Das Album zeichnet sich durch eine düstere und allgegenwärtige Melancholie aus, die Themen wie Isolation und emotionale Konflikte auf großartige Weise zusammenfasst. Am besten hört man sich ,The Longest Night" in den dunkelsten Stunden der Nacht an, denn es ist ein Album, das einen sanft umhüllt. Obwohl NATTRADIO sich von verschiedenen Quellen inspirieren lässt, hat ihre Klangwelt sicherlich am meisten mit der Ära von KATATONIA seit Discouraged Ones gemeinsam.
Vor allem die Stimme des Sängers klingt auffallend ähnlich wie die von Jonas Renkse. So sehr, dass man sich nur fragen kann, ob es tatsächlich die charakteristische melancholische Stimme des KATATONIA-Sängers ist, die zu den Sound Noir-Klängen singt. The Longest Night ist eine bewegende Reise durch das Labyrinth der Melancholie, die den Zuhörern eine immersive und introspektive Klanglandschaft bietet.
Suche:s düb
- Black Coffee
- Moon Behind Fleet Of Clouds
- Are You Here With Me
- Seven Faces Of Naima
- Quiet Mystic Places
- Propella Plain
- Unaware She Approaches Me
Jiyu wird als moderner Late-Night-Nu-Cosmic-Space-Jazz beschrieben. Mit ihrem hochgelobten zweiten Album "Totem Of Quiet Mystic" erhielt die dänische Formation internationale Anerkennung von Medien wie Jazzwise und einer Vielzahl legendärer DJs wie Patrick Forge und Chris Coco. Die tiefgründigen, instrumentalen Arrangements, vollgepackt mit analogen Synthesizern, E-Piano, Bläserthemen, Chorarrangements und einzigartigen Bass-Drum-Percussion-Grooves, verschieben mutig die Grenzen zwischen den Genres und reichen von Contemporary über Jazz-Funk und World-Crossover bis zu Spiritual und Cosmic Ambient Jazz.
This is the first new Andy Boay album since 2013’s In The Light. I recorded it in January 2024 to a Yamaha MT8X 8-track cassette recorder in my room at the New York Center for Creativity & Dance in the East Village of Manhattan.
I mixed it in June 2024 with Joe Santarpia and Roberto Pagano at the Idiot Room in San Francisco. The three songs on Side A (“HBM,” “If I Ever Come Off,” and “You’re In The Air Now”) were initially arranged over several live performances using a multi-track looper. When I then sat down to track them to my tape machine, I meticulously sang and played out all repeating parts, layering and ping-pong-bouncing each doubled take to another tape-track. In this way I hoped to maintain the hypnotic quality of the looped parts while keeping them organic, singular, and fleeting. Side B is a triptych of more carefully arranged pop songs: a tremolo & mod-delay elegy to youth called “Careless,” bookended by two variations on the same theme — the stark, mellotron prayer of “One & One” and the lonesome after-hours funk of “I Want More”. The line “You took that walk for the two of us” has a dual meaning. In 2011, my friend Spencer Gilley took a long walk through Montreal while listening to demos I’d recorded.
He described the experience to me as magical, ecstatic, inspiring. His encouragement from that moment still echoes every time I sit down to write or record. Less than a year later, I met Florida musician Thomas Fekete. We formed a deep, brief friendship that lasted until his death in 2016. Thom entered my life during a chaotic time and helped me find direction and courage. He took me on a tour that shifted the course of my life. We bonded over surviving cancer as young men, Florida’s noise scene, and the strange lives we led as touring guitarists (he in Surfer Blood, me in Mac DeMarco’s band). Thom could always warmly anticipate all of my joy, humor, and curiosity—and all of my pain, anxiety, and fear. In this way, it felt like he was also taking that walk for the two of us—gently guiding me down a path he had already traveled. Andy Boay (Andy White) began playing and recording music as a teen in Orlando during the early 2000s, exploring noise, psych, and pop in bands and solo projects.
He has played in the duo Tonstartssbandht with his brother Edwin since 2007. He spent six years playing guitar in the touring band for Mac DeMarco. Andy Boay’s music taps the euphoric and the sorrowful, both onstage amongst friends and strangers, and tracking alone at his 8-track in the studio. These days he lives and works in the East Village neighborhood of New York City.
- 1: Guitar Song
- 2: Fruit & Iceburgs
- 3: Between Time
- 4: Fruit & Iceburgs (Conclusion)
- 5: Blue My Mind
- 6: Keeper Of My Flame
“Godzilla just walked into the room. People just stood there with their eyes and mouths wide open.” To hear Randy Holden describe the audience’s reaction in 1969 to his solo debut performing with a teeth-rattling phalanx of 16 (sixteen!) 200 watt Sunn amps is about as close as one will get to truly experience the moment heavy metal music morphed into existence. However, at last Riding Easy have unearthed the proper fossil record. Population II, the now legendary, extremely rare album by guitarist / vocalist Holden and drummer / keyboardist Chris Lockheed is considered to be one of the earliest examples of doom metal.
Though its original release was a very limited in number and distribution, like all great records, its impact over time has continued to grow. In 1969, Holden, fresh off his tenure with proto-metal pioneers Blue Cheer (appearing on one side of the New! Improved! Blue Cheer album and touring for the better part of a year in the group), aimed for more control over his band. Thus, Randy Holden - Population II was born, the duo naming itself after the astronomical term for a particular star cluster with heavy metals present. “I wanted to do something that hadn’t been done before,” Holden explains. “I was interested in discordant sounds that could be melodic but gigantically huge. I rented an Opera house for rehearsal, set up with 16 Sunn amps. That’s what I was going for, way over the top.” And over the top it is. The six-song album delves into leaden sludge, lumbering doom and epic soaring riffs that sound free from all constraints of the era. It’s incredibly heavy, but infused with a melodic, albeit mechanistic, sensibility.
Troubles with the album’s release bankrupted Holden, who subsequently left music for over two decades. It was bootlegged several times over the years, but until now hasn’t seen a proper remaster and has yet to be available on digital platforms. “The original mastering just destroyed the dynamics of it,” Holden says. “They flattened it out. Now we got a really nice remaster that should be the closest thing to the original recording.”
The LP and CD are the first reissues of this album from 1976. The LP is re-issued in its original format due to demand that has driven the value of the pressing on All Platinum to in excess of £400. The CD is the first issue here in this format and comes complete with two preceding singles and a post album release of the 12' mix of My Man Is On His Way' in 1978, the only 12' release on all Platinum. This makes the CD the complete collection of Retta Young songs including her UK Top 40 chart hit (Sending Out An) S.O.S. which appeals to both northern soul and disco audiences. The complete album is a gem for connoisseurs of quality modern soul from the 70s.
- A1: Main Title
- A2: Fite Nite
- A3: Bumpy Ride
- A4: Dan Ducks Out
- A5: Bonsai Tree
- A6: Decorate The Gym
- A7: Miyagi Rattles Bones
- B1: Miyagi Intercedes
- B2: On To Miyagi's
- B3: The Pact
- B4: Troubled Lovers
- B5: Japanese Sander
- B6: Paint The Fence
- B7: Daniel Sees The Bird
- C1: Fish And Train
- C2: Training Hard
- C3: The Kiss
- C4: Japanese Hand Clap
- C5: No Mercy
- C6: Daniel's Moment Of Truth
- D1: Fish And Train (Alternate Ending)
- D2: Miyagi Rattles Bones (Alternate Ending)
- D3: Fascination
- D4: Japanese Hand Clap (Opening With Overlay)
- D7: Daniel's Moment Of Truth (Alternate Take)
- D5: Japanese Hand Clap (Alternate Opening)
- D6: No Mercy (Opening With Overlay)
In celebration of the 40th Anniversary of the blockbuster summer film of 1984, SPACELAB9, in conjunction with Columbia Pictures, proudly presents The KARATE KID: 40th Anniversary Original Motion Picture Score Double LP!
Released for the first time ever on vinyl, the collection features the full 20 track score album by legendary composer Bill Conti, plus 7 bonus tracks.
Double LP package features beautiful original cover artwork created exclusively for this album by renowned artist Astor Alexander, plus stills from the original landmark 1984 film and a brief note from composer Bill Conti.
- A1: Kid Loco - She's My Lover
- A2: Alex Gopher - The Child
- A3: Zero 7 Feat Sophie Barker - In The Waiting Line
- A4: Etienne De Crécy - Tempovision
- A5: Bonobo - Terrapin
- B1: Guts - Ghetto In Paradise
- B2: Quantic - Time Is The Enemy
- B3: Gotan Project Feat Cristina Vilallonga - Epoca
- B4: Jazzanova - Bohemian Sunset
- B5: Fakear - Morning In Japan
"Trip Hop Vintage Sounds" is a 2023 compilation album by Wagram Music that features various tracks from artists such as Kid Loco, Zero 7, and Etienne De Crécy. It is a collection of downtempo, atmospheric music that blends hip-hop beats with other genres like dub, soul, and jazz, characteristic of the trip-hop sound that originated in the UK in the 1990s.
- A1: Rone - The Dolphin Ambassador
- A2: Mézigue & Swooh - Broken Roll To Venice
- A3: Kink - Give Me
- B1: Belaria & Madben - Into The Void
- B2: Oniris & Benjamin Rippert - Sonate
- C1: Legowelt & Cuften - Liar
- C2: Zaatar & Trunkline - Come Into The Light
- C3: Scan X & Electric Rescue - Lost In Time
- D1: Manu Le Malin & Kmyle - Little Big Man
- D2: Célélé & Théo Muller - Drum And Drift
Astropolis Records — the label born from the legendary electronic French festival — celebrates a decade of electronic devotion with a generous and deeply emotional anniversary compilation - a bit late, but never short on flair.
This double vinyl gathers the many faces of the Astropolis galaxy: in-house artists, long-time companions of the festival, and rising voices from a perpetually vibrant French scene. Across 18 artists, listeners are invited on a sonic journey where rave legacy, electronic dreamscapes, and collective fervor intertwine — true to the DNA of a festival that’s never known boundaries.
The record opens with grace and wonder courtesy of Rone, whose electronic touch channels both the intimate and the infinite. Between electronica and downtempo, The Dolphin Ambassador bathes in luminous melancholy, offering a moment of calm before the storm. In the same contemplative vein, we’re proud to unveil one of the first productions from Célélé alongside Théo Muller: Drum and Drift, a subtle blend of dubby vibrations and sunlit textures.
Astropolis has always thrived on happy collisions — and this compilation is proof of it. The unlikely meeting between Mézigue and Swooh sends house spiraling into a g-tech vortex on Broken Roll To Venice, a playful burst of groove, hybrid energy, and cheeky mischief. The same spirit of alchemy fuels Belaria & Madben, whose Into The Void burns bright as a 90s rave-meets-EBM anthem wrapped in hypnotic trance. Zaatar & Trunkline bring raw intensity to Come Into The Light, a sweaty, visceral banger at the crossroads of techno, dark disco, and EBM.
French techno pillars Scan X & Electric Rescue deliver a masterclass in elegant machine soul on Lost In Time. When Manu Le Malin teams up with Kmyle, the result is as sharp as it is cinematic: Little Big Man pulses with dramatic tension, balancing raw emotion and restrained fury. Elsewhere, Oniris & Benjamin Rippert reconnect with the melodic techno spirit of the label’s early days on Sonate, guided by a craftsman’s sense of harmony.
For the machine lovers, Legowelt & Cuften resurrect the spirit of early electroclash on Liar, a carnal fusion of analog synths and DIY attitude. And for the diehard dancefloor devotees, KiNK finally releases a cult track from his live sets: Give Me, a breakbeat-meets-vintage-house stormer tailor-made for those late-night sweats.
This anniversary compilation reaffirms the label’s openness to new generations and hybrid sounds, while paying tribute to the techno roots that shaped its foundation. Like the festival itself, it embodies sincerity and collective energy — a small manifesto linking generations, aesthetics, and territories, celebrating roots without nostalgia and the future without bending to trends.
- A1: Ich Bin, Ich Bin Musik
- A2: Wo Bleibt Mozart?
- A3: Schließ Dein Herz In Eisen Ein
- A4: Gold Von Den Sternen
- A5: Wie Wird Man Seine Schatten Los?
- B1: Irgendwo Wird Immer Getanzt
- B2: Wie Kann Es Möglich Sein
- B3: Warum Kannst Du Mich Nicht Lieben?
- B4: Der Einfache Weg
- B5: Mozart, Mozart!
- B6: Wie Wird Man Seine Schatten Los? (Finale)
HitSquad Records bringt die Größen des deutschsprachigen Musicals endlich dort hin, wo sie hingehören : Auf die
schönsten Vinyl-Schallplatten. Nach dem handsignierten Solo-Album von Everybody’s Darling Pia Douwes, einem von
den Fans-kurierten Best-Of der Songs aus Elisabeth, und einer Kompilation der Tanz Der Vampire Melodien, die die
Show unsterblich machen, erscheint nun ein weiteres KUNZE-LEVAY Meisterwerk auf WEISSEM Vinyl: Auch die
größten Hits aus MOZART! glitzern schon bald auf 12 hochwertig präsentierten Zoll.
Collecting Orders for Repress
Beam records is excited to present the debut release from enigmatic friend of the label, mystery sister. Across four tracks, the Silkworm EP explores turn-of-the-millennium tek haus and mnml, drawing on organic sound palettes and playful psychedelia. The title track, ‘Silkworm’, sets acidic breakbeat pseudoscience against brooding atmospheres, entrancing rabbits down the hole. ‘Kabel’ is a moody minimal roller, striding aimlessly into the depths of the eternal after-hours. Opening the B-side, ‘Of The Mind (Wonky Dub)’ evokes evasive tek haus, layering rhythmic bounce over bubbling, micro-dosed textures. Cue lush pads and dubtek stabs to close out the EP with ‘Of The Mind (Sunrise Mix)’, offering glimmers of afterglow optimism.
2025 Repress
Eric Cloutier launched Palinoia three years ago with an EP from himself, and now he's back on his own imprint for the first solo production since then. His new EP combines the three sounds he's know for - "Apeirophobia" is a heady roller that takes a solid twist halfway through, "Eleutheromania" is a dubby jam that was inspired by listening to (and owning) a LOT of Sterac / Steve Rachmad records, and, rounding it out, "Madrugada" is a deep and etherial house groove that lends itself more towards my monthly DOWN here in Berlin than the jacking beats most people equate my sound with.
Collecting orders for 2025 repress
Command D's life in the lush, green surrounds of Sydney/ Eora shines through in his Animalia debut, with a warm, dubby four tracker. Diving between slinky downtempo and groovy dance-floor beats, balmy bass-lines, crisp percussion & blissful pads wrap the release in an atmosphere of blissful summer joy.
A pioneer of the NYC underground returns to Psionic. After a highly sought after release in the label’s early years, Reade Truth delivers once again with the Life In Review EP. With decades of experience shaping the sonic landscape, his signature blend of analog vintage textures and modern flair shines across four diverse cuts. From hazy minimal electro and dusty broken beats to hypnotic, mind-bending energy—this is Reade Truth in full force. A vital new weapon in the Psionic arsenal from a legend, one of the true originals.
- A1: Frequency Building
- A2: Don't F**K With My Sexwig
- B1: Last Night A Dj F**Ked Your Wife
- B2: Get F**Ked On Fishcakes (Battered Take)
- C1: Dark & Dirty (Bushwacka! Remix)
- C2: Dark & Dirty (Original Remastered)
- D1: Momentum (12” Mix)
- D2: Unreleased Kraut Jazz (A Different Blue Note)
- E1: De Icing
- E2: Hangover (Still Recovering)
- F1: One To Play Your Mum (One Last Round ..)
Unearthed from the original DAT at Strange Weather Studios in South London, Get Fucked's Unearthed Stash traces a chronological journey through the legendary group's earliest recording sessions, from the raw chaos of their 1999 debut album to the more refined dub house explorations that led into their second LP.
Sourced from the best surviving master DATs this collection brings together remastered classics, lost versions and previously unreleased edits, offering unfiltered look into one of the UK underground's most fearless creative period.
Each track has been carefully remastered to preserve the saturated punch, tape grit and raw energy of the original sessions, while expanding definition for modern sound systems.
Pressed on 180g heavyweight black vinyl, Unearthed Stash is strictly for collectors and true heads preserving the energy and attitude that made Get Fucked pioneers of the London underground sound. A raw document of a lost era, revived.
Archival Gold. From The Source. Unearthed at Last.
The mighty Trelik label has long led the way when it comes to the best minimal in the underground and nothing about that changes with this new one from German pair Anro and Kuyateh. They collide their creative minds on four cuts starting with 'All We Have', which, like many of the sounds on this label, fizzes with a light synth touch while rolling on frictionless drums. 'Crocket' is another luminous sound with dubby drum loops that are supple and seductive, as spaced out motifs up top bring a curiousness. 'Gametime' layers in some warped and molten acid sounds to dubby tech rhythms and 'Hi' is a final sophisticated closer for those who like it deft and deep.
- A1: The Clash - 1-2 Crush On You
- A2: The Undertones - There Goes Norman
- A3: The Limit - My World At Night
- A4: X-Ray Spex - Warrior In Woolworths
- A5: The Wardens - Do So Well
- A6: Penetration - Future Daze
- A7: Magazine - I Love You, You Big Dummy
- B1: Ramone - Suzy Is A Headbanger
- B2: The Flys - Love & A Molotov Cocktail
- B3: Golinski Brothers - Bloody
- B4: Liquid Stone - Here Comes The Weekend
- B5: Dolly Mixture - Side Street Walker
- B6: Basement 5 - Silicone Chip
- B7: The Subterraneans - My Flamingo
- C1: The Jam - Away From The Numbers
- C2: Siouxsie & The Banshees - Desert Kisses
- C3: Zounds - Demystification
- C4: Stiff Little Fingers - Barbed Wire Love
- C5: Shake - Dream On
- C6: The Times - Red With Purple Flashes
- C7: The Limps - Someone I Can Talk To
- D1: The Cure - Play For Today
- D2: Newtown Neurotics - Hypocrite
- D3: The Slits - So Tough
- D6: The Barracudas - I Want My Woody Back
- D7: Moving England - Moving Back
- D4: The City Limits - Morse Code Messages
- D5: Gary Valentine - The First One
- A1: The Clash - 1-2 Crush On You
- A2: The Undertones - There Goes Norman
- A3: The Limit - My World At Night
- A4: X-Ray Spex - Warrior In Woolworths
- A5: The Wardens - Do So Well
- A6: Penetration - Future Daze
- A7: Magazine - I Love You, You Big Dummy
- B1: Ramone - Suzy Is A Headbanger
- B2: The Flys - Love & A Molotov Cocktail
- B3: Golinski Brothers - Bloody
- B4: Liquid Stone - Here Comes The Weekend
- B5: Dolly Mixture - Side Street Walker
- B6: Basement 5 - Silicone Chip
- B7: The Subterraneans - My Flamingo
- C1: The Jam - Away From The Numbers
- C2: Siouxsie & The Banshees - Desert Kisses
- C3: Zounds - Demystification
- C4: Stiff Little Fingers - Barbed Wire Love
- C5: Shake - Dream On
- C6: The Times - Red With Purple Flashes
- C7: The Limps - Someone I Can Talk To
- D1: The Cure - Play For Today
- D2: Newtown Neurotics - Hypocrite
- D3: The Slits - So Tough
- D6: The Barracudas - I Want My Woody Back
- D7: Moving England - Moving Back
- D4: The City Limits - Morse Code Messages
- D5: Gary Valentine - The First One
DJ Boora is a Russian hip-hop head with a sample-driven style shaped by Soviet-era sounds and here he brings his class to Scruniversal's latest 7". Classic bits of gear like the SP-1200 and MPC define his approach here as Boora blends dusty loops and analogue realness with tight boom-bap swing, all served up with effortless finesse. 'Dedicado Ao Rei' has a sunny disposition with some Latin heat infusing the rolling breaks, then 'Party Groove' is a playful one with James Brown ad-libs and big chord stabs.
Peripheral Minimal records is proud to present it's latest release: Cold Colors / Xiu "Tristesse" 7". The single comes from a cassette released by Vocoder Tapes in 2013. It will be limited to 250 copies on black vinyl.
The two tracks on the 7" are beautifully constructed minimal wave / synth tracks, that are simultaneously melancholic and uplifting, perhaps for comparison we could think of: Figure Study, Xeno & Oaklander or Selofan.
Cold Colors is Frédérick Barbe who hails from Bordeaux. He has released material on several well-known labels, including: Lux Rec, Oráculo Records, Waste Editions, Nocta Numerica, F.I.R., Romance Moderne, and now Peripheral Minimal.
Xiu is Oksana Rodionova who is based in Milan but originates from Estonia. "Xiu's music is a synthesis between retro-pop and futurist synth waves. It delivers spacy looped electronica, groovy rhythms, linear lo-fi synth washes, softly dreamy pop melodies sometimes admitting dramatic tones and mysterious textural ambiences. The conceptual background deals with thematics related to dystopia, occult arts and mystic beliefs."
The recordings were made between France and Italy during the "Loneliness" E.P. sessions 2013 / 14.




















