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"PositiveNoise" is collaboration between System 7 and British house music legend A Guy Called Gerald who now lives in Berlin, and is one of two tracks on the new System 7 "UP" album that they worked on together. The original club mix's exuberant sounds and crisp beats exude an infectious feel-good quality and a bright tech confidence inspired by Berlin's leaner sounds - already gaining plaudits and plays for its modern club sound. *The Carl Craig remix strips down the original, and twists and turns for the dancefloor with dubby deep techno in Carl's own legendary style. A.Mochi's remix is a darker interpretation, with a long dropdown featuring shimmering S7 trademark sounds and a breakbeat build-up
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Continuing to make good on the promise to re-release the entire Metallica catalogue albums on vinyl, we are very proud to announce that Metallica's sixth studio album Load will be released on 5th July.As with all previous vinyl releases from Metallica, there will be two packages: a two-disc gatefold package for the 33 1/3 r.p.m. version, and a box for the four-disc, 180 gram, 45 r.p.m. deluxe edition. All the music was half speed mastered from the original analogue tapes at Bernie Grundman Mastering in Hollywood to bring you the best audiophile quality.
expected to be published on 01.08.2010
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Phaze Records is the new Imprint founded by Gummish aka Tony Matt. Phaze Records focus on the funky side of techouse and minimal techno of electronic dance music. The debut EP is coming from spanish based Dreamteam Carlos Sanchez & DJ Ray (Superfancy, Katchuli) with a remix from Mr. Dejonka (Wahrhaft, Suchtreflex, Knall, Parquet). High-Quality House Music for Fall 2009.
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- A1: Niney* - Blood & Fire
- A2: Big Youth - Whole Lot Of Fire
- A3: Max Romeo & Lee Perry - Rasta Bandwagon
- A4: Delroy Wilson - Rascal Man (False Rasta)
- A5: Sang Hugh & The Lionaires - Rasta No Born Yah (Extended)
- A6: Michael Rose - Guess Who's Coming To Dinner / Clap The Barber
- A7: Delroy Washington - The Way To Reason
- B1: Slim Smith - I Need Your Loving
- B2: Gregory Isaacs - Rock On
- B3: Ken Boothe - Silver Words
- B4: Dennis Brown - Here I Come
- B5: Johnny Clarke - Warrior
- B6: Junior Delgado - Every Natty
- B7: Junior Byles - Weeping
- C1: Gregory Isaacs & Ranking Buckers - Slave Master / Captives
- C2: Freddie McGregor - Chant It Down
- C3: Leroy Smart - Jah Is My Light
- C4: Dennis Brown - No More Will I Roam (Extended)
- C5: Horace Andy - Materialist
- C6: Jacob Miller - Moses
- C7: Niney* - Mutiny
- D1: The Ethiopians - Slave Call
- D2: The Heptones - Temptation, Botheration & Tribulation
- D3: Third World - Roots With Quality
- D4: Freddie McGregor - Tease My Love
- D5: Sugar Minott - Lover's Race
- D6: Don Carlos (2) - Mr. Sun
- D7: Barry Brown - Thank You Mama
Nachgepresst und mit leicht erhöhtem Preis wieder lieferbar ist die Doppel-LP von und mit der Produzentenlegende Winston Holness aka Niney The Observer, vollgepackt mit 28 Klassikern aus der Bütezeit des Reggae inklusive Nineys Hit "Blood & Fire". Mit allen Artists mit Rang und Namen und den Musikern der Aggrovators, The Revolutionaries und dem Soul Syndicate, eingespielt in Randy's Studio 17, King Tubby's, Dynamic Sounds, Channel One, Joe Gibbs und dem Black Ark Studio!
expected to be published on 27.02.2009
The art of synth disco is being kept up by this little designer label called Aube records. Here is their fifth outing with another amazing record of superb quality! Roland Sebastian Faber delivers two electronic disco pop tunes with racing melodies, catchy and haunting energetic. Combined with floating David Gillmore 'esque guitars and stylish 808 beats these are two gems that are here too be enjoyed for many years to come! Very well crafted dance music!
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Motoko & Myers is the collaborative project of Bay Area-based duo Wonja Fairbrother and Daniel Letson. “Colocate” follows their 2018 debut release on the Open Hands Real Flames imprint (Bass Clef), further developing their distinctive style which combines melodic, pop song structures with live improvisation and odd or no-meter approaches to rhythm and timing. It is a collection of bright, addictive listening, full of tracks that manage to feel at once hooky and aleatory, naive and rigorously arranged.
Recorded and assembled sporadically over a period of several years, the album’s idiosyncratic palette was achieved through much technical and methodological eccentricity: “4-handed” collaborative keyboard playing; 12-bit sampling and archaic presets; field recordings of cicadas in Louisville, Kentucky and church bells in Freiburg im Breisgau. The album’s nine tracks exude a homespun quality that is rare to find in contemporary electronic music – hazy, warm, and disarmingly organic.
expected to be published on 01.01.0307
Soda Gong presents “Support Surfaces,” the new record by Alexi Baris, a musician hailing from Vancouver, British Columbia. Baris’ methods are patient and deceptively rigorous, trading in sonics that are at once organized and organic. Synthetic and acoustic elements are presented in sonorous states of perpetual flux, carefully amalgamated into structures of fertile ambiguity. His is a diligent and painterly approach to sound design and arrangement, in which tiny events are magnified and brought up close, and expansive gestures are repurposed and shifted in scale. There is an abiding quality to these compositions, sounds that have been hung in the air with remarkable restraint and left to float there, defined by texture, tone, and their own entrancing spatiality.
All music by Alexi Baris.
Mastered by Kassian Troyer at D&M.
Artwork and Design by Alex McCullough.
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