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Prince Istari - Riddim Dub School 7th Grade

With the 7th Grade of the Riddim Dub School series, Prince Istari enters
Junior High School. Prince Istari returns with his Riddim Dub School
series now on 12inch, pushing deeper into the intersection of dub, drum
and bass, and sound system culture. This 6-track EP, titled "lessons
into drum and bass wise", explores raw rhythms, analog feedbacks, and
heavy low-end pressure.

The EP starts with a Drum and Bass cut with a One Drop of the DUB ME
LOOPY tune from Riddim Dub School 5th Grade. INTIMACY COORDINATOR
follows with a heavy Disco Dub. The last track on Side A is LABOUR’S
DUB, with deep bass polished through spring reverb. The shakers come in
late and push the whole thing forward. Side B begins with GONE TOO SOON
from Riddim Dub School 4th Grade, in an alternative version. It’s
followed by the most upfront track on the release CONQUERING DUB – brass
fanfares and a deep disco rocker beat with minimalistic arrangement. NO
DUB INNA DI WRONG ends the 7th Grade with a roots way style. It suggests
that dub music doesn't belong to or support negative, corrupt, or unjust
actions or spaces. Dub music stays righteous, true, or positive, and
doesn’t associate with bad vibes or wrongdoing.

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17,86

Last In: 8 months ago
Galaxie 500 - CBGB 12.13.88
  • 1: Tugboat
  • 2: Oblivious
  • 3: Parking Lot
  • 4: Don't Let Our Youth Go To Waste
  • 5: Pictures
  • 6: Flowers
  • 7: It's Getting Late
  • 8: Temperature's Rising
également disponible

Color Vinyl[28,15 €]


After a storied first year as a band releasing and touring behind their critically acclaimed debut album Today, Galaxie 500 closed out 1988 with a quintessential performance at New York City’s famed CBGB with every bit of their signature intimacy and autumnal bombast on display. The unusual bill which also included Sonic Youth, B.A.L.L. and Unsane was a benefit show for the zine shop See Hear.

Captured here in a raw but inspired board mix by Kramer and restored and mastered from the analog source by Alan Douches at West West Side Music, CBGB 12.13.88 is a live snapshot of a Galaxie fully formed, punctuating the end of their first chapter while poised to step into their next with On Fire the following year.

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

26,85
Galaxie 500 - CBGB 12.13.88

After a storied first year as a band releasing and touring behind their critically acclaimed debut album Today, Galaxie 500 closed out 1988 with a quintessential performance at New York City’s famed CBGB with every bit of their signature intimacy and autumnal bombast on display. The unusual bill which also included Sonic Youth, B.A.L.L. and Unsane was a benefit show for the zine shop See Hear.

Captured here in a raw but inspired board mix by Kramer and restored and mastered from the analog source by Alan Douches at West West Side Music, CBGB 12.13.88 is a live snapshot of a Galaxie fully formed, punctuating the end of their first chapter while poised to step into their next with On Fire the following year.

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

28,15
Twisted Teens - Twisted Teens LP

Twisted Teens

Twisted Teens LP

12inchJAZZLIFE98LP
Jazz Life
08.08.2025
  • 1: Twisted Teen
  • 2: Marionette
  • 3: Something’ I Haven’t Told Ya
  • 4: When The Wire Get Cut
  • 5: Tic Tac Toe
  • 6: The Valley Spirit Never Dies
  • 7: Sister Heat
  • 8: Rando
  • 9: Sea Of Love
  • 10: Waiting For The Whip
  • 11: Cool Former Friend

Erstmals auf Vinyl: Das selbstbetitelte Twisted Teens-Debütalbum aus 2024, auf Jazz Life Recordings, dem Label der Blood Red Shoes.

"Die in New Orleans ansässige Punkband Twisted Teens lässt auf ihrer chaotischen, energiegeladenen und unglaublich kreativen neuen Platte Genrekonventionen außer Acht, taucht thematisch in überraschendes Terrain ein und macht sich so den Status einer der originellsten Bands in der zeitgenössischen DIY-Punkszene." - Atwood Magazine

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

31,89
BURNT TAPES - NEW LUNGS LP

London’s melodic punk outfit Burnt Tapes have released their most powerful and emotionally chargedrecord to date: New Lungs. Out now via Lockjaw Records, the album is a cathartic journey throughmental health struggles, lost connections, and the desperate hope for renewal.

Produced by Daly George (Creeper, Milk Teeth), New Lungs was recorded in two parts — split between the rustic isolation of an old stable-turned-studio in Aldershot and the famed Ranch Studios in Southampton. The band took a more collaborative, experimental approach to writing this time, building tracks piece by piece and capturing the visceral energy of their live shows.

Sonically, New Lungs builds on the grit and heart of 2019’s Never Better, but cranks up the intensity. Think big, anthemic sing-alongs, driving guitars, and a heavier edge, without losing the melodic honesty fans have come to love. Thematically, the record deals with the toll of depression, anxiety, broken relationships, and the disorienting struggle of trying to move forward while feeling stuck in the past.“

This album nearly killed us to make,” the band admits, “but it feels like the closure we needed. It’s us working through everything—the burnout, the self-doubt, the weight of the last few years.”

With standout tracks like MOTHERSGUILT, New Lungs, You Only YOLO Once, and Graveyards, the album delivers both punch and poignancy—perfect for fans of Hot Mulligan,The Menzingers, and Heart Attack Man.

Burnt Tapesare set to support the release with appearances at Manchester Punk Festival and a run of live dates through the summer.

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

26,85
DARKO - CANVAS

DARKO

CANVAS

12inchLJLP251
Lockjaw Records
08.08.2025
  • Grey | Havens
  • Dared | To Dream
  • Canvas
  • Override!
  • Hectic
  • Goodbye | Bastards
  • Aux | Iii

The 'Canvas' EP. is the final piece in a trilogy of conceptually-linked EPs that the band have released post-COVID. This release sees the band steer in new directions towards a harder-edged, metal-influenced direction, and a lyrical fearlessness that has shaken up the scene, divided long-time fans and sparked urgent conversations while drawing in a new wave of listeners. The band are looking to widen their audience and traverse over to different 'alternative' scenes. The band's tracks have landed several editorial playlists, including: Today's Punk (Spotify), SkatePark Punks (Spotify), New in Rock (Apple Music) Track info: Growing up with rampant homophobia left Millennials with past behaviours to unpack and internalisations to unlearn. DARKO’s powerful single ‘Override!’ ponders what became of the kids who were bullied for being themselves. DARKO blend raw vulnerability with their trademark intensity. The result is a powerful, cathartic anthem that confronts past pain while fighting for a better future.

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

26,85
Shelter - Beyond Planet Earth
  • 1: Revealed In Reflection
  • 2: I Know So Little (So Well)
  • 3: Rejuvenate
  • 4: Alone On My Birthday
  • 5: Hated To Love
  • 6: Refusal
  • 7: Whole Wide World
  • 1: Helpless
  • 2: Beyond Planet Earth
  • 3: Time’s Ticking Away
  • 4: Man Or Beast
  • 5: In Praise Of Others
  • 6: Eleventh Day Of The Moon

Shelter is best known for its founder and frontman, Ray Cappo, who is considered as one of the most prominent representatives of the ‘krishnacore’ scene, which mixes the elements of hardcore
with a strong spiritual message. Formed in the early 90’s, Shelter was Cappo’s second band - previously he was the frontman of Youth of Today.

Originally released in 1997, their second album Beyond Planet Earth finds Shelter moving more in a “Pop-core” direction, with songs averaging 2-3 minutes. Some pretty catchy stuff can be found on this album.

Listen to tracks: “Alone on My Birthday”, “Refusal” and “Time is Ticking Away”.

If you appreciate hardcore’s energy, but feel that the music and lyrics are too one-dimensional for your taste, chances are you’ll find those missing elements in Shelter’s music.

Beyond Planet Earth is available as a limited edition of 1000 individually numbered copies on purple coloured vinyl and contains an insert.

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

31,51
New Model Army - The Love of Hopeless Causes
  • 1: Here Comes The War
  • 2: Fate
  • 3: Living In The Rose
  • 4: White Light
  • 5: Believe It
  • 6: Understand U
  • 7: My People
  • 8: These Words
  • 9: Afternoon Song
  • 10: Bad Old World

Released in 1993, The Love of Hopeless Causes is the sixth studio album by British post-punk and alternative rock band New Model Army. The album delivers powerful, politically charged lyrics and intense instrumentation. Key tracks like "Here Comes the War," "Living in the Rose," and "Fate" showcase the band's signature blend of raw energy, thought-provoking storytelling, and anthemic melodies. The album’s themes explore social unrest, personal struggles, and resistance, reflecting New Model Army’s unwavering commitment to their message. Produced by Niko Bolas, The Love of Hopeless Causes was the band's only release under Epic Records. With its mix of fiery rock anthems and atmospheric ballads, the album remains a standout in New Model Army’s discography, appealing to both longtime fans and newcomers to their music. The Love of Hopeless Causes is available on black vinyl.

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

31,51
SOFT PLAY - Are You Satisfied? 10th Anniversary LP 2x12"

2025 feiert ”Are You Satisfied” von SOFT PLAY 10 Jähriges! In einer Extended Version mit den Songs
”The Hunter”, ”Cheer Up London”, ihren BBC Radio 1 Covern ”Shut Down” und ”Daft Punk Is Playing At
My House” und der Demo von ”Tricky” erscheint das Album nun zum ersten Mal als pink und gelbfarbene
2LP und als CD Bundle.
Und das Besondere dabei, für die Jubiläumsausgabe kommt das Album mit neuem an ihr aktuelles Design
und Schriftart angepasste Artwork.

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

34,03
BASTARDES - NO GLORY

Bastardes

NO GLORY

12inchSBLP246
Sunny Bastards
08.08.2025
  • Wild, Young & Free
  • Boys In Blue
  • Broken Dreams
  • Pay The Price
  • Born A Loser
  • Run Away
  • Raise Your Voice
  • Like A Drug
  • No Glory
  • Pint Of Beer
  • On The Road
  • One More Day
également disponible

CLEAR RED DUST W/ BLACK SPLATTER Vinyl[21,43 €]


Die schwedischen Punkrocker ,BASTARDES" freuen sich, ihr neues Album anzukündigen! ,No Glory" strotzt vor Wut und Energie und bietet einen Hook nach dem anderen und ist ein Muss für Fans von Rancid und Cock Sparrer. 12 Tracks, allesamt Killer, kein Füllmaterial. -Die Melodien und Harmonien auf diesem Album sind wirklich mein Tribut an Cock Sparrer", sagt Gitarrist Arild. ,Wir wollten das beste Album machen, das wir je machen konnten, und ich denke, wir haben es geschafft", sagt Bassist Mårten. Die Band wandte sich an den renommierten Produzenten Chips Kiesbye (SATOR, Millencolin, Michael Monroe, The Hellacopters), der die Rolle des Produzenten und Toningenieurs übernahm. Chips war auch ein Fan von Stefans anderer Band City Saints und so war der Deal perfekt. Hört selbst, No Glory wird in euren Lautsprechern explodieren!Bastardes begann als Nebenprojekt, als Sänger Stefan (City Saints) und Gitarrist Arild (Troublemakers) begannen, gemeinsam Songs zu schreiben. Das Debütalbum "Drunk on Dreams" wurde mit einem Who's Who der Punkszene (Gatans Lag, Anti Cimex, Jenny Woo etc.) aufgenommen. Bassist Mårten (The Liptones) stieß kurz nach der Veröffentlichung des Albums im Jahr 2019 dazu. Es folgten einige Gigs, Corona Lockdown und weitere Aufnahmen für das 5er Split-Album A handful of Punk & Oi! bevor Schlagzeuger Daniel (Bombfors) 2023 dazukam. Seitdem sind Bastardes: STEFAN JOHANSSON - GESANG / ARILD HANSSEN - GITARRE / DANIEL MÅRTENSSON - BASSGITARRE / DANIEL EKSTRÖM - SCHLAGZEUG

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

19,96
BASTARDES - NO GLORY

BASTARDES

NO GLORY

12inchSBLPS246
Sunny Bastards
08.08.2025

Die schwedischen Punkrocker ,BASTARDES" freuen sich, ihr neues Album anzukündigen! ,No Glory" strotzt vor Wut und Energie und bietet einen Hook nach dem anderen und ist ein Muss für Fans von Rancid und Cock Sparrer. 12 Tracks, allesamt Killer, kein Füllmaterial. -Die Melodien und Harmonien auf diesem Album sind wirklich mein Tribut an Cock Sparrer", sagt Gitarrist Arild. ,Wir wollten das beste Album machen, das wir je machen konnten, und ich denke, wir haben es geschafft", sagt Bassist Mårten. Die Band wandte sich an den renommierten Produzenten Chips Kiesbye (Millencolin, Michael Monroe, The Hellacopters), der die Rolle des Produzenten und Toningenieurs übernahm. Chips war auch ein Fan von Stefans anderer Band ,City Saints" und so war der Deal perfekt. Hört selbst, No Glory wird in euren Lautsprechern explodieren!Bastardes begann als Nebenprojekt, als Sänger Stefan (City Saints) und Gitarrist Arild (Troublemakers) begannen, gemeinsam Songs zu schreiben. Das Debütalbum ,Drunk on Dreams" wurde mit einem Who's Who der Punkszene (Gatans Lag, Anti Cimex, Jenny Woo etc.) aufgenommen. Bassist Mårten (The Liptones) stieß kurz nach der Veröffentlichung des Albums im Jahr 2019 dazu. Es folgten einige Gigs, Corona Lockdown und weitere Aufnahmen für das 5er Split-Album A handful of Punk & Oi! bevor Schlagzeuger Daniel (Bombfors) 2023 dazukam. Seitdem sind Bastardes: STEFAN JOHANSSON - GESANG / ARILD HANSSEN - GITARRE / DANIEL MÅRTENSSON - BASSGITARRE / DANIEL EKSTRÖM - SCHLAGZEUG

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

21,43
The Beths - Future Me Hates Me

BABY BLUE COLOUR VINYL

The Beths occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their debut album Future Me Hates Me, forthcoming on Carpark Records, delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard Slanted and Enchanted or 'Cannonball.'

Front and center on these ten infectious tracks is lead singer and primary songwriter Elizabeth Stokes. Stokes has previously worked in other genres within Auckland's rich and varied music scene, recently playing in a folk outfit, but it was in exploring the angst-ridden sounds of her youth that she found her place. 'Fronting this kind of band was a new experience for me,' says Stokes. 'I never thought I had the right voice for it.'

From the irresistible title track to future singles 'Happy Unhappy' and 'You Wouldn't Like Me,' Stokes commands a vocal range that spans from the brash confidence of Joan Jett to the disarming vulnerability of Jenny Lewis. Further honeying Future Me Hates Me's dark lyrics that explore complex topics like being newly alone and the self-defeating anticipation of impending regret, ecstatic vocal harmonies bubble up like in the greatest pop and R+B of the '60s, while inverting the trope of the 'sad dude singer accompanied by a homogenous girl-sound.'

All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing Wax Chattels) brings it all home with an approach that's equal parts seasoned perfectionist and D.I.Y.

'There's a lot of sad sincerity in the lyrics,' she continues, 'that relies on the music having a light heart and sense of humor to keep it from being too earnest.' Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form. 'That's another New Zealand thing,' Stokes concludes with a laugh. 'We're putting our hearts on our sleeves—and then apologizing for it.'

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

23,49
The Beths - Future Me Hates Me LP

BABY BLUE COLOUR VINYL

The Beths occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their debut album Future Me Hates Me, forthcoming on Carpark Records, delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard Slanted and Enchanted or 'Cannonball.'

Front and center on these ten infectious tracks is lead singer and primary songwriter Elizabeth Stokes. Stokes has previously worked in other genres within Auckland's rich and varied music scene, recently playing in a folk outfit, but it was in exploring the angst-ridden sounds of her youth that she found her place. 'Fronting this kind of band was a new experience for me,' says Stokes. 'I never thought I had the right voice for it.'

From the irresistible title track to future singles 'Happy Unhappy' and 'You Wouldn't Like Me,' Stokes commands a vocal range that spans from the brash confidence of Joan Jett to the disarming vulnerability of Jenny Lewis. Further honeying Future Me Hates Me's dark lyrics that explore complex topics like being newly alone and the self-defeating anticipation of impending regret, ecstatic vocal harmonies bubble up like in the greatest pop and R+B of the '60s, while inverting the trope of the 'sad dude singer accompanied by a homogenous girl-sound.'

All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing Wax Chattels) brings it all home with an approach that's equal parts seasoned perfectionist and D.I.Y.

'There's a lot of sad sincerity in the lyrics,' she continues, 'that relies on the music having a light heart and sense of humor to keep it from being too earnest.' Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form. 'That's another New Zealand thing,' Stokes concludes with a laugh. 'We're putting our hearts on our sleeves—and then apologizing for it.'

pré-commande08.08.2025

il devrait être publié sur 08.08.2025

23,49
Black Hole - A Time For Us (7")

BLKG 7 is an essential triple-threat for collectors who go deep into that jazz-funk-psych crate.

Side A features Joe Pass’ haunting “A Time For Us,” lifted from his slept-on Guitar Interludes LP (1970, World Pacific). Heavy w/ cinematic strings, sparse drums & spacious guitar—perfect for blends, loops, or just zoned-out listening. J Dilla thought the same on “Chopped Thoughts”, & for Slum Village’s “Too Much”, but the original stands alone as pure mood.

Side B is a masterclass in moody grooves: “Enchanted Lady” (Milt Jackson & Ray Brown, Much In Common, 1964) is an underrated modal slow-burner w/ a hypnotic swing. Pete Rock & CL Smooth double dipped in “Caramel City” & Escape”, but others were also inspired: Large Professor “Ijuswannachill”, De La Soul“Dinninit”, Rob Swift“Natural Hight”, Knxwledge “3Koins”, among others.

Then comes “Cross Country” by Archie Whitewater—famously Kanye chopped it for Common’s “Drivin’ Me Wild”, but the OG is all groove: head-nod drums, brass stabs & electric piano that goes there.

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10,80

Last In: 6 months ago
PEOPLE OF CACTUS - TRAKY 2025 REMIXES

Formerly managed by DJ Ghost — a key figure of the hard trance scene and one half of the legendary Cherry Moon Traxx duo alongside Youri Parker — Ghoststyle has now joined the Diki Records family. The label remains a true reflection of the raw energy and hard-hitting sounds that define Ghost’s dynamic DJ sets.

With Traky 2025 Remixes, Ghoststyle brings new life to a cult classic: Traky, originally produced by the group People of Cactus, reimagined here in a series of explosive remixes made for the most demanding dancefloors. This release gathers a powerhouse lineup of Belgian artists: DJ Ghost & Danny Corten, DJ Furax & Sandy Warez, Lethal MG, Binum, Greg S, and the timeless 1998 version by DJ HS.

Each remix breathes fresh energy into this iconic track, blending rave power, acid lines, and intense build-ups. A selection that perfectly fuses raw drive, retro vibes, and modern edge — a must-have to ignite any set.

Français

Anciennement géré par DJ Ghost — figure emblématique de la scène hard trance et moitié du duo légendaire Cherry Moon Traxx avec Youri Parker — Ghoststyle rejoint désormais l'équipe de Diki Records, fidèle reflet de l'énergie brute et des sonorités percutantes qui résonnent dans les sets de son fondateur.

Avec Traky 2025 Remixes, Ghoststyle ressuscite un classique culte : Traky, signé par le groupe People of Cactus, dans une série de relectures explosives taillées pour les dancefloors les plus exigeants. Ce package réunit une sélection d’artistes phares de la scène belge : DJ Ghost en tandem avec Danny Corten, DJ Furax & Sandy Warez, Lethal MG, Binum, Greg S, et la version intemporelle de 1998 par DJ HS.

Chaque remix insuffle une nouvelle vie à ce titre mythique, oscillant entre puissance rave, lignes acid, et montées frénétiques. Une sélection qui mêle parfaitement énergie brute, ambiance rétro et modernité — un incontournable pour faire vibrer les platines.

Early support from Mark With A K, Anonymize, Manu Kenton, Franky Kloeck, Jan Vervloet, DJ Wout, Bestien, DJ Dinamyk, Don Diablo, Tom Leclercq, DJ Liberty, N.O.B.A, etc…

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17,02

Last In: 4 months ago
Pavel MILYAKOV / YANA PAVLOVA - Blue LP

“BLUE” is a collaborative album between Russian artist Pavel Milyakov and Kyiv-based singer Yana Pavlova. Seven pieces compiled of minimalistic guitar loops, sax (including recordings by Alex Zhang Hungtai), dubby bass guitar and shadowy vocals. Mic noises, clicks and other sonic imperfections are a natural part of these tracks, as they are all composed with the use of random and unpredictable algorithms, purely improvised. Perfect soundtrack for the troubled summer days (and nights).

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19,75

Derniere entrée: 7 jours
Various - MUSIC FOR A REVOLUTION VOL 1 - GUINEA'S SYLIPHONE RECORDING LABEL (1967-1973)

On October 2 1958, after over 60 years of colonial rule, Guineans voted overwhelmingly for their independence, and Guinea was declared a Republic with Sékou Touré as President. Guinea was the first of West Africa’s Francophone colonies to gain independence. To free Guinea from its colonial legacy, president Touré sought to restore dignity to his nation and give cause for Guineans to take pride in their culture, history and newfound freedom. To achieve this, he instructed his government to implement new cultural policies that were intended to revitalise and celebrate indigenous culture. The focus of these new policies was on music.

In 1961, President Touré launched authenticité, the name of his new cultural policy for Guinea. One of its first acts was to assemble the best Guinean musicians into a new state-sponsored orchestras that were tasked with presenting traditional Guinean music in a new and modern style. All musicians in Guinea’s orchestras were officially designated as members of the public service. During the years of Sékou Touré’s presidency (1958 – 1984), the government’s cultural policy of authenticité was applied strictly to the creative arts. Guinea’s sole political party, the Parti Démocratique de Guinée exercised complete authority over artistic production. The scale of the Guinean government’s commitment and efforts to invigorate its indigenous musical cultures was unmatched in Africa, and it presented a clear contrast to the minimal endeavours undertaken by Guinea’s former colonial rulers.

From 1967 to 1983, Guinea’s government presented selections of songs from the Voix de la Révolution catalogue on its own recording label, Syliphone. These recordings were described as ‘the fruit of the revolution’. Syliphone was revolutionary in many aspects: it was the first recording label to feature traditional African musical instruments such as the kora and balafon within an orchestre setting; it was the first to present the traditional songs of the griots within an orchestre setting; and it was the first government-sponsored recording label of post-colonial Africa. Syliphone represented authenticité in action, and over 750 songs were released by the recording label on 12-inch and 7-inch vinyl discs. All are highly sought after by collectors worldwide.

This first volume of a two-volume series presents a selection of the best of early Syliphone recordings. The songs demonstrate not only the essence of Guinea’s authenticité policy and of its subsequent Cultural Revolution, but of a confluence of musical styles from Cuba, jazz, highlife and the diverse influences of Guinea’s cultural groups.

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28,78

Last In: 3 months ago
THE SUPERSUCKERS - THE SACRILICIOUS SOUNDS OF... 30TH ANNIVERSARY LP

Das dritte Album der Supersuckers aus Tucson, AZ - "The Sacrilicious Sounds of the Supersuckers" von 1995 - ist ein Klassiker und endlich wieder erhältlich, und zwar auf limitiertem, undurchsichtigem, rotem Vinyl! "The Sacrilicious Sounds of The Supersuckers" wurde von Paul Leary von den Butthole Surfers produziert und ist wütender, höhnischer Punkrock, der die besondere Mischung aus Hardrock, Punk und anspruchsloser Country-Kultur der Band perfekt auf den Punkt bringt. The Damned trifft ZZ Top? Die Motörhead des Südwestens? So etwas in der Art, sicher, aber letztendlich sind The Supersuckers ihr eigenes Ding, und auf "The Sacrilicious Sounds..." - und vor allem auf der Single "Born With a Tail" - beginnen die kläglichen Country-Klagen von Sänger Eddie Spaghetti selbstbewusster durch das rohe Punk-Aggregat zu stoßen. Apropos Aggro: Dies ist das einzige Album der Band mit Rick Sims von den Punk-Legenden Didjits aus Illinois an der Gitarre, und Sims treibt die ohnehin schon gewaltige Wand aus übersteuerten Gitarren der Supersuckers pflichtbewusst in die Höhe. Als zusätzliches Schmankerl übernimmt Sims den Leadgesang bei dem rasanten "Run Like a Motherfucker".

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24,79

Last In: 8 months ago
The Down Hill Strugglers - Old Juniper LP

Old Juniper is a new album from The Down Hill Strugglers, their first in seven years and first to feature all original songs and tunes.

"These guys are a first rate string band! Walker, Jackson and Eli have absorbed the old tradition, and the songs and tunes they wrote for this album are outstanding."
- Tony Garnier
(Bob Dylan, Asleep at the Wheel)

"From the first track “I’m Gettin’ Ready to Go” to the last “Let the Rich Go Bust", this is a wonderful collection of original songs and tunes by The Down Hill Strugglers (Walker Shepard, Jackson Lynch and Eli Smith).

Based in NYC they have been playing and recording together for 15+ years—this is their first in seven years and it’s a doozy. Old and new, evocative, current—all original. And I, as one who’s always had one foot in “old weird America” and the other in new weird America, love this recording.

The Down Hill Strugglers have, as Nathan Salsburg put it in his notes, 'an exquisite sensitivity to the seam where collective tradition and individual artistry meet….' I couldn’t agree more."
- Alice Gerrard

"If it’s possible to be at the forefront of something old, The Down Hill Strugglers are right there with this new recording! Imaginative arrangements of interesting tunes played with soul, all while reaching back to the best of the old mountain sounds."
- Bruce Molsky

"Throughout the record, the musical texture of Old Juniper shifts and blooms. Eli, Jackson, and Walker exchange roles freely— the banjo, fiddle, and guitar change hands almost every track. No matter their instrument, the three fall into place with the tune their guide. As these dynamics build and transform, a sound raw and beautifully sincere appears.

This album of new old-time tunes and songs will surely be a welcome addition to the well loved canon of American traditional music."
- Nora Brown

"How wonderful is it that The Down Hill Strugglers are releasing a new album? I’ve been a fan of theirs from the beginning and will happily spend time with anything they put out!

I see The Down Hill Strugglers as the primary successors of the great and longstanding tradition of urban interpreter-performers of American vernacular string band music - They pick up where the NLCR left off, with Cohen’s considerable creative guidance ever in their hearts and minds. “Old Juniper” is a testament to the vibrancy of this legacy."
- Jake Xerxes Fussell

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23,11

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Misha Panfilov Sound Combo - Days As Echoes LP

It’s very difficult to describe someone as prolific as Misha Panfilov. So, I feel the best way to define him is to think of a “Trivial Pursuit Playing Piece,” where each pie piece represents one of the bands he heads up, and each band has its own distinct style and genre. Yet, when looked at all together, create the whole musical persona of Misha. This is the lens I would like to view his latest endeavor, Days As Echoes.

The vibe on this sophomore release channels Krautrock philosophy and Library music, peppered with elements of jazz, Ethiopian, cinema, ambient and bits of everything between. This atmosphere is created from all the instruments Misha uses and the resulting compositions are heard as repetitive patterns that are forged from the multiple layering of melodies. Thus, creating six unique songs with emotional granularity, yet collectively encompass a genuinely positive “feel good” vibe…with a hint of nostalgia.

Moods of the day, moods like echoes say, A future of hope is yours, by following the Sun’s ray.

The opening track, “Days As Echoes,” is a dedication to a much simpler time when the sky was bluer and the snow was whiter…just like how you remember it when you were a child. A time when people honestly cared more about everything as a given, and not as a selfish accolade. A time when optimism seemed within reach. In other words, nostalgia marred by awareness.

…Leading to a path where the skies are not gray. Where dreams of castles in the air are the mainstay.

“In A Dream” has a style that pays homage to both spiritual jazz and ambient music. A simple theme is introduced and leads to the climax of this stormy dream, putting it all in perspective. That pivotal point when one realizes the truth by re-tracing the events, which led to the epiphany of how to find the answer while traveling within this airy soundscape.

…Diurnal or nocturnal, day or night, Traveling the path of truth must be done without fright.

One can’t help but feel a definite traveling vibe that comes from “Moonscape Waltz” To me, it has a dual-characteristic that can be visualized as a train trip, either at sunrise or sunset. Regardless, the time is not of major relevance, but the actual pursuit is. Lao Tzu said, “The journey of a thousand miles begins with that first step.” This track takes you beyond that initial step into this vast world toward your destination as you search for the truth.

…The unknown is real, but you know the deal. People need people to show which direction you point the wheel.

“Together” is the most peaceful and solo oriented compositions of this album. It shows how one cannot achieve happiness alone, but the importance of having someone special or a group of others to help along the way. Not only to help seek your goal, but also the ability to enjoy the scenery while on your journey

…The end of this tunnel has a light that’s so bright. Illuminating the trodden way, your destination, now in sight.

One is free from the chains of the unknown as you listen to a “Few Layers For Smith”, a dedication to a friend. A song that draws energy from the ECM works of Steve Reich, thats married with a primitive lo-fi basement setting. Its positive force breaks those encumbrances and gives you a glimpse of your prize. But you ruminate on this and come to the conclusion that the path that led you there is equally important as the goal itself. Question is, how do you share your realizations and experiences?

…The route was cast, the trials have passed. The glittering treasure you sought is yours now, at last.

“Ocean Song” meanders from the ritual rhythms of its shoreline to the crashing riptides of unbridled guitar feedback, creating this raging ocean atmosphere. However, its message is quite clear and states that people’s goals and experiences are not just meant for personal growth, but to be shared with
others, so that they too can live vicariously thru your story and somehow utilize it for their own.

…The prize has been won, but the journey is never done. You now have the responsibility to share everything under the Sun.

These six songs, each with its own sound, collectively comprise the vibe of this album. One cannot help but feel a sense of joy and fulfillment when listening to it. Each song has its own unique mood, yet together create an atmosphere of hope and happiness that has no choice but to spill out of the listener. I feel this was the ultimate goal of Misha’s on this record. Quite a challenge for the man who never sleeps, but is always searching for the perfect beat. One may not fully grasp his musical mind, but this album does give you a gateway into the moods and magic of Misha!

- Brent Sawicki

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