian band unleashes their musical imagination with the finest jams and dancefloor fillers. “Ultrabliss” unites nine extremely varied tracks with elements of classic rock, krautrock, and prog-rock that are sure to please fans of Jimi Hendrix and Pink Floyd, as well as followers of the Red Hot Chili Peppers or British indie icons like Franz Ferdinand, the Arctic Monkeys, or Kasabian. Like its predecessor “Cyberfunk!”, “Ultrabliss” was recorded at Sevenarts Studio, Überlärm Studio, and Moonwalker Productions Studio, and once again sonically brought to life by singer, guitarist, and songwriter Yves Krismer in collaboration with Manuel Renner and Raphael Neikes. Neikes, who plays guitar and keyboards live, has become the fourth band member. Founding drummer Jan Haußels has amicably left the band after the album sessions and will be replaced by Alex Kerbl on drums from now on.

After the recent release of the first pre-single, "One Of These Days," the new and fifth studio album by Mother’s Cake, titled “Ultrabliss”, will be released on October 18, 2024, via Embassy of Music (available for pre-order starting July 17).
Inspired by Stanley Kubrick's cult film “A Clockwork Orange” (1971) and largely free from structural constraints of traditional songs, the Austrian band unleashes their musical imagination with the finest jams and dancefloor fillers. “Ultrabliss” unites nine extremely varied tracks with elements of classic rock, krautrock, and prog-rock that are sure to please fans of Jimi Hendrix and Pink Floyd, as well as followers of the Red Hot Chili Peppers or British indie icons like Franz Ferdinand, the Arctic Monkeys, or Kasabian. Like its predecessor “Cyberfunk!”, “Ultrabliss” was recorded at Sevenarts Studio, Überlärm Studio, and Moonwalker Productions Studio, and once again sonically brought to life by singer, guitarist, and songwriter Yves Krismer in collaboration with Manuel Renner and Raphael Neikes. Neikes, who plays guitar and keyboards live, has become the fourth band member. Founding drummer Jan Haußels has amicably left the band after the album sessions and will be replaced by Alex Kerbl on drums from now on.

Destroy All Neighbors is a twisted splatter-comedy about a deranged journey of self-discovery full of goopy practical FX, a well-known ensemble cast, and LOTS of blood. William Brown (Jonah Ray Rodrigues), is a neurotic, self-absorbed musician determined to finish his prog-rock magnum opus, facing a creative roadblock in the form of a noisy and grotesque neighbor named Vlad (Alex Winter).

He finally works up the nerve to demand that Vlad keep it down, and William inadvertently decapitates him. But, while attempting to cover up one murder, William's accidental reign of terror causes victims to pile up and become undead corpses who torment and create more bloody detours on his road to prog-rock Valhalla. The soundtrack is an infectious slice of progressive rock cues, EDM freakouts, 80’s synth pop and so much more by the brilliant Ryan Kattner & Brett Morris. Released in conjunction with SUB POP Records, and features an original song by MAN MAN, artwork by Johnny Dombrowski, and pressed on coloured vinyl.

Live album celebrating the band's triumphant 2023 tour in support of The Feminine Divine, plus a selection of Dexys classics. Recorded across the course of the tour.