- A1: Dean Martin - You're Nobody Till Somebody Loves You
- A2: Tony Bennett - Rags To Riches
- A3: The Ink Spots - Whispering Grass (Don't Tell The Trees)
- A4: The Shirelles - I Met Him On A Sunday (Aka "Da Doo Ron Ron")
- A5: Robert & Johnny - You're Mine
- A6: Howlin' Wolf - Smokestack Lightning
- A7: The Cramps - The Creature From The Black Leather Lagoon
- B1: Jimmy Smith - Walk On The Wild Side
- B2: Jimpson & Group - The Murderer's Home
- B3: Santo & Johnny - Sleep Walk
- B4: Lonnie Johnson - Tomorrow Night
- B5: Glenn Miller & His Orchestra - Moonlight Serenade
- B6: Muddy Waters - Hoochie Coochie Man
- B7: The Berlin Radio Symphony Orchestra - Radetzky March
- C1: The Harptones - Life Is But A Dream
- C2: Bing Crosby With Victor Young's Orchestra - Just One More Chance
- C3: Charlie Parker - I'll Remember April
- C4: Johnnie Ray - Cry
- C5: Benny Goodman - Moonglow
- C6: Lavern Baker - Tweedlee Dee
- C7: Frankie Carle - I Want A Girl (Just Like The Girl)
- D1: Ray Charles - Come Rain Or Come Shine
- D2: Bo Diddley - Road Runner
- D3: Brenda Lee - I'm Sorry
- D4: The Marvelettes - Please Mr. Postman
- D5: Jackie Gleason - Melancholy Serenade
- D6: The Hot Club Of France With Django Reinhardt & Stéphane Grappelli - What Is This Thing Called Love
- D7: The Danleers - One Summer Night
Search:smokesta
- 1
- Dean Martin - You're Nobody Till Somebody Loves You
- Tony Bennett - Rags To Riches
- The Ink Spots - Whispering Grass (Don't Tell The Trees)
- The Shirelles - I Met Him On A Sunday (Aka "Da Doo Ron
- Robert & Johnny - You're Mine
- Howlin' Wolf - Smokestack Lightning
- The Cramps - The Creature From The Black Leather Lagoon
- Jimmy Smith - Walk On The Wild Side
- Jimpson & Group - The Murderer's Home
- Santo & Johnny - Sleep Walk
- Lonnie Johnson - Tomorrow Night
- Glenn Miller & His Orchestra - Moonlight Serenade
- Muddy Waters - Hoochie Coochie Man
- The Berlin Radio Symphony Orchestra - Radetzky March
- The Harptones - Life Is But A Dream
- Bing Crosbywithvictor Young's Orchestra - Just One Mo
- Charlie Parker - I'll Remember April
- Johnnie Ray - Cry
- Benny Goodman - Moonglow
- Lavern Baker - Tweedlee Dee
- Frankie Carle - I Want A Girl (Just Like The Girl)
- Ray Charles - Come Rain Or Come Shine
- Bo Diddley - Road Runner
- Brenda Lee - I'm Sorry
- The Marvelettes - Please Mr. Postman
- Jackie Gleason - Melancholy Serenade
- The Hot Club Of France Withdjango Reinhardt&Stéphane
- The Danleers - One Summer Night
Scorsese Sounds - A Tribute To Martin Scorsese - The Finest Selection of Martin Scorsese"s Soundtracks Martin Scorsese ist nicht nur ein Meister des Films, sondern auch ein Virtuose der Musikauswahl. Mit "Scorsese Sounds" erleben Sie die unverwechselbare Klangwelt seiner größten Werke - von epischen Gangster-Sagas bis hin zu psychologischen Dramen und zeitlosen Klassikern. Diese exklusive Doppel-Vinyl vereint die Essenz der Soundtracks, die Scorseses Filme zu Kult gemacht haben. Jeder Track ist sorgfältig ausgewählt, um die Atmosphäre und Emotionen der legendären Szenen einzufangen - von der rauen Energie des New Yorker Untergrunds bis zur eleganten Nostalgie vergangener Zeiten. Ein Muss für Cineasten, Vinyl-Liebhaber und alle, die die Magie von Bild und Ton schätzen. Tauchen Sie ein in die musikalische DNA eines der größten Regisseure unserer Zeit.
The first volume of the Depthtrace series unfolds with Sebastián moving through different
shades of techno, from club-focused structures to minimal influences and downtempo
passages, framed by atmosphere and understated mental hypnosis that invites deep
listening beyond the dance-floor.
- 1: Dear Prudence - Ramsey Lewis
- 2: Les Fleur - Minnie Riperton
- 3: It's All Up To You - The Dells
- 4: By The Time I Get To Phoenix - Billy Stewart
- 5: Stand Up And Be Counted - Meditation Singers
- 1: Love Has Fallen On Me - The New Rotary Connection
- 2: What Color Is Love - Terry Callier
- 3: Brother Where Are You - Marlena Shaw
- 4: More And More - Little Milton
- 5: Eternal Journey - Ramsey Lewis
- 1: California Soul - Marlena Shaw
- 2: Can't Catch The Trane - Terry Callier
- 3: The Love We Had (Stays On My Mind) - The Dells
- 4: Teach Me How To Fly - Rotary Connection
- 5: More And More - Phil Upchurch
- 1: I'm High Again - Bo Diddley
- 2: Let's Spend The Night Together - Muddy Waters
- 3: Smokestack Lightning (1969 Version) - Howlin' Wolf
- 4: Girl You Lit My Fire - Junior Wells
- 5: I'm Gonna Keep It To Myself - Buddy Guy
- 1: Moanin' At Midnight
- 2: How Many More Years
- 3: Smokestack Lightnin
- 4: Baby, How Long
- 5: No Place To Go (You Gonna Break My Life)
- 6: All Night Boogie
- 7: The Red Rooster
- 8: Spoonful
- 9: Evil (Is Goin' On)
- 10: I'm Leavin' You
- 11: Moanin' For My Baby
- 12: I Asked For Water (She Gave Me Gasoline)
- 13: Forty- Four
- 14: Somebody In My Home
- 15: So Glad
- 16: Back Door Man
Moanin’ in the Moonlight, Wolfs erstes Langspielalbum aus dem Jahr 1958, versammelte ein Dutzend
Singles, die er im Laufe des vorangegangenen Jahrzehnts aufgenommen hatte, darunter die Favoriten
„Smokestack Lightnin’“, „Evil“ und „How Many More Years“.
Holen Sie sich den Sound des größten Blues-Labels Amerikas in High Fidelity mit der Chess Records 75th
Anniversary Series nach Hause. Diese audiophilen Neuauflagen klassischer Alben und Compilations aus der
Chess-Diskografie wurden von den originalen Analogbändern remastert und bei Quality Record Pressings
(QRP) auf 180-Gramm-Vinyl gepresst. Jede Platte ist in einer Tip-On-Gatefold-Hülle aus hochwertigem
Karton verpackt.
g 7 The Red Rooster [aka Little Red Rooster]
[g] 7 The Red Rooster [aka Little Red Rooster]
- A1: Flower
- A2: All Your Lies
- A3 66: 5
- A4: Beyond The Wheel
- A5 66: 7
- A6: Mood For Trouble
- A7: Circle Of Power
- B1: He Didn't
- B2: Smokestack Lightning
- B3: Nazi Driver
- B4: Head Injury
- B5: Incessant Mace
- B6: One Minute Of Silence
- C1: Head Injury
- C2: Beyond The Wheel
- C3: Incessant Mace
- D1: He Didn't
- D2: All Your Lies
- D3: Incessant Mace V2
- A8: Walk On The Wild Side
- A1: Rags To Riches (1953) From Casino
- A2: Hurt (1961) From Casino
- A3: Beyond The Sea (1959) From Good Fellas
- A4: You Re Nobody Til Somebody Loves You (1960) From Casino
- A5: A White Sport Coat (And A Pink Carnation) (1957) From The Irishman
- A6: Road Runner (1960) From The Wolf Of Wall Street
- A7: Love Is Strange (1956) From Casino
- A9: Smokestack Lightning (1956) From The Wolf Of Wall Street
- A10: Please Mr Postman (1961) From Mean Streets
- A11: Boom Boom (1962) From The Wolf Of Wall Street
- B1: Al Di La (1962) From The Irishman
- B2: C Est Si Bon (1953) From The Wolf Of Wall Street
- B3: It S Not For Me To Say (1957) From Goodfellas
- B4: Il Cielo In Una Stanza (1960) From Goodfellas
- B5: Stella By Starlight (1961) From Casino
- B6: Sleep Walk (1959) From The Irishman
- B7: What A Difference A Day Made (1959) From Casino
- B8: I M Sorry (1960) From Casino
- B9: Cow Cow Boogie (1943) From Raging Bull
- B10: Dust My Broom (1951) From The Wolf Of Wall Street
Martin Scorsese ist einer der wichtigsten Filmregisseure der New-Hollywood-Ära. Dank Filmen wie »Taxi Driver« (1976), »Raging Bull« (1980), »The Wolf of Wallstreet« (1986), »Goodfellas« (1990), »Casino« (1995) und »The Irishman« (2019).
Außerdem erhielt Scorsese zahlreiche Auszeichnungen, darunter einen Academy Award, vier BAFTA Awards, drei Emmy Awards, einen Grammy Award und drei Golden Globe Awards. Hier sind Songs von Dean Martin, Frank Sinatra über Ella Fitzgerald, Dinah Washington, sowie Howlin Wolf und John Lee Hooker vertreten. Auf dem vorliegenden Soundtrack-Album sind somit 21 Stücke aus der Filmmusik der erfolgreichsten Scorseses Film-Meisterwerke enthalten.
h Walk on the wild side part 1 (1962) from casino & the color of money
h Walk on the wild side [part 1] (1962) from casino & the color of money
[h] Walk on the wild side [part 1] (1962) from casino & the color of money
[h] A8 | Walk on the wild side [part 1] (1962) from casino & the color of money
"Howlin' Wolf was one of the greatest characters and most electrifying performers in blues history. Presented here is his outstanding 1959 LP for Chess Records, Moanin' in the Moonlight. One of the all-time cornerstones of the genre, it contains several of his early hits: ""How Many More Years,"" ""Smokestack Lightning,"" ""Forty Four,"" and ""Evil.
THE COMPLETE ALBUM + 4 BONUS TRACKS - 180-GRAM CRYSTAL CLEAR VINYL - LIMITED EDITION"
- A1: Burnin' Hell
- A2: Graveyard Blues
- A3: Baby, Please Don't Go
- A4: Jackson, Tennessee
- A5: You Live Your Life & I'll Live Mine
- A6: Smokestack Lightnin
- B1: How Can You Do It?
- B2: I Don't Want No Woman If Her Hair Ain't No Longer Than Mine
- B3: I Rolled & Turned & Cried The Whole Night Long
- B4: Blues For My Baby
- B5: Key To The Highway
- B6: Natchez Fire
Burning Hell was recorded in Detroit, MI in 1959, but not released until 1964. Even then, it was only available in the UK. This 180-gram vinyl pressing marks the first official worldwide single LP release of the album. The album was pressed at QRP in collaboration with Acoustic Sounds and features Hooker solo playing originals and classics. AllMusic writes that on this album Hooker proves himself to be an excellent performer who could have rivaled the Delta bluesmen of any era.
For 'The Ones', Chicago House and Disco producer, Rahaan has pulled together a plethora of musicians and vocalists to create a smokestack of soul fuelled excellence on this ten track album. From the amazing vocals courtesy of Marcus J. Austin and Nancy Clayton on the opener, 'We Are The Ones', through the amazing instrumental City Rain Supreme and the vocals of Spike Rebel on the anthemic 'Forever', this album absolutely excels. The promise made on the original three track EP released on BBE Music in the Summer of 2023 is well and truly delivered on. Working with live musicians throughout the recording process has added layers of finesse and genuinely unfeigned authenticity in the overall sound of this album. Carnell Newbill's basslines and keys, Todd Swope's Afrobeat inspired guitar licks and the horns of Ohio Players legend Kenny Anderson all blend organically with the aforementioned vocalists to create an album of sublime music befitting the best traditions of the Chicago House canon. Rahaan Young is a DJ and producer who has been DJing since playing at parties in his native Chicago the 1980s. As a DJ he's enjoyed residencies at both The Spot and Buddha Lounge as well as entertaining and moving dance floors around the globe with DJ sets that show his music knowledge and exquisite taste. The Ones is mastered at the Grammy nominated Carvery Studios and will be released on vinyl and digital on BBE Music, adding to the catalogue of innovative and highly pertinent releases from artists, musicians and producers from across the world.
- A1: Too Much Monkey Business
- A2: I Got Love If You Want It
- A3: Smokestack Lightning
- A4: Good Morning Little Schoolgirl
- A5: Respectable
- B1: Five Long Years
- B2: Pretty Girl
- B3: Louise
- B4: I'm A Man
- B5: Here 'Tis
FIVE LIVE YARDBIRDS is the debut album by British blues-rock band The Yardbirds. It features ten American rhythm and blues songs reimagined in, what would become, The Yardbirds’ “rave-up” signature. The “rave-up” treatment was the art of stretching a song with instrumental interludes building to a climax and was pioneered by the band for their live shows.
The album was recorded at the Marque Club on Wardour Street, London in March 1964 and released in the UK in December that year. It was the inspiration of the bands manager Giorgio Gomelsky who wanted to capture and preserve their youthful energy and the electric atmosphere.
At the time of release, it was not well received critically and failed to chart. Subsequently it is acclaimed as the most important live album of the Sixties during the British rock boom. Aerosmith’s founding guitarist Joe Perry describes their version of Chuck Berry’s ‘Too Much Monkey Business’ as a blueprint for much of what Aerosmith tried to do.
Atemberaubende Energie und traditionsreicher Folk, gehüllt in ein modernes Punkgewand, ergeben eine einzigartige Bandsymbiose, die sich von der ersten Sekunde an auf"s Publikum überträgt: Irish Folk Punk eben. Die siebenköpfige Band aus Gevelsberg exportiert seit 2011 die leidenschaftliche Liebe zur irischen Musik in die Welt. Mit ihrem Irish Folk Punk liefern The O"Reillys and the Paddyhats einen außergewöhnlichen Bandsound, der überall für perfekte Stimmung sorgt. Ob Clubshow oder Festival - eine Riesenparty ist garantiert. Ihre Reichweite spricht dabei für sich: In ganz Europa bringt die Band ihre Show vor einem begeisterten Publikum auf die Bühne! Und das spiegelt sich auch in dem neuen Album "Wake The Rebels" wieder. "Wake the Rebels" entfacht das Feuer der Unabhängigkeit und ist eine kraftvolle Mischung aus berauschendem Sound und unerschrockenem Geist. "Wake the Rebels" stellt für die Band einen musikalischen Ausbruch aus der Routine und einen Aufruf dar, die Stimmen zu erheben. Mit der kraftvollen Botschaft ist das Album ein echter "Wach-Macher". "Wake the Rebels" ist nicht nur eine musikalische Veröffentlichung, sondern auch ein Statement, das die Dringlichkeit des Wandels und die Bedeutung, für seine Überzeugungen einzustehen, unterstreicht.
Atemberaubende Energie und traditionsreicher Folk, gehüllt in ein modernes Punkgewand, ergeben eine einzigartige Bandsymbiose, die sich von der ersten Sekunde an auf"s Publikum überträgt: Irish Folk Punk eben. Die siebenköpfige Band aus Gevelsberg exportiert seit 2011 die leidenschaftliche Liebe zur irischen Musik in die Welt. Mit ihrem Irish Folk Punk liefern The O"Reillys and the Paddyhats einen außergewöhnlichen Bandsound, der überall für perfekte Stimmung sorgt. Ob Clubshow oder Festival - eine Riesenparty ist garantiert. Ihre Reichweite spricht dabei für sich: In ganz Europa bringt die Band ihre Show vor einem begeisterten Publikum auf die Bühne! Und das spiegelt sich auch in dem neuen Album "Wake The Rebels" wieder. "Wake the Rebels" entfacht das Feuer der Unabhängigkeit und ist eine kraftvolle Mischung aus berauschendem Sound und unerschrockenem Geist. "Wake the Rebels" stellt für die Band einen musikalischen Ausbruch aus der Routine und einen Aufruf dar, die Stimmen zu erheben. Mit der kraftvollen Botschaft ist das Album ein echter "Wach-Macher". "Wake the Rebels" ist nicht nur eine musikalische Veröffentlichung, sondern auch ein Statement, das die Dringlichkeit des Wandels und die Bedeutung, für seine Überzeugungen einzustehen, unterstreicht.
- Wake The Rebels
- Land Of Tomorrow
- Paddy's Return
- The Ballad Of Big Bad Billy
- Smokestacks' Cry
- Bareknuckle Fighting
- Two Faces
- Kingdom Of Silence
- Through The Storm
- Dance For Me
- Irish Summer Nights
- Dear Brother
Atemberaubende Energie und traditionsreicher Folk, gehüllt in ein modernes Punkgewand, ergeben eine einzigartige Bandsymbiose, die sich von der ersten Sekunde an auf"s Publikum überträgt: Irish Folk Punk eben. Die siebenköpfige Band aus Gevelsberg exportiert seit 2011 die leidenschaftliche Liebe zur irischen Musik in die Welt. Mit ihrem Irish Folk Punk liefern The O"Reillys and the Paddyhats einen außergewöhnlichen Bandsound, der überall für perfekte Stimmung sorgt. Ob Clubshow oder Festival - eine Riesenparty ist garantiert. Ihre Reichweite spricht dabei für sich: In ganz Europa bringt die Band ihre Show vor einem begeisterten Publikum auf die Bühne! Und das spiegelt sich auch in dem neuen Album "Wake The Rebels" wieder. "Wake the Rebels" entfacht das Feuer der Unabhängigkeit und ist eine kraftvolle Mischung aus berauschendem Sound und unerschrockenem Geist. "Wake the Rebels" stellt für die Band einen musikalischen Ausbruch aus der Routine und einen Aufruf dar, die Stimmen zu erheben. Mit der kraftvollen Botschaft ist das Album ein echter "Wach-Macher". "Wake the Rebels" ist nicht nur eine musikalische Veröffentlichung, sondern auch ein Statement, das die Dringlichkeit des Wandels und die Bedeutung, für seine Überzeugungen einzustehen, unterstreicht.
- A1: You're A Better Man Than I
- A2: Evil Hearted You
- A3: I'm A Man
- A4: Still I'm Sad
- A5: Heart Full Of Soul
- A6: The Train Kept A-Rollin
- B1: Smokestack Lightning (Live At The Marquee Club, 1964)
- B2: Respectable (Live At The Marquee Club, 1964)
- B3: I'm A Man (Live At The Marquee Club, 1964)
- B4: Here 'Tis (Live At The Marquee Club, 1964)
- Muddy Waters - Mannish Boy
- Robert Johnson - Sweet Home Chicago
- Leadbelly - Where Did You Sleep Last Night
- Johnny Otis - Willie And The Hand Jive
- C.b. & Axe Gang - Rosie
- Buddy Guy - First Time I Met The Blues
- Popa Chubby - Carrying On The Torch Of The Blues
- Lucky Peterson - Four Little Boys
- Lightnin' Hopkins - Mojo Hand
- T-Bone Walker - T-Bone Blues
- B.b. King - Three O'clock Blues
- Screamin' Jay Hawkins - I Put A Spell On You
- Vera Hall - Trouble So Hard
- Ray Charles - Mr. Charles' Blues
- Bo Diddley - I'm A Man
- Fats Domino - Blue Monday
- Memphis Slim - Lonesome
- Otis Rush - All Your Love
- Booker T. & The M.g.'s - Green Onions
- Champion Jack Dupree - Junker's Blues
- Jean-Jacques Milteau - Down In Mississippi
- John Lee Hooker - Boom Boom
- Big Mama Thornton - Hound Dog
- Ike Turner & The Kings Of Rhythm - I'm Lonesome Baby
- Bobby 'Blue' Bland - It's My Life, Baby
- Elvis Presley - G.i. Blues
- Howlin' Wolf - Smokestack Lightnin
- Chuck Berry - Driftin' Blues
- Slim Harpo - I'm A King Bee
Despite having never released his own album, Terry Marshall remains one of the most ubiquitous and influential individuals in modern music; this of course comes from the guitar amplifiers which bear his name. Debut album ‘Living The Blues’ by Terry Marshall and Friends, including Laurence Jones, Emma Wilson, Alice Armstrong, Krissy Matthews and Zoe Schwarz as well as an array of talented blues musicians, the album is the embodiment of a lifetime of dedication to music and a revitalising take on blues classics.
Born in Aldershot on 11 September 1947, Catley's family moved to the Tile Cross area of Birmingham when he was young. He went on to attend the nearby Central Grammar School for Boys (Birmingham) and left to start an apprenticeship at the GPO before deciding on a musical career shortly after meeting similarly minded individuals at college. Whilst at college he joined several bands, such as The Smokestacks (Jeff Clark-guitar, Ron Savage-guitar, Derek Danks-bass & Brian Worrell-drums, Life and Clearwater). His first professional band was when he joined local outfit The Capitol Systems. The initial line-up was Bob Catley (vocals) Paul Sargent (guitar) Paul Whitehouse (bass), Dave Bailey (keyboards) and Bob Moore (drums). Shortly afterward they changed their name to Paradox, inspired by a science-fiction novel. A one-off deal was arranged with Mercury after Paradox had come to the attention of Francis Rossi and Rick Parfitt. The tracks were "Ever Since I Can Remember", backed with "Goodbye Mary". In addition, they recorded "Mary Colinto" and "Somebody Save Me". All of these songs were written by Dave Morgan. Paradox played festivals in the Netherlands and Italy before splitting up upon their return to the UK in 1970. Formed in 1972, Magnum throughout the next 16 years consisted mainly of Bob Catley on vocals and Tony Clarkin on guitar. Magnum began as the house band at Birmingham's famous Rum Runner night club (later the home of Duran Duran). They began to develop their own style by playing Clarkin's songs at a residency at The Railway Inn, in Birmingham's Curzon Street, in 1976. Joining Clarkin and Catley were drummer Kex Gorin and bassist Dave Morgan (later a member of ELO). Their most notable success during these early years was the Jeff Glixman produced Chase The Dragon (1982) which reached No. 17 in the UK, and included several songs that would be mainstays of the band's live set, notably ‘Soldier of the Line’, ‘Sacred Hour’ and ‘The Spirit’. Their breakthrough album came in 1985 with On a Storyteller's Night which featured the single ‘Just Like an Arrow’. This success continued in the following years with the Roger Taylor (Queen) produced Vigilante in 1986, the top 5 album Wings of Heaven in 1988, and the Keith Olsen produced Goodnight L.A. reaching No. 9 in the UK album charts in 1990. Subsequently, Clarkin decided to maintain a tighter control, and after their initial mainstream success, the band lost their major label backing and returned to a more personal level of production. This finally found the band splitting and the formation of Hard Rain in 1995, which saw Clarkin pursue a more Pop orientated direction with a band that included Sue McCloskey on lead vocals. This new direction didn’t sit well with Catley, and after a headline performance at The Gods in the late 90s, a conversation with Bruce Mee of Now & Then Records saw Catley agree with a decision which eventually led to his debut solo album, ‘The Tower’. This release was completely written by Gary Hughes of Ten, with the writing completely decided to be in the vein of classic Magnum. The album itself was recorded by various members of Ten, including the amazing Vinny Burns (Dare) on guitar. On release, the many positive reviews concluded that the release of ‘The Tower’ had succeeded beyond its wildest imagination…..and Bob Catley’s solo career had been launched with amazing success!! With a lyrical intricacy and majestic pomp, songs like ‘Far Away, ‘Fear of the Dark, ‘Madrigal’ and ‘Deep Winter’ take you back to that glorious period of Magnum between ‘Chase The Dragon’ and ‘Wings Of Heaven’ whilst hard melodic rockers such as ‘Scream’, ‘Dreams’ and title track ‘The Tower’ show just what Magnum would have sounded like if they’d gone a little bit harder. Another absolutely brilliant album that totally deserves to be filed alongside those mid-period Magnum classics.
- A1: I'm Your Hoochie Coochie Man
- A2: Baby Please Don't Go
- A3: Rollin' And Rumblin' (Part 1)
- A4: Rollin' And Rumblin' (Part 2)
- A5: Gypsy Woman
- A6: I Just Want To Make Love To You
- A7: You're Gonna Miss Me (When I'm Dead And Gone)
- B1: Mannish Boy
- B2: Smokestack Lightnin
- B3: Standin' Here Tremblin
- B4: Just A Dream (On My Mind)
- B5: She's All Right
- B6: I Want To Be Loved
- B7: The Call Me Muddy Waters
- C1: Got My Mojo Working
- C2: Rock Me
- C3: I'm Ready
- C4: Diamonds At Your Feet
- C5: Mopper's Blues
- C6: Loving Man
- C7: Evil
- D1: Forty Days And Forty Nights
- D2: She Moves Me
- D3: Trouble No More
- D4: Hard Day Blues
- D5: Rollin' Stone
- D6: I Can't Be Satisfied
- D7: Train Fare Home Blues
- A1: Moanin’ At Midnight 2:54
- A2: How Many More Years 2:41
- A3: Smokestack Lightnin’ 3:07
- A4: Baby, How Long 2:53
- 5: No Place To Go (You Gonna Break My Life) 2:4
- A6: All Night Boogie 2:13
- A7: Mama’s Baby 2:08*
- A8: Sittin’ On Top Of The World 2:33*
- A9: I Better Go Now 2:43
- B1: Evil (Is Goin’ On) 2:54
- B2: I’m Leavin’ You 2:57
- B3: Moanin’ For My Baby 2:47
- B4: I Asked For Water (She Gave Me Gasoline) 2:50
- B5: Forty-Four 2:47
- B6: Somebody In My Home 2:25
- B7: Hidden Charms 2:22*
- B8: Don’t Mess With My Baby 2:38*
- B9: Just Like I Treat You 2:56*
Howlin’ Wolf was the primal force of blues music spun out to its ultimate conclusion. He was an imposing presence, blessed with a thunderous voice and enormous physical strength. Like his friend and rival Muddy Waters, Wolf transformed Mississippi’s archaic country blues into the electric urban blues of Chicago, his adopted home. Presented here is his outstanding debut album for Chess Records, Moanin’ in the Moonlight (1959) – one of the alltime cornerstones of the genre.
- A1: B B. King - Three O'clock Blues
- A2: Pee Wee Crayton - Blues After Hours
- A3: Little Willie John - Need Your Love So Bad
- A4: Scrapper Blackwell - Kokomo Blues
- A5: Mose Allison - Young Man's Blues
- A6: T-Bone Walker - T-Bone Blues
- A7: Vera Hall - Trouble So Hard
- B1: Chuck Berry - Driftin' Blues
- B2: Bobby "Blue" Bland - It's My Life, Baby
- B3: Screamin' Jay Hawkins - I Put A Spell On You
- B4: Alexis Korner's Blues Incorporated - Hoochie Coochie Ma
- B5: Fat Domino - Blueberry Hill
- B6: Mississippi Fred Mcdowell - Good Morning Little Schoolg
- B7: Memphis Slim - Lonesome
- B8: Muddy Waters - Mannish Boy
- C1: John Lee Hooker - Boom Boom
- C2: Big Joe Williams - Baby Please Don't Go
- C3: Sleepy John Estes - Little Laura Blues
- C4: Memphis Minnie - If You See My Rooster (Please Run Him Home)
- C5: Freddy King - I'm Tore Down
- C6: Sister Rosetta Tharpe - My Journey To The Sky
- C7: Brownie Mcghee - Dealing With The Devil
- C8: Lightnin' Hopkins - Mojo Hand
- D1: Aretha Franklin - Today I Sing The Blues
- D2: Billie Holiday - God Bless The Child
- D3: Sonny Terry - Diggin' My Potatoes
- D4: Lonnie Johnson - Some Day Baby
- D5: Charles Brown - Black Night
- D6: ”Little” Esther Phillips & The Anita Kerr Singers - No Headstone On My Grave
- D7: Howlin' Wolf - Smokestack Lightnin
- E1: Bo Diddley - I'm A Man
- E2: Big Joe Turner - S K. Blues (Part I)
- E3: Slim Harpo - I'm A King Bee
- E4: Elmore James - Blues Before Sunrise
- E5: Lead Belly - Where Did You Sleep Last Night
- E6: C B. & The Ten Others With Axes - Rosie
- E7: Johnny Cash - Home Of The Blues
- F1-: Ray | Charles - Mr Charles' Blues
- F2: Bessie Smith - Nobody Knows You When You're Down And Out
- F3: Jimmy Reed - Big Boss Man
- F4: Robert Johnson - Sweet Home Chicago
- F5: Arthur "Big Boy" Crudup - That's All Right
- F6: Albert King - Don't Throw Your Love On Me So Strong
- F7: Big Mama Thornton - Nightmare
- F8: Elvis Presley - G I. Blues
Blue Cloud Vinyl. Hailing from Bozeman, MT, Kitchen Dwellers embody the spirit and soul of their home with a sonic palette as expansive as Montana's vistas. The quartet_Shawn Swain Mandolin, Torrin Daniels banjo, Joe Funk [upright bass], and Max Davies [acoustic guitar]_twist bluegrass, folk, and rock through a kaleidoscope of homegrown stories, rich mythology, American west wanderlust, and psychedelic hues. After amassing 5 million-plus streams, selling out shows, and receiving acclaim from Huffington Post, Relix, American Songwriter, and more, the group brings audiences back to Big Sky Country on their third full-length album, Wise River, working with Cory Wong of Vulfpeck as producer.In the end, Kitchen Dwellers share timeless American stories from the heart of one of its greatest treasures."When you listen to Wise River, I hope you hear some of the original qualities that made us who we are, but you also recognize aspects that are new and adventurous," Max leaves off. "I hope you hear what it sounds like when the four of us are at home and have the space to create something together. This album is really how we sound as a band."
ZEKE, die legendären Punkrocker aus Seattle, melden sich mit ihren ersten neuen Aufnahmen seit über 4 Jahren zurück. "Ride Hard Ride Free" enthält zwei Tracks, die mit ZEKEs charakteristischer Mischung aus turbogeladenem Thrash-Punk und Motörhead-besessenem Rock'n'Roll gespickt sind und bietet einen ersten Vorgeschmack auf ZEKEs neues Album, das im Laufe des Jahres erscheinen soll. Im Jahr 2022 fanden ZEKE unerwartet wieder zusammen. Die Gründungsmitglieder Blind Marky Felchtone (Gesang/Gitarre) und Donny Paycheck (Schlagzeug), der nach 18 Jahren ans Schlagzeug zurückkehrt, steckten die Köpfe zusammen und arbeiteten an neuen Songs. Auch Jason Freeman (Bass) und Jeff Hiatt (Gitarre), die schon einmal bei ZEKE dabei waren, konnten von einem Wiedereinstieg überzeugt werden. Die erste Single "Ride Hard Ride Free" ist alles, was man von ZEKE erwartet - oder hören will.
Bear's Choice, das erste echte Archivalbum von The Grateful Dead, wurde als Tribut an Pigpen kurz nach dessen Tod von keinem Geringeren als dem ursprünglichen Tonmann und Wohltäter der Dead, Owsley Stanley, alias Bear, liebevoll produziert. Bear's Choice basiert auf Liveshows, die Bear drei Jahre zuvor im Fillmore East in New York City aufgenommen hatte, und fängt die Dead in einem entscheidenden Moment ihrer Geschichte ein, als sie gerade Workingman's Dead (und
kurz darauf American Beauty) aufnahmen und sich zu Americana-Pionieren entwickelten, dabei aber nie den Kontakt zu ihren psychedelischen Improvisationswurzeln verloren.
Drei der acht Songs auf dem Album werden von Pigpen gesungen, wobei Seite 1 das definitive Beispiel für die frühen Acoustic Dead ist und Seite 2 aus elektrischem Blues und Rock 'n' Roll besteht, wobei Pigpen bei beiden Stücken auf der zweiten Seite den Ton angibt.
Dieses Album wurde von David Glasser mit Plangent Processes
von den originalen analogen 2-Spur-Bändern, die von Bear live aufgenommen wurden, neu gemastert und hat noch nie besser geklungen.
- A1: John Lee Hooker - Boom Boom
- A2: B B. King - Three O'clock Blues
- A3: Mississippi Fred Mcdowell - Good Morning Little Schoolgirl
- A4: Muddy Waters - Mannish Boy
- A5: Fats Domino - Blueberry Hill
- A6: Buddy Guy - First Time I Met The Blues
- A7: Willie Dixon - I Ain't Superstitious
- B1: Ray Charles - Mr Charles' Blues
- B2: Screamin' Jay Hawkins - I Put A Spell On You
- B3: Fenton Robinson - You Don't Know What Love Is
- B4: T-Bone Walker - T-Bone Blues
- B5: Bo Diddley - I'm A Man
- B6: Johnny Cash - Home Of The Blues
- B7: Slim Harpo - I’m A King Bee
- C1: Bobby "Blue" Bland - I'll Take Care Of You
- C2: Lead Belly - Where Did You Sleep Last Night
- C3: Lightnin' Hopkins - Mojo Hand
- C4: Albert King - Don't Throw Your Love On Me So Strong
- C5: Lucky Peterson - Four Little Boys
- C6: Popa Chubby - Carrying On The Torch Of The Blues
- D1: Chuck Berry - Driftin' Blues
- D2: C B. & The Ten Others With Axes - Rosie
- D3: Howlin' Wolf - Smokestack Lightnin
- D4: Sonny Boy Williamson - Good Morning Little Schoolgirl
- D6: Robert Johnson - Sweet Home Chicago
- D7: Otis Rush - Double Trouble
- D5: Elmore James - Dust My Broom
Black Country Communion the rock supergroup comprised of vocalist/bassist Glenn Hughes (Deep Purple Black Sabbath, Trapeze), drummer Jason Bonham (Led Zeppelin, Foreigner), Derek Sherinian (Dream Theater, Billy Idol, Alice Cooper) and blues rock guitarist Joe Bonamassa.
Their second album, simply called "2" was originally released by Mascot Records in Europe in 2011. Three Black Country Communion albums will be re-issued as part of the Black Country Communion Glow In The Dark Vinyl Series: On September 24, "Black Country Communion" and "2", and on October 22, 2021 their latest studio album "BCCIV".
Producer Kevin Shirley explains "On '2', you can hear the band own their music, own their sound, and it is an astonishing musical group unlike any other and they are absolutely the kings of their genre." He continues sstating, "I wanted to explore more of the Bonham sound and more importantly each member of the band gets a unique opportunity to shine, but the music always has the distinct sound that is BCC." Black Country Communion initially came to fruition when Kevin Shirley saw Glenn Hughes and Joe Bonamassa join forces on stage in Los Angeles in November 2009 for an explosive performance at Guitar Center’s King of the Blues event. Shirley then recruited powerhouse drummer Jason Bonham and keyboardist Derek Sherinian. The band is named after the industrial area in the British Midlands where both Hughes and Bonham were born and raised.
It's not often that an album disavowed by its own author at the time of release goes on to become considered a modern classic. Yet that's exactly what happened with Chicago blues legend Howlin' Wolf's 1969 LP The Howlin' Wolf Album, a release that has since attained mythical status due to the controversy behind it. Released on Cadet Records, a subsidiary of legendary imprint Chess Records, The Howlin' Wolf Album was a radical experiment for a wellestablished artist: attempt to integrate electric instruments and psychedelic arrangements into his revered signature blues sound. The result was an album that Wolf himself initially disregarded on the nowinfamous cover, but one that has won a special place amongst dedicated music aficionados thanks to its unique mix of traditional blues and electric rock elements. Get On Down's reputation for high quality reissues continues with The Howlin' Wolf Album, which features a special Stoughton vinyl pressing with audio remastered from the original analog tapes for optimum sound quality and comes packaged in a paste-on style jacket featuring the album's famous original artwork. A1. Spoonful A2. Tail Dragger A3. Smokestack Lightning A4. Moanin' at Midnight A5. Built For Comfort B1. The Red Rooster B2. Evil B3. Down In The Bottom B4. Three Hundred Pounds Of Joy B5. Back Door Man
- A1: You're No Good
- A2: Talkin New York
- A3: In My Time Of Dyin
- A4: Man Of Constant Sorrow
- A5: Fixin' To Die
- A6: Peggy
- B1: Highway 51 Blues
- B2: Gospel Plow
- B3: Baby, Let Me Follow You Down
- B4: House Of The Risin Sun
- B5: Freight Train Blues
- B6: Song To Woody
- B7: See That My Grave Is Kept Clean
- C1: Mixed-Up Confusion
- C2: Introduction
- C3: Poor Lazarus
- C4: Mean Old Southern Railroad
- C5: Fixin’ To Die
- D1: Smokestack Lightnin’
- D2: Hard Travellin’
- D3: The Death Of Emmett Till
- D4: Standing On The Highway
- D5: Baby Please Don’t Go
Robert Zimmerman, aka the rock-folk singer-songwriter Bob Dylan, was born in Duluth, Minnesota in 1941. His first three albums – Bob Dylan, The Freewheelin’ Bob Dylan, The Times They Are A-Changing – reoriented both folk music and rock. His early songs were largely inspired by Woody Guthrie, and in turn provided inspiration (and soon a religion) to many music fans around the globe.
There is no doubt that the baby-boomers of 1968 – a whole generation – were seeking an ideal, and the promise of change in Dylan’s first songs transformed a merely average nasal-toned folk singer into a figurehead of the protest movement, and later one of its high priests.
But there are also those who will remember how Dylan invented his own life-story as an orphan with Indian blood who spent his childhood in a circus/ Or how he happily explained to 'Time' why their magazine was pointless (and to CBS News why opinions expressed by media were useless and harmful.) Of course they were, and so Bob was there to change the world. Times, indeed, they were changing, and Bob began wearing silk shirts way before he was handed the Nobel Prize for Literature. We need more Jesus Christs and Bob Dylans as world-changers.
- A1: Baby What’s Wrong
- A2: Mr You’re A Better Man Than I
- A3: Choker (W/ Jimmy Page)
- A4: Honey Your Hips
- A5: West Coast Idea
- A6: I Wish You Would
- A7: Freight Loader (W/ Jimmy Page)
- B1: Snake Drive
- B2: Jeff’s Blues
- B3: Smokestack Lightning
- B4: Bye-Bye Bird
- C1: Take It Easy Baby
- C2: Out On The Water Coast
- C3: Pontiac Blues
- C4: Twenty-Three Hours
- D1: Do The Weston
- D2: The River Rhine
- D3: Mister Downchild
- A1: For Your Love
- A2: Good Morning Little Schoolgirl
- A3: Shapes Of Thing
- A4: Draggin' My Tail (With Jimmy Page)
- A5: Evil Hearted You
- B1: I Ain't Got You
- B2: A Certain Girl
- B3: Got To Hurry
- B4: Too Much Monkey Business
- B5: Got Love If You Want It
- C1: Smokestack Lightning
- C2: Louise
- C3: Good Morning Little Schoolgirl
- C4: Five Long Years
- D1: Here 'Tis
- D2: Pretty Girl
- D3: I'm A Man
- D4: She's So Respectable
May not know Maedon, the artist formerly known as pulsewidthmod, but you will soon; she has been pulverizing select dance floors with live sets since her arrival in Brooklyn late summer of 2018. Shrouded in mystery, there is one thing known about her, she’s a wizard with the hardware driven by some fierce passion for the music.
After having toured across the country on her own, she released a 12″ EP with the highly-respected Detroit Underground. Now she is ready to bring her work to the next level with a hard-hitting EP that epitomizes her sound on Adam X’s legendary Sonic Groove label. The label, of course, is known for delivering some of the hardest and intricate records in EBM and industrial, having releases from Rebekah, Dasha Rush, and Orphx.
Against His Will opens with the uncompromising ‘Illusion’ and its all-out destructive energy. Industrious and unforgiving synths dominate this cut, while a riff shifts in and out of chaos. The unrelenting percussion almost calls out like demons, as if you’re making your way down the river Styx, but instead of a boat, you’re on a mechanical conveyor belt.
Tasked with the difficult job of following that opener is ‘Limited Hangout’ which ends up proving as powerful as the first. A bit more punchy, this track has more body to it, the percussion is enchanting, and through all the chaos you will be dancing and stomping.
Next up is ‘Special Report’ in an attempt to tame and focus the disarray. The track has less overall unpredictable texture, and more EBM flared body banging beats. Still an absolute powerhouse, it uses door-pounding percussion to drive it along with modulated synths and riffs generating a menacing presence.
‘Alchemy’ brings the proceedings to a close. The textured cut is a slow down to things. Well-thought-out and more EBM than industrial, it demonstrates Maedon’s dynamic range of skills. Rhythmic drum patterns sway the beat while swirling and electric modulations percolate and oscillate throughout. The dark stabs evoke an underground feel, and although the track evokes smokestacks and assembly lines, it is inherently primal.
- A1: John Lee Hooker - Boom Boom
- A2: Muddy Waters - Mannish Boy
- A3: Big Mama Thornton - Hound Dog
- A4: Lightnin' Hopkins - Mojo Hand
- A5: Fats Domino - Blue Monday
- A6: Elmore James - Dust My Broom
- A7: Howlin' Wolf - Smokestack Lightnin
- B1: Bo Diddley - I'm A Man
- B2: Screamin' Jay Hawkins - I Put A Spell On You
- B3: Etta James - I Just Want To Make Love To You
- B4: B.b. King - Bad Luck
- B5: Buddy Guy - First Time I Met The Blues
- B6: Robert Johnson - Sweet Home Chicago
- B7: Bessie Smith - Nobody Knows You When You're Down And Out
Es sind weder Goethe noch Grass, die vergilbt von der brennenden Sonne auf dem Armaturenbrett nach Aufmerksamkeit dürsten. Was hätten die auch in den Bildern zu suchen, die Bela B mit Smokestack Lightnin' und Peta Devlin, Gitarrist Walter Broes und Lynda Kay in weiteren Hauptrollen, aus Klischeefallen befreien. Aber aufgepasst, Rebellen, die Ihr Euch zum Twist und Line Dance vor "Bye" versammelt habt! Sehnt Ihr Euch in Eurem selbstverliebten Antagonismus nicht nach moralischer Stütze "Bye" verteilt keine Gebote, aber wenn man unbedingt einen Ratschlag sucht, könnte man die Anleitung zum Idealismus finden - auch im Musikalischen.
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