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- 25th Anniversary Album Edition
- Drei limitierte Auflagen Vinyl Versions:
- Lemon/Cobalt Splatter
- Silver Cobalt
- Lemonade /Olive Green
- 180g Vinyl
- Auflage auf 200 Exemplare limitiert
- Remastered / Neues Artwork
- The Art of Self Defense ist das Debüt-Studioalbum von High on Fire, das ursprünglich bei Man's Ruin Records erschien.

Repress!

The Self Split EP features Kouhei Matsunaga at his chimeric best for Diagonal, delivering two jazzy, freehand concrète collabs with Japanese sound artist and Eartaker noise maker, Masayuki Imianishi, plus two dance-offs with himself as NHK yx koyxen and Speedy K.Gelling Kouhei's many sonic handles for a full spectrum showcase of style and pattern, the set is riddled with a singular mischievous genius at every fold and warp. The Texture Foggy pieces render a more reflective, cosmic aspect of Kouhei's character. Working with Masayuki Imianishi, he terraforms paper, radio, field recordings and synths into vivid alien ecologies of shimmering electronics and spheric melody with a highly visual quality that perhaps betrays Kouhei's talents as an illustrator. For virulent examples of Kouhei at the rave, NHK yx koyxen and Speedy K's Step Move #01 is quite possibly the wonkiest peaktime juggernaut of the year, and the acid wormhole of Early Mellow Darkness sounds like the bald - as in bad - acid offspring of Luke Slater and Ed Rush. Once again Kouhei makes us go mad at the rave, but this time with something to come home and melt into as well.

Delicious new school, street soul from Freya Roy, self-released and limited to 100 pressings. Hailed as “Street Soul is back” by Gilles Peterson, British-German artist/producer Freya Roy is steadily making her mark on the nu-jazz and alternative soul scene. With the release of her 8 track LP ‘For Who I Have Become’, her engrossing vocals and production takes you through the dark and moody new school, and into a blissful, soulful soundscape, with glistening guitar lines and haunting backing vocals. Along with a handwritten insert, and bonus tracks including Roy’s 2020 release ‘Fantasies’ featuring a fiery vocal from Maya Law, this limited pressing is not one to sleep on.








[g] B3. Fantasies ft. Maya Law (Original) [Vinyl Bonus]
[h] B4. Day Is Done (Instrumental) [Vinyl Bonus]

he debut album from Marcus Mumford, frontman of Multi-Platinum, Grammy, and Brit Award winning band Mumford & Sons. Collaborations with Clairo, Phoebe Bridgers, Brandi Carlile, and Monica Martin. Exclusive Limited Edition Version, includes Unique Artwork & 12-inch Clear Transparent

2023 Repress

One of the most promising techno producers around right now - Vil presents his '50 Shades Of Grain EP' for the Self Reflektion imprint. The 'Groove Dealer' from Portugal, member of the HAYES collective and known for his recent work on Klockworks (together with Cravo) and Be As One delivers a selection of sexy, groovy yet pounding tracks for our label. Highly essential!

Lunar Chamber, eine bisher unbekannte Präsenz von mysteriösem Bewusstsein, manifestiert sich nun zum ersten Mal in der physischen Welt - mit dem Debüt 'Shambhallic Vibrations' get es auf eine Reise nach Osten auf der Suche nach Erleuchtung und dem, was dahinter liegt.

Versunken in Mystik, schreitet die fast 30-minütige 5-Track-Pilgerreise unbeirrt durch irrsinnig zermalmende Riffs, verwirrende Soli, täuschend ruhige Akustik und erleuchtete, aufsteigende Melodien voran. "Spirit Body and the Seeing Self" beschreibt den Beginn der Reise, die Selbstanalyse und die Versuche, sich in besagtes "Jenseits" zu stürzen, während "The Bodhi Tree" die Geschichte von Gautama Buddha selbst widerspiegelt, der vor etwa 2500 Jahren in Bodh Gaya unter dem Baum meditierte und Erleuchtung erlangte.

"III. Crystalline Blessed Light Flows… from Violet Mountains into Lunar Chambers" ist der ultimative Höhepunkt der Erzählung. Angekommen auf der spirituelle Ebene pulsieren Licht und Dunkelheit; das Gewebe der Raumzeit selbst wird aufgewühlt. Wissen ist hier im Überfluss vorhanden. Schließlich schließt sich der Kreis und man kehrt genau dorthin zurück, wo alles im normalen Leben begann, wenn auch mit einem neuen Sinn für alles. Aber es gibt so viel mehr zu lernen... ein unstillbarer Durst.

Mit einer Flut von erschütternd brutalem Metal, überwältigender progressiver Körperlichkeit und instinktiv vollendeter Einprägsamkeit, inspiriert von Buddhismus, dem Osten und Esoterik, haben Lunar Chamber ihre Suche nach Aufstieg und erleuchtetem Wissen gerade erst begonnen.

Lunar Chamber, eine bisher unbekannte Präsenz von mysteriösem Bewusstsein, manifestiert sich nun zum ersten Mal in der physischen Welt - mit dem Debüt 'Shambhallic Vibrations' get es auf eine Reise nach Osten auf der Suche nach Erleuchtung und dem, was dahinter liegt.

Versunken in Mystik, schreitet die fast 30-minütige 5-Track-Pilgerreise unbeirrt durch irrsinnig zermalmende Riffs, verwirrende Soli, täuschend ruhige Akustik und erleuchtete, aufsteigende Melodien voran. "Spirit Body and the Seeing Self" beschreibt den Beginn der Reise, die Selbstanalyse und die Versuche, sich in besagtes "Jenseits" zu stürzen, während "The Bodhi Tree" die Geschichte von Gautama Buddha selbst widerspiegelt, der vor etwa 2500 Jahren in Bodh Gaya unter dem Baum meditierte und Erleuchtung erlangte.

"III. Crystalline Blessed Light Flows… from Violet Mountains into Lunar Chambers" ist der ultimative Höhepunkt der Erzählung. Angekommen auf der spirituelle Ebene pulsieren Licht und Dunkelheit; das Gewebe der Raumzeit selbst wird aufgewühlt. Wissen ist hier im Überfluss vorhanden. Schließlich schließt sich der Kreis und man kehrt genau dorthin zurück, wo alles im normalen Leben begann, wenn auch mit einem neuen Sinn für alles. Aber es gibt so viel mehr zu lernen... ein unstillbarer Durst.

Mit einer Flut von erschütternd brutalem Metal, überwältigender progressiver Körperlichkeit und instinktiv vollendeter Einprägsamkeit, inspiriert von Buddhismus, dem Osten und Esoterik, haben Lunar Chamber ihre Suche nach Aufstieg und erleuchtetem Wissen gerade erst begonnen.

"Lovoscope" is the second album of the Parisian band Polycool. After the obsession with lemons of their first LP "Lemon Lord", the band changes course to talk about love, quite simply.

Each song on the album tells the story of love from a different angle. Lovoscope is the only way to access all the faces of love: happy, toxic or even virtual. The album is a bubble of 11 tracks in which we go through rhythmic ballads (Spiral, Leaves, <3), tracks with electronic sounds (Computer Love, Start), sharp melodies and refrains (Unlike You, Please Babe), and even unidentified sound objects (Odijk).

We find the Anglo-Saxon influences of LA Priest, Unknown Mortal Orchestra, Connan Mockasin, but also Metronomy or Sam Evian, all in a French musical sauce. This album was recorded in the summer of 2021 in an attic studio, surrounded by fields, in a free DIY tradition.

Amniote editions readies the DCX capsule with two beat oriented releases focused on tripped out atmospheric sounds.

Moloch Horridus debuts with four beautiful cuts of electro belters spanning from straight-in-your-face-no-bullshit stompers to more meditative moods.

DCX-4: Moloch Horridus - Self Guard EP
12” & digital
All tracks written & produced by Tred

Parietal Eye returns in collaboration with Cantil for two versions of Final Destination - explorations of sizzling hi-tek sci-fi soundscapes and turbo-driven drum programming.

DCX-6: Parietal Eye & Cantil - Final Destination
Mesh print & digital
All tracks written & produced by Yuri & Internazionale

The artwork is designed and imagined by Amniote household art director and co-founder Rose Marie Johansen.

Dear Friends, it's 2023 and the future of Leftfield Bass, Trap, and Hybrid Grime is here... RATIONAL SOUL's debut EP, "SELF TITLED", is going to define a new era on the dance floor, reimagining 140 beats that typically are stereotyped into narrow catagories. "SELF TITLED" will become the worldwide definition of a style never heard before, sought after and inevitably copycatted by those inspired.

With no surprise, 2023 is set off to a paramount start for the German SATURATE! label, with an EP that “is the future of Leftfield Bass, Trap, and Hybrid Grime” and “it’s going to define a new era on the dance floor, reimagining 140 beats that typically are stereotyped into narrow categories.” The mastermind behind such a project, called SELF TITLED, is RATIONAL SOUL a Virginia-based, veteran electronic music producer. The EP is coming out in full on January 13, digitally and on vinyl, and it features six originals and four remixes. What sounds like a disorienting emptiness at the beginning, makes perfect sense when read as part of the overall narrative of the composition. “One moment you’re living happy-go-lucky, almost like it’s the script of a Disney movie, the next moment you’re questioning why you exist- how is it you’ve become a slave to the 9 to 5? Phone by your side as digital anti-anxiety medication, entertaining yourself with something nostalgic to remind yourself of better times…war against yourself, to reset your identity.” The fight against this subconscious condition was RATIONAL SOUL’s starting point while writing SELF TITLED. The artist’s attempt to light a lighter to ignite a spark in our consciousness and thus reveal the void in which we are immersed. “Wake up” he seems to want to tell us. Don’t be a pawn, be a player of your life. Let’s riot against this status quo and, quoting RATIONAL SOUL himself, “Let’s be gangsta and fuck shit up because we are mad at why our world is falling apart: twerk on a cop car with a fine cigar in your mouth type beat.” He then concludes by spilling one, big truth, “what better genre of music could describe these feelings than bass music?” How could we not agree?

Indies only release on 180g baby pink vinyl, printed inner-sleeve, download card included. Marrying psychedelic pop with folk and a touch of country, 'Earthling On The Road To Self Love' is the sublime debut album by Brisbane, Australia-based artist Baby Cool - the latest side project by Nice Biscuit co-front woman Grace Cuell. Cuell says of the record, which follows her debut single 'Magic' and tours with Babe Rainbow and The Lazy Eyes: "The songs on this album are deeply sentimental. I have a lot I need to sing about to help me make sense of this earthly pod I have been gifted. If in singing these words out loud, I can help others find solace in knowing that we're all out here flailing about in the cosmos, then it feels good to me." Recorded with Sam Joseph (Family Jordan), the songs on 'Earthling' were brought to life with the help of Jess Ferronato (Nice Biscuit), Nick Cavendish (Nice Biscuit) and Drew Heyden (The Flamingo Jones): "I had such a beautiful community of friends that helped bring this whole thing to life. There was magic and love in every part of the process of creating this album."

grey marbled vinyl

- One-off Vibez '93 project -

Indies only release on 180g baby pink vinyl, printed inner-sleeve, download card included. Marrying psychedelic pop with folk and a touch of country, 'Earthling On The Road To Self Love' is the sublime debut album by Brisbane, Australia-based artist Baby Cool – the latest side project by Nice Biscuit co-front woman Grace Cuell. Cuell says of the record, which follows her debut single 'Magic' and tours with Babe Rainbow and The Lazy Eyes: “The songs on this album are deeply sentimental. I have a lot I need to sing about to help me make sense of this earthly pod I have been gifted. If in singing these words out loud, I can help others find solace in knowing that we’re all out here flailing about in the cosmos, then it feels good to me.” Recorded with Sam Joseph (Family Jordan), the songs on 'Earthling' were brought to life with the help of Jess Ferronato (Nice Biscuit), Nick Cavendish (Nice Biscuit) and Drew Heyden (The Flamingo Jones): "I had such a beautiful community of friends that helped bring this whole thing to life. There was magic and love in every part of the process of creating this album.

HALFTONE The future of heavy bass music has always found its portal via SATURATE! Records, and now alongside WAVECRAFT, we have another glimpse into infinity in the form of HALFTONE! From the onset of this compilation, you can feel the ominous bass ballast even before it first hits you…. Swelling up like a tsunami to engulf your brain with grinding terror. The heaviness is abundant across these tracks, with contributions from synth destroyers like Suahn, Kryptt and Low Poly melting your speakers and eardrums alike. Dark atmospherics rule the day here, which effectively sets the tone for the rabid roughness on display when the bass morphology takes hold of each track so mercilessly. Slow knuckle draggers and upbeat head bangers both hold dominion in this realm, leaving no sonic stone unturned. Always at the crest of the future music wave, HALFTONE shows you just how deep this rabbit hole can get.

For its opening release, Zendala Records presents 'Navigating Self - EP' by Pattern Tusk (inc. R107 Remix).

Early Support from Barac.