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The second installment of gems and nuggets straight from the infamous jukebox at Malcolm and Vivienne's King's Road SEX boutique.

Compiled again by Marco Pirroni (Adam and The Ants, Siouxsie and the Banshees) another collection of carefully curated tracks that were played on rotation at 430 kings road Chelsea, throughout 1974-1976.

Years in the making, this follow up to Marco’s 2004 “SEX: Too Fast To Live Too Young To Die” continues to complete the jukebox playlist with tracks contributed from those friends who frequented the shop - Jordan Mooney (RIP), Paul Cook, Steve Jones and Sam Bully amongst others – remembering those all-important songs that soundtracked the shop and left lasting impressions on them over 47 years ago.

Another wild ride and a kaleidoscope of jukebox bangers from The Animals to Max Bigraves, Nico to Burundi Black, these tracks undoubtedly played a heavy influence on SEX’s customer’s young ears many who would go on and change the musical world forever - Sex Pistols, The Clash, Chrissie Hynde, Siouxsie Sioux to name just a few.

Artwork supplied by Personality Crisis with unpublished photographs from Jane England, a student at the time but already understood the cultural significance and beauty of both the shop and Jordan Mooney who the compilation is dedicated to.

The second installment of gems and nuggets straight from the infamous jukebox at Malcolm and Vivienne's King's Road SEX boutique.

Compiled again by Marco Pirroni (Adam and The Ants, Siouxsie and the Banshees) another collection of carefully curated tracks that were played on rotation at 430 kings road Chelsea, throughout 1974-1976.

Years in the making, this follow up to Marco’s 2004 “SEX: Too Fast To Live Too Young To Die” continues to complete the jukebox playlist with tracks contributed from those friends who frequented the shop - Jordan Mooney (RIP), Paul Cook, Steve Jones and Sam Bully amongst others – remembering those all-important songs that soundtracked the shop and left lasting impressions on them over 47 years ago.

Another wild ride and a kaleidoscope of jukebox bangers from The Animals to Max Bigraves, Nico to Burundi Black, these tracks undoubtedly played a heavy influence on SEX’s customer’s young ears many who would go on and change the musical world forever - Sex Pistols, The Clash, Chrissie Hynde, Siouxsie Sioux to name just a few.

Artwork supplied by Personality Crisis with unpublished photographs from Jane England, a student at the time but already understood the cultural significance and beauty of both the shop and Jordan Mooney who the compilation is dedicated to.

Der Horror-Meister JOHN CARPENTER ist zurück und hat wieder seine Mitarbeiter DANIEL DAVIES und CODY CARPENTER für den fesselnden neuen Soundtrack zu der 2022er Verfilmung von Stephen Kings Romanklassiker "Firestarter" an Bord. Der Score ist der erste offizielle Soundtrack, den das Trio außerhalb der "Halloween"-Reihe gemeinsam komponiert hat, und ihre Inspiration und Entwicklung als kreatives Team ist deutlich zu hören. Der Film ist eine Neuauflage des Thrillers, in dem es um ein Mädchen mit außergewöhnlichen pyrokinetischen Kräften und ihren Kampf geht, ihre Familie und sich selbst vor finsteren Mächten zu schützen, die sie gefangen nehmen und kontrollieren wollen. Der Film kommt am 13. Mai 2022 in die Kinos. In den Hauptrollen spielen Zac Efron, Sydney Lemmon und Ryan Kiera, Regie führt Keith Thomas (The Vigil). Der "Firestarter"-Soundtrack bedient sich einiger der besten Elemente aus CARPENTERs berühmtem musikalischen Repertoire und betritt dabei aufregendes Neuland. Die Tracks reichen von pumpenden Sci-Fi-Hymnen bis hin zu langsamen, von Hall durchtränkten Piano-Balladen und nutzen jeweils eine Vielzahl von Klanganwendungen. Schleichende Beats, flirrende Synthesizer, krachende Gitarren und ein ständig lauerndes Echo kommen zusammen, um ein Album zu schaffen, das sowohl atmosphärisch als auch zutiefst melodisch, kohärent und vielseitig ist. Diese drei Musiker arbeiten alle auf dem Höhepunkt ihrer individuellen und kollaborativen Kreativität und dieser Soundtrack festigt sie als Meister ihres Fachs.

Der Horror-Meister JOHN CARPENTER ist zurück und hat wieder seine Mitarbeiter DANIEL DAVIES und CODY CARPENTER für den fesselnden neuen Soundtrack zu der 2022er Verfilmung von Stephen Kings Romanklassiker "Firestarter" an Bord. Der Score ist der erste offizielle Soundtrack, den das Trio außerhalb der "Halloween"-Reihe gemeinsam komponiert hat, und ihre Inspiration und Entwicklung als kreatives Team ist deutlich zu hören. Der Film ist eine Neuauflage des Thrillers, in dem es um ein Mädchen mit außergewöhnlichen pyrokinetischen Kräften und ihren Kampf geht, ihre Familie und sich selbst vor finsteren Mächten zu schützen, die sie gefangen nehmen und kontrollieren wollen. Der Film kommt am 13. Mai 2022 in die Kinos. In den Hauptrollen spielen Zac Efron, Sydney Lemmon und Ryan Kiera, Regie führt Keith Thomas (The Vigil). Der "Firestarter"-Soundtrack bedient sich einiger der besten Elemente aus CARPENTERs berühmtem musikalischen Repertoire und betritt dabei aufregendes Neuland. Die Tracks reichen von pumpenden Sci-Fi-Hymnen bis hin zu langsamen, von Hall durchtränkten Piano-Balladen und nutzen jeweils eine Vielzahl von Klanganwendungen. Schleichende Beats, flirrende Synthesizer, krachende Gitarren und ein ständig lauerndes Echo kommen zusammen, um ein Album zu schaffen, das sowohl atmosphärisch als auch zutiefst melodisch, kohärent und vielseitig ist. Diese drei Musiker arbeiten alle auf dem Höhepunkt ihrer individuellen und kollaborativen Kreativität und dieser Soundtrack festigt sie als Meister ihres Fachs.

Der Horror-Meister JOHN CARPENTER ist zurück und hat wieder seine Mitarbeiter DANIEL DAVIES und CODY CARPENTER für den fesselnden neuen Soundtrack zu der 2022er Verfilmung von Stephen Kings Romanklassiker "Firestarter" an Bord. Der Score ist der erste offizielle Soundtrack, den das Trio außerhalb der "Halloween"-Reihe gemeinsam komponiert hat, und ihre Inspiration und Entwicklung als kreatives Team ist deutlich zu hören. Der Film ist eine Neuauflage des Thrillers, in dem es um ein Mädchen mit außergewöhnlichen pyrokinetischen Kräften und ihren Kampf geht, ihre Familie und sich selbst vor finsteren Mächten zu schützen, die sie gefangen nehmen und kontrollieren wollen. Der Film kommt am 13. Mai 2022 in die Kinos. In den Hauptrollen spielen Zac Efron, Sydney Lemmon und Ryan Kiera, Regie führt Keith Thomas (The Vigil). Der "Firestarter"-Soundtrack bedient sich einiger der besten Elemente aus CARPENTERs berühmtem musikalischen Repertoire und betritt dabei aufregendes Neuland. Die Tracks reichen von pumpenden Sci-Fi-Hymnen bis hin zu langsamen, von Hall durchtränkten Piano-Balladen und nutzen jeweils eine Vielzahl von Klanganwendungen. Schleichende Beats, flirrende Synthesizer, krachende Gitarren und ein ständig lauerndes Echo kommen zusammen, um ein Album zu schaffen, das sowohl atmosphärisch als auch zutiefst melodisch, kohärent und vielseitig ist. Diese drei Musiker arbeiten alle auf dem Höhepunkt ihrer individuellen und kollaborativen Kreativität und dieser Soundtrack festigt sie als Meister ihres Fachs.

Der Horror-Meister JOHN CARPENTER ist zurück und hat wieder seine Mitarbeiter DANIEL DAVIES und CODY CARPENTER für den fesselnden neuen Soundtrack zu der 2022er Verfilmung von Stephen Kings Romanklassiker "Firestarter" an Bord. Der Score ist der erste offizielle Soundtrack, den das Trio außerhalb der "Halloween"-Reihe gemeinsam komponiert hat, und ihre Inspiration und Entwicklung als kreatives Team ist deutlich zu hören. Der Film ist eine Neuauflage des Thrillers, in dem es um ein Mädchen mit außergewöhnlichen pyrokinetischen Kräften und ihren Kampf geht, ihre Familie und sich selbst vor finsteren Mächten zu schützen, die sie gefangen nehmen und kontrollieren wollen. Der Film kommt am 13. Mai 2022 in die Kinos. In den Hauptrollen spielen Zac Efron, Sydney Lemmon und Ryan Kiera, Regie führt Keith Thomas (The Vigil). Der "Firestarter"-Soundtrack bedient sich einiger der besten Elemente aus CARPENTERs berühmtem musikalischen Repertoire und betritt dabei aufregendes Neuland. Die Tracks reichen von pumpenden Sci-Fi-Hymnen bis hin zu langsamen, von Hall durchtränkten Piano-Balladen und nutzen jeweils eine Vielzahl von Klanganwendungen. Schleichende Beats, flirrende Synthesizer, krachende Gitarren und ein ständig lauerndes Echo kommen zusammen, um ein Album zu schaffen, das sowohl atmosphärisch als auch zutiefst melodisch, kohärent und vielseitig ist. Diese drei Musiker arbeiten alle auf dem Höhepunkt ihrer individuellen und kollaborativen Kreativität und dieser Soundtrack festigt sie als Meister ihres Fachs.

Several months on from founding guitarist Scott Middleton leaving the band, Cancer Bats have announced details of their first album without him: Psychic Jailbreak. Due out on April 15 via their own Bat Skull Records in partnership with New Damage Records, the Toronto hardcore punk kings admit that they knew album number seven "had to be special" given the line-up change, with vocalist Liam Cormier explaining of the mood going into it: “Our band has never been one sole member tasked with all the writing. Over the last 15 years of releasing albums, it’s been a collaboration of the four of us forming all musical ideas. That being said, we knew that the three remaining Bats would have to prove our worth with this next album. "We wanted to show Cancer Bats fans that an exciting new future was in store for us. To say the stakes were high on this album, would be an understatement. We were all feeling a mix of excitement and nerves as we began tracking the 11 songs that would form this record.” He continues: "On the final days, while adding the last bits of 'skateboard noises' and guitar shreds, we were all feeling our confidence levels rise with each playback. This last years’ worth of long hours and many late nights writing, finally coming together as a whole and fully formed effort. We were proud as a band and felt this new offering was worthy to join in the legacy of Cancer Bats albums.

Several months on from founding guitarist Scott Middleton leaving the band, Cancer Bats have announced details of their first album without him: Psychic Jailbreak. Due out on April 15 via their own Bat Skull Records in partnership with New Damage Records, the Toronto hardcore punk kings admit that they knew album number seven "had to be special" given the line-up change, with vocalist Liam Cormier explaining of the mood going into it: “Our band has never been one sole member tasked with all the writing. Over the last 15 years of releasing albums, it’s been a collaboration of the four of us forming all musical ideas. That being said, we knew that the three remaining Bats would have to prove our worth with this next album. "We wanted to show Cancer Bats fans that an exciting new future was in store for us. To say the stakes were high on this album, would be an understatement. We were all feeling a mix of excitement and nerves as we began tracking the 11 songs that would form this record.” He continues: "On the final days, while adding the last bits of 'skateboard noises' and guitar shreds, we were all feeling our confidence levels rise with each playback. This last years’ worth of long hours and many late nights writing, finally coming together as a whole and fully formed effort. We were proud as a band and felt this new offering was worthy to join in the legacy of Cancer Bats albums.

Several months on from founding guitarist Scott Middleton leaving the band, Cancer Bats have announced details of their first album without him: Psychic Jailbreak. Due out on April 15 via their own Bat Skull Records in partnership with New Damage Records, the Toronto hardcore punk kings admit that they knew album number seven "had to be special" given the line-up change, with vocalist Liam Cormier explaining of the mood going into it: “Our band has never been one sole member tasked with all the writing. Over the last 15 years of releasing albums, it’s been a collaboration of the four of us forming all musical ideas. That being said, we knew that the three remaining Bats would have to prove our worth with this next album. "We wanted to show Cancer Bats fans that an exciting new future was in store for us. To say the stakes were high on this album, would be an understatement. We were all feeling a mix of excitement and nerves as we began tracking the 11 songs that would form this record.” He continues: "On the final days, while adding the last bits of 'skateboard noises' and guitar shreds, we were all feeling our confidence levels rise with each playback. This last years’ worth of long hours and many late nights writing, finally coming together as a whole and fully formed effort. We were proud as a band and felt this new offering was worthy to join in the legacy of Cancer Bats albums.

OVERVIEW: The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King’s Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display.

OVERVIEW: The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King’s Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display.

"Bywater Call will be among the best new bands of the decade" - Nathalie
Leblond of Blues Quebec Toronto-based, 2020 Maple Blues Awards
nominees for Best New Artist, Bywater Call's self-titled debut album was
released in Canada, USA, Europe and Australia on November 22, 2019
The album received rave reviews across all territories and placed #1 on the Roots
Music Report Canada Top 50 for 11 straight weeks and continues to place today.
It was featured as album of the month on the IBBA chart, gained repeated top 5
placement on the International/ US Rock Blues, and top 20 placement on the
International/US Blues RMR charts.Bywater Call are geared to released their longawaited sophomore album 'Remain'. This album is for fans of roots/ blues rock
bands such as Tedeschi Trucks band, Marcus King, Beth Hart, and alike.

The Southern state’s musical giants have always had their own distinct recipe for
American roots: spiced with jazz, steeped in swamp-blues and cooked up a little
differently by every artist who performs it. As a second- generation child of the
Bayou State, Kenny Neal has taken his own inimitable guitar, gale-force harp and
roadworn voice all over the globe. But in 2022, the Grammy- nominated blues
master’s latest album, Straight From The Heart, finds him drawn by the siren call
of his hometown and musical ground zero, Baton Rouge.“This is the first album
I’ve ever recorded on my own turf, and it truly came straight from the heart,” says
Neal, who both led and produced a crack team of local musicians at his own
Brookstown Recording Studios. “All the tributaries of the blues converge here,
flowing into one rich tradition.”You’ll hear all of Neal’s travels in Straight From The
Heart, but this latest album brings it all back home in every sense. Lining up in the
studio alongside his Baton Rouge compadrés, the respect that Neal commands
on the scene also drew some special guests, including hot- tip blues sensation
Christone ‘Kingfish’ Ingram (who co-writes and plays stinger guitar on Mount Up
On The Wings Of The King), pop royalty Tito Jackson (on Two Timing) and two
songs with Rockin’ Dopsie Junior & The Zydeco Twisters. You’ll even hear Neal’s
supremely talented daughter Syreeta drive the vocal outro of Two Timing.“It was
like a family reunion,” says Neal of the good-natured sessions. “It was excellent
because I had all the musicians that grew up under me here in Baton Rouge. And
just being in my own studio, not worrying about the clock.”Straight From The
Heart is a fitting title for a record that salutes the many loves of Neal’s life.
There’s the brass-driven opener Blues Keep Chasing Me, which tips a hat to his
recently departed friend, Lucky Peterson. There’s the touching piano-led Someone
Somewhere, which salutes his beloved father, harp master Raful Neal, who put
him on this path. Elsewhere, Neal’s deep love for every side of his home state is
underlined by the zydeco chop of Bon Temps Rouler and New Orleans, whose
lyrics reference everything from “sippin’ on Hurricane” to “sittin’ on the Bayou
catching catfish”. Faced with such an open-hearted record, it’s impossible not to
reciprocate. And as the world opens up and Kenny Neal embraces his natural
habitat of the road, this Louisiana icon will bring a little bit of that Baton Rouge
spirit onto every stage he treads. “It don't cost nothing to share a little love and a
little respect,” he says. “And we can all rise above…”

CITY BURIALS - KATATONIA'S 2020 STUDIO OPUS OF ABSORBING,
SOARING PROGRESSIVE ROCK & METICULOUSLY CRAFTED DOSES OF
MELANCHOLY - SINGLE LP FEATURING NEW HALF-SPEED MASTER FOR
OPTIMAL SOUND QUALITY.Formed in 1991 by Jonas Renkse & Anders
Nyström & transitioning from early pioneers of the rising black/death/
doom movement to powerhouses of the progressive metallic rock genre,
the Swedish connoisseurs of melancholy returned in 2020 with their
stellar opus, 'City Burials' - the band's eleventh studio album & first since
2016's haunting 'The Fall Of Hearts'
With the winds of a new direction steering the band on their latest journey, 'City
Burials' stood as a triumph of deep & enigmatic progressive rock – the fruits of a
rejuvenating & profound chapter in the band's legacy & a catalyst for its creators.
Compiled into one of their most important modern works & statements to date,
the finely- honed instrumentation provides a multi- textured backdrop with the
voice of Jonas Renkse guiding us through these latest trials of loss & ruin.
The chemistry between Jonas, Anders & their band mates – bassist Niklas
Sandin, drummer Daniel Moilanen & most recent recruit, guitarist Roger Öjersson
– never sounded more potent, with 'City Burials' being the first album Katatonia
made since Öjersson became a full-time member.
Inspired by an injection of fresh blood into Katatonia's creative brew, 'City Burials'
helped Katatonia reclaim part of their heavy metal roots, via several moments of
exuberant, old- school classicism, deftly woven into these new songs'
kaleidoscopic fabric, resulting in an album that propelled the band ever further
into the spotlight.
'City Burials' was produced by Nyström/ Renkse & recorded at Soundtrade
Studios, Tri-Lamb Studios & The City Of Glass, throughout October & November
2019, with engineering work handled by Karl Daniel Lidén. The album also
featured a guest appearance by Anni Bernhard, the voice behind Stockholm
based act 'Full Of Keys'. Artwork appeared courtesy of Lasse Hoile, the image
itself representing the ongoing era of the Dead End King.
This edition of 'City Burials' is presented on single black vinyl, featuring a new
half-speed vinyl master for optimal sound quality.

For Fans Of : The Black Keys, Otis Rush, J.B. Lenoir, The Ramones, Hound Dog Taylor, Christone Kingfish Ingram, Magic Sam. GA-20 clearly is on to something big. It’s a movement, a new traditional blues revival. The dynamic, throwback blues trio are disciples of the place where traditional blues, country and rock ‘n’ roll intersect. “We make records that we would want to listen to,” says guitarist Matt Stubbs. “It’s our take on the song-based traditional electric blues we love.” Stubbs, guitarist / vocalist Pat Faherty, and drummer Tim Carman have been at the forefront of this traditional blues revival since they first formed in 2018. It’s no wonder they skyrocketed to the top of the Billboard Blues Chart. According to Stubbs, “Since we started the band we’ve focused on the story, the melody, and on creating a mood. Playing live as much as we do, we’re finding more and more that people are discovering how cool it all is. Traditional country, soul and funk music have all had these massive recent revivals, but traditional blues so far has not.” With their new Colemine album, Crackdown, and an intensive tour schedule, that’s all about to change. On Crackdown, GA-20’s third full-length release, the band creates an unvarnished, ramshackle blues that is at once traditional and refreshingly modern. Expanding on their previous releases (2019’s Lonely Soul and 2021’s Try It…You Might Like It! GA-20 Does Hound Dog Taylor) GA-20 finds inspiration on the edges of the genre, where early electric blues first converged with country and rock ‘n’ roll. The album’s nine original songs include the loping, Louisiana-flavored Dry Run, the dirty, and bare-bones Easy On The Eyes and the melodic, garage-tinged Fairweather Friend. With tight, propulsive performances and a brevity and punk energy reminiscent of The Ramones, Crackdown is rowdy and fun, filled with instantly memorable, and well-crafted songs. Tracks: 1. Fairweather Friend 2. Dry Run 3. Easy On The Eyes 4. Crackdown 5.Just Because 6. By My Lonesome 7. I Let Someone In 8. Double Gettin' 9. Gone For Good 10. Fairweather Friend (Final Goodbye)

Chainska Brassika's third studio album, recorded, produced and mixed by
Grippa Laybourne of the Hempolics at South Street Studios
Chainska Tombonist, Lucas Petter was assistant producer with additional editing
from Toby Keel and James Howell. The album was put onto two-inch tape reel by
Prince Fatty and mastered in Canada by Jesse King 'Dubmatix'.

Ernesto Djedje is rightly known as the king of Ziglibithy and has been since not long after he first made his mark back in the 60s. He started out as a guitar player and leader of Ivoiro Star, before eventually going it alone and moving to Paris. He later returned to his native Cote d'Ivoire in 1974 and created his own musical mix of funk, soul, Makossa and disco before dying in odd circumstances in 1983. This Roi Du Ziglibithy, LP was first released in 1997 and now gets reissued on Analog Africa. One of his best-known works, it's a perfect example of his unique fusion sound.

Mando Diao is back on full effect having played all the major rock-festivals across Europe in summer 2022 including Southside and Novarock. Just before the summer-season they rolled out the first in a series of volumes with sizzling hot and high octane ROCK fresh of the studio. Vol 1 produced the radio-success "Frustration" that managed to climb all the way to No 2 at rock-radio in Germany. Now we are happy to announce Vol 2 to drop 23rd of September having parts of the band in Hamburg for an exclusive and personal 20 YEARS OF MANDO DIAO panel during Reeperbahn Festival. The lead-track "Primal Call" is a hippie-like sounding one that draws inspiration from Led Zeppelin and King Crimson, a much punkier version. No logic whatsoever in the changes throughout the track but hey, that's how the band likes it. Full of surprises. As if the producer was a total lunatic out of control. "Fire in the hall" is a short, intense song written by Björn and Jens. Once again, a blend of primitive rock'n'roll feel and electronics. For example, the drums are based on samples of Patso's drumming. The lyrics are simple and almost trivial, with a "La Vida Loca" vibe: start a great fire, for yourself and others. Most things can be solved with a cleansing dance - both in reality and in lyrics. "If you write the lyrics together with someone, it's easier to avoid becoming pretentious and over-analytical," they summarize. Finally, "Charlie", about their current producer (Charlie Storm). One of the greatest there is having worked with so many big releases (Roxette, In Flames, Hurl etc). At least partly. They were excited about him and felt that he deserved a song. Or maybe they didn't have anything else to write about. Everyone had different inputs, but it ended up being a pure rock'n'roll song. And a real banger.

The LP version is limited to 1000 copies, pressed on blue vinyl, in a high grade spot-varnished gatefold sleeve.

700 Bliss is the forward-thinking duo of DJ Haram and Moor Mother. Their first full length for Hyperdub is an album of noise rap that ties together the raw edges of club music and hip hop with punk energy, jazz, house-party catharsis, percussion-heavy analogue sound design, and cheeky skits, ranging from experimental rap tracks with rolling hi hats and lyrical bravado, to poetry set to noise and sound collage.

Moor Mother and DJ Haram started collaborating in 2014 and eventually formed 700 Bliss, a blistering live act in Philly's DIY scene, releasing their 2018 debut, Spa 700 on Halcyon Veil / Don Giovanni Records. Since that time, both artists have grown global followings. Moor Mother is a prolific solo artist and collaborator, writer, and member of Black Quantum Futurism while Haram has been curating and creating radio shows, DJing, and producing (including an EP for Hyperdub in 2019).

‘Nothing To Declare’ is a smart, danceable revelation, a chiseled soundscape of dive bombing bass, piercing bleeps, crunchy distortion, and wavering synth lines. Welcoming in a variety of voices from their extended, cross-genre scene, 700 Bliss also bring along a cast of collaborators, including vocalists Orion Sun, Lawfandah, Ase Manual, and Ali Logout (from the band Special Interest), plus Palestinian producer Muqata'a, and writer M Téllez who delivers a surreal sci fi monologue over a pounding kick drum on ‘More Victories’.

‘Nothing To Declare’ is a deeply layered rewriting of hip hop and electronic music that gives more with each listen. You won't hear another rap album like it in 2022.

African Music that will move your mind to this special combination of highlife, funk and jazz