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Die achtfachen GRAMMY-Gewinner veröffentlichen ihr langersehntes 12tes Studioalbum mit dem Titel „72 Seasons“.

Das Album beinhaltet 12 brandneue Songs, produziert von James Hetfield, Lars Ulrich und der Rock-Produzenten-Ikone Greg Fidelman (U2, Slipknot, Johnny Cash, Slayer, Red Hot Chili Peppers, uvm.) Als Vorgeschmack auf das Gesamtwerk dient der bereits veröffentlichte Song „Lux Æterna“. Mit 77 abwechslungsreichen Minuten bietet das Album darüber hinaus jedem Fan die Möglichkeit, sich vollkommen in das Werk fallenzulassen.

Den Titel erklärt James Hetfield wie folgt: „72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. … Prisoners of childhood or breaking free of those bondages we carry.”



Zusatzinfo:

Zeitgleich mit der Bekanntgabe des Albums und dem Release von „Lux Æterna“ kündigen Metallica auch ihre M72 Welt-Tournee an, die sich über die Jahre 2023 und 2024 erstrecken wird. Im Zuge dessen werden jeweils 2 Shows in Hamburg und München gespielt, jede davon mit einer gänzlich anderen Setlist und Support-Acts.

The RED GREEN BLUE album will be released via 3CG Records on May 1320 The new Red Green Blue album brings together the band's three unique creative voices like never before with a third of the album written and produced by each brother (Taylor’s Red, Isaac’s Green and Zac’s Blue). The project brings together a team of collaborators, with the album co-produced by Grammy Award-winning Producer, Engineer and Mixer Jim Scott (Tom Petty, Red Hot Chili Peppers, Wilco), and Grammy Award-winning Artist and Producer David Garza (Fiona Apple, Midland, Sharon Van Etten). Beginning in June in Europe, the RED GREEN BLUE WORLD TOUR will bring HANSON to the US and Canada from July-September, Latin America in September and Australia & New Zealand in November. The band’s first major tour since their String Theory album & tour in 2018/2019, fans will be in store for a tour which not only features the premiere of 15 songs from the new project but will also be the first tour to include live performances of 2020’s Against The World as well as career spanning set lists of fan favorites. Fresh off of the release of Against The World, featuring seven songs released consecutively each month, the prolific band of brothers are reinforcing their deep musicality and credibility as writers, performers and producers with the new project. Leading up to May’s full album release of RED GREEN BLUE, fans will get a taste of the trifecta of sound, with a single featuring each of the brothers. Coming February 11 Taylor’s earnest and dynamic “Child At Heart”, March 11 will see the release of Isaac's organic and heartwarming “Write You A Song” and April 15 will feature the rock infused pop of Zac’s “Don’t Let Me Down”.

PRODUCED BY GRAMMY® AWARD-WINNING ANDREW WATT

MUSICIANS ON EVERY LOSER: TAYLOR HAWKINS (FOO FIGHTERS), ANDREW WATT (GRAMMY® AWARD WINNING PRODUCER), DAVE NAVARRO (JANE’S ADDICTION), CHAD SMITH (RED HOT CHILI PEPPERS), TRAVIS BARKER (BLINK 182), STONE GOSSARD (PEARL JAM), JOSH KLINGHOFFER (RED HOT CHILI PEPPERS, PEARL JAM), CHRIS CHANEY (JANE’S ADDICTION), ERIC AVERY (JANE’S ADDICTION), DUFF MCKAGAN (GUNS N' ROSES)

ABOUT IGGY POP

Iggy Pop is a singer, songwriter, musician, author, record producer, DJ, and actor whose epic body of work has earned him both worldwide critical acclaim and fanatic cult success

Credited as “The Godfather of Punk”, spearheading the ‘70s punk and ‘90s grunge movements

PRODUCED BY GRAMMY® AWARD-WINNING ANDREW WATT

MUSICIANS ON EVERY LOSER: TAYLOR HAWKINS (FOO FIGHTERS), ANDREW WATT (GRAMMY® AWARD WINNING PRODUCER), DAVE NAVARRO (JANE’S ADDICTION), CHAD SMITH (RED HOT CHILI PEPPERS), TRAVIS BARKER (BLINK 182), STONE GOSSARD (PEARL JAM), JOSH KLINGHOFFER (RED HOT CHILI PEPPERS, PEARL JAM), CHRIS CHANEY (JANE’S ADDICTION), ERIC AVERY (JANE’S ADDICTION), DUFF MCKAGAN (GUNS N' ROSES)

ABOUT IGGY POP

Iggy Pop is a singer, songwriter, musician, author, record producer, DJ, and actor whose epic body of work has earned him both worldwide critical acclaim and fanatic cult success

Credited as “The Godfather of Punk”, spearheading the ‘70s punk and ‘90s grunge movements

Die Band - bestehend aus den Mitgliedern Derek Day (Gesang), Dane Pieper (Gitarre), Griffin Tucker (Gitarre), Franco Gravante (Bass) und Chuck McKissock (Schlagzeug) - wurde 2018 gegründet, nachdem sie sich durch ihre Liebe und Leidenschaft zur Musik virtuell verbunden hatten. Jetzt sind sie in Los Angeles und haben sich auf einer Mission vereint, um der nächste große generationsbestimmende Act zu sein, der sich von klassischen Rock-Acts der 70er Jahre und Alt-Rock-Gruppen der 90er Jahre inspirieren lässt. Ihre Musik erinnert an die Markenzeichen früherer Generationen - hymnische Rhythmen, schreddernde Gitarren, erhebender Gesang - aber sie bahnt sich ihren Weg in die Zukunft mit cleveren Arrangements, scharfsinniger Musikalität und gekonntem Songwriting. Die Band hat sich in der Branche bereits einen Namen gemacht und war mit Weltklasse-Produzenten wie Bob Rock, Michael Beinhorn und Joe Chiccarrelli im Studio, die bereits Hits für Bands wie The Red Hot Chili Peppers, Metallica, Soundgarden und The White Stripes geschrieben haben.Le groupe - composé des membres Derek Day (Chant), Dane Pieper (Guitare), Griffin Tucker (Guitare), Franco Gravante (Basse), et Chuck McKissock (Batterie) - s'est initialement formé en 2018 après s'être connectés et liés virtuellement par leur amour et leur passion de la musique. Maintenant à Los Angeles, ils se sont unis pour une mission : être le prochain grand acte de définition de la génération, en s'inspirant des actes de rock classique des années 70 et des groupes de rock alternatif des années 90. Leur musique fait écho aux caractéristiques des générations précédentes - rythmes hymniques, guitares déchiquetées, voix envoûtantes - mais se fraye un chemin vers le futur grâce à des arrangements astucieux, une musicalité aiguisée et des compositions efficaces.

Die Band - bestehend aus den Mitgliedern Derek Day (Gesang), Dane Pieper (Gitarre), Griffin Tucker (Gitarre), Franco Gravante (Bass) und Chuck McKissock (Schlagzeug) - wurde 2018 gegründet, nachdem sie sich durch ihre Liebe und Leidenschaft zur Musik virtuell verbunden hatten. Jetzt sind sie in Los Angeles und haben sich auf einer Mission vereint, um der nächste große generationsbestimmende Act zu sein, der sich von klassischen Rock-Acts der 70er Jahre und Alt-Rock-Gruppen der 90er Jahre inspirieren lässt. Ihre Musik erinnert an die Markenzeichen früherer Generationen - hymnische Rhythmen, schreddernde Gitarren, erhebender Gesang - aber sie bahnt sich ihren Weg in die Zukunft mit cleveren Arrangements, scharfsinniger Musikalität und gekonntem Songwriting. Die Band hat sich in der Branche bereits einen Namen gemacht und war mit Weltklasse-Produzenten wie Bob Rock, Michael Beinhorn und Joe Chiccarrelli im Studio, die bereits Hits für Bands wie The Red Hot Chili Peppers, Metallica, Soundgarden und The White Stripes geschrieben haben.Le groupe - composé des membres Derek Day (Chant), Dane Pieper (Guitare), Griffin Tucker (Guitare), Franco Gravante (Basse), et Chuck McKissock (Batterie) - s'est initialement formé en 2018 après s'être connectés et liés virtuellement par leur amour et leur passion de la musique. Maintenant à Los Angeles, ils se sont unis pour une mission : être le prochain grand acte de définition de la génération, en s'inspirant des actes de rock classique des années 70 et des groupes de rock alternatif des années 90. Leur musique fait écho aux caractéristiques des générations précédentes - rythmes hymniques, guitares déchiquetées, voix envoûtantes - mais se fraye un chemin vers le futur grâce à des arrangements astucieux, une musicalité aiguisée et des compositions efficaces.

16 track compilation of 1980s classics.
Formed in Scotland in 1979, APB were a post-punk trio blending edgy
guitars with funk and new wave sounds
The band had many early 80s alternative radio and rock dance club hits including
‘Shoot You Down’, ‘Rainy Day’ and ‘Palace Filled With Love’.
New York-based Link Records originally issued ‘Something To Believe In’ in 1985,
and the ten- song title was perceived at the time to be APB's debut album
although it was actually a compilation drawn from the band's previous eight
independent singles. The band's 1981 debut single ‘Chain Reaction’ is now added
as a bonus track to the vinyl release, while that song and an additional five tracks
will appear on the expanded edition CD. ‘Danceability’ will appear in its original
mix on the vinyl LP, while the CD will feature the song in its extended ‘Danceability
Parts 1 & 2’ form.
"When I bought the second APB single, 'Shoot You Down'. I was blown away by
the pure energy and sparse funk groove that drove the record." said Matt Pinfield,
former host of MTV's 120 Minutes. "Over the course of the next few years, I saw
the band live about 15 times. They would always pack clubs in New York, New
Jersey, and Long Island -- anywhere they received airplay." In 2018's Beastie Boy
Book, band member Adam "Ad-Rock" Horowitz referred to ‘Shoot You Down’ as a
"punk dance-floor classic."
In 2022, APB remains an active touring band, which includes original members
Slater, Roberts and Cheyne. Over the decades, APB's sparse, rhythmic sound has
influenced everyone from the Red Hot Chili Peppers to Franz Ferdinand. A new
generation is primed to make their acquaintance.

When they released their first single, ‘Give It To Me’, in the summer of 2021, Classless Act were immediately praised for their ability to sound both fresh and timeless. Loudwire instantly added the song to their ‘Weekly Wire’ Spotify playlist, identifying it as one of the top new releases of the summer. Other iconic outlets such as SPIN Magazine were also early to show support. It was a fitting public introduction to a band who embody what it means to be modern rock stars. The band initially formed in 2018 after connecting and bonding virtually by their love and passion of music. Now in Los Angeles, they are united on a mission to be the next great generation-defining act, drawing inspiration from classic rock acts of the ‘70s and alt-rock groups from the ‘90s. Their music echoes the hallmarks of previous generations - anthemic rhythms, shredding guitars, soaring vocals - but punches its way into the future with clever arrangements, sharp musicianship and proficient songwriting. Already making a big noise within the industry, the band have recently been in the studio with world-class producers such as Bob Rock, Michael Beinhorn and Joe Chiccarrelli, who have helped craft hits for the likes of The Red Hot Chili Peppers, Metallica, Soundgarden and The White Stripes. Their debut album coincides with the band hitting the road in North America alongside Mötley Crüe, Def Leppard and others on their 2022 Summer Stadium Tour.

When they released their first single, ‘Give It To Me’, in the summer of 2021, Classless Act were immediately praised for their ability to sound both fresh and timeless. Loudwire instantly added the song to their ‘Weekly Wire’ Spotify playlist, identifying it as one of the top new releases of the summer. Other iconic outlets such as SPIN Magazine were also early to show support. It was a fitting public introduction to a band who embody what it means to be modern rock stars. The band initially formed in 2018 after connecting and bonding virtually by their love and passion of music. Now in Los Angeles, they are united on a mission to be the next great generation-defining act, drawing inspiration from classic rock acts of the ‘70s and alt-rock groups from the ‘90s. Their music echoes the hallmarks of previous generations - anthemic rhythms, shredding guitars, soaring vocals - but punches its way into the future with clever arrangements, sharp musicianship and proficient songwriting. Already making a big noise within the industry, the band have recently been in the studio with world-class producers such as Bob Rock, Michael Beinhorn and Joe Chiccarrelli, who have helped craft hits for the likes of The Red Hot Chili Peppers, Metallica, Soundgarden and The White Stripes. Their debut album coincides with the band hitting the road in North America alongside Mötley Crüe, Def Leppard and others on their 2022 Summer Stadium Tour.

On Blowback Tricky works with Ed Kowalczyk, the singer with the band Live, Alanis Morissette, the Red Hot Chili Peppers, Ambersunshower, Cindy Lauper and Chris Blackwell's signee Hawkman. The album is full of contrasts and surprises. The excitement and the imagination and the sheer audacity that made the first album 'Maxinquaye' such a ground-breaking record are back. "When I made that first album I had a dream of changing the world," Tricky says. "You realise after a couple of years you aren't going to do that and its all a load of bullshit. Which is OK and you carry on. But now I've got my dream back. Music has stood still or five years and it's time to change it around again.

Known for creating the soundtrack of a generation, legendary singer/songwriter and Rock and Roll Hall of Fame member JOHN FOGERTY celebrates 25 years of BLUE MOON SWAMP. As co-founder of Creedence Clearwater Revival (CCR), the group’s chief musical architect, and as a solo artist, Fogerty’s works rank as some of the most influential in American music history. Originally released May 20, 1997, BLUE MOON SWAMP won Best Rock Album at the 40th Grammy Awards in 1998, with the song “Blueboy” receiving a Grammy nomination for Best Male Rock Vocal Performance that same year. BLUE MOON SWAMP would go on to receive gold certification by the RIAA. The 25th anniversary release features revised cover art from the 2018 edition, showcasing the famed concert backdrop from the album’s original supporting tour. The album features contributions from Chad Smith of the Red Hot Chili Peppers, Howie Epstein of Tom Petty & the Heartbreakers and Donald “Duck” Dunn of Stax Records-fame. With a career spanning more than 50 years, JOHN FOGERTY is hailed as one of the most influential musicians in rock history. As the writer, singer and producer of numerous classic hits including “Born on the Bayou,” “Green River,” “Proud Mary” and “Bad Moon Rising,” Fogerty has been honored as one of the 100 Greatest Guitarists, 100 Greatest Songwriters, and 100 Greatest Singers by Rolling Stone. Earning induction to the Rock and Roll Hall of Fame, Songwriters Hall of Fame, and Baseball Hall of Fame, he is also a New York Times bestselling author for his memoir, Fortunate Son: My Life, My Music.

-Long-awaited fourth solo effort by one of today's most talented Brazilian artists and the follow up to the now classic Early Bird album.
-Entirely written and recorded at the Ilha Do Corvo studio in Belo Horizonte, Minas Gerais, Brazil.
-180g heavy vinyl pressing, reverse board print, comes with lyrics and their English translation.

"I imagine this record to be just like a flea market, an ensemble of nostalgia, a collage of memories, of dreams, ideas, sounds, words, feelings, places, eras and styles. A unique sonic sound space that I've been trying to create for my own music. This is also a record about getting old, about the uneasiness of life, but also about how to embrace it and enjoy the ride. About taking a trip to a place and a time that we have never been to, but that we long for. " - Leonardo Marques

A multi-talented musician, singer songwriter and record producer full of tales to tell, Leonardo Marques has released three solo records – Dia e Noite no Mesmo Céu in 2012, Curvas, Lados, Linhas Tortas, Sujas e Discretas in 2015, and Early Bird in 2018. All of Leonardo's solo albums have been released in Japan by Disk Union and the latest one, Early Bird, has also been released worldwide on vinyl format by 180g x Disk Union.

Leonardo was the guitar player of Diesel (later called Udora), one of the main alternative rock bands in Brazil in the early 2000's. The band was on the main line up of the Rock in Rio III Festival, playing for over 250,000 people as an opening act for the Red Hot Chili Peppers, Silverchair, and Deftones. Leonardo then moved to Los Angeles with the band and signed a record deal with Clive Davis (J Records / RCA) and worked with Matt Wallace (Maroon 5, Faith No More), Gavin Macklop (Goo Goo Dolls, Toad the Wet Sprocket), Camus (David Byrne, Arto Lindsay), Bob Marlette (Black Sabbath, Tracy Chapman, Alice Cooper), and 16-time Grammy Award winner Thom Russo (Michael Jackson, Audioslave, Johnny Cash, Maná).

Back to Brazil a few years later, Leonardo launched his Ilha do Corvo recording studio in Belo Horizonte, Minas Gerais, Brazil. The studio is equipped with vintage instruments and gear from various decades which creates a unique sonic landscape and sound signature in each record it produces.

With Flea Market Music, Leonardo Marques presents his long-awaited fourth solo effort and the follow up to the now classic Early Bird album, with a majestic and unique musical trip into nostalgia, dreamy textures and lo-fi flavors, entirely written and recorded at his Ilha Do Corvo studio. This is essential Brazilian contemporary music at its best!

-Long-awaited fourth solo effort by one of today's most talented Brazilian artists and the follow up to the now classic Early Bird album.
-Entirely written and recorded at the Ilha Do Corvo studio in Belo Horizonte, Minas Gerais, Brazil.
-180g heavy vinyl pressing, reverse board print, comes with lyrics and their English translation.

"I imagine this record to be just like a flea market, an ensemble of nostalgia, a collage of memories, of dreams, ideas, sounds, words, feelings, places, eras and styles. A unique sonic sound space that I've been trying to create for my own music. This is also a record about getting old, about the uneasiness of life, but also about how to embrace it and enjoy the ride. About taking a trip to a place and a time that we have never been to, but that we long for. " - Leonardo Marques

A multi-talented musician, singer songwriter and record producer full of tales to tell, Leonardo Marques has released three solo records – Dia e Noite no Mesmo Céu in 2012, Curvas, Lados, Linhas Tortas, Sujas e Discretas in 2015, and Early Bird in 2018. All of Leonardo's solo albums have been released in Japan by Disk Union and the latest one, Early Bird, has also been released worldwide on vinyl format by 180g x Disk Union.

Leonardo was the guitar player of Diesel (later called Udora), one of the main alternative rock bands in Brazil in the early 2000's. The band was on the main line up of the Rock in Rio III Festival, playing for over 250,000 people as an opening act for the Red Hot Chili Peppers, Silverchair, and Deftones. Leonardo then moved to Los Angeles with the band and signed a record deal with Clive Davis (J Records / RCA) and worked with Matt Wallace (Maroon 5, Faith No More), Gavin Macklop (Goo Goo Dolls, Toad the Wet Sprocket), Camus (David Byrne, Arto Lindsay), Bob Marlette (Black Sabbath, Tracy Chapman, Alice Cooper), and 16-time Grammy Award winner Thom Russo (Michael Jackson, Audioslave, Johnny Cash, Maná).

Back to Brazil a few years later, Leonardo launched his Ilha do Corvo recording studio in Belo Horizonte, Minas Gerais, Brazil. The studio is equipped with vintage instruments and gear from various decades which creates a unique sonic landscape and sound signature in each record it produces.

With Flea Market Music, Leonardo Marques presents his long-awaited fourth solo effort and the follow up to the now classic Early Bird album, with a majestic and unique musical trip into nostalgia, dreamy textures and lo-fi flavors, entirely written and recorded at his Ilha Do Corvo studio. This is essential Brazilian contemporary music at its best!

Tape

Die Band - bestehend aus den Mitgliedern Derek Day (Gesang), Dane Pieper (Gitarre), Griffin Tucker (Gitarre), Franco Gravante (Bass) und Chuck McKissock (Schlagzeug) - wurde 2018 gegründet, nachdem sie sich durch ihre Liebe und Leidenschaft zur Musik virtuell verbunden hatten. Jetzt sind sie in Los Angeles und haben sich auf einer Mission vereint, um der nächste große generationsbestimmende Act zu sein, der sich von klassischen Rock-Acts der 70er Jahre und Alt-Rock-Gruppen der 90er Jahre inspirieren lässt. Ihre Musik erinnert an die Markenzeichen früherer Generationen - hymnische Rhythmen, schreddernde Gitarren, erhebender Gesang - aber sie bahnt sich ihren Weg in die Zukunft mit cleveren Arrangements, scharfsinniger Musikalität und gekonntem Songwriting. Die Band hat sich in der Branche bereits einen Namen gemacht und war mit Weltklasse-Produzenten wie Bob Rock, Michael Beinhorn und Joe Chiccarrelli im Studio, die bereits Hits für Bands wie The Red Hot Chili Peppers, Metallica, Soundgarden und The White Stripes geschrieben haben.Le groupe - composé des membres Derek Day (Chant), Dane Pieper (Guitare), Griffin Tucker (Guitare), Franco Gravante (Basse), et Chuck McKissock (Batterie) - s'est initialement formé en 2018 après s'être connectés et liés virtuellement par leur amour et leur passion de la musique. Maintenant à Los Angeles, ils se sont unis pour une mission : être le prochain grand acte de définition de la génération, en s'inspirant des actes de rock classique des années 70 et des groupes de rock alternatif des années 90. Leur musique fait écho aux caractéristiques des générations précédentes - rythmes hymniques, guitares déchiquetées, voix envoûtantes - mais se fraye un chemin vers le futur grâce à des arrangements astucieux, une musicalité aiguisée et des compositions efficaces.

Repress of the 10 year anniversary vinyl reissue of “The Empyrean” By John Frusciante cut for the original analog tapes at Bernie Grundman’s mastering. includes hi res audio download card. THE EMPYREAN is the eighth solo album by JOHN FRUSCIANTE. It was originally released in January of 2009, reaching number 151 on the US Billboard 200, 105 on UK Albums Chart and number 7 on the Top Heatseekers. It contains contributions from RHCP bandmate FLEA and former guitarist of The Smiths Johnny Marr. John Frusciante is an American guitarist, singer, composer, and producer. He is best known as the guitarist of the rock band Red Hot Chili Peppers. He recorded five studio albums with them and was recently inducted into the ROCK & ROLL HALL OF FAME. Frusciante has an active solo career, having released twelve solo albums and five EPs; his recordings include elements ranging from experimental rock and ambient music to new wave and electronica. He has also recorded with numerous other artists, including the Mars Volta, for whom he was a studio guitarist (and occasional live performer) from 2002 until 2008; Josh Klinghoffer and Joe Lally, with whom he released two albums as Ataxia; and various collaborations with both Klinghoffer and Omar Rodríguez-López. He has also produced and/or recorded with Duran Duran, Wu-Tang Clan, Swahili Blonde, Black Knights, The Bicycle Thief, Glenn Hughes, Ziggy Marley, Johnny Cash, George Clinton, Johnny Marr, Dewa Budjana and others.

When they released their first single, ‘Give It To Me’, in the summer of 2021, Classless Act were immediately praised for their ability to sound both fresh and timeless. Loudwire instantly added the song to their ‘Weekly Wire’ Spotify playlist, identifying it as one of the top new releases of the summer. Other iconic outlets such as SPIN Magazine were also early to show support. It was a fitting public introduction to a band who embody what it means to be modern rock stars. The band initially formed in 2018 after connecting and bonding virtually by their love and passion of music. Now in Los Angeles, they are united on a mission to be the next great generation-defining act, drawing inspiration from classic rock acts of the ‘70s and alt-rock groups from the ‘90s. Their music echoes the hallmarks of previous generations - anthemic rhythms, shredding guitars, soaring vocals - but punches its way into the future with clever arrangements, sharp musicianship and proficient songwriting. Already making a big noise within the industry, the band have recently been in the studio with world-class producers such as Bob Rock, Michael Beinhorn and Joe Chiccarrelli, who have helped craft hits for the likes of The Red Hot Chili Peppers, Metallica, Soundgarden and The White Stripes. Their debut album coincides with the band hitting the road in North America alongside Mötley Crüe, Def Leppard and others on their 2022 Summer Stadium Tour.

Die 2003 in Bergen, Norwegen gegründete Band wurde 2006 von der renommierten Produzentin Sylvia Massy (Red Hot Chili Peppers, Tool, Johnny Cash u.a.) entdeckt, zu ihrer Lieblingsband erklärt und direkt in ihr Tonstudio in L.A. eingeladen, um dort das Debütalbum aufzunehmen. Seitdem haben Major Parkinson zwei weitere Alben und diverse Singles zumeist in Eigenregie produziert, und mit ihrem genialen Mix aus etwa Primus, Faith No More, Frank Zappa oder auch Queens Of The Stone Age zahlreiche Fans überzeugt.
Mit Norwegens führendem Prog-Label Apollon Records wurde nun eine längerfristige Zusammenarbeit vereinbart

Cut For The Original Analog Tapes At Bernie Grundman’s Mastering. Includes Hi Res Audio Download Card. Black vinyl re-issue For Europe (2000 copies). CURTAINS is the eighth solo album by JOHN FRUSCIANTE. It was originally released on February 1, 2005. The album features contributions from AUTOLUX drummer CARLA AZAR, upright bassist KEN WILD, and THE MARS VOLTA guitarist OMAR RODRÍGUEZ-LÓPEZ. John Frusciante is an American guitarist, singer, composer, and producer. He is best known as the former guitarist of the rock band RED HOT CHILI PEPPERS (1988 until 1992 and from 1998 until 2009). He recorded five studio albums with them and was recently inducted into the ROCK & ROLL HALL OF FAME. Frusciante has an active solo career, having released twelve solo albums and five EPs; his recordings include elements ranging from experimental rock and ambient music to new wave and electronica. He has also recorded with numerous other artists, including the Mars Volta, for whom he was a studio guitarist (and occasional live performer) from 2002 until 2008; JOSH KLINGHOFFER and JOE LALLY, with whom he released two albums as Ataxia; and various collaborations with both Klinghoffer and Omar Rodríguez-López. He has also produced and/or recorded with Duran Duran, Wu-Tang Clan, Swahili Blonde, Black Knights, The Bicycle Thief, Glenn Hughes, Ziggy Marley, Johnny Cash, George Clinton, Johnny Marr, Dewa Budjana and others.

Discos Transgénero re-issue the Marnie Weber classic first solo LP, “Songs Hurt Me” originally from 1989. This seminal record was an important part of the Los Angeles post-punk performative art rock scene. Brooding synthesizers, heavy bass, strange melodies, and poetic lyrics lead you through an industrial journey. These songs were born from Weber’s earliest performance art characters: a deer, an old woman, a manic courtesan, and a butterfly. Songs Hurt Me was originally co-produced by Phillip Drucker AKA Jackson Del Ray of Savage Republic and 17 Pygmies fame.

Marnie is a pioneer in art rock from the 80’s in Los Angeles. She emerged early in the music scene as the bass player in the Party Boys, a formative and important Los Angeles post-punk downtown art scene band. During this period, the Party Boys performed shows with The Minute Men, Savage Republic, The Red Hot Chili Peppers, Fourwaycross, The Blue Daisies, Perry Farrell’s first band Psi Com, Camper Van Beethoven, and many more. Bruce Licher of Independent Project Records, whom Marnie met in art school, released the first Party Boys record. After performing with the Party Boys, Marnie went on to become a noted solo performative art musician in her own right. She has released five solo records and numerous group album releases.

As a visual artist Marnie created the cover of Sonic Youth’s A Thousand Leaves album – interesting to note Marnie is the hamster girl on the cover. She also designed posters for Sonic Youth and did a co-release of her second album with Thurston Moore on his label Ecstatic Peace. Expanding from her musical roots, Marnie exhibits artwork, films, sculptures, collages, sound installations, and costumes internationally in museums and galleries. She has had two extensive survey exhibitions of her artwork ­– most recently at the Museum of Contemporary Art in Geneva.

Songs Hurt Me was remastered by Mark Wheaton at Catasonic Studios Los Angeles using the original tapes for an unprecedented restoration of this historic album. Discos Transgénero has thoughtfully designed and pressed the reissued LPs in Germany. This unique edition of Songs Hurt Me is a limited release of 400 copies distributed worldwide.

What Did You Expect from The Vaccines? is the debut studio album by English indie rock band The Vaccines. It was released on 11 March
2011, entering the UK Albums Chart at #4 and going on to become the biggest-selling debut by a band in 2011.

The Vaccines were formed in West London in 2010 by Justin Hayward- Young (lead vocals, guitar), Freddie Cowan (lead guitar, vocals), Árni Árnason (bass, vocals) and Pete Robertson (drums, vocals). The band have released four studio albums and have sold more than two million records worldwide. They have performed at the world’s biggest festivals and toured with acts such as The Rolling Stones, Arcade Fire, Arctic Monkeys, The Stone Roses, Red Hot Chili Peppers, Imagine Dragons and Muse.






RELEASE: 25-6-2021

What Did You Expect from The Vaccines? drew comparisons to The Ramones and The Jesus and Mary Chain and contains 6 singles; “Wreckin’ Bar”, “Post-Break-Up Sex”, “If You Wanna”, “All In White”, “Nørgaard” and “Wetsuit”.

The 10th anniversary edition on black vinyl contains an exclusive, brand new insert + a free download coupon for the original album + unreleased What Did You Expect From The Vaccines? Demos album.

Andy Gill begann mit der Planung einer Compilation zum 40-jährigen Jubiläum des stilprägenden Gang Of Four Debütalbums "Entertainment!" (1979), seine Witwe Catherine Meyer setzte nach seinem Tod 2020 die Arbeit fort und wandelte zusammen mit allen Beteiligten das Projekt in einen Tributsampler mit dem Titel "The Problem Of Leisure - A Celebration Of Andy Gill & Gang Of Four" um. Jede:r teilnehmende Künstler:in interpretierte einen Track nach Wahl aus Gang Of Four's 40-jähriger Karriere nach ihrem/seinem Gusto neu. Es beteiligten sich mehrere Protagonisten der internationalen Rock/Alternative-Szene, darunter Tom Morello & Serj Tankian (Rage Against The Machine), IDLES, Herbert Grönemeyer, Helmet, Gary Numan, Flea & John Frusciante (Red Hot Chili Peppers), Killing Joke, Warpaint, 3D aka Robert Del Naja (Massive Attack), La Roux, The Sounds, The Dandy Warhols, LoneLady, Hardcore Raver In Tears (aus China), Sekar Melati (aus Japan), u.v.m. Das Artwork steuerte der britische Kult-Künstler Damien Hirst bei. Das Doppelabum erscheint als 2CD Digipak, 2CD Casebound Book, 2LP Gatefold, limitierte MC.

Jack’s Mannequin is the side project of Andrew McMahon from pop punk band Something Corporate. They recorded three albums during their existence. McMahon crafted some incredible pop songs for the band. Their final album, People and Things, was released in 2011. For People and Things, the band worked with some notable guest musicians, including Jamie Muhoberac, Chris Chaney of Jane’s Addiction, and Patrick Warren. Rob Cavallo (Green Day, Linkin Park, My Chemical Romance, Eric Clapton a.o.) and Jim Scott (The Rolling Stones, Red Hot Chili Peppers, Sting, Wilco a.o.) served as coproducers. Two singles were released: “My Racing Thoughts” and “Release Me”. People and Things received favourable reviews, with critics particularly praising McMahon’s songwriting.

The album is released as a limited edition of 3000 individually numbered copies on orange coloured vinyl, and includes an insert.

What Did You Expect from The Vaccines? is the debut studio album by English indie rock band The Vaccines. It was released on 11 March

2011, entering the UK Albums Chart at #4 and going on to become the biggest-selling debut by a band in 2011.

The Vaccines were formed in West London in 2010 by Justin Hayward- Young (lead vocals, guitar), Freddie Cowan (lead guitar, vocals), Árni Árnason (bass, vocals) and Pete Robertson (drums, vocals). The band have released four studio albums and have sold more than two million records worldwide. They have performed at the world’s biggest festivals and toured with acts such as The Rolling Stones, Arcade Fire, Arctic Monkeys, The Stone Roses, Red Hot Chili Peppers, Imagine Dragons and Muse.

This limited 10th anniversary edition is pressed on solid pink vinyl. The LP package contains an exclusive, brand new insert + a free download coupon for the original album + unreleased What Did You Expect From The Vaccines? Demos album. Only 2500 copies are available.

Jazz Against The Machine's (JATM) cool jazz covers of 90s indierock were essentials for those in the know: virtuosity and curiosities! Franksen's remixes take the souls of Loser (Beck), Under The Bridge (Red Hot Chili Peppers) and Come As Your Are (Nirvana) to a new future. Adding much extra love and detail: Vocals, dubs, deep beats n bass propel the songs to cosy or swinging heights. In jazzhouse manner, in soulful downtempo or grooving hiphop… give 'em some love!

Franksen delivers a mere lexicon of roots n traces. A wide range of clubculture scultpured his unique style over 25 years: djing, producing and hosting public dj radioshow "hr Clubnight". From Downtempo to Dub, Disco to Deephouse or Reggae to HipHop, Breaks and more.

A Compilation Of Astonishing And Rare Pieces Taken From The Celluloid Records Archive And Recorded By Ma-terial, The Ensemble Founded In 1979 In Nyc By The Legendary Producers And Musicians Bill Laswell (afrika Bambaataa, Run Dmc) And Michael Beinhorn (red Hot Chili Peppers, Soundgarden, Marilyn Manson). A Glimpse Into The Creative Spirit Of New York In The Early 80s. A Collection Of Remarkable Tracks Spanning Funk, Jazz, Soul And Electronic.

One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.



There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.



Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Jimi Hendrix — personally inspiring the classic album Bitches Brew.



But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Clapton as her album producer, seeing him as too banal.



Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”