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The third installment of Numero's ode to lowrider souldies, Rust Side Story compiles highly sought after sweet soul singles from the Buck Eye State. Prepare for a low and slow ride from Youngstown to Dayton, Cleveland to Columbus, Toledo to Cincinnati, all soundtracked with silky falsettos and dreamy harmonies.

For the uninitiated, Sludgeworth are Chicago punk pioneers from the 1980’s that released a posthumous collection / discography album on Lookout Records back in the day - and it sold tens of thousands of copies, which was impressive for a defunct band. With members of Screeching Weasel, they had obvious leanings towards melodic punk, but they also had a quintessential Midwest sound mixed in with some post-punk. Think Naked Raygun and Fugazi. And now, for the first time ever, Red Scare brings you Losers of the Year on vinyl. Their first and only LP! And we didn’t stop there: we’ve added two unreleased songs to the CD version of this album. Wild, right?! The band actually broke up in the studio (drama!) during a recording session, but we’ve managed to salvage some of that unheard material for this milestone release. Once again, it’s Red Scare to the rescue!

Red Vinyl
PRESTIGE waren kaum aus dem Teenageralter heraus, sich aber bereits der Probleme in der Gesellschaft und der Welt um sie herum bewusst, als sie 1987 begannen, Musik zu machen. Oft wählte die Band eine humoristische Herangehensweise an die Songtexte, aber wenn man tiefer gräbt, ist darin immer eine Botschaft versteckt. Ein Song wie "This World" zum Beispiel ist heute so aktuell wie vor 35 Jahren.
Ihre Musik war schnell und aggressiv, und PRESTIGE war die dritte Thrash-Band, die in Finnland ein komplettes Album veröffentlichte. In den Jahren 1988 und 1989 kam es zu einem echten Durchbruch des Thrash Metal in Finnland, und PRESTIGE waren mittendrin, spielten im ganzen Land und landeten in den Charts.
Das damalige Label engagierte den damals angesagtesten und teuersten Produzenten, Herrn TT Oksala, um die Aufnahmen und die Produktion des Albums zu übernehmen. Die Aufnahmen zum Album dauerten sieben Tage. Abgemischt wurde das Album in den legendären Finnvox Studios in Helsinki.

Red Vinyl

Man war fleißig im Hause EISREGEN und konzipierte das neue Werk als Nachfolger des 2020er Top 10-Charterfolges "Leblos" und des 2021er Split-Albums mit Goatfuneral, "bitterböse" (Platz 12 der dt. Album Charts) gleich als Doppel-Album, um all den neuen Songideen und morbiden Geschichten einen würdigen Rahmen zu bieten.
CD 1 des Albums bietet 12 Songs, darunter zukünftige Klassiker wie das herb-brutale "In Einzelteilen", das brutalen Death/Grind mit extrem eingängigen Parts verbindet; "Für den Kaiser", ein sehr eigenwilliger Song über die Zeit der Gladiatoren aus der Perspektive eines Ich-Erzählers; den bereits vorab als Single ausgekoppelten Hit "Wiedergänger" als Album Edit und zahlreiche andere monströse Lieder, die Sänger und Lyriker M. Roth in absoluter Bestform präsentieren.
Einzelne Songs herauszupicken, fällt ohnehin schwer, da es den beiden Bandköpfen Roth/Yantit gelungen ist Hit an Hit zu reihen.
CD 2 hält das hohe Niveau und bietet den fünfteiligen Lieder-Zyklus "Ein Jahr im Leben des Todes". "Herbstleiche" ist eines der atmosphärisch besten und dichtesten Lieder der gesamten EISREGEN Bandgeschichte.

"Grenzgänger" wurde im bandeigenen HcN-Studio von Yantit aufgenommen und von Stammtontechniker Markus Stock in der Klangschmiede Studio E zu Mellrichstadt abgemischt und gemastert, der den 17 Songs ein brachiales und dennoch differenziertes Soundgewand verpasste.
Kurzum: EISREGEN zeigen sich auf "Grenzgänger" in absoluter Hochform - und musikalisch als auch textlich kann man den Albumtitel wörtlich nehmen, denn abwechslungsreicher war man bislang selten.

Man darf gespannt sein, was die Herren als nächstes in Angriff nehmen werden...

A few Highlights from the sessions Leron recorded in 1987-88 when he was fifteen or so. China Trax, featured on SS012 ,came from these sessions. These were hand made, meaning no sequencing was used for the keys on any of the songs featured, using cassette tape overdubs, a lost science. Omar-S touched up the material from those cassettes for this release on vinyl. Tip!

Recorded &Mixed by:Leron Carson @the attic, Chicago 1987-88

Additional Engineering:Alex Smith@Fxhe Detroit 2008

“On Des Demonas’ new seven-track EP Cure For Love
there’s a whalloping drum beat driving everything. But
the throbbing, pumping bass, clanging, slashing guitar and
whirling, swirling Farfisa are no mere passengers in this
vehicle! I’m told by the other band members Paul Vivari,
Joe [Halladay], Mark [Cisneros] and Ryan [Hicks] that
vocalist Jacky Cougar Abok is the loudest drummer
they’ve ever heard.
“But here he sings! In motifs. He sings out a beat, he
sings minimalist melodic hooks. He half speaks/half shouts
his lyrical content in rapid fire that is closer to beat poetry
than rap. His voice is insistent and demanding to be heard!
And it is! By having it slightly submerged, the listener is
forced to strain to hear the words because they won’t wanna
miss something important!
“The sonic fuel of the band is a blend of post-punk,
punk, funk, blues, psych-rock, Afrobeat, even bubblegum—
but the noise you hear is pure Des Demonas!
“Titles like the ‘Ballad Of Ike & Tina’ and ‘Black Orpheus
Blues’ add to the intrigue rather than explain the content.
The listener is both confronted and lured by something
bigger than themselves! Desire, intrigue, fear and exuberance
are the rewards to those unable to resist! But will yout
love be cured?
“You could look to Shakespeare, or simpler, you could
buy this record and find out!” —Kim Salmon

Blood Red Vinyl

Wir präsentieren 'Prelude To Obscurity', einen ungeschliffenen Edelstein des brutalen Underground Death Metal, der nach 25 Jahren endlich ausgegraben wurde! Embalm stammen aus Wisconsin und gründeten sich 1995 während ihrer Highschool-Zeit - in der Ära von Ablated Records, Frozen Dawn CD-Compilations und IllNoiz Death Fest, um nur einige zu nennen.

Embalm schufen wahrhaft denkwürdige Grooves aus mittelschnellem, eingängigem und verdammt brutalem Midwest Death Metal, der auch die üblichen Einflüsse des schwedischen Death Metal und sogar einen Hauch von Harmonie im Stil von Dissection enthielt, was dieses Demo von jeder erzwungenen Retro-Nostalgie abhebt.

Obwohl Embalm nie internationale Bekanntheit erlangten, waren sie Teil eines größeren Netzwerks und konnten sich im Vorprogramm von Bands wie Rotted, Internal Bleeding und Incantation behaupten. Während sich diese Sammlung auf das Meisterwerk und tragische letzte Demo mit dem treffenden Titel "Prelude to Obscurity" konzentriert, werden Sicko-Freaks auch mit dem buchstäblich unmöglich zu beschaffenden ersten "Demo '95" verwöhnt, das die bösartigsten und düstersten Keller-Nekro-Aufnahmen bietet, die - obwohl primitiv und grausam - immer noch eine minimalistische Erinnerung an die wahre Underground-Demo-Kassettenkultur bewahren. Ebenfalls enthalten sind die beiden letzten Live-Tracks, die es leider nie ins Studio geschafft haben. Sie wurden nach "Prelude..." geschrieben und zeigen das wahnsinnige Genie der Band: für Dunkelheit, Slam und gequälte Leads.

Die Sammlung wurde von Arthur Rizk sorgfältig von den originalen DAT- und Kassettenbändern neu gemastert und enthält ein umfangreiches Zeitkapsel-Booklet mit Flyern, Ephemera, Zine-Rezensionen und Live-Fotos aus den vergangenen glorreichen Tagen des TRUE Brutal Death Metal! Ein Wegweiser für jede neue Band, die einen Einblick in das bewährte "brutale Zeug" sucht. Eine erstmalige Co-Veröffentlichung zwischen zwei modernen Underground-Titanen, 20 Buck Spin und Hospital Productions.

Repressed, note new price!! This young four-piece from Colorado roamed the basements and punk houses of America for a couple years as the band 10-4 Eleanor, and after building quite a following among the sweaty/bearded segment of the underground, they opted for a new band name and a fresh start in 2011. Thus ushered in the era of Elway, and along with it comes their Red Scare debut, Delusions. It marks an ambitious step up for the band as they ditched their home recordings and enlisted audio guru Matt Allison at Atlas Studios (Alkaline Trio, Lawrence Arms, LTJ, Smoke or Fire, etc). Rest assured, this one retains all the guts and grime that these guys are known for, but with more intricacy and nuance than you'd expect from your average "beardo" punk band. Delusions is thematically inspired by two things: our society's regard for God and having to deal with maniacal loved ones; and these brainy rockers from the Rocky Mountains are sure to capture plenty of attention with this impressive beginning. 01. 3/4 Eleanor 02. Passing Days 03. Spent So Long 04. Whispers in a Shot Glass 05. San Mateo 06. Song for Eric Solomon to Sing 07. Kristina's Last Song 08. The Tired Old Whore's Bedside Book 09. Aphorisms 10. It's Alive! 11. Tapout Endorsement: The Musical

Es wird Blut geben! Im Jahr 2018 kamen Overdrivers mit ihrem zweiten Album wieder in die Wehen und brachten das schlicht betitelte She's On Her Period zur Welt! Sich treu bleiben und von vorne anfangen: Das Quartett bietet wieder das, was es am besten kann, australischen Rock in der puren Tradition von AC/DC, Airbourne und Rose Tattoo. Aufgenommen unter der Aufsicht von Bertrand Charlet, haben Overdrivers es sich zur Aufgabe gemacht, ihre Eierstöcke zur Explosion zu bringen. Feingeister, verschwindet! Mit Titeln wie dem gleichnamigen She's On Her Period oder The Best Blowjob In History ist die Band nicht besonders subtil. Keine Sorge, Overdrivers interessieren sich nicht nur dafür, was unter der Gürtellinie passiert, sondern auch dafür, was oben passiert. Mit diesem zweiten Opus von wütendem Rock'N'Roll wird die Nanny ihre Menopause vergessen.

No nonsense, no faking, no timewasters: the raw classic techno energy of Nuno dos Santos and Cosmic Force's Ultrastation project continues to tear holes in the space time continuum with their latest EP - 'Red Skies'. Hot on the heels of 'Stellar Logic' on Nuno's Something Happening Somewhere label earlier this year comes another uncompromising selection as the pair of Utrechtian veterans link up and tear down on Deeptrax offshoot label Tech UM. 'Sonorous' sets the pace with its outstanding sense of pounding, gritty momentum. The sound of 35 years of warehouses melting under sheer bass heat, it's a savage statement piece that's backed up by three more undiluted techno treats. 'Muladhara' realigns our chakras with its earthy stomp, hopeful arpeggio and relentless energy, 'Blood Flow' takes on a little more industrial charm as it rattles away, twisting and turning with a subtle sense of psychedelia while 'Lake Falls' brings the EP to a euphoric Detroitian finale that's characterised by shimmering synths and some epic dynamics.

On in february, Isik Kural works like a photographer of sound, documenting the passing and returning of time as if material snapshots of life's temporality. Across the album's twelve songs, each composed from chance loops and cocooned within the soft container of Isik's memorable voice and melody play, time is held on to hopefully, impossibly, eternally.
Born in Istanbul, Isik studied music engineering at the University of Miami, alighted in New York City, and eventually settled in Glasgow, immersing in a sound design masters and audiovisual practice. While these paths guided him between different projects and cities, a voice was simultaneously growing inside the artist, informed by a vision of the world in its everyday luminosity. This voice was expressed in the lyrical and instrumental waves of 2019's As Flurries, a cassette collection for Italian label Almost Halloween Records.
Isik Kural's in february will be released on October 15, 2021 on vinyl, cassette, compact disc, and digital formats. On behalf of Isik, a portion of the proceeds from this release will benefit Turkiye Egitim Gonulluleri Vakfi, an organization that creates and conducts workshops, educational training programs and after school programs for children across Turkey.

Beautiful instrumental Soothsayers 8-track album mixed and dubbed by Sao Paolo-based by Grammy-winning bass player/producer Victor Rice (Easy Star All Stars, Skatelites, Cedric Brooks), already popular with UK soundsystems including Channel One, Real Roots Soundsytem

Radio support from:

BBC Radio 1 Xtra - Rodigan

BBC Radio 1 - Rob Da Bank

BBC6 Music - Huey Morgan

Worldwide FM - Gilles Peterson, Colleen Murphy

Extremely limited edition 7” vinyl pressing of Red Rum Club’s infectious new singles Vanilla and The River.

After recently kicking up a dusty, desert-pop storm on their US tour, Liverpool’s funk-infused, brass-driven rock sextet are offering their new wave of American fans a chance to take home a slice of Scouse swagger in the form of a super limited two-track 7” record.

Armed with unapologetically catchy melodies and oozing with an instantly likeable charm, the band have captured the true essence of their personalities on these two new singles. ‘Vanilla’ takes a vicious side-swipe at mundanity and provides the perfect antidote to “vannilla” living with its infectious hook, vibrant brass melody and brooding vocal delivery. Meanwhile, unreleased track ‘The River’ sees the band delve into their emotive side and produce an uplifting and heartwarming song that radiates a feel-good party atmosphere that will make you forget all your troubles in an instant.

Never afraid to wear their hearts on their sleeve, Red Rum Club have distilled the rock and roll flair, endearing lyrical honesty and hip-shaking musical energy of their wide-ranging discography into two tracks that epitomise them as a band. After releasing three albums in as many years, the group have truly refined their unique sound, combining the authentic grit of their native northern England with an eclectic, groove-laden funk sensibility and this exclusive new 7” is the perfect way to sample that concoction in its truest form.

After releasing his self-titled debut album in 2017 (On Agitated AGIT044R), Dion Lunadon (The D4, ex-A Place To Bury Strangers) and In The Red Records is proud to release his sophomore album, Beyond Everything. Beyond Everything will be Lunadon’s first release on In The Red (an ideal match for his music), as well as his first full-length since departing A Place To Bury Strangers. Written, performed and recorded by himself, the songs tap into a raw, palpable energy that blur the line between the music and the person. Drums on the record were played by Blaze Bateh (Bambara) and Nick Ferrante (The Black Hollies). Lunadon says; “The record was written and recorded sporadically between 2017 and 2019. I probably wrote about one hundred songs during this period. The first album was pretty relentless which I liked, but I wanted to make something more dynamic for the second record. Something that could be more conducive to repeated listens. I’d get in my studio, come up with a song title, and start working on any ideas that I had. For example, with ‘Elastic Diagnostic,’ the idea was to create a hum that evokes the sound of life coursing through your body. Everything else kind of formed around that idea.” “An arresting, noise-infected dose of psych-garage.” on “It’s The Truth”—Brooklyn Vegan “An amped up garage psych ripper.” on “Living And Dying With You”—Brooklyn Vegan “A ferocious rocker.” on “Living And Dying With You”—Destroy Exist “A gritty and raw glam-like anthem centered around chugging power chords, Lunadon’s howled and desperate delivery, forceful and propulsive drumming paired with an explosive feedbackdriven coda, ‘It’s The Truth’ further cements the Kiwi-born, Brooklyn-based artist’s reputation for crafting anthems meant to be played as loud as humanly possible.” —Joy Of Violent Movement

Red Carpet Massacre is the 12th studio album by English new wave band Duran Duran, originally released on November 13, 2007. The album debuted at #36 on the US Billboard 200 (#5 Top Alternative Albums), and reached #44 on the UK Albums Chart. The album features production from Timbaland on 3 tracks (“Nite-Runner” ft. Justin Timberlake, “Skin Divers,” and “Zoom In.”

Repress in soon, note new price. For Fans Of:The Lawrence Arms, Into It. Over It, The Menzingers, RVIVR, Modern Baseball, Sundowner, Topshelf Records. Deanna Belos has been a fixture in the Chicago punk scene since she was in Junior High, attending shows, singing along, and raising hell in general. But she was more than just a face in the crowd, Deanna was a radiant friend to all, and at some point she picked up a guitar and made a different contribution the Chicago underground scene: her own music under the name Sincere Engineer. Over the last couple years we've encouraged her to keep writing songs and she surprised us all by assembling a great band and recording an impressive album. Her debut, "Rhombithian", was Produced by Matt Jordan (You Blew It!, Dowsing, etc.) and pairs the sounds of Chicago punk and the youthful Midwest "emo revival" movement. No one is more excited about music than Sincere Engineer, and Deanna plans to play a lot of shows and bring her infectious energy to the rest of the planet in support of "Rhombithian".

A unique album blending the sounds of modular synth with drums and
trumpet
Qasim Naqvi is joined by master musicians Andrew Cyrille and Wadada Leo
Smith, together creating vast sonic landscapes.

Futurismo are proud to present a deluxe remastered vinyl package of the classic 1980 album: Red Exposure by the uncompromising Chrome.

Arguably considered the San Francisco bands greatest work, Red Exposure, the fourth album to feature core members Damon Edge

and Helios Creed, was the definitive version of Chrome’s idiosyncratic approach to sound: a projected vision of near future dystopia via an undefinable guise of experimental space rock and punk-tinged alien soundscapes. Here, the band simultaneously draw from the otherworldly noises of their past records, whilst pushing their synthesizers forward into, albeit oblique, pop song structures.


Edge’s vocals are structured more like an instrument than a voice, lyrics painting images of humanities future on the edge of total destruction. As Creed’s guitar work multilayersit’s way into a completely different aural spectrum, beautiful yet violent, slashing against rhythmic pulsations, loops and experimentations, to create a sound that even today feels beyond the here and now. This distillation of the bands repertoire seemed to envision a deconstruction of rock ‘n’ roll, aimed to break past the shell of cliché that it would of course eventually come to inhabit. Which is why despite it’s age Red Exposure remains a record that still sounds like the sonic product of a far off civilisation, making this disk of new wave nihilism vital for fans of Space rock, Krautrock, Throbbing Gristle, Cabaret Voltaire and Suicide.

The deluxe remastered version of this out of print 1980 LP is presented here in ltd edition coloured vinyl. It comes packaged in a chromed mirrorboard sleeve, contains a large screen printed poster printed with neon ink featuring unseen photographs of the band, and a bonus track.

Steffi's fourth album, and the first on her own label Candy Mountain, sees her bring modulating rhythm to the foreground, while preserving the song-like arrangements that have always made her work so relatable. These tracks blend early IDM, breaks and contemporary electro into a new sound space designed by Steffi for 2022's world.