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LIPSTICK KILLERS - TOUR DE FORCE LIVE IN ADELAIDE 1979 LP
  • 1: Shakedown USA
  • 2: Dying Boy's Crawl
  • 3: Master's Words
  • 4: Bully
  • 5: Teen Police
  • 6: Wild Weekend
  • 7: I?ve Got Levitation
  • 8: Mercy Killer
  • 9: Pharmaceutical Au-Go-Go
  • 10: Human Crash
  • 11: Crush On You
  • 12: Hindu Gods of Love
  • 13: Head Off
  • 14: Sock It To Me ? Baby!
  • 15: Sockman
  • 16: Horizontal Action
также имеющийся в продаже

Black Vinyl[23,49 €]


Sydney's Lipstick Killers released just one single in their lifetime – the perfect ’79 pairing of “Hindu Gods of Love” and ”Shakedown USA”, released on both their own Lost in Space Records and Greg Shaw’s Voxx Records and produced by Deniz Tek of the band's heroes Radio Birdman - but a posthumous live album and a couple of archival releases followed. It was all incredible.

And it was all put together a few years ago on Grown Up Wrong!'s 2CD set Strange Flash! And while the 2LP version of that release included all the studio stuff and the live in LA 1981 set, there was no room for this brain-burning, chaotic live set from '79. Tour De Force, which was recorded for local radio station 5UV, captures the band as they were still emerging from the cocoon that was the Psycho Surgeons.

The Nuggets influences are there, but it's a Stooges influences which dominate proceedings, and definitive readings of both sides of the Psycho Surgeons classic 45 "Wild Weekend"/"Horizontal Action" are included alongside early Killers killers like "Teen Police" and "Sockman" and later faves like "Hindu Gods of Love', "Shakedown USA" and "Dying Boy's Crawl". The band's hot take on the Thirteenth Floor Elevators' "I've Got Levitation" is also featured. There's also plenty of tunes that were only ever captured on tape on this wild night, including "Human Crash", "Crush On You", "Head Off" and "Bully"!

Сделать предзаказ29.08.2025

он должен быть опубликован на 29.08.2025

24,79 €
LIPSTICK KILLERS - TOUR DE FORCE LIVE IN ADELAIDE 1979 LP

Sydney's Lipstick Killers released just one single in their lifetime – the perfect ’79 pairing of “Hindu Gods of Love” and ”Shakedown USA”, released on both their own Lost in Space Records and Greg Shaw’s Voxx Records and produced by Deniz Tek of the band's heroes Radio Birdman - but a posthumous live album and a couple of archival releases followed. It was all incredible.

And it was all put together a few years ago on Grown Up Wrong!'s 2CD set Strange Flash! And while the 2LP version of that release included all the studio stuff and the live in LA 1981 set, there was no room for this brain-burning, chaotic live set from '79. Tour De Force, which was recorded for local radio station 5UV, captures the band as they were still emerging from the cocoon that was the Psycho Surgeons.

The Nuggets influences are there, but it's a Stooges influences which dominate proceedings, and definitive readings of both sides of the Psycho Surgeons classic 45 "Wild Weekend"/"Horizontal Action" are included alongside early Killers killers like "Teen Police" and "Sockman" and later faves like "Hindu Gods of Love', "Shakedown USA" and "Dying Boy's Crawl". The band's hot take on the Thirteenth Floor Elevators' "I've Got Levitation" is also featured. There's also plenty of tunes that were only ever captured on tape on this wild night, including "Human Crash", "Crush On You", "Head Off" and "Bully"!

Сделать предзаказ29.08.2025

он должен быть опубликован на 29.08.2025

23,49 €
THE GOOD ONES - RWANDA SINGS WITH STRINGS

GER Das gefeierte ruandische Folk-Duo The Good Ones kehrt mit einem besonderen Album zurück: Rwanda Sings with Strings verbindet ihre charakteristischen akustischen Songs mit feinfühligen, improvisierten Arrangements für Cello und Violine. Produziert von Grammy-Gewinner Ian Brennan (Tinariwen, Ramblin" Jack Elliott), wurde das Album komplett live und ohne Overdubs in einem Hotelzimmer aufgenommen - nur einen Tag vor ihrem NPR Tiny Desk-Auftritt. Die Streicher - Gordon Withers (Cello) und Matvei Sigalov (Violine) - kannten sich vorher nicht, spielten ohne Noten oder Proben, und schufen dennoch in einem Take eine magische Klangwelt. Sänger und Gitarrist Adrien Kazigira schrieb über 23 neue Songs, von denen 19 aufgenommen wurden. Wie immer singt er in Kinyarwanda, der Landessprache Ruandas. Die Lieder handeln von Liebe, Verlust, ländlichem Leben und gesellschaftlichem Wandel - mit einer emotionalen Tiefe, die an Nick Drake, Boubacar Traoré oder Astral Weeks erinnert. Begleitet wird Kazigira von Janvier Havugimana, der wie gewohnt auf Alltagsgegenständen Perkussion spielt. Ein zutiefst menschliches, intimes Album - roh, poetisch und voller Hoffnung. Celebrated Rwandan folk duo The Good Ones return with a deeply intimate and emotionally rich album. Rwanda Sings with Strings pairs their signature acoustic sound with delicate, improvised arrangements for cello and violin. Produced by Grammy-winner Ian Brennan (Tinariwen, Ramblin" Jack Elliott), the album was recorded entirely live-no overdubs-in a Washington, D.C. hotel room, just one day before their NPR Tiny Desk performance. The string players-Gordon Withers (cello) and Matvei Sigalov (violin)-had never met before the session and played without sheet music or rehearsals. Yet, in a single take, they created a soundscape that feels both spontaneous and transcendent. Lead singer and guitarist Adrien Kazigira wrote over 23 new songs for the project, 19 of which were recorded. As always, he sings in Kinyarwanda, Rwanda"s national language. The songs explore themes of love, loss, rural life, and cultural change, with a poetic depth reminiscent of Nick Drake, Boubacar Traoré, or Astral Weeks. Kazigira is joined by Janvier Havugimana, who provides harmonies and percussion using everyday objects like cups, plastic wrap, and old boots. A raw, heartfelt, and hopeful album-quietly powerful and profoundly human.

Сделать предзаказ29.08.2025

он должен быть опубликован на 29.08.2025

21,81 €
LES RALLIZES DENUDES - BAUS '93 LP 2x12"
  • 夜、暗殺者の夜 = The Night, Assassin's Night
  • 黒い悲しみのロマンセ Otherwise Fallin' Love With = Romance Of The Black Pain Otherwise Fallin' Love With
  • 夜の収穫者たち_1993 = Reapers Of The Night_1993
  • Darkness Returns (Part 1)
  • Darkness Returns (Part 2)
Сделать предзаказ29.08.2025

он должен быть опубликован на 29.08.2025

49,37 €
Soul Oddity - Tone Capsule (2x12")

'The story of IDM in the USA begins in Miami’ - Fact Mag

Control Freak Recordings are thrilled to be launching its new reissue sub-label with Soul Oddity’s Tone Capsule - a seminal electro/IDM classic from mid-90s Miami.

Originally released as a series of 3 EPs, the reissue compiles these into an album, newly remastered by Keith Tenniswood (Radioactive Man) - available digitally and, for the first time, on 2x12" LP album.

Soul Oddity marked the first outing for a pair of musicians who were instrumental in bringing the UK's post-rave IDM scene to the US. Having bonded over a love for the Warp output at the time, the pair fused this influence with the sound of their native Miami, where hip-hop, breaks and bass soundtracked a lively party scene.

A masterpiece of machine-driven, emotionally abstract storytelling, Tone Capsule rivals some of the best of 90s leftfield electronica. Twitchy beats and gloopy synth-funk are melded into jams that make for a seriously otherworldly listen - as forward-thinking now as it was in 1996.

This record kickstarts our new reissue sub label Capsule Freak - marking the beginning of our dive into the rich past of dance music history which has brought the scene we love to where it is today. We can’t think of a more fitting time capsule to begin this journey with - over two years in the making, we hope you find this release as wild and intriguing as we do.

Сделать предзаказ26.08.2025

он должен быть опубликован на 26.08.2025

25,63 €
Ibrahim Alfa Jnr - Synchonised Swimming EP

Lempuyang is a label you will know and respect for its high quality stream of immersive dub techno. Now the man behind it, Alastair Kelly, debuts a new label with none other than revered UK techno mainstay Ibrahim Alfa Jnr. He opens up with 'Component A' which is a moody melange of slow, broken dub beats and fizzing synths. There is further experimentation on 'Untitled B2 1' which pairs a churning dub rhythm with naive and innocent melodies and lots of li-fi static. 'Entangled' ups the ante with the suggestion of a fast paced rhythm through a skeletal groove and the flip brings broken beat dub weight, meaning and percussive bass with a 2-step swagger then deep introspection on the closer. A classy EP that suggests this label will be well worth watching.

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Последний логин: 13 мес. назад
20,38 €
Eve Adams - American Dust LP

Eve Adams

American Dust LP

12inchBR023LP
Basin Rock
22.08.2025

"Astral Americana hymns hovering somewhere between the dirt and the stars" Pitchfork

"Mood music for moments of solitude, best experienced without distraction" The Times

"Overwhelmingly effective and ravishingly beautiful" The Wire

American Dust is an ode to the beauty of the American Southwest, where vast desert landscapes hold stories both stark and tender. Eve Adams’ characteristic folk noir weaves a vivid tapestry of love, sacrifice and quiet revelation, conjuring images of dust storms, stray dogs and far off trains.

The high desert of California is a vast and confounding place. Equally inspiring as it is punishing, it’s a landscape that carries magic in its deep dark nights, holding stories both tender and stark in the coarse layer of dust that settles upon everything. It’s long been a source of inspiration for musicians, writers, and painters, each of them adding to the same current, carried forward over time, through hope and hardship and the passing years.

Somewhere out there in that broad and boundless landscape, Eve Adams has been living her own desert life, quietly writing the follow-up to 2021’s Metal Bird LP. Where that album sang of liminal space, the dream-like turbulence of Hollywood’s golden age, American Dust is far more rooted in traditional storytelling; a eulogy for the American Dream channeled through that sweeping part of the country that holds such power and mystery. Slipping into different and varied costumes throughout its ten songs, it finds Eve not just observing the people around her but stepping into their shoes and peeling back the layers of their quiet lives.

Adams writes from within. A few years ago she moved out there, to “the middle of nowhere”, finding a slowness that didn’t exist in the city, and she knows only too well about the mystical nature of the land and those who live within it. Weaving together themes of grit and romance, American Dust holds its focus on the bittersweet poetry of lives lived in solitude, most notably the women who sustain life at the center of it all. “There’s something very radical about domestic life,” Adams says of this thread. “So many women live their entire lives behind closed doors, completely in the shadows. Within those lives is such sacrifice, devotion, and love. I wanted to honor that: the poetry in the mundane, the longing in the repetition. The way love survives boredom and dust and time.”

Eve is joined on American Dust by Canadian musician Bryce Cloghesy, aka Military Genius of Crack Cloud, who plays throughout and also helped produce the album. Musically bold and vivid, it’s an ambitious and detailed stride forward from what’s come before, the scope of the LP’s narrative reflected in the radiant sweep of the playing. On top of gentle piano and guitar, gorgeous strings drift through the album, lending the songs a woozy sense of romanticism; a collaboration with Gamaliel Traynor (Cello) and Caroline’s Oliver Hamilton (Violin).

For all the drama that’s coiled around these songs, it’s the recurring notion of love and hope fighting against everything that holds true throughout American Dust. Musically it’s lush and vibrant, intimate and cinematic side by side, and always bursting with warmth. But it’s what it holds in its weary bones that elevates it to something truly special, something more than just a collection of songs penned in the heart of the desert. The characters it speaks of, and from, feel shadowed but wholly real, like they’re bursting to share their stories that have remained hidden for years and years and they allow Eve Adams to grow as a songwriter right in front of our eyes.

“The same swirling dust that clung to the covered wagons of my ancestors as they crossed the Great American Desert is the same dust my great-great-grandmother swept off her porch during the Dust Bowl of 1936 in Oklahoma, is the same dust that blows in through the cracks in my windows here in the desert, carrying stories from a time long gone,” Eve says, reflecting on the personal narrative that runs through her new album.

“It’s not just dust—it’s American Dust, the kind that settles into the bones of a family and never leaves. I think about that dust as a symbol of the passage of time. I hope this album will be part of that same current, carrying forward for the next generations of my family to find. I’ve been lucky enough to have journals and poetry from my ancestors that documents their lives during times of pure hope and pure hardship. I’d like to think of this album as a contribution to that family history.”

Сделать предзаказ22.08.2025

он должен быть опубликован на 22.08.2025

22,27 €
TOR LUNDVALL - BEAUTIFUL ILLUSIONS

LTD. CLEAR BLUE VINYL

New York painter and musician exploratory industrialist Tor Lundvall initially envisioned his 14th album, Beautiful Illusions, as an entirely instrumental affair, "inspired by memories of sitting in a church or cathedral watching the shifting sunlight through stained glass." Although he ultimately chose to wreath the majority of the tracks with hushed, poetic vocals, his original muse still resonates. These are certainly songs of shadowplay and vaulted skies, the quiet grandeur of dusk deepening on the horizon. Lundvall characterizes the lyrical subject matter, too, in ways both specific and surreal, exploring "the doubts, the anxieties and even the bleak fantasies the mind spirals into during moments of isolation, separation and distance." Tricks of the eye, mind, and ear, magnified by silence and the looming long winter. Shivering pulses and muted bass lines tread the twilight while icicle synths and wiry guitar map the melody until the voice enters, narrating oblique moods of essence and absence, tenderness and truth. Glimpses of dark humor flicker in the wordplay but the greater sonic landscape is one of falling leaves and failing light, small gestures rendered as revelation, cloaked in reverb and spatial fog. Lundvall's mastery of nuance and negative space continues to heighten, whispered brushstrokes of the invisible and the unsaid, what lies beneath and what lies beyond: "Behind the shields and false fronts is usually a sadness. The heartbreaking reflections of what might have been."

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Последний логин: 13 мес. назад
22,27 €
Billy Arnell - Tough Girl

Billy Arnell

Tough Girl

7"-VinylHOLLY1001
Holly Records
21.08.2025

An extremely rare Northern Soul 45 RPM single originally released in 1965 on the Holly label, Billy Arnell And The Sparkles "Tough Girl" was the product of two childhood friends that lived less than a block apart in suburban Fairlawn, New Jersey in the early 1960s - Billy Smith and Lou Hemsey.

Billy played guitar and sang; Lou played guitar and wrote songs, so they decided to form a band. They added friends Eddie Hoffman on organ and Jack Gullone on drums and began playing lots of gigs locally as Little Willie & The Sparkles. They were young, ambitious, and imagined themselves as the next Beatles. By a stroke of fate, they met Joe Martin of Apex-Martin Distributors in Newark, NJ, who caught the band's live show and was duly impressed. That meeting led to the recording session for the "Tough Girl" single. When they recorded the first version of the song, the producer wasn't happy, nor was Joe Martin - so he fired that producer and brought in the young, up and coming producer, George Kerr. Kerr didn't care much for the band, so they redid the entire thing without Hoffman and Guilone - with just Billy singing and Lou playing guitar.

The pair of old friends were buoyed by session aces Eric Gale on guitar, Bernard Purdie on drums, Bobbie Banks on organ, as well as a bass player whose name has been lost to time. In addition to those changes, they used the studio horn section that Hemsey arranged for, plus two trumpets, two saxes and two vibes players. The resulting single was an infectious amalgamation of rock and soul. Billy changed his surname to Arnell for the 45 release (because he thought it sounded more "show-biz") and the rest is pop history. Arnell later started a record company (Fire Sign Records) and purchased a recording studio (112 Greene Street Recording) in the trendy SoHo section of Manhattan with Steve Loeb.

As for the rest of The Sparkles, Hoffman became a teacher somewhere on Long Island, Guilone graduated from the Culinary Institute of America in Massachusetts and ended up living in Northern New Jersey. Hemsey became a well-known recording engineer, composer (Lou was the one who wrote "Tough Girl"), guitarist, arranger, orchestrator, editor, film director and producer for records and commercials.

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Последний логин: 12 мес. назад
15,55 €
The Kevin Fingier Collective - Comin' Home Baby / Leaving Samsara

Kevin Fingier returns with a brand new 7” single on his own Acid Jazz imprint Fingier Records. Known for his explosive Latin sound and classic-style production, Kevin has released a string of sell-out soul 45s, a world music vinyl series, and an album and LP respectively.

Here Kevin returns to his Jamaican-influenced roots. He formerly led Acid Jazz-signed reggae band Los Aggrotones and has produced tracks for reggae legends Derick Harriott, Pat Kelly and The Cimarons. Now for the first time this distinct flavour hits wax on the Fingier label.

This release presents a unique, driving Ska-tinged take on Mod/R&B classic ‘Comin’ Home Baby’, paired with a Fingier original, the deeply authentic Trojan-styled ‘Leaving Samsara’ on a limited edition 7” vinyl single.

Presented in the Fingier Records graphic housebag, the perfect addition to the summer DJ box.

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Последний логин: 13 мес. назад
14,92 €
CHASTITY BELT / 764-HERO - LOADED PAINTED RED
  • LOADED PAINTED RED
  • LOADED PAINTED RED

Purple Vinyl 7" Single! limited edition! Chastity Belt's version of "Loaded Painted Red" doesn't just cover 764-Hero's original. It dissolves into it, rebuilding it with a gauzy, wide-open clarity. It's a song that's always carried a certain weight: bruised and echoing with late '90s Pacific Northwest melancholy. In their first-ever recorded cover, Chastity Belt traces that ache into new territory, drawing it out like bated breath. Lydia Lund threads a new guitar line through the song, tugging it towards their distinct style like a slow orbit around the song's core feeling. "I've been a fan of 764-Hero for a while now, and 'Loaded Painted Red' is one of my faves!" says Julia Shapiro. "It was hard to do the song justice because the original is so perfect, but we also had fun reimagining it and making it our own." Initially released in 1998 on 764-Hero's Get Here and Stay (Up Records), "Loaded Painted Red" has long been a fan-favorite, a softly jagged and charged meditation. The new split 7" pairs the cover with the original, a full-circle release that marks 764-Hero's catalog joining the Suicide Squeeze family. Together, the two versions collapse decades into a single foggy breath riding out the dusky golden-hour light of the Pacific Northwest.

Сделать предзаказ15.08.2025

он должен быть опубликован на 15.08.2025

14,08 €
Tippa Lee & Naram - Reggae A Mi Girl

Veteran Jamaican deejay Tippa Lee returns to the fold with a playful twist on the classic love song, professing his adoration for sweet reggae music and all its provided him.

As per usual, the enigmatic Naram is on riddim duties with a retro-futuristic piece of rub-a-dub mixing live Simmons drums, acoustic piano and a menagerie of colourful synths.

Paired with a stripped back dub version, mixed to tape, and mastered for full effect by New Zealand’s Downbeat Mastering, this is another essential 45 from the Red Robin camp.

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Последний логин: 2 г. назад
14,50 €
Car Culture - Nothingburger EP

Car Culture

Nothingburger EP

12inchNAFF028
NAFF
15.08.2025

Evolving from my earlier sample-based works, the Nothingburger EP is a pair of emotionally and
sonically dense songs, where layer upon layer of live instrumentation build a heartsick wall of
sound. Called in friends from NYC to reinterpret the tracks, ambient dub group Purelink and
shoegaze kings Hotline TNT.

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Последний логин: 13 мес. назад
18,91 €
Brollachan / Limiting Factor - Garden Of Gelsemine

Full Dose head honcho Brollachan is back with a fresh project alongside fellow Glasgow artist, Limiting Factor. Collaboration between Brollachan and this new name on the scene results in a weighty two track, 2-stepping EP - “Garden of Gelsemine”

The pair conjure up sounds reminiscent of early 2000s UK bass music, but with a certain Full Dose flair. As with some of the best and murkiest Dubstep and dub influenced cuts from yesteryear, these tracks aim for a deeper connection. Off-kilter rhythms and a significant focus on low end mean “Garden of Gelsemine” works well both in the club environment and as an introspective headphone listen.

Welcome to the garden, where Brollachan and Limiting factor have cultivated 2 particularly wacky specimens. "

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Последний логин: 13 мес. назад
16,39 €
RITUAL - THE HEMULIC VOLUNTARY BAND
  • THE HEMULIC VOLUNTARY BAND
  • IN THE WILD
  • LATE IN NOVEMBER
  • THE GROKE
  • WAITING BY THE BRIDGE
  • A DANGEROUS JOURNEY

One of the absolute classics from the Swedish prog-rock scene, for the first time ever on vinyl! The Hemulic Voluntary Band (2007) is the fourth studio album by Swedish progressive rock band Ritual. Its title references a fictional brass band from Tove Jansson's Moomin universe, but the music leans more toward folk, symphonic rock, and '70s-style prog, resulting in a richly imaginative sound. Although not a concept album, it's thematically tied by literary influences and a sense of childlike wonder. Drawing on Jansson's work, the lyrics explore imagination, nature, and the fantastical. Ritual's songwriting focuses on storytelling and emotional depth, creating an immersive experience. Critics praised the album's inventive arrangements and emotional range. It's mix of complexity and accessibility appeals to both prog fans and casual listeners, with a strong balance of technique and feeling. In short, The Hemulic Voluntary Band showcases Ritual's skill at crafting intricate yet heartfelt music. Its fusion of folk, rock, and prog, paired with thoughtful lyrics, makes it a standout in the genre.

Сделать предзаказ15.08.2025

он должен быть опубликован на 15.08.2025

40,97 €
Linda Smith - The Smashing Times 7"
  • A1: Linda Smith - So Long Ago
  • A2: Linda Smith - Evening
  • B1: The Smashing Times - Alfie
  • B2: The Smashing Times - King Bidgood’s in the Bathtub (and he won’t get out of there)

Linda Smith and The Smashing Times are the best of friends. They are both currently based in Baltimore, USA. This split 7” EP celebrates that friendship with two new tracks by each act; united by DIY spirit, a bedroom-pop sensibility and now a puddle of black vinyl.

Songwriter Linda Smith has a gentle but unconventional experimental style that continues to evolve as she adds new entries to her storied catalogue. Smith’s pioneering work with four-track production in the '80s found her at the beginning of a home-recording movement that would set the pace for the decades of indie rock that followed. During this most active period, Smith's music was limited mostly to obscure cassette and 7" releases. This trailblazing time was recently revisited on Captured Tracks’ compilation ‘Till Another Time: 1988-1996’. Shortly after Smith’s retrospective, she teamed up with like-mind and collaborator Nancy Andrews to release an album of beguiling pop entitled ‘A Passing Cloud’ (2023). The duo performed songs from that record at Upset The Rhythm’s 20th anniversary party at Café OTO that same year. 2024 saw further reissues of Smith’s music including Nothing Else Matters (1995) and I So Liked Spring (1996).

The Smashing Times are a premier East Coast Pop Experimental Group. They have also gleefully performed in London for Upset The Rhythm twice in quick succession. Known for their dogtooth style, waggish mod attitude and tumbledown sound, The Smashing Times have holes in their socks and sit idly between The Kinks and Tori Kudo. Their previous albums on K Records, Perennial and Meritorio are a cherished commodity steeped in Paisley psyche and slapdash panache.

Сделать предзаказ15.08.2025

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9,87 €
WEDNESDAY - I WAS TRYING TO DESCRIBE YOU TO SOMEONE
  • FATE IS
  • BILLBOARD
  • LOVE HAS NO PRIDE (CONDEMNED)
  • UNDERNEATH
  • NOVEMBER
  • MAURA
  • COYOTE
  • REVENGE OF THE LAWN

Banana Stand vinyl. I Was Trying to Describe You to Someone is Wednesday's second fulllength album & first as a full band. The Asheville, NC quintet (guitarist/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz & drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals & wisps of half-recalled memories & literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop & southern American culture into a uniquely personal style of modern rock music that resonates with power & tenderness. The ever-darkening & deepening of Wednesdays' sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, & their continued collaboration with MJ Lenderman (who lends backing vocals to the songs "Billboard" & "November"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth & clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band. Hartzman describes her lyrics as "attempts to access old personal memories & do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman & Tom Robbins, & movies like Steel Magnolias."

Сделать предзаказ15.08.2025

он должен быть опубликован на 15.08.2025

23,49 €
MELAINE DALIBERT & DAVID SYLVIAN - VERMILLION HOURS
  • MUSIQUE POUR LE LEVER DU JOUR
  • ARABESQUE

With Vermilion Hours, Melaine Dalibert offers a condensed rereading of his Musique pour le lever du jour, still exploring minimal variations and subtle piano resonances. This new version, enriched by David Sylvian's discreet electronic textures, retains the atmospheric magic of the original while offering a new density. Sylvian, best known as the singer of Japan, is also an important figure in ambient music, collaborating with Czukay, Hassell and Sakamoto. Their collaboration, born of a sincere artistic affinity, acts here as a transmission between generations. The two tracks on the album - Musique pour le lever du jour and Arabesque - evoke a soundscape where each note is reflected and diffracted infinitely. The electronic work acts like a halo, a vibrant aura. Dalibert speaks of a desire to humanize his theoretical processes, to touch through the organic. Like a Klee painting, each stratum of sound builds depth. This is, indeed, "landscape music," where, if you listen closely, you might hear birds singing in the background. And that is the true essence of these suspended harmonies, these vermilion hours-which transport us, as only the contemplation of nature can, into another space-time, a sonic bath that is also a renewal of the senses. Since his career with Japan began in 1974, David Sylvian has explored a wide range of musical territories, collaborating with the likes of Robert Fripp, Jon Hassell, Readymade FC and Ryuichi Sakamoto - venturing as far as ambient music, which he further develops here in tandem with Melaine Dalibert. While continuing to teach at the Rennes Conservatoire, Melaine Dalibert regularly releases albums on various labels and performs both his own works and those of other composers - most recently, a reworking of Keith Jarrett's Köln Concert. He also co-curates the Autres Mesures festival. The two pieces forming Vermilion Hours feel like transcending the generations. Between Melaine Dalibert (born in 1979) and David Sylvian (1958) lies the same generational gap as between Sylvian and Czukay (1938-2017) or Hassell (1937-2021). The CD versions adds two edit versions of both long tracks.

Сделать предзаказ15.08.2025

он должен быть опубликован на 15.08.2025

19,29 €
MRS. PISS - SELF-SURGERY

Mrs. Piss

SELF-SURGERY

12inchSHLPRC235
SARGENT HOUSE
15.08.2025
  • TO CRAWL INSIDE
  • DOWNER SURROUNDED BY UPPERS
  • KNELT
  • NOBODY WANTS TO PARTY WITH US
  • M.B.O.T.W.O
  • YOU TOOK EVERYTHING
  • SELF-SURGERY
  • MRS. PISS

Mrs. Piss is a new collaboration between Chelsea Wolfe and Jess Gowrie . Drawing on their collective rock, metal, and industrial influences, the project began while the two were touring around together during Wolfe's Hiss Spun album in 2017. The result is their debut album Self-Surgery, which was recorded at The Dock Studio in Sacramento, CA and in Wolfe's home studio, The Canyon. These songs feel more urgent and visceral than anything either of them has created before: heaviness spurred on by punk spirit. Chelsea Wolfe (vocals, guitar): "Working on this project brought Jess and I so much closer as songwriters and production partners, after reuniting as friends and bandmates. It was freeing and fun to channel some wild energies that I don't typically put into my own music. We tried not to overthink the songs as we were writing them, but at the same time we did consciously put a lot into crafting them into our own weird sonic vision. This project was a chance for us to do things our own way, on our own terms, and we plan to invite more womxn musicians along for future Mrs. Piss recordings." CW Jess Gowrie (drums, guitar, bass, programming): "To me, Mrs. Piss represents a musical chemistry cut short long ago that now gets a second chance. Creating with Chelsea has always been very liberating for me, and we both push each other to try new things: anything and everything. Both of us have grown so much as writers and musicians since our first band together (Red Host), and with the journeys we had to take separately to get there, we both have so much more to say; so much more pain and anger to express. That said, we also had a lot of fun doing it, not to mention how freeing it is to not give a f-k and to just create." JG "Doomy chugs, ethereal vocals and massive distortion sounds are the order of the day, summoning the menacing timbres that fueled Wolfe's Abyss and Hiss Spun records" GUITAR WORLD "a grungy, sludgy new project that defies expectations" REVOLVER "Together, they make a grandly grungy noise - something bigger and more anthemic than what we're used to hearing from Wolfe" STEREOGUM "urgent and abrasive" CONSEQUENCE OF SOUND " thundering tracks that sound as if they had diliberately set about to destroy a roomful of amplifiers" BLACKBOOK

Сделать предзаказ15.08.2025

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29,83 €
DE VEER, CRISTOBAL TAPIA - BABYGIRL (ORIGINAL SOUNDTRACK)
  • MOMMY'S DOLLHOUSE
  • WHATEVER YOU TELL ME TO DO
  • NO NO
  • MENTOR
  • PAIN
  • WAKING UP
  • WHATEVER I TELL YOU TO DO
  • POOL
  • IF I WANNA BE HUMILIATED I'M GONNA PAY SOMEONE TO DO IT
  • COME BACK
  • WOLVES
  • BABYGIRL
  • LEASH

Die LP-Ausgabe von "Babygirl (Original Soundtrack)" kommt gepresst auf candy pinkfarbenem Vinyl und enthält Cristobal Tapia de Veers Original-Filmmusik und Sky Ferreiras Single ,Leash". "Babygirl (Original Soundtrack)" ist der Soundtrack zum Film Babygirl aus dem Jahr 2024 unter der Regie von Halina Reijn mit Nicole Kidman, Harris Dickinson, Sophie Wilde und Antonio Banderas in den Hauptrollen. Das Album enthält 12 Titel aus der Filmmusik von Cristobal Tapia de Veer und wurde am 25. Dezember 2024 digital über A24 Music veröffentlicht. Separat erschien der im Abspann verwendete Song "Leash" von Sky Ferreira als digitale Single. 2025 wurde de Veers Filmmusik in der Kategorie ,Beste Originalmusik" bei der 97. Oscar-Verleihung nominiert.

Сделать предзаказ15.08.2025

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26,01 €
FERN - INTERSUBJEKTIVE

Fern

INTERSUBJEKTIVE

12inchLP30342
FERN MUSIC
15.08.2025
  • ???????? (FEAT. HAYK KAROYI)
  • SIMULACRUM
  • HYPERREAL
  • EXNOMINATION (FEAT. SHRVL)
  • RUPTURE
  • I AM A TRANSIENT
  • INTERSUBJECTIVE
  • SHADOWS
  • EMANATION
  • AFTERLIFE

On the first full-length album under the FERN moniker, drummer Paul Seidel serves his dark poetry with deceptively catchy tunes and chunky grooves you can step to. Balancing between the emotional experimental pop music of Björk and the punishing industrial rock of Nine Inch Nails, FERN explores the fast-changing nature of reality in our digital society through a filter of moody synths, painfully precise drumming, and a fearless vocal delivery.

Сделать предзаказ15.08.2025

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24,79 €
Billie Eilish - HIT ME HARD AND SOFT LP

Billie Eilish’s third studio album, "HIT ME HARD AND SOFT", released via Darkroom/Interscope Records is her most daring body of work to date, a diverse yet cohesive collection of songs— ideally listened to in its entirety from beginning to end—does exactly as the album title suggests; hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way. With the help of her brother and sole collaborator, FINNEAS, the pair wrote, recorded, and produced the album together in their hometown of Los Angeles. This album comes on the heels of her two massively successful albums “WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?" and "Happier Than Ever" and works to further develop the world of Billie Eilish. This special anniversary edition is pressed on bio-vinyl dark blue & orange splatter with the original cover printed on silver mirror foil board.

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Последний логин: 13 мес. назад
34,03 €
Shapednoise - Absurd Matter LP

‘Absurd Matter’ is a labyrinthine sonic conundrum that spirals around the two poles of extreme noise and hiphop. It's Berlin-based Italian producer Shapednoise's first album in four years and confidently advances his narrative into the next chapter, building on the groundwork of his prior abstractions to emerge with a coherent genre-warped fusion of urgent rap, crushing bass weight and idiosyncratic sound design. After spending years scrupulously deconstructing club music, Nino Pedone has rebuilt it brick by brick in his image.

The album is the first release on Pedone's brand new imprint WEIGHT LOOMING, a multidisciplinary label platform that's set to explore the depths of bass music, textured noise and abrasive transcendence. It follows a slew of acclaimed releases for Numbers,
Opal Tapes, Type and his own Cosmo Rhythmatic label, and forward thinking collaborations with Kenyan beat alchemist Slikback and Hyperdub-signed Angolan producer Nazar. Pedone's most ambitious project to date, ‘Absurd Matter’ taps into kinetic energy from a hand-picked selection of collaborators, including New York rap duo Armand
Hammer, French DJ/producer Brodinski, Bruiser Brigade's ZelooperZ and vanguard Philly poet, musician, and activist Moor Mother.


On ‘Family’, Billy Woods and Elucid weave a dismal, apocalyptic landscape with their razor-sharp anecdotes. The duo’s macabre imagery is given artificial life by Pedone's industrial scrapes and rattles that curl around their worlds like thick smoke. It's still rap, just about, but lodges itself in the back room of a factory, machines running themselves to an early death. Pairing with techno-rap trailblazer Brodinski, Pedone edges further towards the sound system, spatializing rhythms in four dimensions around Detroit rapper
ZelooperZ's playful expressions. This is the Italian producer's sci-fi tinged liquefaction of radio echoes, a way to fire familiarity into the void and sublime the human voice into weightless mist. When Moor Mother arrives shouting "me me me" on the aptly-titled 'Poetry', it sounds as if all of Pedone's loose threads are being tightened into a knot. His misshapen neo-grime beats sound like a broken jet engine, but smartly cede power to Moor Mother's resonant rhymes. "You can't cancel me" she assures. ‘Absurd Matter’ is a defining personal development for Pedone that not only appraises his career so far, but diverts its logic into frighteningly new sonic territory. From great loss, the producer has determined his work's cardinal themes, and sounds more strident and far heavier than ever before.

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Последний логин: 14 мес. назад
20,80 €
Giuseppe Ielasi / Jack Sheen - The Vestige LP

The Vestige is the first fruit of a new intergenerational collaboration between Giuseppe Ielasi, a quietly prolific key contributor to the European experimental music scene for over twenty years, and Jack Sheen, a young composer-conductor-sound artist from Manchester whose recent projects have seen him moving seamlessly from enigmatic chamber music composition and installations to conducting the London Symphony Orchestra. Their materials and working methods differ significantly, with Ielasi having focussed for many years on electro-acoustic techniques alongside his ongoing commitment to the guitar, and Sheen primarily composing for traditional instruments. More important, though, is what they share: a fascination with what Sheen calls “mysterious, liminal musical material,” using irregular repetition and cyclical forms to create structures at once alive with activity and almost static, as well as a rigorous exploration of spatial diffusion and the interaction of sound event and environment. Working individually with a library of acoustic instrument sounds from Sheen’s recent projects and Ielasi’s guitar, the pair eventually met for several days at Ielasi’s home studio in Monza, sculpting the fourteen pieces that make up The Vestige. Like Ielasi and Sheen’s solo works, the record shows an exquisite attention to details of sequencing and pacing, the sound palette and compositional approach consistent throughout while each piece asserts its own identity. The twenty-five seconds of the opening piece serve as an entrée into the record’s distinctive world of sound: repeated chirps fluctuate in volume as they move across the stereo spectrum, woven between strangled snatches of string glissando against a backdrop of percussive ticks, long tones, and white noise. Across the remaining thirteen pieces, Ielasi and Sheen sketch further dimensions of the ambiguous space, where distinctions between pitch and noise, repetition and irregularity, electronic and acoustic remain pointedly unclear. As the record’s title suggests, the origins of the sounds we hear have become remote: while at moments we get flashes of timbres and attacks that could come from wind instruments, bowed strings, or prepared guitar, these remain vestigial traces, glimpsed through a veil of shifting white noise textures. These textures are themselves difficult to trace, suggesting artefacts of the recording process, electronic synthesis, amplified room sound, rubbed instruments or objects. The Vestige shows an unusual degree of attention to frequency range as a compositional tool, something it shares with the hyper-subtle variations of Ielasi’s electroacoustic works and the deliberately ‘unbalanced’ midrange-heavy ensemble of Sheen’s Sub. Here, movement between episodes is as much about adding or removing a frequency band as it is about changes in density, harmonic content, or instrumental texture. Tracks are marked by the sudden appearance of subbass or exaggeration of high frequencies in otherwise similar material, contributing to our sense that these fourteen pieces are like different views on a scene that we can never quite see clearly. While calling up a range of past music, from the early works of Rolf Julius to Simha Arom’s recordings of layered polyrhythms embedded in the background sounds of central African villages to the temporal distortions and layered hiss of DJ Screw, the alluring and disconcerting world of The Vestige is entirely its own.

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Последний логин: 14 мес. назад
23,11 €
Slikback - Attrition LP

Slikback releases "Attrition" – a densely detailed, cinematic exploration of sound packed with intricate rhythms and gleaming textures.

Slikback’s "Attrition" marks his first full-length album for Planet Mu, delivering an immersive melding of cinema and game sound design with tough dance music. It's like a sci-fi film for the ears, exploring a chain of events with dark atmospheres and dramatic pacing; trapdoors and jump scares for your ears. These contrasts and the dense painterly colour of his sounds give it a beastly beauty.

The album came to life during a period of transition, while waiting for a visa after recently moving to Poland from Kenya, where he grew up. With this unexpected pause in travel, Slikback found himself working at a slower, more deliberate pace. Writing for a label instead of self-releasing also introduced new dynamics, like feedback and structured release schedules. Rather than feeling restricted, he saw this process as a blessing. In a happy and reflective headspace—newly married and welcoming a newborn child—he was able to fully develop his compositions. “I was finally able to explore ideas to a point where I didn’t feel the need to change anything,” he shares. "Attrition" is the result of that creative freedom. While "Attrition" nods to familiar genres, drawing on elements of Gqom, Dubstep, Tech-Step, and Hardcore Techno, it pushes them into new territory, shaping high-tech, intricate compositions. “I worked on the tracks back and forth, drastically transforming some from their original sketches,” Slikback explains. “I wanted to create a journey within each track, like something alien emerging from emptiness—beauty from chaos.” The album opens gently before diving into fast-paced 140bpm sounds, reminiscent of earlier Planet Mu releases. Midway through, "Taped" shifts the energy with a shimmering, 160bpm rolling bassline. As the album progresses, its intensity builds. The music grows darker, faster, and more unpredictable, culminating in a final track that bursts apart in a thrilling, chaotic climax. A standout moment in Slikback’s career, "Attrition" is a masterclass in sound design and vision. Strange yet beautiful, intense yet rewarding—it’s the most strikingly unique album you’ll hear all year.

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Последний логин: 8 мес. назад
23,74 €
ADA LEA - WHEN I PAINT MY MASTERPIECE LP

“The hand knows best,” the painter Margaux Williamson says. “A shape produces itself, where I go toward what is intuitive, rather than logical.” The shapely, intuitive songs that comprise Ada Lea's third album, when i paint my masterpiece, are surprising, imagistic, tactile. They stand before us and we feel their brushstrokes. Alexandra Levy holds her guitar against the backdrop of a sea of her paintings on the album cover and it’s tempting to ask: is painting a metaphor here, for music or life? No! As ever, she resists tidy metaphors. She’s a master of this kind of thorny lowercase title that germinates and grows with time. In a real, profound way, music and painting go hand-in-hand as she unveils a new style of subversion and surrealism inspired by her transdisciplinarity.

Levy is a Renaissance woman, and Ada Lea’s albums have been swelling in scope alongside the evolution of her artistic life. Her recent turn toward pedagogy—teaching a songwriting course at Concordia University and co-facilitating a community-based group called The Songwriting Method—weaves another vivid thread into her multifaceted practice. Her debut LP, what we say in private, blurred the lines between interior and performative worlds. Her sophomore record, one hand on the steering wheel the other sewing a garden, featured vignettes centered on Montreal. On this sprawling and ambitious album, written over three years and whittled down from over 200 songs, she asks: what happens when you… pause? How can a life be held suspended in song? The album is a kaleidoscopic exploration of the transformations art can bring: the vision of an uncompromising artist dancing bravely and freely between registers and across mediums.

The album marks a reset—a quiet revolution. After years of relentless international touring, Levy felt an urgent need for community and renewal. Gruelling road schedules with very little support left her wondering: who am I really doing all this for? The system was uncaring and broken, and so it was that she came to envision a new healthy and healing mode of musical genesis. “For me, that looked like resting, extending my creative reach, going back to school, studying painting and poetry,” she explains. “Taking a step away from music as guided by industry expectations. Simplifying things. Getting a job, starting to teach. Engaging with the process rather than the product.” This need for a more deliberate creative renewal was rejected by her existing systems of support, so she began the search for an alternative.

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28,99 €
Harold Budd - The Pavilion Of Dreams

For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces.

In the early ’70s, Budd started an extended cycle of compositions that would comprise The Pavilion Of Dreams. For Budd, the album was a signpost for a new direction in thinking about music: “The Pavilion Of Dreams erased my past. I consider that to be the birth of myself as a serious artist. It was like my Magna Carta.”

Produced by Brian Eno in 1978, The Pavilion Of Dreams stands toe-to-toe with another minimalist masterpiece also released that year, Steve Reich’s Music For 18 Musicians. Budd’s gorgeous pieces reveal a lightness of touch that draws the listener in, while sublime voices float in and out as if in a recurring dream. Featuring saxophonist Marion Brown and multi-instrumentalists Gavin Bryars and Michael Nyman, The Pavilion Of Dreams remains a master class in exquisite timbre and shimmering texture.

The Pavilion Of Dreams was both the final release on Eno’s Obscure imprint and a transition point towards his seminal ambient series. This first-time reissue is recommended for fans of Ryuichi Sakamoto, Jon Hassell and Mark Hollis.

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Последний логин: 11 мес. назад
27,10 €
Smalltowndubz - Never Get Burned / Sitar Dub

Smalltowndubz are back on the BCSM label.

After their big ''My Garden'' EP and the great ''Way Of Dub'' tape, the austrian producer duo returns with a extra heavy 12“ vinyl release.

The A Side comes with a deep and meditative cut featuring the unmistakable voice of Fikir Amlak. ''Never Get Burned'' is a roots-infused anthem built for sound systems, followed by a thundering dub version.

Flip the record and things get mystical. ''Sitar Dub'' brings in Lance Hume on sitar, weaving hypnotic eastern melodies into a deep bass meditation – again paired with a powerful dubwise version.

This one’s for the selectors and the steppers. Dub with pressure. Don’t sleep!

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Последний логин: 14 мес. назад
17,44 €
DARKO - CANVAS

DARKO

CANVAS

12inchLJLP251
Lockjaw Records
08.08.2025
  • Grey | Havens
  • Dared | To Dream
  • Canvas
  • Override!
  • Hectic
  • Goodbye | Bastards
  • Aux | III

The 'Canvas' EP. is the final piece in a trilogy of conceptually-linked EPs that the band have released post-COVID. This release sees the band steer in new directions towards a harder-edged, metal-influenced direction, and a lyrical fearlessness that has shaken up the scene, divided long-time fans and sparked urgent conversations while drawing in a new wave of listeners. The band are looking to widen their audience and traverse over to different 'alternative' scenes. The band's tracks have landed several editorial playlists, including: Today's Punk (Spotify), SkatePark Punks (Spotify), New in Rock (Apple Music) Track info: Growing up with rampant homophobia left Millennials with past behaviours to unpack and internalisations to unlearn. DARKO’s powerful single ‘Override!’ ponders what became of the kids who were bullied for being themselves. DARKO blend raw vulnerability with their trademark intensity. The result is a powerful, cathartic anthem that confronts past pain while fighting for a better future.

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26,85 €
CHELSEA WOLFE - ABYSS LP 2x12"

CHELSEA WOLFE

ABYSS LP 2x12"

2x12inchSHLP10B141
SARGENT HOUSE
08.08.2025
  • CARRION FLOWERS
  • IRON MOON
  • DRAGGED OUT
  • MAW
  • GREY DAYS
  • AFTER THE FALL
  • CRAZY LOVE
  • SIMPLE DEATH
  • SURVIVE
  • COLOR OF BLOOD
  • THE ABYSS
также имеющийся в продаже

INSOMNIA VINYL[42,23 €]


Classic black 2LP in gatefold! "Her darkest, heaviest and most personal album yet . . . a haunting, doomy exercise in loud-quiet dynamics." Rolling Stone Sleep paralysis plagues singer/songwriter Chelsea Wolfe, and that strange intersection of the conscious and the unconscious has inadvertently manifested itself within her work. Across the span of her first four albums, there is an underlying tension, a distorted and nebulous territory where dark shadows hover along the edges of the sublime and the graceful. But until now, Wolfe's trials and tribulations with the boundaries between dreams and reality have only been a subconscious influence on her work. With her fifth album, Abyss, she deliberately confronts those boundaries and crafts a score to that realm she describes as the "hazy afterlife. an inverted thunderstorm. the dark backward. the abyss of time." Chelsea Wolfe's material has always felt intensely private, from the almost voyeuristic bedroom-production aesthetic of her debut album The Grime and the Glow to the stark themes and atmospheres of 2013's Pain Is Beauty. "Abyss is meant to have the feeling of when you're dreaming, and you briefly wake up, but then fall back asleep into the same dream, diving quickly into your own subconscious," says Wolfe. To conjure this in-between world, Wolfe continued her ongoing collaboration with multi-instrumentalist and co-writer Ben Chisholm and drummer Dylan Fujioka, with Ezra Buchla brought on board to play viola and Mike Sullivan (Russian Circles) enlisted to contribute guitar. The ensemble traveled to Dallas, TX to record with producer John Congleton (Swans, St. Vincent). In the back of her mind burned the words of designer Yohji Yamamoto: "Perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion." The resulting eleven songs reflect that philosophy as they smoulder with human frailty, intimacy, quiet passion, anxiety, and deep longing. "Sleep and dream issues have followed me my whole life," remarks Wolfe as she revisits notes from the writing and recording sessions. In a way, these issues have become a part of Chelsea Wolfe's identity, for whom the notion of sleep as an escape has been subverted. Abyss captures this dichotomy, this battle between the soothing and the upsetting, and demonstrates why Chelsea Wolfe has become one of the most intriguing songwriters of the decade.

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39,08 €
CHELSEA WOLFE - ABYSS LP 2x12"

CHELSEA WOLFE

ABYSS LP 2x12"

2x12inchSHLP10I141
SARGENT HOUSE
08.08.2025

Die Singer/Songwriterin CHELSEA WOLFE leidet unter Schlafparalyse und es ist die seltsame Verbindung zwischen dem Bewussten und dem Unbewussten, die sich ganz unfreiwillig in ihrer Arbeit manifestiert. Über ihre ersten vier Alben hinweg herrscht eine untergründige Spannung, ein verzerrtes und nebulöses Territorium, in dem dunkle Schatten über die das Himmlische und Grazile huschen. Bisher waren die persönliche Kämpfe WOLFEs mit den Grenzen zwischen Traum und Realität nur ein unterbewusster Einfluss auf ihre Arbeit. Mit ihrem fünften Album, "Abyss", konfrontiert sie die Grenzen zum ersten Mal offen und erschafft eine Filmmusik zu dem, was sie "Das verschwurbelte Nachleben. Ein umgekehrtes Gewitter. Die düstere Rückwärtsbewegung. Den Abgrund der Zeit." nennt. Das Material von CHELSEA WOLFE hat sich schon immer extrem privat angefühlt; von der fast schon voyeuristisch anmutenden Schlafzimmerproduktion ihres Debüts "The Grime And The Glow" bis zur schroffen Atmosphäre von "Pain Is Beauty" von 2013. "Abyss fängt diese Zweischneidigkeit ein, diesen Kampf zwischen dem Beruhigenden und der Erschütterung, und demonstriert damit, warum CHELSEA WOLFE eine der faszinierendsten Songwriterinnen dieses Jahrzehnts ist. Ltd 2LP im Klappcover "Her darkest, heaviest and most personal album yet . . . a haunting, doomy exercise in loud-quiet dynamics." Rolling Stone 2015

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42,23 €
Cold - 13 Ways To Bleed On Stage

Waiting 25 years for your breakthrough album to come out on vinyl in the States? That’s Cold. All kidding aside, it really is a puzzle why it’s taken this long; as the album title suggests, 13 Ways to Bleed on Stage shifted to darker subject matter and sound than the self-titled debut of this Jacksonville, Florida band, and the move paid off with a Gold record and four hit singles including “Just Got Wicked,” “End of the World,” “No One,” and “Bleed.” Scooter Ward and crew are joined by Sierra Swan and Aaron Taylor of Staind for extra vocal firepower…bloody good fun! For its 25th anniversary, we’re pressing 13 Ways to Bleed on Stage in blue smoke vinyl, with a full-color insert inside the ingenious “scrapbook” album art featuring the first appearance of Cold’s signature Spider logo. Remastered for vinyl by Mike Milchner at Sonic Vision…early-Aughts awesomeness!

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50,63 €
Various - MUSIC FOR A REVOLUTION VOL 1 - GUINEA'S SYLIPHONE RECORDING LABEL (1967-1973)

On October 2 1958, after over 60 years of colonial rule, Guineans voted overwhelmingly for their independence, and Guinea was declared a Republic with Sékou Touré as President. Guinea was the first of West Africa’s Francophone colonies to gain independence. To free Guinea from its colonial legacy, president Touré sought to restore dignity to his nation and give cause for Guineans to take pride in their culture, history and newfound freedom. To achieve this, he instructed his government to implement new cultural policies that were intended to revitalise and celebrate indigenous culture. The focus of these new policies was on music.

In 1961, President Touré launched authenticité, the name of his new cultural policy for Guinea. One of its first acts was to assemble the best Guinean musicians into a new state-sponsored orchestras that were tasked with presenting traditional Guinean music in a new and modern style. All musicians in Guinea’s orchestras were officially designated as members of the public service. During the years of Sékou Touré’s presidency (1958 – 1984), the government’s cultural policy of authenticité was applied strictly to the creative arts. Guinea’s sole political party, the Parti Démocratique de Guinée exercised complete authority over artistic production. The scale of the Guinean government’s commitment and efforts to invigorate its indigenous musical cultures was unmatched in Africa, and it presented a clear contrast to the minimal endeavours undertaken by Guinea’s former colonial rulers.

From 1967 to 1983, Guinea’s government presented selections of songs from the Voix de la Révolution catalogue on its own recording label, Syliphone. These recordings were described as ‘the fruit of the revolution’. Syliphone was revolutionary in many aspects: it was the first recording label to feature traditional African musical instruments such as the kora and balafon within an orchestre setting; it was the first to present the traditional songs of the griots within an orchestre setting; and it was the first government-sponsored recording label of post-colonial Africa. Syliphone represented authenticité in action, and over 750 songs were released by the recording label on 12-inch and 7-inch vinyl discs. All are highly sought after by collectors worldwide.

This first volume of a two-volume series presents a selection of the best of early Syliphone recordings. The songs demonstrate not only the essence of Guinea’s authenticité policy and of its subsequent Cultural Revolution, but of a confluence of musical styles from Cuba, jazz, highlife and the diverse influences of Guinea’s cultural groups.

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Последний логин: 9 мес. назад
28,78 €
Breakbeat Lou - Unknown 7"

Volume 3 sees Lou flip Doja Cat's Paint The Town Red using the classic "Get Lifted" sample to good effect. On the B side Lou flips Tyla's "Water" in a very fresh style - abosolute dancefloor mayhem!

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Последний логин: 4 мес. назад
13,66 €
THE DIASONICS - ORIOLE / CHICHADEE

Cinematic funk visionaries The Diasonics drop a new disco-funk 45 vinyl with two killer tracks tailor made for DJs and cinematic funk fans. Only 500 copies pressed wordwide, instant collector's item. From the snowy streets of Moscow to the crates of vinyl diggers worldwide, cinematic instrumental combo The Diasonics unleash a new limited edition clear vinyl 45 with two killer tracks taken from the upcoming new album "Ornithology", set to drop worldwide on October 3 via Record Kicks. On the A side "Oriole" is a vintage disco-funk stormer taking inspiration both from the Soviet-era disco and jazz fusion records, as well as from 70s European library music and synth-funk movement. A minimalist synthesizer melody echoing the song of the oriole, paired with a steady disco-funk groove reminiscent of a train in motion ("Oriole" is also the name of a popular Russian electric train) lay the foundation of their most danceable track to date. The b-side holds the equally strong "Chickadee" a funk stomper with bold bassline and heavy b-boy breaks and percussions and a NY early 80 vibe able to set every dancefloor on fire. A peerless party-starter that you just don't want to miss it. Formed in 2019, this four-piece instrumental unit _ Daniil Lutsenko (electric guitar), Kamil Gazizov (keyboards), Maksim Brusov (bass), and Anton Moskvin (drums & percussion) _ quickly gained cult status through a series of sought-after 45s on Mocambo and Funk Night Records. Their critically acclaimed debut album "Origin of Forms" mixed by Henry Jenkins, producer of the Australian cult band Surprise Chef, came out on Record Kicks in 2022. The vinyl went sold out in few weeks and is now in-demand on the international cinematic funk scene.

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Последний логин: 14 мес. назад
14,71 €
Sascha Funke - MZ (Remixes)

While some guys will tell you now it’s all computers, at Turbo we know in our hearts that everything in life can be understood as a funhouse mirror. Sascha Funke’s massive 2017 hit “MZ” is one of the most iconic house records ever released on our label, and thus deserving of the ultimate honour: a remix pack reflecting each of the manifold facets of a modern dancefloor classic from the most prestigious and respected angles imaginable.

As studious Turbo watchers have no doubt clocked*, we have paid access to the halls of European power, where you get to make backroom deals with Emmanuel Macron and British Seinfeld as Opus’ “Live is Life” blares over a gigantic bluetooth speaker. And, yeah, you’ll probably run into the most celebrated European producers of our time. Pional, Axel Boman, Mano Le Tough, and Roman Flügel — these are the kinds of names you only see once you’ve reached the highest levels of success, be it in dance music production or purchasing the hottest tickets in town on your favorite mobile device. We called each on these titans to anoint “MZ” into the modern pantheon of club anthems, and you can bet your last eurobond that they delivered. But we also wanted some new blood, so we turned to rising Lithuanian superstar DJ JM. JM is now a deep part of the Turbo family, and he’s made the theoretical space between bad-boy cousin and beloved nephew fully his own with what we hope Rolling Stone Magazine will call “a distinctively modern edge."

*Clocking is a cool way of noticing things. Try it sometime!

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Последний логин: 6 мес. назад
15,08 €
Various - Early Works, Vol. 2: Music from the Archives

ATA Records is pleased to announce the release of Early Works 2: Funk, Soul & Afro Rarities From The Archive, a compilation of tracks recorded in the fledgling days of the label paired with some rediscovered treasures from more recent years. While the majority of the album is previously unreleased material several tracks have appeared on different formats.

This is a rare chance for listeners to experience the birth of the ATA's enduring concept and recording techniques from the comfort of their own home.

In 2020 label founder and musician Neil Innes decided to destroy the studio he had spent 14-years building, destroy it and rebuild it from the ground up.

Once the studio began to take shape again and Innes was finally able to take a breath he began rooting through the label's archives, pulling out reels that had been propping up tables, holding open doors and generally lurking in nooks and crannies for years.

His trip down memory uncovered a wealth of dusty musical treasures and also got him thinking about tracks from newer artists, nuggets to compliment the archive gold.

Along with the first airings of tracks by The Harmony Society, The Disarrays this 11track comp includes appearances by studio favourites: The Magnificent Tape Band, The Sorcerers, The Mandatory Eight, Ivan Von Engleberger's Asteroid and long time collaborator Chris Dawkins (recording under Earl Dawkins).Also on the comp is Joe Tatton's Bang Bang Boogaloo, previously only released on 7 inch and greatly desired by record diggers everywhere.

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Последний логин: 4 г. назад
28,99 €
ROME - Aster Und Edelweiß
  • A1: Ehrendetachement
  • A2: Trauerdienst
  • A3: Freie Jugend
  • A4: Non Sans Ferveur
  • A5: Treu Dem Eide
  • A6: Gebirgsgarde
  • A7: L'union Absolue
  • B1: Vers La Paix
  • B2: L'armistice
  • B3: Un Peuple Libre
  • B4: Die Wache
  • B5: La Suisse De Demain
  • B6: Fern Der Heimat
  • B7: Halten Und Dienen
  • B8: La Resolution
  • B9: Un Peuple Uni

ROMEs „Martial Ambient Serie“ mit ihren düsteren, industriellen Klanglandschaften - größtenteils auf restauriertem historischem Audiomaterial basierend - versetzt uns zurück in die blutgetränkten Schlachtfelder der jüngsten europäischen Geschichte, als sich ähnlich wie heute die Ideologien auf europäischem Boden bis zum Tod bekämpften.

Was mit „Käferzeit“ (2019) und „Gärten und Straßen“ (2020) begann und später mit „Haus der Flieger“ (2021) und „Blätter und Steine“ (2023) erweitert wurde, findet nun in „Aster und Edelweiß“ seine fünfte und finale Umsetzung.

„Aster und Edelweiß“ befasst sich mit dem Leben und dem Vermächtnis des 1960 in Pully verstorbenen General Guisan, dem Oberbefehlshaber der Schweizer Armee zur Zeit des Zweiten Weltkrieges, der es wie kein anderer verstand, das Durchhaltevermögen und den Wehrwillen der Schweizer Soldaten und der Bevölkerung angesichts eines möglichen Einmarschs zu stählen. Dabei laden ROME den Hörer auf eine düstere Klangwanderung ein, die durch filigrane Samplearbeit und traumhafte, orgelgetriebene Sequenzen voller dunkler Anmut und zerbrechlicher Eleganz geprägt ist: Eine eindringliche und atemberaubende Reise in das Reich der Pflicht, der Beharrlichkeit und des Opfers.

- Schwarzes, 180 Gramm schweres 12“ Vinyl, Spezielles Schallplatten-Master, Extra audiophiler Tonträger von hoher Qualität – deutsche Pressung, Stabile Kastentasche, Cover im Inside-Out Druckverfahren bedruckt, Schwarze, antistatisch gefütterte Innentasche, Postkarte, Handnummeriert von Jérôme Reuter, Signiert von Jérôme Reuter, Limitiert auf 500 Exemplare

Сделать предзаказ01.08.2025

он должен быть опубликован на 01.08.2025

28,53 €
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