YMO’s first overseas performances took place as special guests at The Tubes’ concerts held over three days—August 2, 3, and 4, 1979—at the outdoor Greek Theatre in Los Angeles, USA. “YMO LIVE AT THE GREEK THEATRE 08/04/1979” features the complete 7-song set from the final night, August 4.
Supervised by Haruomi Hosono, the recording was mixed and mastered from the original multi-track tapes by world-renowned engineer Goh Hotoda. The vinyl cutting was handled by Shinya Matsushita of “Piccolo Audio Works”, ensuring top-quality audio.
quête:r 04
This album is a compilation of hard-to-find 7" singles released in Kenya by the Audio Productions stable in the first half of the 1980s and most have never been released outside of East Africa.
Amongst others, it features artists such as Super Wanyika, led by the legendary vocalist Issa Juma, originally from Tanzania, who played a pivotal role in the Kenyan club scene in the late 1970s and early 1980s. Also featured is Orchestra Shika Shika, a Congolese band based in Nairobi, who recorded more than 70 singles for a host of labels. Their track included here, " Diana" is one of their very best and was the title track of their album released in 1983; featuring the sublime vocals of Jimmy Monimambo and Lovy Longomba.
We hope you enjoy this deep dive into these lost sounds from Kenya's rumba and benga scene!
(The LP also comes with a free CD featuring additional material)
Doomcannon Announces Powerful New Album 'Somewhere In Between' Capturing The Quiet Turbulence Of Transformation. New Single 'the Truth' Out Now Is A Soulful Prelude To A Record About Healing, Growth & Self-Belief.
DoomCannon is the alter ego of South London native Dominic Canning, a musical force who cut his teeth as part of genre-pushing groups TriForce and Project Karnak. A proud graduate of Kinetika Bloco and Tomorrow's Warriors, he has shared stages with Celeste (as her musical director), and has graced platforms from the BRIT Awards to 'Later… with Jools Holland'.
His 2022 debut album 'Renaissance'on Brownswood Recordings earned critical acclaim for its expansive sound and political urgency. Now, with 'Somewhere In Between', DoomCannon turns the lens inward—exploring personal growth, emotional honesty, and the hard-earned lessons found in transition.
- A1: Limbo No. 5 (03:09)
- A2: Cool Car, Stupid Decisions (02:13)
- A3: I Felt All There Is To Feel - Feat. Dz Deathrays (03:22)
- A4: Song On The Radio (2:49)
- A5: Twenty Three - Feat. Blush Always (03:49)
- A6: Happy Birthday (You’re Not A Fighter) (03:42)
- B1: Heavy Metal Junk Island (03:27)
- B2: Big Big Heart - Feat. Snake Eyes (02:37)
- B3: (No) Taking It Slow (03:32)
- B4: Destroy Everything (02:37)
- B5: Orca Whale (03:39)
- B6: Prepaid (04:10)
- B7: This Is Normal Now (Outro) (02:36)
Auf dem 2025 erscheinenden Album spielt / erfindet Pabst den Hyper-Rock. Da crashen die Drums, da stottert die Gitarre vor sich hin, da schwirren Synths von links nach rechts, da überdreht der Bass vollkommen. So etwas kann nur aus einer der wichtigsten deutschen Rockbands ihrer Generation herauskommen! Unterstützung gibt’s erstmals in Form von Features mit den australischen Garage-Legenden DZ Deathrays, der Leipziger Indie-Poetin Blush Always und den britischen Grunge-Punks Snake Eyes.
- Les Grands Espaces
- Coline Et Ses Frères (Variation 1)
- Le Retour De Coline
- L'appel À Sacha
- Le Village
- Christophe
- Le Passé
- Sophie
- Une Nuit En Cellule
- Quitter Coline
- Coline Et Ses Frères (Variation 3)
- La Disparition
- Le Ravin
- Coline Et Ses Frères (Variation 2)
- Ole Et Martika
- Retour À La Vie
- It's A Good Day To Die
- La Fin De La Fête
- Le Voyage De Basile Et Lolo
- Revoir Coline
- La Nuit Commençait À Tomber
- Jusqu'à Disparaître
- La Chanson De Ole Et Martika
- Avant La Pointe Du Vide
- L'incroyable Femme Des Neiges
ensemble 0 (pronounced zero) is a band /contemporary music ensemble, whose line-up and instruments can change according to the repertoire performed. Directed by Stéphane Garin and Sylvain Chauveau, performing pieces by, mostly, contemporary composers including its own members, and working with numerous collaborators.
The year 0 of ensemble 0 was 2004, when four friends decided to assemble a vessel, essentially dedicated to acoustic music for the present time. A light and adaptable vessel, of varying geometry and geography (its members are based in different cities and countries, including France, Catalonia and Belgium.)
Zero, in cartography, is the reference level from which altitudes are erected. In other words, where the field of possibilities stands. Depending on the chosen direction, the disentangled or deciphered compositions, the musicians and instruments brought in, ensemble 0 performs upon a unique range of reliefs. First, its own compositions are specifically performed by the pulsating heart of the collective, i.e. a trio made of Sylvain Chauveau (acoustic guitar, glockenspiel), Stéphane Garin (metallic percussions) and Joël Mérah (acoustic guitar). Then, with a contemporary repertoire the ensemble expands according to the needs of each work. ensemble 0 occasionally performs pieces by Moondog, Julius Eastman or Ligeti but is particularly keen on living composers such as Tristan Perich, Michael Pisaro or Rachel Grimes.
Here, ensemble 0 plays in according to the movie: L’Incroyable Femme Des Neiges (directed by Sébastien Betbeder with Blanche Gardin and Philippe Katerine) a soundtrack with their own strong and beautiful imprint.
- A1: Glory Boys (3.28)
- A2: Shake And Shout (3.05)
- A3: Going To A Go Go (2.52)
- A4: Get Ready (3.21)
- A5: Don’t Look Down (2.39)
- A6: One Way World (3.24)
- A7: Only Madmen Laugh (3.44)
- B1: One Day (In Your Life) (4.35)
- B2: New Dance (4.53)
- B3: Life’s A Movie Too (3.20)
- B4: The Sound Of Confusion (3.04)
- B5: Three Wise Monkeys (3.38)
- C1: Soho Strut (4.05)
- C2: Lost In The Night (3.33)
- C3: Somewhere In The City (2.41)
- C4: I Could Be You (If I Wanted To) (2.53)
- C5: Dance Master (3.35)
- C6: Let Your Heart Dance (2.44)
- D1: My World (4.30)
- D2: I’m Not Free (But I’m Cheap) (9.25)
- D3: Time For Action (2.34)
- D4: Big Beat (2.56)
In April 2003, Secret Affair returned to the stage at London’s legendary Scala for a show that captured everything fans love about the band: sharp songs, soulful playing, and the unmistakable fire of the Mod revival spirit.
Live at the Scala brings the energy of that night back to life, presented in stunning audio across double vinyl & 2CD. From the driving beat of Time for Action to the passion of Let Your Heart Dance and the punch of My World, the Scala setlist is a powerful reminder of why Secret Affair remain one of the defining bands of their era.
RECORDED AT THE SCALA, LONDON, 18th JUNE 2003 and released on vinyl for the first time.
The Original Secret Affair Line-up
Ian Page - Vocals, Trumpet
David Cairns - Guitar, Backing Vocals
Dennis Smith - Bass
David Winthrop - Drums
Paul Bultitude – Saxophone
- 1: The Year With The Baby
- 2: Agnes And Lydie
- 3: Across The Field
- 4: Flashback
- 5: An Empty Feeling
- 6: To The Lighthouse
- 7: The Year With The Bad Thing
- 8: We Are Women
- 9: The Next Morning
- 10: Cover The Window
- 11: The Year With The Good Sandwich
- 12: Being Gay And In Love
- 13: Gavin Will You Come Fuck Me
- 14: Bathtub
- 15: Sorry Baby (Piano)
- 16: Sorry Baby (Electronic)
- 17: Year Of The Baby Draft 1
- 18: Walking In Field Voice Note
- 19: Sorry Baby (Piano) Melody 1 Voice Note
- 20: Sorry Baby (Piano) Melody 2 Voice Note
- 21: I-580 W 13.Mp4 (Eva On The Ending Music)
PLEVNA is the solo project of Horatiu Serbanescu, tracing a path through motion and memory. Ethnic roots, eastern-twilight melodies, and synthetic textures weave a sound that feels both ancient and entirely new. Nothing here asks to be named.
- 01: Something Special
- 02: Tonite
- 03: Just For You
- 04: It&Apos;S So Cool
- 05: Our Love
- 06: Golden Seal
- 07: Tease
Unreleased 80s psychedelic funk rock out of Boston, MA. Influenced by Funkadelic, Sly Stone and James Brown, to name a few.
Sherman Williams Started playing and writing music at age seven, he played through middle school.
Travelled with a group, called Total Eclipse, throughout the East Coast during his high school years.
He was on a mission to be a professional musician/singer/songwriter, of a band – he wanted heavy rhythms to match his huge guitar action, this is how Black Axess came about.
"I badly wanted to record the music that I helped to create with the Black Axess so paid out of pocket for the studio time." - Sherman Williams
From that session one single, "Tonight" was released on 7" but the lost album "The Golden Seal" sat on tape almost lost to time. That was until Robert Garcia and Daniel Mathis spoke to Sherman while tracking the "Tonight" Single, and discovered the lost LP we have here, credit to them both for sorting out and hooking us up and special thanks to Daniel for saving the tapes when UPS almost lost them, which might have been the end of it!
Lay back, light one up, and listen on loop.
- A1: Come Over
- A2: Heartbreak Blues B1 Left Your Smile B2 My Baby Says
- B3: Southern Birds C1 Space
- C2: Grief
- D1: Basketball #1 D2 Ghost Town
MJ Lenderman is a songwriter born and raised in Asheville, North Carolina. The anatomy of an MJ record might go something like this: warped pedal steels and skuzzed out guitar; a voice reminiscent of the high-lonesome warble of a choirboy; the keen observations and reflections of a front stoop philosopher. Songs snake their way from a lo-fi home recording to something glossier made with longtime friends at Asheville's Drop of Sun studios, but the recording setting
doesn't seem to matter much - at its core, a Lenderman song rings true.
MJ Lenderman was recorded, mixed and mastered for digital in 2019 by Colin Miller in Asheville NC, and was self-released online to quiet but firm acclaim. Now available as a Double LP and remastered for vinyl by Heather Jones, it offers a glimpse into the formative steps of a style; focused and precise, yet expansive and rough around the edges, that remains consistent across MJ's catalogue to date.
Looking as firmly to the legacy of 90s slowcore as it does to the tenor of Magnolia Electric Co. and sound wall of Neil Young and Crazy Horse, these 9 songs clock in at just over an hour and offer warm, patient worlds of heavy colour that blow by breezily. These are songs that wrap mysterious and urgent feeling in layers of patience and clarity that unfold anew with each timeless listen.
2025 Repress
One for the heads as they say ... this deep Detroit Techno inspired 12" by UK Techno veteran Paul Mac was supposed to be released on Ben Sims' infamous Theory sub label Navite in 2003, but apart from 5 test pressings with the catalogue number NTV 04 it never made it to a proper release. When asking Paul about this 12" we were very happy that he agreed to release it on Mojuba sub label a.r.t.less. Some of his most soulful and deeper organic Techno EPs finally available and remastered by Redshape to current standards.
For illustration duties we are super grateful to have the one and only Kilian Eng on board for the next releases, showcasing some of his sketch work in a new context, some of you might remember his stunning artwork from the Sam McQueen album "Dreams In Sepia" for a.r.t.less. Enjoy! Limited edition in hand-pulled screen-printed cover.
- A1: Improvisation In Abu-Ata (Golha-Ye Rangarang #204)
- A2: Improvisation In Sigah (Golha-Ye Javidan #140)
- A3: Improvisation In Shur (Golha-Ye Rangarang #182)
- A4: Improvisation In Homayun (Barg-E Sabz #150)
- A5: Improvisation In Bayat-E Zand (Yek Shakheh Gol #169)
- A6: Improvisation In Dashti (Barg-E Sabz #174)
- A7: Improvisation In Abu-Ata (Golha-Ye Rangarang #201)
- B1: Improvisation In Bayat-E Turk (Barg-E Sabz #177)
- B2: Improvisation In Afshari (Barg-E Sabz #94)
- B3: Improvisation In Dashti (Golha-Ye Rangarang #200B)
- B4: Improvisation In Abu-Ata (Barg-E Sabz #35)
- B5: Improvisation In Sigah (Golha-Ye Rangarang #193)
- B6: Improvisation In Bayat-E Turk (Golha-Ye Javidan #136)
- B7: Improvisation In Dashti (Golha-Ye Rangarang #162B)
Cassette[9,66 €]
A collection of stunning Persian-tuned piano pieces cut from Iranian national radio broadcasts made for the Golha programmes between 1956 & 1965...
Morteza Mahjubi (1900-1965) was a Iranian pianist & composer who developed a unique tuning system for the piano which enabled the instrument to be played in all the different modes and dastgahs of traditional Persian art music. Known as Piano-ye Sonnati, this technique allowed Mahjubi to express the unique ornamental and monophonic nature of Persian classical music on this western instrument - mimicking the tar, setar & santur and extracting sounds from the piano which are still unprecedented to this day.
An active performer and composer from a young age, Mahjubi made his most notable mark as key contributor and soloist for the Golha (Flowers of Persian Song and Poetry) radio programmes. These seminal broadcasts platformed an encyclopaedic wealth of traditional Persian classical music and poetry on Iranian national radio between 1956 until the revolution in 1979.
Presented here is a collection of Morteza Mahjoubi's stunningly virtuosic improvised pieces broadcast on Golha between the programme's inception until Mahjoubi's death in 1965 - mostly solo, though at times peppered with tombak, violin & some segments of poetry.
The vast collection of Golha radio programmes was put together thanks to the incredible work of Jane Lewisohn & the Golha Project as part of the British Library's Endangered Archives programme, comprising 1,578 radio programs consisting of approximately 847 hours of broadcasts.
2026 Repress
In our era of post-truth & questioned realities, tin foil hatted folk project their insecurities onto the puppet masters, those holding the strings to us all, the endless psy-op at play. For those opting for psychedelic enlightenment over psychological terror, we find solace in the dance, especially when the music is from heads such as Jeku.
‘Peyote Trance’ follows the Helsinki based artists journey into the “trip”, where mother nature instead pulls the strings. A sound of trance often not followed, continuing the work of forebearers such as eXquisite CORpsE; where the zap of the synapses in the brain connect with the bubble & squeak of electronics. Creating a sound advanced by nature, yet resonating within the concrete walls us ravers know and love. All 4 tracks harness a kinetic energy that nudges you to ascendance, not desperately reaching for it like the heavy handed aesthetics of the genre can. Instead, the heads down motion of the music can take you there, and well, a little bit of Peyote might just help, as mother nature intended.
















![riko - 8-Bit Cabinet [printed sleeve] (2x12")](https://www.deejay.de/images/l2/nocover1.jpg)



