Suche:rema

‘Broadcasting From Home’ is the third studio album by the Penguin Cafe Orchestra, released in 1984.
The opening song was named after Penguin Cafe Orchestra leader Simon Jeffes found a discarded harmonium in an alleyway in Japan.
This is the first repress since 1987 and uses the 2008 remaster.
Pressed on white vinyl.

Signs Of Life’ is the fourth studio album by the Penguin Cafe Orchestra.
It was recorded at the Penguin Cafe between 1985 and 1987 and released in March 1987.
It includes ‘Perpetuum Mobile’, one of their most famous pieces.
The album reached Number 49 in the UK Albums Chart.
This is the first repress since 1987 and uses the 2008 remaster.
Pressed on orange vinyl.

When In Rome...’ is a 1988 live album by Penguin Cafe Orchestra, and was recorded at The Royal Festival Hall, London, on 9 July 1987.
It was produced by Simon Jeffes.  The cover painting is by Emily Young. This iteration has for the first time the full gig and uses the 2008 remaster.

Endlich ist das legendäre Bla Koral-Album remastered und wieder auf Vinyl erhältlich. 1991 schenkte uns das Superduo Knut Reiersrud und Iver Kleive seine unvoreingenommenen Interpretationen von Hymnen und religiösen Volksliedern. Das Album wurde von allen Seiten gelobt und gewann den norwegischen Grammy (Spellemann Music Award). Bla Koral war der Beginn einer musikalischen Zusammenarbeit, die uns bisher sechs Alben beschert hat, die alle die außergewöhnliche musikalische Handschrift des Duos tragen und alle bei KKV erschienen sind. In den letzten 30 Jahren haben sie unzählige Konzerte in ganz Norwegen und Dänemark gespielt. "Alle Musik, die uns tagtäglich umgibt, entspringt dem Bedürfnis, sich über das mitzuteilen, was uns allen unsere Gedanken und unser Leben gegeben hat", behaupten die Musiker. Zu ihrer Inspiration gehören europäische Orgelmusik, alte norwegische religiöse Volkslieder und traditionelle Chormusik aus den schwarzen Baptistenkirchen in den Südstaaten der USA. "All das ist eine fantastische Quelle, aus der man wunderbare Musik machen kann", fügen Kleive und Reiersrud hinzu.

BRUK welcomes the daring shapes and inquisitive textures of ELLLL for her debut album, Earth Rotation. Across 13 scuffed cuts and grubby miniatures the Irish producer shapes out a distinctive sound world, steeped in sample science and powered by low-slung grooves. There's no direct message permeating Earth Rotation, but burning issues around embattled ecosystems hang in the air as ELLLL pushes her sound palette until it bites. Extended instrumental techniques lend the album an in-the-room tangibility, while dislocated micro-loops speak to less grounded atmospheres. Starting from densely packed collages and diligently chipping away until spacious, head-knocking arrangements remain, the end results of ELLLL's process call to mind the wayward sample acrobatics that made trip-hop and jungle so emotionally resonant and eerily alien in the same beat. There's rarely anything like conventional boom-bap or a cosily familiar break, but ELLLL finds compelling rhythms in unlikely sources of funk, whether plucked, bowed, sequenced or sculpted. Even when teetering towards techno on 'Titan', her particular approach is gloriously skewed and, by extension, innovative. No matter how serious the techniques involved, Earth Rotation is a celebration of the magic that happens when sound gets mistreated. If there are foreboding ideas lingering in the album's tendency towards dissonance, ELLLL also knows how to inject her work with a necessary mischief, making her a perfect fit amongst the maverick BRUK alumni.

Dauw welcomes back the multidisciplinary artist Zander Raymond to the label with a reissue of his debut album ‘separate in space’. Previously only available on USB/digital, it's now presented in a remastered version for cassette tape alongside a risograph interpretation of the initial artwork.

“I’m listening to the album right now. Are you? If so, you’re likely awash in the humble glow of these tracks, which seem to wonder and wander in equal measure. Yet there are also keen shifts in pace, texture, and pulse that make Separate in Space a dynamic and extremely sessionable atmosphere to revisit. It is perhaps not surprising that, as a visual artist, Zander’s work is grounded in collage and sculpture. The necessary tactility of those mediums is certainly evident here, rippling and dimensional.

In this music, I hear the rhythms of different ecosystems and organisms being evoked–a burbling stream on one track, maybe a dawn chorus on another. Those same tracks could just as soon soundtrack a crowded morning commute. Its adaptability and cohesion are the result of the patient curiosity Zander brings to activating and arranging sound. I hope you’ll spend time with Separate in Space and discover how it shapes you.” - Ned Milligan (Florabelle Records)

Nausea's sole full length offering 'Extinction' finally available on wax again after more than two decades via Svart Records in December. The band’s only full-length album, Extinction, was originally released in 1990 by Profane Existence in the US and Meantime Records in the UK.

Now, Svart Records is proud to present this cult album with remastered sound, gatefold covers, booklet, and new album artwork taken from the poster included with the original pressing of the Extinction vinyl.

Nausea's sole full length offering 'Extinction' finally available on wax again after more than two decades via Svart Records in December. The band’s only full-length album, Extinction, was originally released in 1990 by Profane Existence in the US and Meantime Records in the UK.

Now, Svart Records is proud to present this cult album with remastered sound, gatefold covers, booklet, and new album artwork taken from the poster included with the original pressing of the Extinction vinyl.

First detected in the 1950s, Quasars remained a mystery for years with the massive amount of energy seeming to come from a very small area of space. Over time, astrophysicists theorised and proved that these celestial objects are black holes forming the centres of galaxies. For the latest Micron Audio release, 6SISS creates a sonic exploration of the many aspects of these gigantic cosmological bodies resulting in a collection of tracks that reflect their density, power, and luminosity. Each of the four tracks, QUASAR I-IV, represents a different phase of interaction with a quasar's energy, from initial observation to a final, euphoric absorption into the quasar's core: fizzing and enigmatic synths suggest the radio waves that travelled for thousands of years before being detected, while other bassier sounds bring to mind the vast gravitational pull of galactic centres, slowly attracting stars and planets alike towards them. As with all Micron Audio releases, QUASAR reveals a deep appreciation of scientific discovery and knowledge. Whilst avoiding retro-futuristic clich?, the imaginative abstract storytelling genre of electro is perfectly represented in this collection, in which 6SISS yet again emits his own densely packed work to emanate across the universe with a bold radiant energy.

M_Sessions - Reworks is offering a contemporary version of Mania D., Malaria and Matador’s music for the 40th anniversary. Bringing the past into the now and into the future.
Monika Werkstatt seemed the perfect choice for new interpretations. Founded in 2015, comprising female electronic musicians and producers from the entourage of Monika Enterprise and Moabit Musik. The loose collective played dozens of improvised concerts around Europe and released a studio album and live recordings in everchanging artist constellations. The M_Sessions involved Pilocka Krach, Beate Bartel, Midori Hirano, Mommo G, Lucrecia Dalt, Antye Greie-Ripatti, Natalie Beridze, Annika Henderson and myself. Here the form of interpretation is focussing on keeping the freedom of their improvised work and adapting it to the collective appropriation of songs. I cannot imagine a better reinterpretation of the material with its real life ups and downs and with its enthusiasm. (G.Gut)

"The three, reunited: Malaria, Matador and Mania D, unter einem Dach, but gutted, replaced with electronic hearts, new beats, new beasts, the time has changed, yet the politics, the problems, the heartache remains the same. 2021 sees the anniversary of the 3 M’s and therewith the production of an album of songs, covering a selection of the bands’ finest output, this time assembled by a new set of feminist misfits; producers, fangirls, instrumentalists, under the strict guidance of original members Gudrun Gut and Beate Bartel. M-Sessions features: AGF, Lucrecia Dalt, Sonae, Midori Hirano, Islaja, Natalie Beridze, Pilocka Krach, Annika Henderson (Anika), Lupe, Gudrun Gut and Beate Bartel. Beginning in West Berlin, in 1979, with the inception of Mania D, spawning Malaria! and later Matador; in a time when music was essential to movement, to escape, to space, to the scene and to the rebellion of the people; three bands stood for trial and error, trial and terror, anti- conformity, and anti-consumerism, for girl power and sticking it to the man, and for just doing whatever the hell they wanted. The three, their existence slightly staggered, with different members, different grudges, different heartbreaks, different instrumental expressions, were joined by a string of barbed wire, piecing pigeon hearts, within the playground that was the desolate ex-capital, now again capital, Berlin; a place where artists and freaks could run free amongst the wrinklies and army dodgers; no microscopes, no rules, no property developers." (ANNIKA HENDERSON)

Red Vinyl. Since emerging in 2015, Sextile have been a party-provoking force on the LA underground, capable of kicking up a riot with the raw-edged squall of a synth or the sharp-elbowed jerk of a guitar. Sextile are now ready to rage with a serotonin-boosting new album, a new group dynamic, faster BPMs, and an even wilder new direction. Recorded in Yucca Valley, Push bounces and bops at the fringes of hardcore dance music, with the hallmarks of drum & bass, gabber and trance illuminating the record like glowsticks at a `90s Fantazia rave. "Contortion" introduces the album with shadowy vocals from Keehn and a `00s-ready twist of dirty electro bass, setting the tone for the dance-punk rave-up that unfolds across 11 attention-grabbing tracks. There's plenty of historic teen angst and biting social commentary written into the album's vivid tales and misadventures. Balancing storytelling with face- melting synths that turn the tune into an acid trance character study, "No Fun" is penned from the perspective of a teenager trying to flee their town. A punk spirit underscores the album. The clue's in the name with "Crassy Mel," which partly serves as a high-energy dedication to `70s anarcho-punk legends Crass . The track's headbang - ing heft, vocal yelping, and Prodigy -shaped breakbeats accentuate the album's overwhelming sense of fun. Plus, the dreamy ambient wash at the end of the song is the ultimate palate- cleanser. Push was inspired by the kind of pleasure-seeking music fans whose social calendar comprises both the punk show and the rave. Josh Wink, Iggy Pop, Goldie, and early XL Recordings have all been namechecked as influences on Push , and the dancefloor remains a constant pres - ence. Repping their place of origin, "New York" brings these musical touchstones off the page, guiding the album like an acid-soaked lodestar with its grinning nod to "Higher State of Consciousness" and a whirlygig of music-box synths. There are still nods and "hellos" to the caustic post-punk of Sextile's earlier work. Sextile haven't relinquished their punk credentials, they've just given them a smiley-faced revamp.

A classic in the realm of Disco, ‘Spread Love’ by Al Hudson & The Soul Partners was a standout record from their album ‘Spreading Love’, originally released in 1978 on ABC Records. Having been covered and sampled various times over the years, this sought-after masterpiece has now been officially licensed for the first time in 46 years and remastered on 12 inch, thanks to the team at South Steet Disco. The A-side features the full extended intro version from the original album, whilst the B-side houses the 1978 12 inch single version, jumping straight into the action.

(Platipus 30 Years vinyl part 5/12, remastered audio) Platipus Records proudly announces the highly anticipated release of the 4th vinyl installment in the Platipus 30 Years series, featuring four iconic tracks that epitomize the label's storied sound.



Tracks by L.S.G. (Oliver Lieb), Moogwai, Terra Ferma and Adam Dived.



Iconic electronic UK music label Platipus proudly marks its 30th anniversary with the highly anticipated fifth installment of its exclusive vinyl series. Showcasing the timeless artistry that has defined the label for three decades, this special release features a stellar lineup of tracks: the ethereal Hidden Sun of Venus by German legend Oliver Lieb under his L.S.G. alias, the masterpiece The Labyrinth by Moogwai, the classic Lunar Sunrise by Terra Ferma, and the rediscovered gem Headfirst by Adam Dived. This meticulously curated collection encapsulates the essence of Platipus’ groundbreaking journey through electronic music, making it a must-have for fans and collectors alike. Celebrate the legacy with this stunning release, a true testament to 30 years of innovative sound.

Bruno Sanchioni unveils "Capture EP 3" on Art Max Records

Bruno Sanchioni, an icon of electronic music and creator of legendary projects such as Age Of Love and BBE, returns with Capture EP 3. This new EP continues the journey of its predecessors, promising a fresh immersion into his rich and innovative soundscape.

Capture EP 3 stands out with tracks that skillfully blend punchy acid lines with catchy melodies. Each piece maintains a hypnotic atmosphere while delivering surprises that captivate and enrich this work, showcasing Sanchioni's boundless creativity and mastery of electronic nuances.

This EP is a must-have for fans of authentic and innovative sounds, proving once again that the artist remains a cornerstone of the scene.


Bruno Sanchioni présente "Capture EP 3" sur Art Max Records

Bruno Sanchioni, icône de la musique électronique et créateur de projets emblématiques tels qu'Age Of Love et BBE, revient avec Capture EP 3. Ce nouvel EP s'inscrit dans la continuité des précédents, promettant une nouvelle immersion dans son univers sonore riche et innovant.

Capture EP 3 se distingue par ses morceaux qui fusionnent habilement des lignes acid percutantes avec des mélodies entraînantes. Chaque piste, tout en maintenant une ambiance hypnotique, offre des surprises qui captivent et enrichissent cette œuvre, témoignant de la créativité sans bornes de Sanchioni et de sa maîtrise des nuances électroniques.

Cet EP est un incontournable pour les amateurs de sonorités authentiques et novatrices, prouvant une fois de plus que l’artiste reste un pilier de la scène

Here we go with another release on the Mokum label.

Ever wish you could travel back in time and be in the thick of the 1960s rock explosion? Well, until an actual TARDIS is perfected, this album is the next best thing. Recorded in the wee hours of May 26, 1966, A Session with the Remains is a no-holds barred romp through their club set, captured live-to-tape in Capitol Records' studios. Recorded as an audition for the label, the albums seethes and snarls, twists and shouts, rocks and rolls and generally embodies the force of nature that was the Remains. Performing a mix of originals and current hits, the band is in command at every step, rocking one minute and pausing to kibitz between songs the next.

In attempting to describe this album, reviewers have used words like "blazing," "explosive," "delirious" -- but honestly, none of these descriptions comes close to what is contained in the grooves. It's like trying to tell a stranger 'bout rock & roll, ya know? All you really need to do is listen. After all, one guitar lick is worth a thousand words.

This BLAZING, EXPLOSIVE, DELIRIOUS album was painstakingly sourced from the one-and-only original two-track analog mono master tape and wrestled onto high-quality vinyl and compact disc for your review. I'd like to thank you on behalf of the group and Sundazed for listening and I hope they pass YOUR audition!

"A religious totem of all that was manic and marvelous about mid-'60s pop." - Rolling Stone

"Blazing through a mix of originals and covers, the Remains explode in a torrent melody, searing guitar leads and furious drumming. This quartet's ability to play with such delirious abandon yet still nail the tunes' sharp hooks and abundant vocal harmonies marks it as one of rock's more talented and incendiary units. - Chicago Tribune -

Riccardo Teri, Also Known as Quasar, Is Set to Make a Triumphant Return to Skylax Records With an Exciting New Ep That Pays Homage to the Golden Era of 90s Uk Garage. This Forthcoming 12-Inch Release Comprises Four Mesmerizing Tracks, Each of Which Carries the Distinct Imprint of Quasar's Signature style.

The Ep Kicks Off With "Told You Once," a Track That Immediately Transports You to the Halcyon Days of Uk Garage, With Its Infectious Beats and Soulful Vocal Samples. "For Your Love" Follows, Seamlessly Blending Classic Garage Elements With a Modern Twist, Demonstrating Quasar's Mastery of the Genre's Evolution. as You Move Further Into the Ep, "Morning Bells" Beckons With Its Entrancing Melodies and Rhythmic Grooves, Drawing You Deeper Into Quasar's Sonic World. Finally, "Inside My Love" Completes the Quartet of Tracks, Delivering an Exceptional Experience With Its Lush Harmonies and Finely Crafted beats.

What Sets This Ep Apart Is the Remarkable Cohesion Between Its Tracks. Each Piece Contributes to an Exceptional Whole, With No Single Track Standing Out as a Weak Link. Every One of Them Stands Alone as a Dancefloor Banger, but When United, They Form a Remarkable Sonic Journey That Will Undoubtedly Leave a Lasting Impression. in an Era Where House Music Often Leans Towards Various Sub-Genres and Experimental Directions, Quasar's Work on This Ep Serves as a Refreshing Reminder of the Classic Uk Garage Sound. It Harkens Back to the Days When the Genre Was at Its Peak, and Yet, It Feels Contemporary and Relevant. This Perfect Fusion of Nostalgia and Innovation Is a Testament to Italy's Enduring Love and Respect for the Pioneers of the genre.

In "Told You Once," Quasar Brings Us a Release That Exudes Absolute Class and Authenticity, Showcasing His Profound Dedication to the Essence of Uk Garage. With This Ep, He Not Only Pays Homage to the Masters of the Genre but Also Cements His Own Place Among Its Contemporary Torchbearers. It's a Must-Listen for Anyone Looking to Relive the Magic of 90s Uk Garage While Embracing the Evolution of the Genre. Skylax Records Welcomes Back Quasar With Open Arms, and Fans of Quality House Music Have Reason to Celebrate....

Niederländischer Metal-Klassiker remastered! Ein absolutes Highlight des 80er Speed/Power Metal endlich wieder erhältlich: „City Ad Mortis“, der
lang verschollene 80er Klassiker der niederländischen Speed/Power Metal Legenden Defender! Ursprünglich 1987 veröffentlicht, ist „City Ad Mortis“
nun remastered und endlich wieder erhältlich! Vom explosiven Opener „City Ad Mortis“ über das galoppierende „Deadly Peril“ bis hin zum epischen
„In The Beginning“ ist jeder Track ein Kraftwerk aus roher Energie, schweren Riffs und Simon Mentings hochfliegenden, wilden Vocals. Die
Bonustracks sind drei neu aufgenommene Klassiker der Originalband, die nach 38 Jahren endlich wieder auf Vinyl erhältlich sind (und natürlich auch
auf CD)!

2024 Repress
In early 2023, Tresor Records will reissue the sole output from Shifted Phases entitled The Cosmic Memoirs Of The Late
Great Rupert J. Rosinthrope. Initially released in 2002, soon after James Stinson passed away, this LP plays a mysterious and
compelling role in the Drexciya journey. While other records of Drexciya and related projects have received numerous reprints
and editions, The Cosmic Memoirs... has remained out of print since its release. This rarity leaves it more open to
interpretation with its place in the Drexciyan storm series, as it became increasingly hard to find and underexplored.
Track titles Solar Wind, White Dwarf, and Lonely Journey of the Comet Bopp reveal a focus on cosmic realms, suggesting a link
with the Drexciya LP Grava 4 that moves from the underwater to the galactic. As it launches with mechanical blows on a
precise orbit, each repetition entrenches the gravitational pull in the galaxy of Shifted Phases. In many places, it sounds like
the readout of frequencies harvested from outer space, pockmarked with packet loss from the millions of kilometres distance
travelled.
The music is hard to contain, intuitively restless in motion through its unfolding universe and achingly resonant. It shapeshifts
across aectedly melodic sequences such as in Lonely Journey..., to the sparse, hard-hitting timbres found in Alien Vessel
Distress Call and the mangled reverse vocals in The Freak Show, somewhat reminiscent of another Drexciya side-project, Glass
Domain. The mythology of Drexciya is evident in how keenly James Stinson and Gerald Donald created their imaginary worlds.
In Crossing Of The Sun-Ra Nebula, there is an undisputable reference to another Afro-futurist who delved deep into a galaxy of
their own making.
This reissue does not merely close the loop on Tresor's reissue series of the Drexciya catalogue but brings Shifted Phases to
fresh ears more than other records. Accompanied by newly commissioned artwork from Matthew Angelo Harrison, the 3xLP
vinyl reissue also features the tracks Crossing Of The Sun-Ra Nebula and Alien Vessel Distress Call, which were previously only
on the original CD release.