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Geboren im Sommer '96/'97 - dem Jahr des Höllenschweins - brannten Mustang als soziales Experiment aus der Innenstadt Tasmaniens heraus. Sie kamen mit ziemlich viel davon, andere hätten für weniger wohl nicht mehr gleich ausgesehen.Sie sauf-ten, machten Sachen kaputt und brachten dieses Chaos in das Schreiben von Banger-Songs - während sie sich bei den ,Proben" XXX Ales reinzogen und bei sehr wichtigen ,Bandmeetings" Protokolle führten.Mustang schütteten Benzin über ihre tasmanische Ödnis, bevor sie 7,69 Millionen Quadratkilometer Landmasse der Erde in sich aufsogen und dort ,dominierten", auf die einzige Art, die sie kannten: laut, wütend und zu ihren eigenen Bedingungen - und nahmen dabei Horden williger Partygänger mit auf die Reise.Über drei Non-Studio-Alben und eine Handvoll kleiner Veröffentlichungen hinweg bauten Mustang einen Katalog auf, der von Bier, Speed und störrischer Unabhängigkeit geprägt war. Kein Glanz. Kein Trendgehechel. Kein Buckeln vor dem Mann. Sie ritten ein, tranken, was da war, und hinterließen klingelnde Köpfe.Cut Up Rough (2015) war ihr Schwanengesang - geboren in einer Heuscheune am ausgefransten Rand von Tasmaniens Rock-Hochburg. Aufgenommen über zwei schlaflose, bierselige Tage wurde das Album mit improvisierten Drum-Takes, aufgedrehten Gitarren und purem Instinkt in die Existenz gerissen. Die Band lebte während der Aufnahmen buchstäblich in der Scheune - schiss ins Gras, schlief zwischen leeren Dosen, und ließ Isolation und Absurdität direkt in billige Mikrofone bluten.

For the first time ever, Roxette release ‘Baladas En Español’ on vinyl. The relationship between Roxette and Spanish-speaking audiences has been a love story since the early ‘90s and this release celebrates that special relationship. The release is timed with Roxette’s 40th anniversary and their return to South America for live shows in April. The album will be available on vinyl and CD, featuring 4 bonus tracks compared to the original release. The vinyl will be released in both a limited coloured edition and standard black.

Roxette have some exciting plans to celebrate their 40th Anniversary this year, including extensive touring, further anniversary re-releases, video upgrades, contemporary remixes and much more!

Grounded in a season of life that has been earned rather than borrowed, Benjamin Tod speaks with the ease of someone no longer running from himself. There is joy now - a steadiness that comes from commitment. With the recent arrival of his son and a deep well of new music on the horizon, Tod is firmly rooted in both purpose and possibility. That clarity is evident in Vengeance and Grace, the Lost Dog Street Band frontman's forthcoming and most expansive solo album to date. Conceived as a "dual-version" release, the project presents two parallel worlds: (Alone) is a stripped solo-acoustic version, along with its full band counterpart.

Together, the two versions form the full range of what Tod is capable of: restraint on one side, force on the other. At the core of Tod's writing is a simple conviction: music should serve something larger than the moment. His writing speaks to mind, body, and soul, shaped by faith, discipline, and a hard-earned understanding of consequence. The darkness that once defined him is neither denied nor indulged. It is understood and no longer in control. Today, Tod moves with a sense of calm that wasn't always there. He is grateful, settled, and intentional, continuing to follow the compass that's guided him from the beginning. Rooted in traditional country and folk, his work stands firmly in the modern music landscape, shaped by experience, restraint, and the life he's built around it.

Uncompromising Dutch Black Metal – DOODSWENS’ sophomore album out in April via Svart Records Doodswens is a Dutch Black Metal band formed in 2017 by I. Live she performs the drums and vocals, joined by R. & P. on bass and guitar. Doodswens translates to Deathwish, but the meaning and heavy load to the word in Dutch translates better to Driven by Death. The self-titled sophomore album by Doodswens is out on April 17th 2026.

After establishing themselves in the Dutch scene, Doodswens gained an international following doing tours with Marduk & Gorgoroth. Doodswens’ performances are ceremonial and ritualistic, which have been reported to be as uplifting as they are devastating, depending on the demons you bring them to offer. Whatever you carry with you will be exposed. They like to confront instead of bringing comfort. If you've been on the verge of ending your life, or think about it more often than not, then you're living with a death wish. A heavy feeling, like a gray cloud hovering around you, gasping for breath and blurring your vision. This is incomprehensible to anyone. Except for those caught in the middle of it. But this album isn't about giving up. It's about finding strength, about someone who regains new energy after facing death.

This album isn't about wishing for death, but the death of the wish. Band’s establisher I. talks about the new single "Driven by Death": “For me, it was on the way back from a spontaneous adventure, full of music, new connections, and inspiration. A path without a plan and a journey without a goal, with only a very strong feeling that this is where I'm meant to be. With a misty horizon of endless asphalt before me. A large tree at the edge of the road, in the corner of my eye, screaming that this could just be the end. But what I felt wasn't fear, it was happiness. With the thought that if I crash into that tree now, I won't care at all. Because up until this moment, I've done everything possible, experienced every adventure, and each time, gotten up again and faced life with that gray cloud around my head. I have a death wish, so if it happens now, it's okay, and I'm at peace with it. This was the moment I realized, I'm not afraid of life. I'm driven by death.”

Uncompromising Dutch Black Metal – DOODSWENS’ sophomore album out in April via Svart Records Doodswens is a Dutch Black Metal band formed in 2017 by I. Live she performs the drums and vocals, joined by R. & P. on bass and guitar. Doodswens translates to Deathwish, but the meaning and heavy load to the word in Dutch translates better to Driven by Death. The self-titled sophomore album by Doodswens is out on April 17th 2026.

After establishing themselves in the Dutch scene, Doodswens gained an international following doing tours with Marduk & Gorgoroth. Doodswens’ performances are ceremonial and ritualistic, which have been reported to be as uplifting as they are devastating, depending on the demons you bring them to offer. Whatever you carry with you will be exposed. They like to confront instead of bringing comfort. If you've been on the verge of ending your life, or think about it more often than not, then you're living with a death wish. A heavy feeling, like a gray cloud hovering around you, gasping for breath and blurring your vision. This is incomprehensible to anyone.

Except for those caught in the middle of it. But this album isn't about giving up. It's about finding strength, about someone who regains new energy after facing death. This album isn't about wishing for death, but the death of the wish. Band’s establisher I. talks about the new single "Driven by Death": “For me, it was on the way back from a spontaneous adventure, full of music, new connections, and inspiration. A path without a plan and a journey without a goal, with only a very strong feeling that this is where I'm meant to be. With a misty horizon of endless asphalt before me. A large tree at the edge of the road, in the corner of my eye, screaming that this could just be the end. But what I felt wasn't fear, it was happiness. With the thought that if I crash into that tree now, I won't care at all. Because up until this moment, I've done everything possible, experienced every adventure, and each time, gotten up again and faced life with that gray cloud around my head. I have a death wish, so if it happens now, it's okay, and I'm at peace with it. This was the moment I realized, I'm not afraid of life. I'm driven by death.”

When you name your band Prince Daddy & The Hyena, you sort of accept that chaos isn’t a chapter in your story – it’s the entire ethos. Since forming out of Albany, NY’s DIY scene, Prince Daddy & The Hyena have built a career out of reaching their breaking point and continuing forward anyway. Their first LP, produced by Joe Reinhart, captured a very young band figuring things out in real time; their massive conceptual undertaking Cosmic Thrill Seekers followed and pushed their ambition (and patience) to new extremes. Not long after, a serious van accident nearly took their lives, directly informing the intensity of their self-titled record.

Over the last decade, the band has lost close friends and collaborators, endured relationship struggles, and faced countless moments that would have ended most bands without question. But those experiences never slowed Prince Daddy & The Hyena down. On their upcoming fourth album, Hotwire Trip Switch, they recalibrate and reconnect with their roots while sounding more focused and self-aware than ever. Reuniting with Joe Reinhart for the first time in nearly a decade, the album pulls from the punchy lineage of Green Day, the hook-driven quirk of Weezer, the snarky urgency of Joyce Manor and Jeff Rosenstock – all through the distinctly bratty lens of songwriter and vocalist Kory Gregory.

Originally released in 2001, Up The Country is the debut album by The Sixth Great Lake and a quietly revered title within the late-'90s / early-2000s indie scene. Rooted in jangly guitars, melodic songwriting, and a distinctly pastoral sensibility, the album sits at the intersection of indie pop, folk-rock, and classic guitar-driven pop. Although initially released with modest exposure, Up The Country steadily developed a loyal following, earning cult status among fans of understated, melody-focused indie. Its charm lies in its simplicity: clean arrangements, memorable hooks, and an unforced warmth that has allowed the record to age exceptionally well over the past 25 years. This 25th anniversary reissue presents an opportunity to reintroduce an overlooked catalogue gem to today's market, appealing both to original fans and to a new audience drawn to timeless, guitar-led indie records. With renewed interest in archival and heritage releases, Up The Country offers strong long-term catalogue potential beyond initial anniversary demand. A timeless, understated record with strong appeal for fans of melodic, guitar-driven indie.

Los Amantes Oscuros" brings together for the first time on vinyl the recordings made between 1968 and 1969 by pioneers of Bolivian garage rock, Loving Darks, originally released on their three EPs. A selection packed with proto-punk covers of hits by the Stones, Cream, Tony Hatch, and more-often surpassing the originals in attitude and power. Their original records are highly sought after and are virtually impossible to find in any condition_ If we had to choose the Latin American country where the rawest and wildest garage and beat records of the '60s were recorded, Bolivia would be one of the clearest contenders. For some strange reason-surely related to the country's extreme conditions, its high altitude, and the influence of huayno-Bolivian recordings are truly unique and fascinating. A multitude of bands sprang up under the influence of groups-mainly British-that dominated the international charts. From the ashes of two of Bolivia's most important seminal bands, Los Black Byrds and The Turtles, two new groups fundamental to the history of Bolivian rock would be born: the mythical Climax and the legendary Loving Darks. "Los Amantes Oscuros" brings together for the first time on vinyl the recordings this band made between 1968 and 1969, originally released across three EPs on the local Lyra label. Their repertoire is packed with covers such as 'El Adivino,' a sped-up reinterpretation of 'Fortune Teller,' or even 'Algo de títere,' a reworking of 'Jumpin' Jack Flash.' They also adapt the classic 'Call Me' by Tony Hatch and 'Toad' by Cream, from whom they borrow the cover of one of their most iconic albums for the artwork of their EP "Complicado." In fact, 'Complicado'-a proto-punk version of the Rolling Stones' 'Complicated' and their signature track-is a perfect example of how a Bolivian band could outdo the British giants in attitude and power. Their importance lies in having paved the way for new sounds, styles, and aesthetics within a still-emerging scene. This compilation is a joint release with the Peruvian label Rey Record and includes an insert with notes on the band's history. First time vinyl reissue.

At the genesis of one of the most essential bands in Spanish pop-rock of the 1980s, this rarity presents early versions of what would later become some of the most chanted songs in Siniestro Total's repertoire: 'Matar jipis en las Cíes' and 'Las tetas de mi novia,' along with Germán Coppini's original composition 'El Vaticano va a arder.' With limited resources but plenty of energy and humor, a three-song demo was recorded in August 1981, now available here on vinyl for the first time. The songs came first, and only later did the band take a name-initially Mari Cruz Soriano y los que afinan su piano, and shortly after, Siniestro Total. 'Matar jipis en las Cíes' is an original composition by the band's founding members Alberto Torrado, Julián Hernández, and Miguel Costas, while 'Las tetas de mi novia' is a loose version of the song 'I'm a Rocket' by the Dutch band Gruppo Sportivo. 'El Vaticano va a arder' was contributed by Germán Coppini, the mysterious fourth member of this singular lineup, inspired by 'Religion,' the anti-religious rant included on Public Image Limited's debut album. This single is an essential document for both Siniestro Total fans and Spanish-language punk enthusiasts. First-ever vinyl edition.

Following their debut album "Flaws," here is a high-quality follow-up from GARDENS. The popular Viennese indie band are making music that feels warm, direct, and a little rough around the edges. Bright guitars, soft synths, and melodies that stick without trying too hard. Their sound drifts between indie pop, dreamy folk, and gentle garage energy, grounded in honest, quietly catchy songwriting. EP digitally and on ltd tape available. "GARDENS certainly succeed in adding new layers of inspiration into the modern dream-pop genre, something which has been far too long overdue for a refresh. Their debut record offers a colossal level of promise" - Far Out Magazine " an irresistible sonic tapestry" - KEXP "intricately crafted_glistens with warmth and depth" - DIY

Mit „Beautiful Reasons“ präsentiert Michael Schulte ein wunderbares Album, das genauso warm und
einladend klingt wie der Frühling und Sommer selbst. Der Ausnahmesänger und Songwriter vereint darauf
16 kraftvolle Pop-Tracks voller Gefühl, Tiefgang und Leichtigkeit – ein musikalisches Kaleidoskop, das
seine unverwechselbare Stimme und sein außergewöhnliches Talent eindrucksvoll hervorhebt. Mit auf dem
Album sind zahlreiche Radiotop-10-Hits wie „Broken Sunshine“, „Beautiful Reason“, „Half of My Heart
(mit Ásdís)“ oder „Afterlife“ – Songs, die Millionen Menschen berührt und begeistert haben. Dieses Album
ist ein sonnendurchfluteter Soundtrack für alle, die das Leben feiern möchten und genau diese „Beautiful
Reasons“ suchen und auf dem Album finden können.

For the first time ever, Roxette release ‘Baladas En Español’ on vinyl. The relationship between Roxette and Spanish-speaking audiences has been a love story since the early ‘90s and this release celebrates that special relationship. The release is timed with Roxette’s 40th anniversary and their return to South America for live shows in April. The album will be available on vinyl and CD, featuring 4 bonus tracks compared to the original release. The vinyl will be released in both a limited coloured edition and standard black.

Roxette have some exciting plans to celebrate their 40th Anniversary this year, including extensive touring, further anniversary re-releases, video upgrades, contemporary remixes and much more!

For the first time ever, Roxette release ‘Baladas En Español’ on vinyl. The relationship between Roxette and Spanish-speaking audiences has been a love story since the early ‘90s and this release celebrates that special relationship. The release is timed with Roxette’s 40th anniversary and their return to South America for live shows in April. The album will be available on vinyl and CD, featuring 4 bonus tracks compared to the original release. The vinyl will be released in both a limited coloured edition and standard black.

Roxette have some exciting plans to celebrate their 40th Anniversary this year, including extensive touring, further anniversary re-releases, video upgrades, contemporary remixes and much more!

Hailing from North-west UK, singer and producer Joe Yorke is classed as one of the most promising UK reggae artists of his generation. His exceptional and unique falsetto voice paired with his profound and poetic lyrics have caught the attention of some of the best producers and labels and an ever-growing fanbase. Joe has entered the stage with support from reggae/dub legends such as David Rodigan, Don Letts, Dennis Bovell, Nick Manasseh and Stand High Patrol. His latest single comes via Steppas Records in collaboration with upcoming UK dub producer Yaksha, “Rocking Ship” is a poignant and compassionate commentary on the plight of refugees. Mixed by Alpha Steppa, featuring a heavyweight, stripped back dub mix for company. A crucial 7” for collectors, home listening and sound systems alike.