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The 21-track "Complete and Total Hell" double LP features MIDNIGHT's pre-"Satanic Royalty" catalog. Back in print for the collectors of sleazy night dwelling Black Rock N’ Roll. Don't miss out on your chance to add to your collection, grab these classic tracks for the first time. NO CLEAN SINGIN: "Complete and Total Hell flows well as an album, even though it is a compilation. “Funeral Bell” opens with some Bathory-style atmosphere, and then the record pumps out track after track of chunky and distorted riffs. The early tracks sound like they were recorded straight to cassette in a basement over a boombox—which they may have been. The raw recording works in their favor since the songs emerge from simple building blocks. As the record progresses you can actually hear more and more money flow into Midnight’s recording—the guitar solos clear up, the bass rumbles deeper, until the music breaks into jangly boogie rock on “Berlin is Burning,” over an hour later. Yes, an hour"

'Festering Grotesqueries' is a musical statement crafted and executed by
four individuals who are completely sold out to heavy fucking metal -
Firmly rooted in the sounds of classic Death Metal and Grindcore,
'Festering Grotesqueries' is all at once cacophonous and catchy,
merciless and memorable, an album that is as brutal as it is fun
Avoiding genre stereotypes that would relegate them to the dustbins occupied by
countless imitators of the oldschool, Dripping Decay have combined speed and
technique with groove and swagger to create a dynamic exhibition of crushing
and unforgettable tracks: 14 'Festering Grotesqueries' in all

'Festering Grotesqueries' is a musical statement crafted and executed by
four individuals who are completely sold out to heavy fucking metal -
Firmly rooted in the sounds of classic Death Metal and Grindcore,
'Festering Grotesqueries' is all at once cacophonous and catchy,
merciless and memorable, an album that is as brutal as it is fun
Avoiding genre stereotypes that would relegate them to the dustbins occupied by
countless imitators of the oldschool, Dripping Decay have combined speed and
technique with groove and swagger to create a dynamic exhibition of crushing
and unforgettable tracks: 14 'Festering Grotesqueries' in all

High Roller Records, reissue 2023, black vinyl, ltd 200, 425gsm heavy cardboard cover, insert, printed inner sleeve, poster, A5 photo, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1984 sound

High Roller Records, reissue 2023, viole(n)t vinyl, ltd 300, 425gsm heavy cardboard cover, insert, printed inner sleeve, poster, A5 photo, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1984 sound

Weltpremiere eines bislang unbekannten Ella-Konzertes, aufgenommen mit dem Hollywood Bowl Pops Orchestra im August 1958!
Die berühmten Songbook-Alben von Ella Fitzgerald sind Evergreens des Jazzgesangs, die in regelmäßigen Neuauflagen und inzwischen auch digital immer wieder alte und neue Fans finden. Ellas mitreißende
Interpretationen der besten Songs von ikonischen Komponisten wie Irving Berlin, Rodgers & Hart, Cole
Porter und natürlich George & Ira Gershwin sind bis heute unübertroffen. Dass Ella Fitzgerald Ende der
1950er Jahre ihr Irving Berlin Songbook zusammen mit dem großartigen Arrangeur und Orchesterleiter
Paul Weston auch live aufgeführt hat, war längst in Vergessenheit geraten.
Jetzt wurde in der Privatsammlung von Ellas Manager Norman Granz ein Stereo-Mitschnitt dieses ganz
besonderen Abends entdeckt und von Produzent und Toningenieur Gregg Field bestmöglich digital aufbereitet. Auf LP, CD und digital laden Ella Fitzgerald, Paul Weston und das fabelhafte Hollywood Bowl Pops
Orchestra jetzt zum live aufgeführten Irving Berlin Songbook ein, ein Abend voller Swing, sentimentaler
Balladen, unsterblicher Ohrwürmer und Jazzgesang der Weltklasse

Decades Of Devil Worship
HIGHLIGHTING OVER 25 YEARS SINCE THE BIRTH OF THE UK EXTREME METAL GREATS, WITH A STORMING LIVE SATANIC ASSAULT OF CLASSICS FROM AKERCOCKE'S EARLY REPERTOIRE

Throughout the years, Akercocke has become known for its savage & prodigious
live work. And now, with a stunningly produced & meticulously delivered torrent of
high-octane blackened death metal captured live in at the Underworld in London
in 2007, Akercocke blast through a collection of tracks lifted from the classic
debut, 'Rape Of The Bastard Nazarene' & follow-up album 'The Goat Of Mendes'
for a night of pure satanic magic with 'Decades Of Devil Worship', a hellish &
eclectic journey through the ritualistic & the profane.
Towering above most nefarious contemporary noisemakers, London's Akercocke
erupted across the consciousness of the UK metal scene in the late '90's,
wielding a fiendishly inventive blend of death, black & progressive metal. Their
distinctive, smartly-dressed demeanour & eloquent preoccupation with all things
dark & Satanic marked them out both as ferociously individual artists &
enlightened students of the pitch-black sonic code. Immediately embraced by the
British faithful upon the release of debut album 'Rape Of The Bastard Nazarene',
Akercocke spent the following decade leading the creative charge for their entire
native scene.
Akercocke received widespread acclaim for follow- up album 'The Goat Of
Mendes' (Peaceville, 2001) & despite enjoying furious momentum over the
following years, the release of fifth album 'Antichrist' in 2007 signalled the end of
the first chapter of the Akercocke story, when the band retreated into the
shadows & remained dormant for the best part of a decade until a triumphant
return was marked with the stellar Peaceville return, 'Renaissance In Extremis',
released in 2017.

Sandrider are a band who have clearly poured hours of time and endless
energy into making their latest offering, Armada, one of the strongest
stoner rock records of the year so far
With excellent guitar tone and a perpetual sense of forward motion, it is with
great honor that we bring you the exclusive stream of this record. This is a scene
that has a relatively low barrier of entry and consequently it unfortunately
propagates a lot of subpar music. Sandrider seem to see that and use that as
inspiration to push beyond. A cut above their peers, this is what stoner rock
should have been about in the first place. Jam it now!

Sandrider are a band who have clearly poured hours of time and endless
energy into making their latest offering, Armada, one of the strongest
stoner rock records of the year so far
With excellent guitar tone and a perpetual sense of forward motion, it is with
great honor that we bring you the exclusive stream of this record. This is a scene
that has a relatively low barrier of entry and consequently it unfortunately
propagates a lot of subpar music. Sandrider seem to see that and use that as
inspiration to push beyond. A cut above their peers, this is what stoner rock
should have been about in the first place. Jam it now!

colored vinyl

First time on vinyl ever, remastered in 2023. Zeke- Live Tracks Uncensored LP. This LP shows Zeke live ... raw, wild, untamed and uncensored. If you’ve seen Zeke before, you know that these guys can be a total beast on stage. This LP offers a bunch of killer live recordings to make it sound like the band is playing in your kitchen: loud, fast and furious. You know that Zeke are the real purveyors of speed rock and roll and that can’t be better heard than here. The LP includes some of their best songs including tracks from ‘Super Sound Racing’, ‘Flat Tracker’, ‘Kicked in the Teeth’, ‘Dirty Sanchez’ and ‘Death Alley’ recorded in different venues from Seattle to Las Vegas to Minneapolis. One of the other special treats this LP offers is it includes two very rare studio tracks that are pretty hard to find. 26 tracks in all with top notch production. Genre: Alternative / Rock n Roll / Pun

First time on vinyl ever, remastered in 2023. Zeke- Live Tracks Uncensored LP. This LP shows Zeke live ... raw, wild, untamed and uncensored. If you’ve seen Zeke before, you know that these guys can be a total beast on stage. This LP offers a bunch of killer live recordings to make it sound like the band is playing in your kitchen: loud, fast and furious. You know that Zeke are the real purveyors of speed rock and roll and that can’t be better heard than here. The LP includes some of their best songs including tracks from ‘Super Sound Racing’, ‘Flat Tracker’, ‘Kicked in the Teeth’, ‘Dirty Sanchez’ and ‘Death Alley’ recorded in different venues from Seattle to Las Vegas to Minneapolis. One of the other special treats this LP offers is it includes two very rare studio tracks that are pretty hard to find. 26 tracks in all with top notch production. Genre: Alternative / Rock n Roll / Pun

DEICIDE aus Florida halten die Fahne des unerbittlichen, brutalen, bösen und satanischen Death Metal hoch. Das 11. Studioalbum der Band "In The Minds Of Evil" aus dem Jahr 2013 enthält 11 Tracks reiner und vollkommener musikalischer Blasphemie, produziert von Jason Suecof (Trivium, Death Angel, The Black Dahlia Murder, etc.). Es ist das gnadenlose Schlagzeugspiel, die herzzerreißenden Riffs, die kreischenden und doch melodischen Soli und der brummende Bass, der Dich auf den Boden nageln wird, während Mr. Benton dir ins Gesicht brüllt wie Neros wildester Löwe. "In The Minds Of Evil" ist nichts weniger als ein weiteres großartiges Beispiel für makellos ausgeführten unheiligen Death Metal von den Pionieren und Paten dieses Stils.

High Roller Records, black vinyl, ltd 150, 4 page insert, A5 photo card, poster, bonus
CD Bonus CD: 14. The Joke´S On You (Studio 2011) 15. No House (Studio 2015) 16. World War Nine (Live 2012) 17. Gremlin´S Night (Live 2012) 18. Hard Target (Live 2012) 19. Streets Of Doc-Town (Live 2012)

High Roller Records, blue w/ white & mustard splatter vinyl, ltd 200, 4 page insert, A5 photo card, poster, bonus CD

CD Bonus CD: 14. The Joke´S On You (Studio 2011) 15. No House (Studio 2015) 16. World War Nine (Live 2012) 17. Gremlin´S Night (Live 2012) 18. Hard Target (Live 2012) 19. Streets Of Doc-Town (Live 2012)

12” LP cut at 45 (for the first time) (color vinyl only) Pressed on a 12" for the first time and cut at 45 RPM so it's EXTRA loud. Jacket is an extra hefty 24pt board with printed inner sleeve full of rare never before seen photos When Acid King pressed up their self-titled debut EP on a tape and started handing them out at shows with business cards, it wasn’t an aesthetic choice. It was 1993. And while the world was still reeling in the aftermath of grunge breaking big on rock radio, this dirty-as-hell trio founded by guitarist/vocalist Lori S. were digging into even heavier vibes. Born out of Lori's shiftless days of wasted youth hanging around Chicago-area public parks, Acid King laughingly adopted the name from the book 'Say You Love Satan' and its subject Ricky Kasso, a local drug dealer who killed a friend over angel dust, thereby becoming the stuff of Satanic Panic local news broadcasts all over the country. Founded after a move to San Francisco, Acid King were outliers on punker bills in the tradition of West Coast rifflords like Saint Vitus and Sleep, and this four-song outing captures them at their rawest. Long before the career-defining roll of Busse Woods (1999) and the psychedelic mastery of their latest offering, Beyond Vision, this EP set in motion one of American heavy rock’s most landmark careers. Presented on reissued vinyl through RidingEasy Records – the original 10” was on Sympathy for the Record Industry – Acid King’s Acid King also established one of the most crucial partnerships in underground rock in that between Lori S. and producer/engineer Billy Anderson (see also: Neurosis, Sleep, Om, Amenra, Eight Bells, Cattle Decapitation and too many others to list). As Acid King went on to help define stoner rock in the mid and late ’90s with Zoroaster (1995), their Man’s Ruin Records split with Altamont (‘97) and Busse Woods, that creative relationship would flourish no less than the band’s sound, and here it is distilled to its meanest and most elemental self. Led as ever by Lori, Acid King at the time featured bassist/vocalist Peter Lucas and drummer Joey Osbourne – legend has it both had to read 'Say You Love Satan' before joining – and Melvins drummer Dale Crover had a hand in producing it as well as singing lead on “The Midway” after Lucas took a turn on “Drop.” A preface to the many majesties to come throughout Acid King’s many-storied career, behold the formative incarnation that started it all. A piece of heavy rock history AND killer riffs? You can’t possibly go wrong. - JJ Koczan, May 2023

Byard Lancaster was a composer/multi-instrumentalist born in Philadelphia in 1942. He started playing alto saxophone at an early age and later took up flute and bass clarinet. While attending Berklee College of Music, Lancaster and pianist Dave Burrell organized late-night jam sessions with fellow students and touring musicians. In 1965, he moved to New York and quickly became part of the city's burgeoning scene – playing with jazz luminaries such as Archie Shepp, Sunny Murray, Bill Dixon and Marzette Watts.

It's Not Up To Us, Lancaster's 1968 debut as a leader, was originally released on Vortex, a subsidiary of Atlantic responsible for first albums by Chick Corea, Keith Jarrett and Sonny Sharrock. Featuring guitarist Sharrock (another Berklee alum), It's Not Up To Us is true fire music – fusing elements of free jazz, soul/R&B and traditional folk song.

On the opening title track, Lancaster's luminous flute draws the listener in, while bassist Jerome Hunter grounds the tune with a simple descending theme over Keno Speller and Eric Gravatt's syncopated rhythms. "John's Children," a reference to the group's status as post-Coltrane players, showcases the modal strumming of Sharrock's steady drones as Lancaster cries into the void. After repeated listens, Lancaster's original compositions become visceral aural memories ingrained in the ear, while the standards ("Misty" and "Over The Rainbow") sound the most avant-garde pieces on the album.

This first-time vinyl reissue is recommended for fans of Albert Ayler, Don Cherry and Pharoah Sanders.