Cerca:pete rock

Within the first few seconds of the opening song on Australian troubadour Peter Bibby's latest album, we get an unvarnished look at the man behind the music as he observes the late-night scene of a local watering hole with increasingly bleary eyes:"No one seems to want to talk to me / 'cuz I'm the arsehole, probably." Indeed, that lovable ambivalence is at the heart of Drama King, Bibby's fourth studio album for Spinning Top Records. The project was produced by first-time collaborator Dan Luscombe (The Drones, Amyl and the Sniffers) and mixed by White Denim's Josh Block a frequent collaborator with Leon Bridges. An artist who has been celebrated as inherently working-class and wholeheartedly independent, Bibby comes by this caution honestly, having cut his teeth in the rough-and-tumble underground rock scene centered around Perth's Hyde Park Hotel in Western Australia. Bibby's affable personality has gotten him plenty of mileage as a live act. He's toured the U.S. with Pond and performed at the infamous open mic night at Pappy and Harriet's in the California desert. He's also taken the stage at international festivals such as Laneway, Falls, All Points East, South by Southwest and South Africa's Rocking the Daisies while notching his fair share of rowdy headlining shows.

The landmark 2006 album that showcased Brooklyn's legendary Hip Hop collective with their original lineup for the first time since their 1997 debut LP "For the People." Buckshot, Smif-N-Wessun, Heltah Skeltah, and O.G.C. sound as raw as ever over a hall-of-fame production lineup including beats by Pete Rock, Large Professor, Da Beatminerz, 9th Wonder, Marco Polo, and more.

After five long years, Balance and Composure return with Too Quick To Forgive--newly signed to Grammy-nominated producer Will Yip's label, Memory Music, the alt-rock darlings sound more assured and adventurous than ever across two vulnerable tracks. Too Quick To Forgive is a reflection on personal perseverance in the wake of confrontation, told through two distinctly different scenarios. "Savior Mode" finds frontman Jon Simmons baring his soul in a way that is unparalleled in their discography, while "Last To Know" is an emotionally-resonant highlight that leaves a lasting impact well after its final notes play out. Simmons' vulnerability and emotional delivery across both tracks cut through with unflinching precision courtesy of Andy Slaymaker (guitar), Matt Warner (bass), Erik Petersen (guitar), Dennis Wilson (drums), and who the band considers their 6th member--producer Will Yip. In the fall of 2022, the group got together at his Conshohocken, PA studio, Studio 4, with a few ideas that Yip helped turn into these otherworldly tracks. "It was all magic," Jon says. With a renewed sense of purpose, Balance and Composure will return to the stage for a series of Too Quick To Forgive release shows in some of the biggest rooms they've ever played.

R'n'Cs is the contraction of "Rem and the Courbarians". made up of Rem (drums - Vox) and the Courbarians brothers, Saïd (Guitar - Vox) and Gui (Bass Guitar - Vox). they were formed in the Orléans region at the dawn of the second millennium, combining Punk / Hard Core with overdriven Garage Punk'n'Roll. giving birth to a Rock'n'Roll speed all their own! The years go by. but the cadence remains the same. they are and remain definitively addicted to feedback and BPMs. Their Rock'n'Roll remains fast and furious. You'd think the teats they feasted on from an early age were loaded with nitroglycerine! And these R'n'R aficionados never tire of it! Class, delicacy and refinement have nothing to do with it. even if some music lovers will enjoy it! Their music isn't a poem, it's an ode to sex, drugs and rock'n'roll. all at breakneck speed! Hang on to the handlebars, because no one escapes this infernal spiral that grabs you and sends you straight to the devil's entrails! They became a national benchmark for speed rock'n'roll. and were repeatedly asked to play with bands such as Nashville Pussy, Supersuckers, Discharge, GBH, Unseen, Guitar Wolf, New Bomb Turks, The Cellophane Suckers, The Butchers, Burning Heads, Etc.. Over the years, R'n'Cs has always been backed, produced and supported by labels such as 442ème Rue, Beast Records, Guerilla Vinyl and of course Trauma Social. Their 7th Opus "Flytrap in the Murderhouse" released on Beast Records / Fly House Records (Trauma Social for the CD) saw the light of day in Spring 2024 and still remains in the tradition of Zeke, Peter Pan Speedrock, Mötorhead. This incendiary bomb will not differ from previous productions. Still in sweat, flames and Rock'n'Roll!!!! Hell Yeah!

Special Guests on the record include: Mark Cisneros, Joe Lally, Derrick Decker, Bob Berberich, Clint Walsh, Dave Grohl, Onam Emmett, John Goetchius, Jerry Busher, Amy Pickering, Ian MacKaye, Amanda MacKaye, Brian Baker, Randy Austin, Martha Hull, Michael Reidy, Nate Bergman, Bobby Madden.

Scream formed in 1979. Drummer Kent Stacks, bassist Skeeter Enoch Thompson and the brothers Pete and Franz Stahl attended school together in Bailey’s Crossroads, Virginia, when they began to discover the punk and new wave scene in DC and the provocative power of making music.

Like most of the punk bands in DC, they were influenced by the Bad Brains, but their rock and roll sensibilities set them apart. In 1982, they went into Inner Ear Studio with Ian MacKaye and Eddie Janney to record Dischord's first full length album, Still Screaming.

Scream followed this with a second full length album, This Side Up, in 1984. The band toured throughout the US and were one of the first US hardcore bands to tour Europe and the UK. In 1987, they released Banging the Drum, which was recorded at both Southern Studios in London and Inner Ear. In 1988, No More Censorship was released on reggae label RAS records. Scream returned to Dischord to release Fumble in 1993.

They made a few line-up changes along the way, including the addition of their friend Harley Davidson on second guitar, and, when Kent Stacks (RIP) left the band to start a family, they asked a young local drummer, Dave Grohl, to take over. After a number of years with "the Scream team," Dave went on to join Nirvana and form The Foo Fighters.

In 1996, at a Christmas reunion show, Kent Stacks returned as Scream’s drummer; the show was recorded and released as the CD “Live at the Black Cat.” Over the next few years, everyone branched out in different directions – Franz joined the Foos for a short period and Pete played with Goatsnake and earthlings? The band returned as a unit, with Clint Walsh on second guitar, in 2011 to record the Complete Control Sessions, which was released as an EP on Side One Dummy and was, until now, the band’s most recent release.

Scream’s newest album, DC Special, will be released in the fall of 2023 on Dischord Records. For this record, Scream invited their extensive music community to help create a unique project that weaves the history of music in Washington DC into the story of the band. Recorded by Don Zientara just weeks before his studio was evicted from its longtime location, the record is rich with both the sounds of Inner Ear and those of friends and musicians who influenced Scream and who shaped DC music over the past six decades. DC Special embodies the same sense of community and politics that inspired Scream from the start and is a truly special collection of new music that speaks to the present and also tells the story of DC music, Scream, and the influences that shaped them.


Bonus Download Tracks
Faces
Politics is Entertainment
Black and White
Lifeline Redux
Smile and Bleed
I Saw Ya (Wanna Be Like Captain)

Late Night Load Out is the debut LP from Dublin five piece band Papa Romeo.

The release is a collection of work which catalogues their first two years of rehearsing and gigging together around Ireland, a process which has forged their sound. The tracks journey through sound palettes which variously touch on dreamy spaced out indie rock, moments of ambient contemporary jazz, and rougher post-punk influenced sounds.

The ‘Late Night Load Out’, became the term to describe loading gear out of venues late at night after a show, which is a moment to both dread and cherish, the (sometimes) hard work which follows elation.

Now primarily based in London, Papa Romeo’s music has connected with London based DJs and broadcasters. Their debut single ‘Yellow Magic Orchestra’ was supported by Flo on NTS, as well as Avalon Emerson, and appeared as the A1 on a vinyl compilation from All City Records Dublin. Singles from ‘Late Night Load Out’ have also gained early support on BBC 6 Music and from Ross Allen on NTS.

In the meantime the band have been busy on the Irish circuit with appearances at Cork Jazz Festival, Other Voices, All Together Now and Another Love Story, as well as repeat sold out shows at Dublin’s Sugar Club. They have built a reputation as a versatile band who can bring the energy to a packed room, and were named an Artist to Watch for 2024 by Hot Press Magazine.

‘Late Night Load Out’ will be released on digital and vinyl in May 2024.

Papa Romeo is Paddy Rogers, Mark Rogers, Dan Coyne, Rob de Boer and Chris Wong.

Radio Support:

Ross Allen - Soup to Nuts NTS

Colleen Cosmo Murphy - NTS

Lauren Laverne - BBC 6 Music

Esk - Rinse FM

District Magazine (Ireland)

Peter Curtin - RTE

New Music Fix on BBC 6Music

Bill Brewster

"A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style."

"The Biggest Twang Of Them All" includes the following tracks: "Monday, Monday", "Night Train", "Day Dream", "Younger Girl" and more.

"A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style."

"The Biggest Twang Of Them All" includes the following tracks: "Monday, Monday", "Night Train", "Day Dream", "Younger Girl" and more.

The Stabbing Jabs - vocalist Peter Aaron (Chrome Cranks), guitarists William G. Weber (Chrome Cranks, GG Allin & the Murder Junkies) and Chris Donnelly (Gang Green), drummer Andrew Jody (Barrence Whitfield & the Savages), and bassist Jamie Morrison - breathe fiery life into the type of tough, timeless rock 'n' roll a generation had left for dead. Here it is, ready to make your life a living hell: an arsenal of hard, hammering tunes built on thick, cinder-block guitars. Blood-flecked screams. Dirty, fuzzy low end. Drums that swing as hard as they bash. And RIFFS. Riffs, riffs, and more riffs. Did we mention the riffs?

Making a bold return, genre-defying, North Carolina-bred quartet and live sensations Rainbow Kitten Surprise will unveil their first full-length album in six years, LOVE HATE MUSIC BOX, on May 10, 2024 via Elektra Entertainment / Parlophone. Produced by Daniel Tashian (Kacey Musgraves) along with Konrad Snyder (Noah Kahan) and Melo, the much-anticipated album ponders life’s ups and downs, and traces the turbulent trajectory of relationships, painted out loud in hues of pop, electronic, rock, and hip-hop. As such, it finds the musicians at their most vulnerable, vibrant, and vital.

Limited
Die drei ??? Ermitteln für einen berühmten Rockstar und lauschen der Melodie der Rache. Können die Detektive Licht ins Dunkel bringen? Als Peter Journey die drei ??? Um Hilfe bittet, sind die Detektive hellauf begeistert, denn PJ ist eine echte Rocklegende. In der Ferienanlage des Musikers herrscht Chaos: Eine wertvolle Bassgitarre wurde gestohlen und ein Gast brutal niedergeschlagen. Justus, Peter und Bob buchen sich kurzerhand selbst ein Zimmer im Hotel und stoßen auf ein dunkles Geheimnis der Vergangenheit.

Limited
Die drei ??? Ermitteln für einen berühmten Rockstar und lauschen der Melodie der Rache. Können die Detektive Licht ins Dunkel bringen? Als Peter Journey die drei ??? Um Hilfe bittet, sind die Detektive hellauf begeistert, denn PJ ist eine echte Rocklegende. In der Ferienanlage des Musikers herrscht Chaos: Eine wertvolle Bassgitarre wurde gestohlen und ein Gast brutal niedergeschlagen. Justus, Peter und Bob buchen sich kurzerhand selbst ein Zimmer im Hotel und stoßen auf ein dunkles Geheimnis der Vergangenheit.

It is a monster album which unites the who's who of the modern blues and rock scene and took Krissy one year to produce! Friends on the album include rap metal giants Clawfinger, the god of hellfire Arthur Brown, the voice Chris Farlowe, Germany's soul queen Inga Rumpf, legendary singer songwriter Stoppok, the iconic Hamburg Blues Band, elite drummers Dennis Chambers & Curt Cress, Blues singing dynamite Big Daddy Wilson and many more. The album includes 24 songs and is almost 3 hours long with a mix of Krissy's original material and his favourite cover songs. "It was a long time in the making and I managed to get it done. I started the pre-production in November 2022 and went in the studio to begin the meat and potatoes process in January 2023. I wanted to get all my favourite musicians together that I have met on the road in my career. They are not all here by any means, but a good handful are! I did not want this album to have a box, so there are many different genres from metal to blues and jazz to rock'n'roll. But in the end, it is a Krissy Matthews record."

Hailing from Copenhagen, Denmark, The Sonic Dawn is one of Europe's most prominent current acid rock bands. Formed in 2013 by childhood friends Emil Bureau, Jonas Waaben, and Niels 'Bird' Fuglede, the trio has delivered four albums, celebrated for their dynamic fusion of genres from sitar pop to heavy psych. Their highly anticipated fifth LP is slated for release this spring via Heavy Psych Sounds. The debut album, Perception (2015), marked their international breakthrough with Berlin-based Nasoni Records. The sophomore release, Into the Long Night (2017), launched on Heavy Psych Sounds, accompanied by an extensive European album tour-some 60 shows, including two weeks with Brant Bjork (US)-solidifying their presence. The subsequent album, Eclipse (2019), earned acclaim as "easily one of the best psychedelic pop albums of the decade," and once again the group hit the road hard, playing in 11 different countries. In 2020, The Sonic Dawn unveiled Enter the Mirage, recognized as "a modern psych classic" by Shindig Magazine. While the planned album tour was cut short, it was possible to play on WDR's legendary TV show Rockpalast, which has featured David Bowie, the Grateful Dead, and many more through the years. Now, their highly anticipated fifth album, Phantom (2024), is set for a worldwide release on May 10th, 2024. Formally welcoming long-time collaborator Erik 'Errka' Petersson as a new studio band member on organ/keys, The Sonic Dawn continues its sonic journey. Culminating from four years of creating music, the album showcases a raw and heavy musical style blended with the melodic psychedelia for which the band is renowned.

Hailing from Copenhagen, Denmark, The Sonic Dawn is one of Europe's most prominent current acid rock bands. Formed in 2013 by childhood friends Emil Bureau, Jonas Waaben, and Niels 'Bird' Fuglede, the trio has delivered four albums, celebrated for their dynamic fusion of genres from sitar pop to heavy psych. Their highly anticipated fifth LP is slated for release this spring via Heavy Psych Sounds. The debut album, Perception (2015), marked their international breakthrough with Berlin-based Nasoni Records. The sophomore release, Into the Long Night (2017), launched on Heavy Psych Sounds, accompanied by an extensive European album tour-some 60 shows, including two weeks with Brant Bjork (US)-solidifying their presence. The subsequent album, Eclipse (2019), earned acclaim as "easily one of the best psychedelic pop albums of the decade," and once again the group hit the road hard, playing in 11 different countries. In 2020, The Sonic Dawn unveiled Enter the Mirage, recognized as "a modern psych classic" by Shindig Magazine. While the planned album tour was cut short, it was possible to play on WDR's legendary TV show Rockpalast, which has featured David Bowie, the Grateful Dead, and many more through the years. Now, their highly anticipated fifth album, Phantom (2024), is set for a worldwide release on May 10th, 2024. Formally welcoming long-time collaborator Erik 'Errka' Petersson as a new studio band member on organ/keys, The Sonic Dawn continues its sonic journey. Culminating from four years of creating music, the album showcases a raw and heavy musical style blended with the melodic psychedelia for which the band is renowned.

Die britische Elektronik-Band Morcheeba veröffentlichte ihr sechstes Studio Album „Dive Deep“, das zweite Album ohne die ehemalige Lead-Sängerin Skye Edwards. Stattdessen haben die Bandmitglieder (und Brüder) Ross und Paul Godfrey für die Aufnahmen mit mehreren Gastmusikern zusammengearbeitet, darunter der Rapper Coo Calm Pete, der norwegische Alternative-Sänger und Songwriter Thomas Dybdahl, die französische Sängerin Manda Zamolo und die gefeierte Pop/Rock-Sängerin Judie Tzuke Zwei Singles wurden bereits vor der Veröffentlichung des Albums veröffentlicht, "Enjoy The Ride" und "Gained The World".

Introducing 'Planet SP1200' by KLIM. KLIM, the producer and beatmaker based in Kyiv, draws inspiration from classic hip-hop, chill music, and boombap to craft music that combines fresh soulful vibes with a hard-knocking style. With over 4 million streams across various platforms, including lo-fi beat staples such as 'Night Café' and 'Butterfly,' KLIM returns with fifteen tracks created using the EMU SP-1200 and Akai S900 samplers, infusing a '90s vibe throughout the project.

Influenced by artists like Pete Rock, Lord Finesse, Jay Dee, George Fields, and Mr. Brown, KLIM's music is a reflection of the magic found in everyday moments that surround him. It's a product of the emotions that stir within him, where the world serves as his artistic canvas, and each sound and melody is a heartfelt attempt to capture his experiences and thoughts. In his words, "My music is a bridge between my soul and the world, and I hope it can touch the hearts of others, just as it touches mine". Join KLIM on this musical journey, where the past and present harmonize in a symphony of emotions and experiences.

"Drums A Go-Go" wurde in der Blütezeit des Surf-Rocks veröffentlicht und enthält mitreißende Gitarren-Parts (man höre sich nur "Casbah!" an) - ganz zu schweigen von einigen der unauslöschlichsten Drum-Breaks - auf Platte. Alles analog geschnitten! Während der Titelsong im Oktober '65 Platz 118 der Billboard Hot 100 erreichte, waren Nelsons Instrumental-Versionen von "Whittier Blvd. (von Thee Midnighters), "I Like It Like That" (von Pete Rodriguez), "Wooly Bully" (von Sam the Sham & the Pharaohs) und "(I Can't Get No) Satisfaction" (von den Rolling Stones) sind ebenso lebendig und enthalten sowohl fuzzige Gitarren als auch Rock 'n' Roll-Saxophon, eine Kombination, die nicht nur zeigt, in welche Richtung sich die Musik entwickelte, sondern auch den prä-psychedelischen Stil der populären Teenie-Beat-Gruppen Mitte der 60er Jahre. Nelsons dynamisches, eingängiges Spiel erlaubt es dem Schlagzeug, sich auf einzigartige Weise mit der Melodie zu verflechten und dem Album einen vollen, vollständigen Klang zu verleihen - und das, obwohl es keinen Gesang gibt!

"Drums A Go-Go" wurde in der Blütezeit des Surf-Rocks veröffentlicht und enthält mitreißende Gitarren-Parts (man höre sich nur "Casbah!" an) - ganz zu schweigen von einigen der unauslöschlichsten Drum-Breaks - auf Platte. Alles analog geschnitten! Während der Titelsong im Oktober '65 Platz 118 der Billboard Hot 100 erreichte, waren Nelsons Instrumental-Versionen von "Whittier Blvd. (von Thee Midnighters), "I Like It Like That" (von Pete Rodriguez), "Wooly Bully" (von Sam the Sham & the Pharaohs) und "(I Can't Get No) Satisfaction" (von den Rolling Stones) sind ebenso lebendig und enthalten sowohl fuzzige Gitarren als auch Rock 'n' Roll-Saxophon, eine Kombination, die nicht nur zeigt, in welche Richtung sich die Musik entwickelte, sondern auch den prä-psychedelischen Stil der populären Teenie-Beat-Gruppen Mitte der 60er Jahre. Nelsons dynamisches, eingängiges Spiel erlaubt es dem Schlagzeug, sich auf einzigartige Weise mit der Melodie zu verflechten und dem Album einen vollen, vollständigen Klang zu verleihen - und das, obwohl es keinen Gesang gibt!

"ENDSTATION", das original im Jahre 2000 veröffentlichte, damals vorerst letzte Album der 78er Deutschpunk-Legende H.A.S.S.! 2024er Vinyl-Edition, 2023 komplett neu gemastert und abgemischt in dem Sound, den das Album verdient hat(te): Lieder wie "So wie die werd ich nie", das bitterböse "Mein Nachbar" oder "Versoffene Marie" oder "Totengräber" zeigen die Band auch zur Jahrtausendwende in Höchstform...die Hardcore-Punk-Style von Hass wird hier zum Teil mit rockigeren Klängen ergänzt, was eine perfekte Symbiose ergibt und erfrischend neue Facetten in der Discografie von Hass mit sich bringt. Leider war die Scheibe seinerzeit ziemlich "schwach" abgemischt, sodass einiges verloren ging. Zum Glück wurde das jetzt behoben und "Endstation", die letzte Scheibe noch mit Bandgründer und Songschreiber Peter ,Hecktor" Blümer am Mikro, klingt jetzt fett. Farbige Black & White Swirl 180gr LP mit neuem (2023er)Cover-Artwork, inside/out Sleeve plus Insert.