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This fourth EP in the Time Crystals series sees Troy returning to the label with a low-key driver, carried by sharp percussion and filtered chords that keep the attention locked in before Ukrainian Svarog and Ma-gooch take over, delivering their signature sound - evolving pads, dreamy soundscapes - resulting in yet another beautiful early hours piece of music.

Wonderchild Luigi Tozzi proves once again that he is a master at blending ambient-influences with dubby atmospheres, resulting in music that fits both dancefloors and living rooms. For the EP's forth track Jonas Korbl, who you might remember from his debut album in 2017 on Dynamic Reflection LTD, combines energetic percussion patterns and synth rhythms.

His Primal Grade is a seemingly perfect successor to Tozzi's Haboob, as both artists obviously take pride in their carefully arranged and modestly performed pieces of techno.

Equilibrium is part of Dynamic Reflection's 15 year anniversary celebration: Time Crystals. This is the fourth of five EP's. Own all five and an all new, visual piece of art will appear.

Air Texture proudly announces its latest artist-curated compilation, “Hardwired,” assembled by Berlin-based musician JakoJako. This expansive collection celebrates the implicit connection between hardware-focused electronic producers, featuring contributions from Rødhåd, Acid Pauli, The Field, Neon Chambers, and many more.

“Hardwired” draws its conceptual foundation from synthesizer terminology. As JakoJako explains: “A hardwired synth has connections already soldered into the machine—it comes with certain functions without needing to patch cables externally. As a hardware producer, I feel whenever I meet someone who creates music as I do, we have this immediate connection, like a hardwired synthesizer. There’s no need for small talk—we can speak about gear.”

This metaphor of pre-established connections forms the emotional core of the compilation, celebrating the community of hardware enthusiasts who share an intuitive understanding and appreciation for machine-based music creation.

JakoJako has established herself as one of electronic music’s most intriguing voices, exploring the territory between technical precision and emotional expression. Her artistic approach balances rigorous knowledge with unrestrained intuition, creating works that reach beyond genre boundaries.

A Berghain resident with performances at Dekmantel and Fusion, to the Royal Albert Hall and the Barbican, JakoJako has released music on prestigious labels including Tresor, Mute, and Leisure System, and crafted remixes for artists like New Order and Martin Gore. Her deep relationship with analog and modular synthesis, including her ongoing connection to Berlin’s SchneidersLaden, informs her distinctive sound.

Following her recent Mute album “Têt 41,” this curation for Air Texture provides further insight into the musical universe that has shaped JakoJako’s artistic vision.

“Hardwired” showcases 23 tracks for its digital release, with a select 9 tracks pressed to vinyl. The collection spans the spectrum of contemporary electronic music while maintaining cohesive focus on hardware-driven production approaches.

Highlights include collaborative works between JakoJako and fellow producers Mareena and Frank Wiedemann, alongside contributions from established artists like Rødhåd, Acid Pauli, and The Field, plus emerging talents representing the hardware renaissance in electronic music.

Founded by James Parker Healy, Air Texture emerged from New York City’s late ’90s rave scene, carrying forward the fundamental PLUR (Peace, Love, Unity, Respect) ethos with a collaborative and curatorial focus. Air Texture has evolved from its roots in Manhattan’s club era and Brooklyn’s warehouse scene to embrace a global perspective, working with producers across diverse styles and regions worldwide through the label and its PLace: nonprofit series.

Straight from Los Angeles, California, this fresh new single will take you for a journey into the Disco Boogie Galaxy.
Infectious grooves, fat basslines and powerful italian lyrics from the talented singer Moorea Masa.
Get ready to fall in love with the unstoppable & catchy vibes of Rosmarina!

A NEW DANCEFLOOR BOMB IS BORN FOR YOUR SUMMERTIME PARTY BY THE SEA.

Format Details: 12” matte jacket, orange & blue side A/B effect colour vinyl, dust sleeve & marketing sticker.

Originally released in 2002, Daylight EP was the follow-up to Aesop Rock’s critically-acclaimed Labor Days album, a cult classic released only six months prior. The EP was built around its titular opening song, “Daylight,” one of the standout tracks from Labor Days, and continued expanding upon the range and depth of Aesop’s multi-talented gifts for writing and producing. In addition to the title track, Daylight EP also included its counterpoint, “Night Light,” an alternate version in concept whose paraphrased lyrics simultaneously refer back to– and stand in stark opposition to– the original's, over darker, more menacing production. The tracklist for Daylight EP boasted seven songs plus a hidden track for a total of eight, and collectively featured production by Blockhead, El-P, Blueprint and Aesop Rock himself, as well as guest appearances from Vast Aire (Cannibal Ox) and Blueprint.
At the time of its initial release, Daylight EP was only offered in CD and digital formats, while the vinyl was stripped back, available only as a three-song 12” single. Now, Rhymesayers Entertainment is pleased to present the complete EP on vinyl for the first time ever, pressed on two-color side A/B effect orange & blue vinyl to complement the original artwork. Finally, fans and vinyl collectors everywhere can own this integral piece of Aesop Rock’s legacy and enjoy the genius behind this project.

Black Hole Superette, the latest album from Aesop Rock, delves into the invisible forces that shape our lives and psyches. It's about the small, often overlooked moments_the everyday experiences that blur the lines between the real and the unreal, waking and sleeping. Aesop's signature gift for transforming the mundane into something dreamlike gives the album a surreal quality, leaving listeners questioning what's truly real as they navigate its vivid, half-remembered imagery. Entirely self-produced, Black Hole Superette is one of Aesop Rock's most technically accomplished works to date. The album's intricate beats and complex structures provide the perfect backdrop for his expansive lyricism, balancing cerebral exploration with emotional depth. From the reflective 'Movie Night' and the eccentric 'Send Help' to the wistful 'Black Plums,' Aesop channels the spirit of a mad scientist, experimenting with sound and concept in ways that defy the ordinary. With a stellar lineup of collaborators that includes Lupe Fiasco, Armand Hammer, Hanni El Khatib, Open Mike Eagle and Homeboy Sandman, Black Hole Superette is dense and kinetic, an album that deftly navigates between complexity and instinct. It's clear this project stands as one of Aesop Rock's most multifaceted and ambitious works yet.

Step back into one of the most exciting years in pop history – a time when boundary-pushing alternative anthems, flawless dancefloor fillers, global megastars and fresh faces all collided on the charts. NOW - Yearbook 1997 celebrates an unforgettable year of hits with 43 massive tracks across a 3-LP set pressed on gorgeous green vinyl.

LP1 kicks off in style, with the stunning jazz-drenched ballad from legend George Michael, ‘Older’, before Natalie Imbruglia's huge debut single ‘Torn’. The Cardigans had a #2 smash with ‘Lovefool’ and Hanson hit the US & UK #1 with ‘MMMBop’. ‘Barbie Girl’ from Aqua and the Spice Girls’ anthemic ‘Spice Up Your Life’ were both #1s, and Boyzone’s ‘Picture Of You’ was a huge hit and featured in the film ‘Bean: The Ultimate Disaster Movie’. Eurovision glory happened for the UK in 1997, and winners Katrina And The Waves with ‘Love Shine A Light’ close the first side…while over on the other, a second George Michael classic from his ‘Older’ album, the beautiful ‘You Have Been Loved’, opens ahead of another contemporary masterpiece ‘Secret Garden’ from Bruce Springsteen. Texas scored a UK top 5 with ‘Say What You Want’, and Sheryl Crow had a top 10 hit with ‘A Change Would Do You Good’. Paul McCartney’s ‘Young Boy’ is next before ‘Ready To Go’ which gave Republica a Top 20 chart debut, and closing the first LP, Robbie Williams’ ‘Old Before I Die’, which became his second smash as a solo artist.



LP2 kicks off with Radiohead’s defining ‘Paranoid Android’, ahead of Kula Shaker’s hit cover of ‘Hush’, and alt-pop from Embrace (‘All You Good Good People’), The Charlatans (‘North Country Boy’) and The Seahorses (‘Love Is The Law’) before the side closes with Oasis’s huge #1 ‘D’You Know What I Mean?’ – the lead single from their third album ‘Be Here Now’… Flip the LP over and discover some of 1997’s dancefloor gold – opening with the club juggernaut and #1 ‘Professional Widow’ from Tori Amos, remixed for single release by Armand Van Helden, along with Olive’s UK #1 ‘You’re Not Alone’ and the huge ’97 ‘Now Voyager’ remix of ‘You Got The Love’ from The Source feat. Candi Staton. En Vogue’s powerful ‘Don’t Let Go (Love)’ is up next, ahead of ‘I Wanna Be The Only One’, a #1 for Eternal feat. Bebe Winans. LP2 finishes with pure pop gems from 911 with ‘Bodyshakin’, Backstreet Boys with ‘Everybody (Backstreet’s Back)’ and Steps with their debut hit ‘5, 6, 7, 8’.



The final LP opens with Pet Shop Boys’ and their brilliant version of the musical classic ‘Somewhere’, ahead of the genre-blending #1 ‘Your Woman’ from White Town, and the atmospheric ‘Out Of My Mind’ from Duran Duran. Suede’s plaintive ‘Saturday Night’ leads into three of the years’ electronic dance music highlights: Orbital provided the theme to the remake of ‘The Saint’, Moby with his re-imagining of the classic film-series theme: ‘James Bond Theme (Moby’s Re-Version)’ and The Chemical Brothers with the massive ’Block Rockin’ Beats’ completing the side…Turn the LP over for the final side featuring the debut from All Saints with ‘I Know Where It’s At’, and fabulous dance-pop from Whitney Houston with ‘Step By Step’, and both Ultra Naté and Dannii Minogue enjoyed euphoric hits with ‘Free’ and ‘All I Wanna Do’. Pan-European smash ‘Encore Une Fois’ from Sash! is followed by Ricky Martin’s global success ‘María’… but the final word on the collection goes to Elton John. His superb ‘Something About The Way You Look Tonight’ was one half of the biggest selling single of – not only 1997 – but of all time and ends the collection on a perfect pop high.



NOW – Yearbook 1997: A celebration of the diversity and creativity in the charts of a truly magical year in pop.

On the occasion of the celebration of the tenth anniversary of our work, in cooperation with PGP-RTS, we prepared a quite special edition: Max And Intro-Return To The Future 1984-1994 LP collects 12 tracks of this legendary Belgrade synth-pop group on high-quality 180-gram vinyl, remastered from the original master tapes with a handful of extras: the record comes with a rare interview from 1985, a lyrics sheet, and phenomenal unreleased photos by Goran Basarić and Max’s Poster.

After offering the label a beautiful closing composition on its various artists compilation Reflection EP, Rotterdam live act, producer, and DJ Mata Disk returns to Polychrome Audio with LFH-Proxy EP. Featuring two original club tracks and their interpretations by producers Eversines and Jopie, this project further cements Julian Determann’s singular musical identity while opening it up to new dimensions and patterns.

A1. Life Force Harmonizer (“LFH”) opens the dance by capturing the sweet nostalgia experienced during club morning hours. Mata Disk’s sound palette is here in full display, the energy carried by sharp drum design and a propulsive bassline is lifted by melodious pads offering the track its tenderness. On the B1, Rotterdam producer Jopie creatively re-imagined these feelings, stripping down and reshaping LFH onto a track flirting with breaks and IDM progressions.

With Proxy, Mata Disk dims the light slightly, with a drum workout track to keep the dance alive. The very progressive and low-end focused build-up paired with a tension-building synthesized lead offers the A2 track a smooth build-up. De Lichting member Eversines elegantly switches the sound narrative, transforming Proxy into a dark electro-leaning tech house track carrying the same tension. Adding emotion into the mix with an anthemic melodic lead, Eversines’ Proxy Ziggo Mix serves as a perfect closer.

3XL’s first new release in 2025 by Italian trio Cortex of Light is a synapse-tickling dose of classic FSOL-era world-building that takes in gloopy trance cooked down with sub-heavy, vaporous dub, mutant acid, breakbeat rave, Artificial Intelligence and a Mark Fell-style algorithmic brainmelt.

You'll know if you've spent any time following Piezo's output that the Milan-based producer and Ansia boss has a knack for lysergically enhancing any club template he sets his sights on. With releases on Idle Hands, Wisdom Teeth, Loefah's 81 and most recently Dekmantel, Luca Mucci has blottered up dubstep, hard drum, 2-step and minimal techno, here re-convening with fellow Milanese journeymen Aitch and primordial OOze/xàr num as Cortex of Light to blur those edges even further

'ILLUMINOTECNICA' isn't the trio's first release, but it's their most substantial and easily most developed. If 2024's 'Aeon Is A Child At Play With Colored Balls' showed off their aptitude for threading their luminous soundscapes into a horizontal soundtrack, then this album is a proper chance for Cortex of Light to show off their versatility in a different setting, matching dancefloor hallucinations with expertly sculpted sound design.

Psilocybin-tainted soundscapes scrape into breathy flute sounds and chest-thumping bass drops on the opener, haunted by a vision of electronic music that's been contrived in back rooms, squats and outdoor raves for decades at this point. Like so much of the rest of the 3XL catalog, there's a drive and coherence here that comes from classic dub techno and chill-out room fodder (think The Black Dog or Pentatonik), but always infused with something that dates it to the present era, be it a tactile sliver of Visible Cloaks-style neo-new age ambience, or a sort of mescaline-dipped take on Photek's bass-heavy, meticulously hazed 'Solaris' period downtempo gear, chopped 'n screwed into the uncanny.

Dune Castle presents - From A Darebin Cave by Cantrips, an acid folk odyssey. Recorded live with a 7-piece band over two days, "From a Darebin Cave" features members from Surprise Chef, Don Glori, Karate Boogaloo, and more.

Centered around the nylon guitar and voice of Patrick Ryan (Cantrips), this album draws inspiration from late 60s/early 70s acts like Nick Drake, Terry Callier, and Donovan. The album also incorporates string arrangements reminiscent of Frank Sinatra's "Watertown" and late 60s psychedelic pop. This unique sound was crafted by two keyboardists emulating a string quartet with synthesizers, complemented by drums, percussion, double bass, and pedal steel guitar.

The lyricism delves into themes of isolation, loneliness, regret, and joy, inspired by the natural beauty of the Darebin Parklands surrounding the Dune Castle studio, and takes influence from Romantic poets such as Mary Oliver, William Blake, and Pablo Neruda.

Way back when, Upgrade & Afterlife was the umpteenth release from the individual and collective forces of David Grubbs (known then for Bastro, The Red Krayola, Codeine, Squirrel Bait) and Jim O"Rourke (known for O"Rourke), whose further history has since numbered at least another umpteen or so essential listens. What is it though, wrapped up in delectable sonic amber here, that defines this Upgrade? To be sure, we hear these young men dashing through the joys of youth-their actual young youth-as well as a version captured in memory and relived with a performative touch. Time remembered as tones, with gravity gained via perceptions. The stuff of memory and sentiment as selective and potentially deceptive in their nature. Who needed "em? As part of its time-traveling function, Upgrade & Afterlife is a return to roots, but not always necessarily Gastr"s. They were more than happy to stand on branches up above other folks in order to see any next thing worth leaping for. In addition to the elder-statesman Conrad, Gastr del Sol drew upon a memorable spectrum of players for the sounds of Upgrade & Afterlife, including Anthony Burr, Steve Braack, Gene Coleman, Mats Gustafsson, Terri Kapsalis, John McEntire, Günter Müller, Jerry Ruthrauff, Ralf Wehowsky and Sue Wolf. When issued, this combination of players, parts and play - packaged in an impressively broad tip-on Stoughton gatefold sleeve emblazoned with Roman Signer"s instantly iconic "Wasserstiefel" image - became the fastest-moving Gastr del Sol record to date. A delightful result, to our way of thinking, of the band"s ability to push at the far boundaries of their music while consolidating upon pleasure points within sounds and songs. Gastr used these polarities to compulsively draw the listener intimately close with sudden injections of g-force and an uncanny interpolation of space.

The object appears at close range, triggering neuro-pop circuits that activate deep within a network of dubwise rhythmic traces. their glow begins to pool between the gaps in the wires as we zoom, in four jumps, from a the span of a familiar room to the diameter of a paranoid microscopic twitch. Externalism all the way down. two longtime collaborators re-render: loveshadow’s anya prisk again lends her voice, wrapping a heavy halfstepping throb in her signature panorama of sheer and lace. sean conrad, west coast stargazer and steward of the inner islands label, paints wistful figures with his ewi. moving closer, the arrangements reappear as hollowed-out echoes, shedding their semantic forms as their edges leave view. closer still, the surface becomes a total matrix of vision comprised of countless flickering bits.

Danilo and Liza Farba founded the band Farba Kingdom in Odessa, Ukraine. Like many other old port cities, it has always been a multicultural place – but also one of constant change. It is these rapid changes in living conditions that the duo processes musically – with a penchant for nostalgia as a protective shield for themselves and their audience. What does that sound like? Dark, electronic, and wavy.

In 2020, the band established this musical direction with their debut album "Німб": the desperation of post-punk, along with unsettling, crushing industrial vibes and well-thought-out hypnotic synth sequences. Listening to their music, one immediately conjures up the architecture of their hometown, where the mystical neo-Gothic style alternates with Soviet Constructivism. A visual experience that screams the hopeless sadness of this era to the world.

Danilo and Liza Farba are currently in exile in Romania.

After a three-year hiatus from releasing new music, Błoto knew they had to make up for the long wait with a flood of fresh material. Their fruitful recording sessions at Studio Pasterka produced a wave of new tracks—like mushrooms springing up after the rain. These sessions have already brought us two 7" singles, the Grzybnia LP, and now, rounding off this chapter, comes the final piece: the album Grzyby (eng. Mushrooms).

Anticipation for new Błoto releases reached a fever pitch. Vinyl collectors quickly snapped up all copies of the singles Szlam / Ścieki and Bakteria, the latter featuring a guest appearance by DāM-FunK. In less than six months, nearly all copies of Grzybnia were sold out—setting a record pace for Astigmatic Records. In the meantime, the album was nominated for a Fryderyk Award in the Alternative Music category. Though Grzybnia didn’t take home the prize, Błoto did win a Fryderyk for their track “Godzina W”, featured on the WAWA album dedicated to the Warsaw Uprising. It’s been an electrifying time for the band, filled with shows across Poland and abroad.

Far Out Recordings continues its reissue campaign of the late Argentinian guitarist Agustin Pereyra Lucena's work with the first-ever vinyl reissue of his singular 1988 private press album, Puertos De Alternativa, now his most sought-after LP. The album features some of Agustin’s most uniquely beautiful compositions, including “Luces de Valeria” and “Preparativos Maritimos,” alongside Baden Powell's “Pequeño Vals” and “O Cego Aderaldo (Nordeste...),” and “Tema Barroco” by his longtime collaborator, Guilhermo Reuter.

By 1988, Agustín had established himself as one of Argentina’s foremost interpreters of Brazilian music. The seventies saw success with his group Candeias, and he gained recognition in Brazil, forming friendships and collaborations with luminaries such as Vinicius de Moraes, Baden Powell, Dorival Caymmi, Toquinho, and Maria Bethania. Following the era of dictatorship in South America, Agustín spent the late seventies and early eighties, living and touring in Norway as part of his European travels with his group Agustín Pereyra Lucena quartet.

Recorded after returning to his native Buenos Aires, Agustin Peyera Lucena’s Puertos de Alternativa emerged from this confluence of diverse experiences and influences, revealing an artist deeply connected to his environment. The album's title, meaning "Alternative Harbours," reflects Agustín's particular affinity for water. He observed that much of his favourite music originated from places with rivers and seas nearby, noting, "There is a flow near water that influences guitar playing for sure."

With a profound connection to both instrument and environment, Agustín’s music is often difficult to place. The album begins rooted deeply in South American soil, drawing clear inspiration from Brazilian guitar masters like Heitor Villa Lobos, Garoto and Baden Powell. But, as it progresses, a sense of journey unfolds, evoking new landscapes and horizons – from the crystalline beauty of glacial Norway to the gentle currents of the Rio de la Plata.

The ensemble on Puertos de Alternativa features notable Argentinian musicians, including drummer Osvaldo Avena, flautist Rubén Izarrualde, and saxophonist Bernardo Baraj.

Mastered by Stuart Hawkes at Metropolis Studios from the original master tapes which had been lovingly kept by Agustin’s nephew José Lucena Perreyra


Tracklist & Credits:

A1. Luces De Valeria (Agustin Pereyra Lucena)
Guitar, Vocals – Agustin Pereyra Lucena
Piano, Bass, Drums, Vocals – Guillermo Reuter
Tamboril – Julio Said

A2. Pequeña Valsa (Baden Powell)
Arranged By Flute – Lucho González
Drums – Osvaldo Avena
Flute – Alejandro Santos
Guitar – Agustin Pereyra Lucena
Tambora – Eduardo Avena

A3. Planicie (El Llano) (Agustin Pereyra Lucena)
Arranged By Flute – Lucho González
Flute – Rubén Izarrualde
Keyboards, Acoustic Bass, Percussion, Arranged By Keyboards – Guillermo Reuter
Guitar – Agustin Pereyra Lucena

A4. Tema Barroco (Guillermo Reuter)
Guitar – Agustin Pereyra Lucena
Percussion – Guillermo Reuter

A5. O Cego Aderaldo (Nordeste...) (Baden Powell)
Guitar – Agustin Pereyra Lucena

B1. Tres Que Quedaron (Agustin Pereyra Lucena, Andrés Laprida)
Drums – Osvaldo López
Flute – Rubén Izarrualde
Piano, Keyboards, Bass, Directed By – Guillermo Reuter
Soprano Saxophone – Bernardo Baraj
Electric Piano, Arranged By – Andrés Laprida
Guitar, Electric Guitar, Vocals – Agustin Pereyra Lucena

B2. Preparativos Maritimos (Andrés Laprida, Agustin Pereyra Lucena, Guillermo Reuter)
Guitar, Vocals – Agustin Pereyra Lucena
Keyboards, Acoustic Bass, Percussion, Arranged By – Guillermo Reuter

B3. Puertos De Alternativa (Agustin Pereyra Lucena)
Guitar, Effects – Agustin Pereyra Lucena

B4. Casi-Numbe (Luis González Cárpena, Agustin Pereyra Lucena)
Bass – Lucho González
Bass Flute – Rubén Izarrrualde
Berimbau – Horacio Veros
Keyboards, Piano, Vocals, Drums, Arranged By – Guillermo Reuter
Guitar, Vocals, Arranged By – Agustin Pereyra Lucena

Syz launches his new label Vitalizm with VTLZM001, a 4 track sure-shot from its founder of wily club rhythms mutated anew through adventurous construction and intuitive dancefloor nous.

Club rhythms for the soul; a nourishing manifesto for the rave, and for Syz a vital spark through which energy and groove emanate. A prolific producer with a beloved back catalogue, he is no stranger to the sounds that embody the propulsive nature of UK club rhythms. Vitzalizm though is a new venture, his inaugural label founded on the promise of showcasing new and varied developments along the Syz sonic journey. It’s a wide-ranging ethos informed via a complex web of influences that continue to make afresh of club music, while also paying homage to the culture of yesteryears with small vinyl runs and limited lathe-cut dubplate specials.

On VTLZM001, the label’s inaugural release, its founder gets right to it. Down & Twist steps first with an all-round sexy affair, a 2 step mover that swivels deftly on its latin inclinations while updating the early 00’s garage template with fwd> attitude. Next, Bakayadaskunka writhes as a complex beast, busy through the broken beat while its tactile low end purrs and throbs within. Fidget goes faster, a tribal wonderland that pumps giddy yet nimble across its myriad of basslines. The Lizm sees us off, a supple percussive playground which swings playful and loose amongst a livewire of subs, weightless pads and a faint dub echo.

A succinct dancefloor statement of intent from Syz, and an exhilarating beginning for Vitalizm.

Barcelona’s Egyptian Greyhound and Berlin-based Ziel join forces in search of a modern sound rooted in the spirit of classic dancefloor cuts. Riding the revival wave, their EP blends Progressive, Trance, and Balearic elements with Classic House undertones.

A1 – Ziel’s "Divinity" is a sensual vocal track, channeling the eroticism and transcendentalism of past eras. Straddling the line between after-hours soft-trance and progressive house with Hi-NRG ambition, it delivers a compelling emotional punch.

A2 – "A Life in Paradise" follows in tone but leans further into Classic House. Less Hi-NRG, more warmth — it’s a strong warm-up tool, ideal for building energy early on.

B1 – "Nature Dancer" by Egyptian Greyhound brings a powerful kick and drum groove for peak time, combining Balearic colors and trancey aesthetics to ignite the dancefloor.

B2 – "Ace of Swords" sees both producers come together for a trippy, acid-tinged closer that fuses deep Trance and Balearic moods into a dreamy final statement.

Gilles Peterson presents International Anthem is a compilation chronicling the legendary London-based radio host, DJ, label head, curator and cultural impresario"s long-standing affinity for and interaction with artists and music from the Chicago-born record label International Anthem. The tracks on this compilation were chosen by Peterson via an extensive review of track lists from his broadcasts on BBC Radio 6 Music, Worldwide FM, and various syndicated radio programs. The compilation also includes a previously unreleased track recorded live on the Peterson-founded online radio station Worldwide FM. This album is released via International Anthem as part of their "IA11" series of releases and events - where the label celebrates their eleventh year of existence by looking back on their first ten years while establishing new standards for the next ten years.

Atlanta Based Band Rujen And their Album "Velvet Dream".
Velvet Dream is more than a collection of songs - it’s a cosmic nudge sent to remind you that your future begins with a choice. You close your eyes and a vision begins to form: a life just beyond your reach, patiently awaiting your arrival. It’s the version of yourself you imagine when you tune out the noise and tune in to the things that make you feel. With their Broc Recordz debut, Rujen aim to open doors through that very threshold with 11 tracks of 70s-tinged space rock that thoughtfully weave together lyrical themes of time, personal agency, and the pursuit of silencing self-doubt.

Red Vinyl. Jim Jarmusch's crypto-vampire love story film, "Only Lovers Left Alive" won the 2013 Cannes award for best soundtrack. The soundtrack, predominantly by Jozef Van Wissem and SQU"RL, also features Zola Jesus, Yasmin Hamdan and Madeline Follin (of Cults). "Only Lovers Left Alive" which is set against the romantic desolation of Detroit and Tangier, features an underground musician (Adam, played by Tom Hiddleston), who is deeply depressed by the direction of human activities. He reunites with his resilient and enigmatic lover (Eve, played by Tilda Swinton). Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister (Ava, performed by Mia Wasikowska). Can these wise but fragile outsiders continue to survive as the modern world collapses around them?The physical formats of the soundtrack have been out of print for years and the vinyl will cost you a pretty penny on Discogs. Sacred Bones is thrilled to bring this incredible soundtrack back in print on several variants including clear and red splatter vinyl.SQU"RL are: Carter Logan, Jim Jarmusch, and Shane Stoneback. An enthusiastically marginal rock band from New York City who like big drums & broken guitars, cassette recorders, loops, feedback, sad country songs, molten stoner core, chopped & screwed hip-hop, and imaginary movie scores. Jozef Van Wissem is a Dutch minimalist composer and lute player based in Brooklyn.