quête:sharon tandy
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- A1: Ann Sexton – You’ve Been Gone Too Long
- A2: Psychodelic Frankie – Putting You Out Of My Life
- A3: The Sweet Vandals - Papa’s Got A Brand New Bag
- A4: The Tom – Emmanuel And Ron Experience – When You Lose Your Groove
- A5: Sharon Jones & The Dap-Kings - What Have You Done For Me Lately (Part 1)
- A6: Tony & Tandy – Two Can Make It Together
- B1: The T.s.u. Toronadoes – What Good Am I?
- B2: Coke Escovedo – I Wouldn't Change A Thing
- B3: Maxine – A Love I Believe In
- B4: Carl Carlton – I Can Feel It
- B5: Al Supersonic & The Teenagers – Paint Yourself In The Corner
- B6: Esther Phillips – Just Say Goodbye
- B7: Joe Valentine – I Lost The Only Love I Had
LP with printed Innersleeve with Linernotes by Eddie Piller (Acid Jazz) The compilation series “DJ's Choice” was launched in 2008 and has already enjoyed the participation of several high-profile curators, such as Keb Darge, Marc Hype, and DJ Suspect. A few years before the death of Unique Label founder Henry Storch in 2018, a DJ's Choice edition was created with his long-time friend and fellow DJ Eddie Piller. Unfortunately, it never came to fruition—as is so often the case, life had other plans, and sadly not all of them were pleasant. However, the idea was never completely forgotten, and with the help of Eddie and Henry's DJ partner in crime Sandra (Frollein Taube), a list of tracks that were on Henry's quick-select list for his sets was finally compiled.
- A1: The Nazz - Open My Eyes
- A2: The Easybeats - Good Times
- A3: Sir Douglas Quintet - She’s About A Mover
- A4: Can - Outside Your Door
- A5: The Music Machine - People In Me
- A6: Wynder K. Frog - I’m A Man
- A7: Sharon Tandy - Hold On
- B1: The Hombres - Let It All Hang Out
- B2: The Left Banke - I’ve Got Something On My Mind
- B3: The Seeds - The Wind Blows Your Hair
- B4: The Apple - Buffalo Billycan
- B5: Dantalion’s Chariot - ‘Madman Rising Through The Fields’
- B6: The End - Shades Of Orange
- B7: Warm Sounds - Night Is A Comin’
- C1: The Velvet Underground - Foggy Notion
- C2: The Modern Lovers - She Cracked
- C3: Kim Fowley - Bubblegum
- C4: The Balloon Farm - A Question Of Temperature
- C5: Fleur De Lys - Circles **
- C6: The Starlets - You Don’t Love Me
- D1: The Turtles - Buzz Saw
- D2: Lothar And The Hand - People Machines
- D3: The Open Mind - Magic Potion
- D4: The Swinging Medallions - Double Shot Of My Baby’s Love
- D7: The Creation - How Does It Feel To Feel
- D8: The Third Eye - Pass Myself
- D5: Simon Dupree And The Big Sound - I See The Light
- D6: The Action - I’ll Keep On Holding On **
Two-Piers präsentiert die nächste Killer-Compilation: "Weird Scenes From The Hangout (Psychedelic & Freakbeat Dancefloor Anthems 1967-1982)", kuratiert von Richard Norris (The Grid, Beyond The Wizard's Sleeve, The Time And Space Machine) und zentriert um seine Liverpooler Clubnacht "The Hangout" in den 1980ern. Dort brachten er und weitere DJs bewusstseinsverändernden Wahnsinn aus Psychedelia und Freakbeat auf die Tanzfläche. Herausragende Songs wie "The Left Banke - I've Got Something On My Mind", "The Turtles - Buzzsaw" oder "Can - Outside Your Door" wurden zu echten Hangout-Hymnen. Man widmete der eher trendy Ausbeute der Spät-Sechziger ebenso viel Zeit wie angesagten Acts, solange der Groove auf dem Dancefloor funktionierte. Das Hangout kam und ging im Nu, aber sein Erbe, psychedelische Fußstampfer auf die Fläche zu bringen, lebt weiter, gemeinsam mit der Liebe zu allem, was mit Beat und Freak zu tun hat.
** Exclusive tracks to Vinyl Format
- A1: The High Numbers - I’m The Face
- A2: The Action - Never Ever
- A3: The Hollies - Bus Stop
- A4: Small Faces - Don’t Burst My Bubble
- A5: Georgie Fame & The Blue Flames - Sweet Thing
- A6: Tony & Tandy - Two Can Make It Together
- A7: Jimmy James & The Vagabonds - Ain’t No Big Thing
- A8: Geno Washington & The Ram Jam Band - Michael (The Lover) (The Lover)
- A9: The Artwoods - I Take What I Want
- B1: Dusty Springfield - Little By Little
- B2: The Richard Kent Style - I’m Out
- B3: Bluesology - Come Back Baby
- B4: Wynder K Frog - Henry’s Panter
- B5: The Organisers - The Organiser (Feat Harold Smart)
- B6: Timebox - Soul Sauce
- B7: The Spencer Davis Group - High Time Baby
- B8: The Syndicats - Crawdaddy Simone
- C1: Fleur De Lys - Circles
- C2: Rod Stewart - Good Morning Little Schoolgirl
- C3: The Yardbirds - Over Under Sideways Down
- C4: The Birds - How Can It Be
- C5: The Creation - Makin’ Time
- C6: The Carnaby - Jump & Dance
- C7: The Eyes - I’m Rowed Out
- D4: The Quik Bert’s - Apple Crumble
- D5: Apostolic Intervention - Madame Garcia
- D6: Madeline Bell - Picture Me Gone
- D7: Sharon Tandy - Hold On
- D8: Pp Arnold - (If You Think You’re) Groovy (If You Think You’re)
- D9: Love Affair - Everlasting Love
- C8: The Kinks - She’s Got Everything
- D1: The Mike Cotton Sound - Soul Serenade
- D2: John Mayall & The Bluesbreakers - Crawling Up A Hill
- D3: The Alan Bown - Set Emergency 999
Demon are proud to release “Eddie Piller Presents British Mod Sounds Of the 1960s”, the follow up the “The Mod Revival”. This 2LP set serves an introduction to 'British Mod Sounds of the '60s’ and features 34 tracks.
Curated by Acid Jazz Records and Modcast founder Eddie Piller, this collection features the stapes of the British Mod scene including Small Faces, The High Numbers, The Action, The Fleur De Lys, The Kinks, Spencer Davis Group, The Creation, Rod Stewart, The Yardbirds, and The Love Affair.
"Be in with the In Crowd once more."
Every great youth cult deserves a great soundtrack, and when the '60s Mods adopted classic American R&B, with a side order of hip Jazz, they undoubtedly found the right music for their exuberant and stylish way of life. And yet, buying expensive imports, hoping for a local release or praying for a rare visit from overseas talent was never going to be enough to satisfy British youth with a thirst for the latest sounds. Certainly not those on the dancefloor and definitely not those with their own musical ambitions.
It was a music scene that began with imitation, before skill and imagination lead curious minds to innovation, a scene that evolved from average (at best) copies of releases on the Chess, Motown and Stax labels, to become something more sophisticated,something quite unique, something very British.
Pressed on 140g Black Vinyl Including a signed print from Eddie Piller, limited to 750.
Demon are proud to release “Eddie Piller Presents British Mod Sounds Of the 1960s”, the follow up the “The
Mod Revival”. Featuring 100 original tracks across 6LPs, its a deep dive into the Mod scene in '60s Britain.
Including a selection of classic and rare tracks, tracing the scene from its R&B rootsto a soulful finale
Curated by Acid Jazz Records and Modcast founder Eddie Piller, and featuring new sleeve notes from
respected author and broadcaster Paul 'Smiler' Anderson.
As Eddie Piller points out in the forward to the extensive sleeve notes that accompany this collection, he
chose the word 'Sounds' carefully, reflecting the variety of talent contained here, from uncool session
musicians without an ounce of style in them, acts who saw an opportunity to jump on the Mod bandwagon
and bands who whole heartedly embraced Mod way of life.
And so this new collection mixes the Mod mainstays (Small Faces, The High Numbers The Action, The Fleur
De Lys), with a generous selection of future superstars (David Bowie, Rod Stewart, Elton John, Marc Bolan,
Jeff Beck and Graham Gouldman of 10cc are all represented here), and a few artists so obscure, so rare, that
they never got to release a record in the '60s, but Eddie has tracked down the tapes nonetheless.
"Be in with the In Crowd once more."
Every great youth cult deserves a great soundtrack, and when the '60s Mods adopted classic American R&B,
with a side order of hip Jazz, they undoubtedly found the right music for their exuberant and stylish way of
life. And yet, buying expensive imports, hoping for a local release or praying for a rare visit from overseas
talent was never going to be enough to satisfy British youth with a thirst for the latest sounds. Certainly not
those on the dancefloor and definitely not those with their own musical ambitions.
It was a music scene that began with imitation, before skill and imagination lead curious minds to innovation,
a scene that evolved from average (at best) copies of releases on the Chess, Motown and Stax labels, to
become something more sophisticated,something quite unique, something very British.
All formats are stylishly packaged (of course) and include new sleeve notes by Paul 'Smiler' Anderson, author
of the best-selling and highly regarded books'Mods: The New Religion' and 'Mod Art'.
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