Поиск:space dance

Стили
Все
Ron Trent & Chez Damier, Atjazz, Ben Vedren - Morning Factory Remixes

Produced by Chez Damier and Ron Trent, the track was born in NYC, inspired by a transformative night at the legendary Sound Factory Club. In the early morning haze, as the echoes of basslines and rhythms lingered, the duo channeled the energy of the dancefloor into their studio. The result captured the raw, soulful essence of Deep House, reflecting the dancefloor communion that transcended time and space. To extend the feeling while honoring the original, Atjazz was invited to bring his jazz-influenced touc

With his deep understanding of groove and texture, he reimagined the track through two distinct remixes, each offering a fresh perspective. While both versions explore different nuances, they remain faithful to the track’s core essence, maintaining its hypnotic flow while adding a renewed vibrancy to the dancefloor. The duo of Chez Damier and Ben Vedren, proudly welcome French producer Fred H, one of the closest members of their extended musical family, to deliver a special remix of their track "Berlin Nights In Paris".

The result is a re-imagination of the track, introducing a percussive soundscape that drives the rhythm forward while offering a space for the listeners' minds to wander, immersing them in an atmospheric journey. This reinterpretation preserves the original’s essence while infusing it with new textures, dynamic movement, and a hypnotic flow that deepens its emotional impact.

This collaboration is more than just a remix. It’s a testament to the creative synergy within their musical circle, reinforcing the timeless spirit of house music while pushing it forward. er. Through his deep connection to what truly ignites the dancefloor, DJ SOURIRES maintains the emotive spirit of the original track, keeping its essence intact, yet injecting fresh dynamics that transforms it into a high-octane dancefloor heat track. His intricate, oscillating drum programming and masterful arrangement drive the rhythm forward, creating a compelling urgency that commands attention and movement. The remix swells with intensity, amplifying the hypnotic elements of the original while layering in driving percussion, rich basslines, and sharp, yet spacious synths that build tension and release in all the right moments. Every twist and turn in this remix is an invitation to lose yourself in the dance.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

12,40

Последний логин: 29 дн. назад
STAATSEINDE - ARTIFICIAL RENAISSANCE LP

Welcome to the era of “Artificial Renaissance”. Humanity and technology stand at a crucial and fundamental intersection. Echoing past cultural revolutions in a modern, technologically advanced world, everything is set to be redefined—our lives, our thoughts, and the way we move forward.

Dutch EBM/synth duo Staatseinde returns with “Artificial Renaissance”, an electrifying new mini-album. Fusing the urgency of classic EBM with the boldness of futuristic synth-punk, the band crafts an interstellar sonic journey fueled by pulsating rhythms and dystopian narratives.

The album blends space punk, italo-disco and electro into a dark, cinematic exploration of rebellion, euphoria, and dystopia. “Space Scream” launches with a cosmic punk battle cry, while “Tanzverbot” pulses with defiant energy against restriction. “Suicide Tuesday” captures post-club emptiness with shimmering 80s nostalgia, and “The Trip” unravels themes of environmental doom. “Freight” propels an italo-disco-infused space odyssey tackling exploitation, while “Une Mémoire Sans Fin” dives into AI’s eerie hold on human emotions. The fast-paced “Mutant Whispers” transforms the dancefloor into a space of fluid identity and resistance, closing with “The Mansion”, a hypnotic synth-driven descent into surreal miscommunication.

With “Artificial Renaissance”, Staatseinde ventures into unexplored sonic territory, expanding the boundaries of their lyrics, balancing artificial futuristic aesthetics with raw human emotions. As the lines between past and future blur, their pulsating music reminds us: the new age is already here.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

19,12

Последний логин: 11 мес. назад
Unknown Artist - My Soul EP

Shadow Pressings celebrates one year and its 5th release with another killer selection of deep, chunky house from the very same (unknown) producer as the label’s debut release.
My Soul sets the tone with a stripped back late night groove, working up THOSE Freddie Hubbard strings and a hooky sax riff. The sound palette is familiar but put together in a skilful and original way ensuring this banger will stand out in the crowd.
Tears follows with a similarly punchy, paired back groove which leaves space for the chiming melodies and spoken word samples to shine. Flipping over we have Lost In The Dance and What Galaxy Is This? which continue the theme of choice vox samples, shuffling drums and rolling basslines.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

15,55

Последний логин: 11 мес. назад
Robyn Rocket - Robyn Rocket And  People You May Have Heard Of LP
  • 1: Intro
  • 2: I Was Disconnected Feat Sam Castell Ward
  • 3: Mystery Man Feat Sebastian Golgiri
  • 4: Intense Love
  • 5: Credits Side A
  • 6: On Connection
  • 7: We Are All Human
  • 8: Are You A Lost Sock? Part 3 ( K Edit)
  • 9: Credits Side B
  • 10: All Aboard (Digital Only)
  • 11: The Aliens Have Arrived (Digital Only)
  • 12: New York Shuffle (Digital Only)
  • 13: We Are Connected (Digital Only)

Robyn is doing brilliant and important work - the world needs more music like this. Just one word: listen!" Giles Peterson “Even aside from her skills on her instruments and unique approach to music, Robyn devoted an immense quantity of emotional resources to the delivery of this record, and seemed to take its challenges on as a chance for personal growth. It was consistently clear that the personal input of the players was welcome in a fundamental way, and we all responded to Robyn’s efforts that went to the limits of her capacity and her love for bringing her project to you, the listener” Alabaster DePlume “It has been such a joy to work with Robyn, especially when entering the fascinating world of Robyn’s Rocket and Avant Garde jazz. We had our fun moments, like when the fire alarm went off during our recording session of Mystery Man, and we just rolled with it and kept it in. It’s like nothing matters. It’s such an honour to be part of the world of Robyn’s Rocket and to listen to the many stories, expressions and colours that shine throughout the album.”Sebastian Golgiri What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio ) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Police), on a magic carpet with space trumpeter Robyn Rocket? The answer materialises in the groundbreaking collaboration 'Robyn Rocket and People You May of Heard of'. Recorded across three days in three different studios connected to the three communities Robyn Rocket calls home, each session brought together musicians from these diverse backgrounds—many meeting for the first time. Together, they improvised and created a musical journey that transcends conventional boundaries.

This cosmic voyage features more than 20 musicians and a dog ( Taz from lost socks), gliding through free jazz, danceable tunes, loopy vistas and spoken word doors into different ways of seeing the world. At its heart lies a profound message about community as a vital part of existence and difference as something to embrace and value. The project culminates in the final single and focus track 'We Are All Human', featuring a poignant speech by Rocket from her night 'Robyn's Rocket - a residency at cafe OTO featuring experimental music and live visuals by artists with and without Learning Disabilities/ autistic and non autistic artists ' in the speech rocket talks about supporting each other—words she actively lives by and encourages others to embrace. Like many autistic people, Rocket has experienced abuse, bullying, isolation and feeling unwelcome in the world. “This project is like my nights but you can carry it around with you”, she explains. “I started my own night to share my work. I also recognised, it was a privilege to have my own night, I wanted to help other artists share their work too, and create an environment where people with and without learning Disabilities/Autistic and non autistic people as audience and performers could come together and get to know each other”. Historical Context

Сделать предзаказ31.05.2025

он должен быть опубликован на 31.05.2025

22,06
VARIOUS - JAHTARIAN DUBBERS VOL. 5

Jahtari label compilation full of all-new Outsider Dubs, Dancehall bangers and lots of cosmic low end, marking twenty years of Reggae oddness from Leipzig.

Vol. 5 is the first addition to the Jahtarian Dubbers series in over ten years, starting off with ‘The Loop Jerk’ by DJ and activist Dave Watts aka KingLMan (who sadly passed away in 2024).

Kiki Hitomi turns up the heat with ‘Red Mustang’, a raw but sweet PG 18-rated Japanese lofi Reggae gem, followed by ‘Casio HipHop’, an addictive synth & drum machine session by UK bedrock producer Kris Kemist (Reality Shock Records).

Singjay miracle El Fata brings the positive energy with ‘Boom Sound’, a synthie dancehall scorcher hot off the tape reels at Naram’s studio in the New Zealand bush, while Jura Soundsystem’s hypnotizing ‘On My Way (Dub)’ easily shifts gears into Sly & Robbie-mode.

Side B starts off with Pupajim’s prophetic ‘Tidal Wave’, produced by digi-reggae specialist Raggattack and coming in an epic extended Disco Dub version.

Melodica wizard Taka Noda (Mystica Tribe) and synth shaman Danny Wolfers (Legowelt) enter into deep magnetic communion with their Sacred Tascam tape deck on ‘Cabal of Puppeteers’, followed by DJ veteran Speng Bond chanting ‘Wha Mek’ over a spaced out depth charge by Jahtari co-founder Rootah.

Gameboy-whisperer DJ Scotch Egg (WaqWaq Kingdom, Seefeel) joins forces with disrupt and Dub trumpet black belt Pablo Volt (STA) for a mindbending journey going all the way from synth heavy Roots to Acid Jazz, on Namahage‘s ‘Voidout Dub’.

The voyage ends with a hazy and mystical Ambient Dub version of ‘Muuri’ by Finish singer Tiiu Helinä, with Tapes on keys – not to be missed!

All lovingly mixed by disrupt, coming with iconic artwork by Disko 69 (Doppeldenk).

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

21,81

Последний логин: 9 мес. назад
RON TRENT - LIFT OFF PART TWO  LP 2x12"
 
5
также имеющийся в продаже

PART ONE[25,17 €]


For customers of the Rush Hour shop, this item ships for its may 23rd release date. Any items ordered along with this will ship then also

After five years spent largely confined to the United States, Ron Trent is set to return to global touring in 2025. To mark the occasion, he’s partnered with Rush Hour to release Lift Off, a brand-new album of music recorded at different points over the last decade.

Arriving almost 35 years since he wowed the world with his game-changing debut, the Afterlife EP, Lift Off was inspired by Trent’s desire to ‘let the imagination speak for itself’ while exploring the diverse influences that have shaped his unique musical perspective. A departure from his previous album, 2022’s downtempo masterpiece as Warm, What Do The Stars Say To You, the 10-track set features a mixture of epic instrumentals, inspired collaborations and vocal cuts whose music was written with certain singers in mind.

While it features music that ripples with the experienced producer’s familiar aural trademarks – rich rhythms, warm chords, impeccable instrumentation, inspired arrangements, and lashings of heady hand percussion – it also consciously explores a variety of sounds and tempos, in the process blurring the lines between the past, present, and future. It’s a vision, in his words, of what dance music can become.

For proof, check the five tremendous tracks on part two. There’s the AM radio-ready warmth, guitar-flecked looseness, and eyes-closed bliss of ‘Just Another Love Song’, where Trent’s own multi-tracked vocals catch the ear, the slow-motion, head-nodding deep space bliss of ‘Juice’ and alternative Balearic love song ‘And Fly Away’.

Part two of the vinyl edition also includes two superb collaborations. Fellow Rush Hour artist Lars Bartkuhn lends his virtuoso guitar skills to ‘Street Wave’, a future house classic laden with nods to jazz-funk and fusion, while regular collaborator Harry Dennis (best known for his work as part of early Chicago house outfit Jungle Wonz) adds a poetic and emotion-filled spoken word vocal to the equally inspired ‘Her’.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

25,17

Последний логин: 58 дн. назад
GIGI FM - VIRGO SPACE ACID

Gigi Fm

VIRGO SPACE ACID

12inchSRN003
SEA~RÈNE
21.05.2025

Following the first two releases on Sea~rène, GiGi FM returns with “Virgo Space Acid”, a deeply personal and sonically assertive exploration of transformation and healing.

Rooted in the energies of 2025, the Year of the Snake, this four-track EP channels the mystery and intuition of the serpent, weaving together Virgo’s archetypal forces of the healer and the alchemist.



Across driven beats, hypnotic acid sequences, and vocal-infused textures, “Virgo Space Acid” reflects a journey of renewal, self-ownership, and inner power.

From Berghain to The Bunker New York, GiGi FM has long been known for her ability to channel movement into sound. With “Virgo Space Acid”, she refines her craft even further, working with fewer elements yet pushing them to their fullest expressive potential. She explores the full range of her voice, shaping it into textures, atmospheric layers, and even percussion, while separately reworking classic 909 drum machine sounds into something entirely her own. This EP is a statement of both discipline and liberation, where minimalism meets deep transformation.



Opener “Calibration” sets the tone with its mantra-like intention: an invitation to realign and tune into one’s own energy. Built around a driving bassline, nostalgic yet forward-moving synths, and GiGi’s own spoken word, “A breath holds time, calibrates space”, the track creates a moment of clarity before the journey begins.

“Mercury” follows, embodying the trickster, the messenger, the shapeshifter. Playful and urgent, its bouncing synth sequences move like conversations in motion, with rising tones driving the track forward, pushing toward a restless ascension that mirrors Mercury’s role as a bridge between realms, both celestial and internal.

The title track, “Virgo Space Acid”, is the wormhole: the brain battle, the transformation. With a heavyweight 303 bassline, spiraling bleeps reminiscent of birds, and powerful classic 909, it is pure tension and release, an acid-drenched trip through motion and evolution.

Closing the record, “Floresta” is a sensual and grounding moment of reflection. Named after the stage at Waking Life Festival where GiGi felt a pivotal shift in her healing journey, the track mirrors the scene with dub chord sequences, emotional rising pads, and percussive vocal elements. Like the purple and pink drapes floating above the dance floor at sunset, Floresta is both a farewell and a prelude, a misty horizon where one chapter closes and another awaits.

With “Virgo Space Acid”, GiGi FM continues to expand her sonic language, deepening her connection between body, rhythm, and transformation. More assertive, more urgent, yet deeply intuitive, this is a record of movement, clarity, and self-empowerment.



"We are Sea~rène, swimming in-between supernatural tides, forever following the emotional waves of the universe." GiGi FM

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

13,66

Последний логин: 49 дн. назад
Röyksopp - True Electric LP 3x12"

Svein Berge and Torbjorn Brundtland have carved out a singular space for themselves in electronic music and here the Norwegian pair offer us a live album, a document of their 2023 tour. It's a sprawling affair, clocking in at over two hours and featuring a diverse cast of vocalists. The tracklist reads like a who's who of leftfield pop, - - Alison Goldfrapp, Robyn, Susanne Sundfor and Fever Ray among them - each voice adding a different shade to Royksopp's already nuanced sound. 'What Else Is There?', a reworking of the Royksopp classic featuring Fever Ray, is an early highlight, a brooding, intense rendition that transforms the original into a pulsating dancefloor beast. Elsewhere we get the Robyn collaboration 'Do It Again' and 'Running To The Sea' featuring Susanne Sundfor, and even die-hard fans will find something to discover here, with subtle tweaks and re-imaginings offering a fresh perspective on familiar material. A fitting tribute to Royksopp's enduring appeal and their ability to continually evolve and innovate.



[a] A1 | The Ladder [True Electric]
[b] A2 | Impossible (ft. Alison Goldfrapp) [True Electric]
[c] A3 | This Time, This Place (ft. Beki Mari) [True Electric]
[d] B1 | The Girl And The Robot (ft. Robyn) [True Electric]
[e] B2 | Here She Comes Again (ft. Jamie Irrepressible) [True Electric]
[f] B3 | Monument (ft. Robyn) [True Electric]
[g] C1 | Oh, Lover (ft. Susanne Sundfør) [True Electric]
[h] C2 | Unity (ft. Karen Harding) [True Electric]
[i] C3 | You Don't Have A Clue (ft. Anneli Drecker) [True Electric]
[j] D1 | The "R" [True Electric]
[k] D2 | Breathe (ft. Astrid S) [True Electric]
[l] D3 | Running To The Sea (ft. Susanne Sundfør) [True Electric]
[m] D4 | What Else Is There? (ft. Fever Ray) [True Electric]
[n] 14 | Never Ever (ft. Susanne Sundfør) [True Electric]
[o] 15 | Sordid Affair (ft. Man Without Country) [True Electric]
[p] 16 | I Had This Thing (ft. Jamie Irrepressible) [True Electric]
[q] 17 | Feel It (ft. Maurissa Rose) [True Electric]
[r] 18 | Do It Again (ft. Robyn) [True Electric]
[s] 19 | Like An Old Dog (ft. Pixx) [True Electric]

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

39,92

Последний логин: 12 мес. назад
Various - Night City Life II (Compiled by ILAN PDAHTZUR) 2x12"

Much has changed for Ilan Pdahtzur since the release of his Night City Life compilation six years ago. Back then, he was a little-known record collector who shared obscure, synth-heavy music that “captured the night-time glow” of the city he calls home, London, via a dedicated Instagram page. Fast forward to 2025 and Ilan is now a respected member of the international digger-selector community, having delivered must-check mixes for the likes of Bordello A Parigi, Bayete, Hunee’s Lifetones and Sound Metaphors.

It seems a fitting time, then, for Spacetalk to unleash Night City Life II, a second deep dive into Ilan’s distinctive, neon-lit sound world – a place where European synth-pop rarities, Italo-dance treats, dancefloor-focused post-boogie instrumentals soundtrack strolls around shuttered skyscrapers, dockside housing estates and wharf-side warehouse conversions.

In the six years that have passed since the release of Night City Life, Ilan has uncovered many more rarities, private-press gems and slept-on treats, with 14 of these featuring on the dusty-fingered crate-digger’s sublime sequel. As with its predecessor, much effort has been made to track down the artists behind the synth-heavy songs on show, with the vinyl edition featuring extended liner notes where some tell the story of their track in detail. Musically, there’s much to set the pulse racing within Ilan’s superb selections, from the slow-motion shuffle of Playground’s self-released 1984 B-side ‘Rainy Day Woman’ and the brilliance of Shamor’s 1985 South African synth-pop special ‘Close To You (Bwela Pafupi)’, to Sharon & Tracy’s ‘The Sheik’ – a belly-dancing inspired slab of TB-303 bass-driven house – and the kaleidoscopic, piano-rich 1992 Euro-house brilliance of ‘Come Into My Life’ by Jennifer.

Dive deeper into the collection and more under-appreciated musical masterpieces make their presence felt. There’s Sicilian musician Claudio D’Ignoti’s lesser-known boogie-era single ‘Anche Per Noi’, where rubbery bass guitar, Nile Rodgers style disco guitar licks and spacey synths dominate the sound space, Lena’s fashion circuit-inspired, early Pet Shop Boys-esque ‘Embrasse-Moi (Strumentale)’ – one that members of Milan’s Paninaro movement would surely have enjoyed – and a sublime, spaced-out and effects laden dancefloor dub of ‘Rescue Me (Imagination)’ by Jimmy D, a genuinely sought-after jam originally released on a now impossible-to-find seven-inch single. Offering another genuinely distinctive, carefully curated collection of lesser-known musical treats, Night City Life II is another essential, immersive and synthesizer-powered journey through Ilan’s unique sonic world.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

31,05

Последний логин: 28 дн. назад
Various - THE MALE BODY WILL BE NEXT PT1 (Tape)

In 2022, Osàre! Editions founder Elena Colombi approached artists and musicians with a prompt: Every body, everyone needs love to flourish. In her book The Will to Change, the eminent author and social activist, Bell Hooks, invites men to excavate their innermost selves, challenging the way that patriarchal society limits their capacity for intimacy, tenderness, care and emotion. As hooks lays out, feminist thought and work requires the collective participation of all genders in order to realise a liberated world. How can we imagine cross-gender solidarity through music and art? And how can we tell sonic stories that facilitate our full potential as desiring beings? These are the questions that The Male Body Will Be Next starts out from.

The title of the record draws connections between hooks' writing, a film by Rebecca Salvadori and Peter de Potter's stunning photo series of the same name. In de Potter and Salvadori's depictions, men's bodies appear as vulnerable, naked and exposed.

Divided into two parts, the first instalment of The Male Body Will Be Next hinges on colliding energies – the melding of club dance floors and haunting ambient textures, agile techno and noisy experimentation.

'The sun on my skin… it’s so warm and gentle,’ speak-sings Olivia Salvadori on ‘Su Di Te M’Infrango’, visualising utopias. Laurel Halo crafts a dreamscape spun from golden threads of synth and strings. Pensive and reflective, Ben Bertrand’s bass clarinet roams searchingly, its piercing tonality full of longing. Yet, in between these lucid, cinematic passages and spoken word, The Male Body Will Be Next finds space to dance together. Moving in fervent, rhythmic patterns, Sepehr’s ‘Divooneh’ pivots between tension and release. Filmmaker unleashes a wave of energy and The Spy delivers a potent take on vintage electro, the track title hinting at the double-bind of gendered expectations. Propelled between these eclectic styles, the record encapsulates the full spectrum of sonic expression.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

12,40

Последний логин: 12 мес. назад
Bardo Pond - Volume 4 & 5 LP 2x12"
  • A1: Take What You Need
  • A2: K2
  • B1: New Drunks (Revisited)
  • B2: Pangolin Dance
  • B3: Narmada
  • C1: Fufo
  • D1: Monarch

A double LP package from Bardo Pond, combining two of their super rare jam volumes on vinyl for the first time. A further edition in this celebrated series, ‘Volume 4’ and ‘Volume 5’ feature more freeform improvisational pieces from the hypnotic Philadelphia outfit.

Capturing the raw essence of the band, whose fearless exploration blurs the lines between structure, chaos, melody and noise. Bardo Pond's music traverses space rock, acid rock, post-rock, shoegaze, noise, Krautrock and psychedelia.

‘Volume 4’ hails from self-released sessions recorded in January 2002, its five tracks include the supremely tripped out heaviness of ‘K2’ and the balance-shifting ‘New Drunks (Revisited)’ with Isobel Sollenberger’s exquisite and, frankly, quite disturbing vocal. They’re shorter interrogations of sound by Bardo terms, almost succinct in their mesmerising riffage and off-kilter arrangements.

By contrast, ‘Volume 5’ consists of two lengthy mantras recorded between 2000 and 2004 and released as the tape spool spiralled out. ‘FUFO’ sounds like Cluster unravelling with Merzbow mixing, a post-industrial slew of hypnotic proportions, while ‘Monarch’ begins as a Current 93-like neo-folk mood piece before evolving into a wailing slice of drone-drenched Americana by way of a Velvets’ jam.

“We were pushing improvisations as far as we could. It was glorious having the studio. The more that our heads were spinning after a session, the better we knew that session would sound when we listened back. We were getting together two nights a week, usually three or four hours working on material and songs and the other half the time letting loose. Volumes 4 and 5 gather together some of these improvisations, and one early song that we felt like doing.” Adds Michael Gibbons of Bardo Pond.

Сделать предзаказ16.05.2025

он должен быть опубликован на 16.05.2025

27,52
Oshana - Origins EP

Oshana

Origins EP

12inchALT016
Altered Circuits
15.05.2025

"After a first appearance on the "Various 1" EP, Oshana now makes her full release debut on Altered Circuits. The "Origins EP" is, in the artist's words, a collection of old-meets-new four-to-the-floor club flavours. Originating from her live set practice, it's a proper representation of where she's currently at: making a push for the bigger and bolder. Her obvious talent for meticulously stacking textures doesn't stop her from shifting to the stripped-back and straightforward when needed. The constant throughout is a sensibility for the dancefloor, which never lets anything get in the way of groove and rhythm. "Above We Soar" drops right into the action with a menacing bassline and equally gloomy synthesizer layering. The cut's gothic-black palette works a charm merging palpable tension with restraint. It builds for 4 minutes towards a drop - and then a slamming acid line succeeds in cranking the energy even up another notch. "Space And Time Dimensions" is a loopy roller which, by the sound of its reverb levels and ambient noises, might have been recorded at a missile silo. The stretched vocal samples and ever-evolving drums propel it forward in a vintage, Chicago house type way. There's a moment of calm when those briefly fall away; one of its quirky basslines subsequently makes room for a slick little polyrhythm sine, and everything clicks even more. On the other side, "Girls In The Front" doesn't loosen the reins either, as hefty kicks and another sturdy bassline immediately set the tone. The air appears charged with static electricity, and Oshana's way of niftily adding and subtracting seamlessly draws the listener into a groovy trip. 5 minutes fly by, and then the lead still has to emerge. The one that eventually comes in is huge and hypnotic. Topped off with a selection of vocals that burst with impatience, the track hints at the anthemic. Closer "Origins" taps into a more progressive and trance side with its modulated formant bassline, jittery arpeggiator lead and heavily flanged flourishes. A gust of electronic flutes and sleek chords take a turn for the - almost - idyllic. Not for long: not uncharacteristically, it switches back to the main beat and back into more ambiguous yet familiar territory."

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

16,77

Последний логин: 8 мес. назад
Sebastian Mullaert - K-FILES 01

Sebastian Mullaert

K-FILES 01

12inchK-FILES001
Kontra Musik
15.05.2025

"Sebastian Mullaert has always favoured the long arc: of tracks, of creative cycles, of artistic trust. His next chapter unfolds in the form of a new vinyl only label, born in close collaboration with Ulf Eriksson - his longtime friend, ally and the steady pulse behind Kontra Musik, a label that's been both home and launchpad for many of Mullaert's most vital releases. K-Files is built on two foundations: singularity and multiplicity. Every release will present a single track refracted through three or four different versions - each one approaching the core idea from a distinct creative angle. These are tools not just for DJs, but for listeners who hear dance music as more than just rhythm - as mood, as exploration, as transformation. The first release, K-FILES 01, sets the tone: deep, dubby, and spacious, it invites patience and immersion. But like all good rituals, the process will shift. Future releases are already poised to explore other territories: sharper energies, stranger grooves, unexpected colours. In a world increasingly defined by instant access and digital saturation, K-Files stands intentionally apart - a slower offering. A return to physicality, to process, to the tactile rituals of listening, selecting, and playing music with care. K-Files is a sublabel for those who play records not just to move bodies, but to open space. A platform for sonic evolution, variation, and perspective. A place where dance music is not pinned down - but opened up. Each record will be released exclusively on vinyl."

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

13,03

Последний логин: 12 мес. назад
Reuben Vaun Smith - Land Of Music LP 2x12"

Rising musical visionary Reuben Vaun Smith's latest album, Land of Music, is a vibrant and atmospheric collection of tracks that transport listeners to a tropical soundscape of chilled beats, lush synths, and laid-back vocal musings. Remarkably, Smith recorded the entire album aboard a fishing trawler docked in a marina in Gibraltar, transforming the tight space into a creative sanctuary.

Blending dreamy synthesizer pads, groovy beats, and smooth vocals, Land of Music evokes a relaxing, high-vibe journey from start to finish. Collaborations on the album enhance its eclectic sound, with standout performances from vocalist Lucy Saddler, who lends her ethereal voice to “Lost in Space” and the title track “Land of Music.” Additionally, labelmate and guitar virtuoso Chico Mann brings his signature funky guitar licks, infusing the album with fresh energy and dynamic flair.

Smith’s Land of Music offers listeners an imaginative escape from the everyday, a vibrant sonic retreat that balances experimentalism with a deep sense of relaxation. Visually, it's paired perfectly with the striking album art courtesy of Brazil-based artists Uinverso, comprised of sisters Nadiuska and Priscila Furtado. Whether you’re tuning in on a quiet evening or drifting through a sun-soaked day, this album promises to be the perfect soundtrack for living the good life.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

28,36

Последний логин: 11 мес. назад
The Hacker & Endrik Schroeder Project - Puissance 4 / The Voyagers

As one of the most prolific and influential producers of the last thirty years, The Hacker’s imprint on electronic music already spans genres, eras and scene revolutions. And still, there’s more. In spirited collaboration with friend and fellow French journeyman Endrik Schroeder, the first release from The Hacker & Endrik Schroeder Project eschews EBM excess or gritty electro. Instead, two introductory tracks slip into the continuum of evergreen underground techno, influenced in equal part by the digital soul of Detroit, and the futurist experimentations of Sheffield.

Quickly escalating from a classic beat to a hoover-rave ascent determined to fill the vacuum of any warehouse, ‘Puissance’ is an unapologetic anthem that doubles as an elegant and impactful introduction to the Hacker & Schroeder partnership. Hypnotising dancers with ever-more forceful acid oscillations, the pair masterfully stave off the pressure with a wide-eyed organ riff, played live and direct from rave heaven.

‘The Voyagers’ contrasts with a cosmic groove, certain to satisfy heads-down bleep purists, while dedicating time and space for the charisma and quirks of this machine-led dance to shine through, including emotional pads and whispering voices, par excellence.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

14,65

Последний логин: 6 мес. назад
Quiroga - Snaporaz Ep

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is a Limited Edition EP (250 on black vinyl). New life and an expanded treatment of Quiroga's epic Electronic/Future Jazz/House Snaporaz (Really Swing 2020), from none other than L.U.C.A. (AR029). Archeo delights us with this luscious and limited release featuring Quiroga's sleek jazz-house UFO "Snaporaz". This edition includes an exclusive extended version, a brand-new cut from the Neapolitan groover, and a completely cosmic overhaul from the mighty L.U.C.A. Operating at the nexus of future jazz, beatific electronics and deft house, Quiroga (Walter Del Vecchio to his nearest and dearest) has carved his own irresistible niche over the past two decades, gracing countless labels with nuanced body movers and forging his impressive Really Swing imprint, the original home to this melodic masterpiece. Tucked away on Del Vecchio's 2020 EP "Chords and Desire", the sunny and sultry Snaporaz fell foul of our communal pandemic preoccupation, missing out on the widespread acclaim, appreciation and ass-shaking it so richly deserves. Archeo steps in as patron, giving this Rhodes-led jazz-house heater the full 12" treatment it was born for. On the A1, Quiroga's extends the ecstasy of "Snaporaz", stretching its original elements into a loosely grooving, dopamine-deep delight. Sunkissed keys and tender pads ride the rhythm of a bubbling bassline while the sophisticated percussion snaps, crackles and pops in the background - the perfect environment for the P&P leadline to flourish. If that wasn't enough to have you slipping straight into your party pumps, Walter makes the most of the extra runtime with a HOT hand drum freakout down the final stretch, adding the most enticing icing to an already heady cake. A comparative cooldown follows in A2 offering "Escorpião", a fusion-tinged flirtation for aperitivo everywhere. Cutting back on the kick to save space for the swing, Quiroga leads us through a sublime sequence of hooks, riffs and solos, without ever overwhelming the ears but keeping the groove alive. It's a dizzying delight from start to finish and features one of the finest keytar and cowbell interplays you're likely to hear. The B-side belongs to the frankly legendary Francesco de Bellis, a house, disco, Italo and electro hero, appearing here under his deliciously downbeat alias L.U.C.A. Imbuing Quiroga's original with the atmospheric stylings of his Edizioni Mondo oeuvre, the Roman producer delivers a radical rework, slowing the tempo by 20 bpm and translating those jazzy tones into a drifting new age dancer for the cosmic crowd. Zero gravity rhythms meet mystical melodies uptown as the house hippies get down. Lest we overlook the batshit brilliance of the drum programming, L.U.C.A. caps it off with a bonus beats version sure to delight DJs and dancers alike in its otherworldly oddness.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

19,29

Последний логин: 8 мес. назад
Quartz - Trauma Response EP

Quartz

Trauma Response EP

12inchPLAYME12010
Play Musik
12.05.2025

Heavily supported by Flight for years, we’re extremely excited to at last welcome the inimitable Quartz to p:m, who serves up a sublime 4-tracker for our 10th single. Deeper and more emotionally reflective than previous Quartz releases, this is transcendental music that takes you to outer space and beyond…

Tracklist:
A1. W.Y.N: cosmic pads, jungle-y breaks, and a colossal bassline evoke images of Jupiter and molten lava, while a seductive vocal riff you’ll hum for days weaves in and out. A dance floor favourite.

A2. Taking Me Down: tight rolling beats, sparkly vox, filtered fx, and bass snarls sound like a tug of war between Venus and Mars. Straight up D&B produced alongside Quartz’s childhood friend, Pennygiles.

B1. Trauma Response: diving further into Techno- and Autonomic-inspired territory, this title track is best described by Paul Woolford aka Special Request “Man this tune is f***ing nuts. Reminds me of Black Dog and half of Detroit but through our UK lens, but totally NOW.”

B2. What Is Real Love: an orchestral intro replete with timpani and violins gives way to the big question - what is real love? - almighty bass weight, and a healing, warm golden sun feel. Simply majestic.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

13,40

Последний логин: 4 мес. назад
Teal - Original Watercolour

Teal’s debut LP, Original Watercolour, is an album that feels like a canvas come to life. A sonic blend of street-soul, digi-dub, and downtempo. Original Watercolour explores the complexities of love, oneness, and intuition — themes that resonate deeply within the context of the history women have shared with what was once known as the “ladies’ medium.”

The bi-coastal family trio—Ashleigh and Melissa Ball, better known as the Ball Sisters, alongside producer N1_SOUND—bring a fresh, genre-defying sound to the table with their latest 6-track album. Running just under 30 minutes, this immersive collection weaves together skipping beats, addictive bass lines, three-dimensional flute textures & emotional vocal melodies. This musical portrait is as ethereal as it is powerful, inviting the listener to get lost in its depths while celebrating the beauty of self-expression.

The opening track, “Original Watercolour,” takes you on a psychedelic trip-hop journey. From the first reverberous snare hit, you’re whisked away to a sonic wetland — lush and euphoric. The soft yet poignant soundscapes set the tone for the album, inviting us into a world where the boundaries between earth and music, reality and imagination, automatically seem to blur.

“Locked In 2 Love” offers a boogie-fueled bassline that pushes Teal into dance-floor territory with soaring flutes and rhythmic intricacies that make it impossible not to move — it’s a track that exemplifies the magic of Teal’s ability to craft both intimate and expansive musical landscapes. And then, there’s the hypnotic flow of “One In The Same,” where stacked vocal harmonies and mantra-esque lyrics transport you to a place that could easily be mistaken for a lost Soulquarians demo. It’s gentle yet unrelenting in its depth.

The second side of the album opens with “Sleep on It,” a track that immediately grabs attention with its dancehall-driven rhythm. Ashleigh Ball's vocals set the stage for a song that’s both introspective and emotionally charged, yet unmistakably rooted in groove. The phased-out bassline creates an almost hypnotic atmosphere. Pulling the listener into a mood of contemplation—matching the restless, sleepless night that Ball describes. As the song progresses, this groove builds in intensity, culminating in an explosive ending that mirrors the emotional release of a long-held frustration.

Original Watercolour is more than just an album — it’s a meditation on the interconnectedness of life and art. “Frog Kingdom,” the longest and only instrumental track creates a contemplative space that builds upon the themes introduced earlier. It feels like a sequel to their earlier work, Frog Legacy from their debut Bluish Green 2024 12”, expanding on the familiar sound with even more complex layers.

Yet the real emotional power of the record lies in its closing track, “Can’t Shake the Feeling.” Simple in structure but profound in impact, this song captures a deep yearning and understanding — that everything, from the ecosystems we inhabit to the relationships we nurture and the art we create, is fundamentally interconnected. As the track crescendos in a falsetto peak, it becomes clear that the album is a reflection of both the world around us and the personal journey each member of the band has embarked upon to get to this point.

Just as the medium of watercolor has been traditionally linked to women artists, Teal carries this legacy into the modern musical landscape, blending the richness of history with a unique forward-thinking perspective. The album feels like both a celebration of the past and a bold declaration of a path forward — one that welcomes anyone ready to join in and shape the future of the art form.

The beauty of Teal’s work is that it feels familiar, while simultaneously offering something new and refreshing. Original Watercolour doesn’t just push musical boundaries; it redefines them, offering a lush and textured soundtrack for those willing to listen closely.

In a world that often feels over-saturated, Original Watercolour stands as a reminder of the power of simplicity, intuition, and connection. Teal’s debut album invites you to experience something both deeply personal and universally understood. The landscapes they create are vivid, yet soft, grounding yet expansive. With each track, Teal’s music reflects the interconnectedness of all things — a truly unique piece of work in the world of experimental soul and dub adjacent electronic music.

Rising and falling. We all live in the same pond. Peace to all.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

20,38

Последний логин: 10 мес. назад
LAEL NEALE - ALTOGETHER STRANGER

Lael Neale

ALTOGETHER STRANGER

12inchSPLPX1657
Sub Pop
02.05.2025
  • Wild Waters
  • All Good Things Will Come To Pass
  • Down On The Freeway
  • Sleep Through The Long Night
  • Come On
  • Tell Me How To Be Here
  • New Ages
  • All Is Never Lost
  • There From Here

Lael Neale's minimalist drone pop draws inspiration from the Transcendentalists, the alienation of modern life, and a rich array of musical influences-ranging from Dionne Warwick and John Lennon to primitive American gospel and Spacemen 3. Her expansive new record, Altogether Stranger, due May 2, was written and recorded in the early morning quiet of Los Angeles. Clocking in at just 32 minutes, the 9-song LP covers an unexpected breadth of musical and lyrical terrain-from garage rock nursery rhymes and creation myths to Motorik dance dirges and solitary Omnichord meditations. A brilliant lyricist, Neale has a unique ability to uncover the extraordinary within the mundane, tackling themes of polarity that recur throughout her work-country vs. city, humanity vs. technology, isolation vs. society. This album is her third collaboration with producer Guy Blakeslee who helps expand the tonal palette while staying true to Neale's commitment to the raw immediacy and hand-made intimacy of home recording. Altogether Stranger - a stunning album filled with dreamlike reverie, Neale's crystalline voice, and echoes of the Velvet Underground - was conceived after four years of oscillating between rural solitude and urban chaos. It finds Neale perched at the piano in a hilltop bungalow, looking down on a rare curve of Sunset Blvd. Here, in this daily ritual of writing, singing, and painting-what David Lynch referred to as "the Art Life"-she creates the space for her most adventurous work to date. Born and raised in Virginia's idyllic countryside, Neale brought the high-lonesome sound of her home state with her when she moved to California to pursue music. After years of writing songs on guitar and playing small venues in Los Angeles, she discovered the Omnichord in 2019, which sparked a new creative direction. This led to her 2021 Sub Pop debut album, Acquainted With Night. That album's 2023 follow-up, Star Eaters Delight, deepened the collaboration with Blakeslee, infusing minimalist soundscapes with a heightened electric energy. The album found a devoted audience, and Neale's subsequent tour included sold-out shows in Los Angeles, New York City, London, and Paris, multiple trips across Europe, and a West Coast run supporting kindred spirit Weyes Blood. This marked yet another return to Los Angeles. Indeed, Los Angeles is not just the backdrop of Altogether Stranger but a lead character. The album's accompanying film - created with Neale's faithful Sony Handycam - builds on her ongoing series of videos, telling the story of Neale as an alien in a suit of mirrors stranded on Earth. Wandering through modern-day LA, she finds both absurdity and beauty in our fragile, untenable way of life. Over the long year it took to write Altogether Stranger, Neale vacillated between childlike optimism and existential melancholy. While she may not have been able to reconcile these opposing states, Altogether Stranger represents an ambitious breakthrough for this singular, self-sufficient artist.

Сделать предзаказ02.05.2025

он должен быть опубликован на 02.05.2025

24,79
Miles Davis - Bitches Brew LP 2x12"
  • Pharaoh's Dance
  • Bitches Brew
  • Spanish Key
  • John Mclaughlin
  • Miles Runs The Voodoo Down
  • Sanctuary

Listen to This.” As the original working title for Bitches Brew, the instruction and invitation remains to this day as the best way to approach a record that shattered conventions, altered music history, and, 55 years later, still sounds far ahead of its time. The template for jazz fusion, Bitches Brew is rightly ranked by virtually every significant outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity’s UltraDisc One-Step 180g 33RPM 2LP vinyl set.

Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing in California, this definitive-sounding 55th anniversary reissue enhances every element of a double album that established new possibilities for studio recording techniques. You’ll hear wide and deep soundstages, separation between instruments, and an extremely broad dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.

Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing in California, this definitive-sounding 55th anniversary reissue enhances every element of a double album that established new possibilities for studio recording techniques. You’ll hear wide and deep soundstages, separation between instruments, and an extremely broad dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.

Davis conceived Bitches Brew by having the musicians stand in a semi-circle. There, he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Benefitting from the ultra-low noise floor and superb groove definition of this pressing, these distinct creations take shape with utmost realism. Compositions stretch across jet-black backgrounds and paint canvases laden with millions of colors and shades. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.

Bitches Brew also boasts visionary artwork. By design, the lavish packaging and gorgeous presentation of the UD1S Bitches Brew set call attention to such matters. Housed in a deluxe slipcase, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. It is made for discerning listeners who desire to fully immerse themselves in everything surrounding the album, from the images to the tones. And this is one effort where every last detail matters.

Gathering a Hall of Fame-worthy lineup of musicians and tweaking it according to his desires, Davis follows through on his idea to “put together the greatest rock and roll band you ever heard.” Central to his proposition is the presence of two (and sometimes three) drummers and two bassists, a tactical move that makes rhythms a central focus. Akin to the futuristic album cover art, the drum-driven suites head toward distant universes and uncharted territories. At once hypnotizing and grooving, they chart maverick adventures via quixotic rock, funk, and R&B elements.

A without-a-net experiment involving interchangeable double-quintet lineups, Bitches Brew explores the previously unimaginable with electrified instruments — Fender Rhodes piano, processed trumpet, dissonant guitars, and bass among them — and an emphasis on feeling over composition. Mesmerizing and soothing, jarring and smooth, overt and subtle: The music seemingly covers an entire map of emotions and sensations, and like no record before, ties together the groundbreaking creativity of the multiple disciplines that were changing popular culture at the end of the 1960s and dawn of a new decade.

Conceptually, Davis described Bitches Brew as “a novel without words” and “an incredible journey of pain, joy, sorrow, hate, passion, and love.” The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops confirm such ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of the watershed effort lies in how it resists definitive interpretation and encourages free thought — the very principles Davis used to conceive Bitches Brew.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab’s UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called “converts”) are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

Сделать предзаказ30.04.2025

он должен быть опубликован на 30.04.2025

193,24
nrl:ndr - UNTITLED (TAPE)

Nrl:ndr

UNTITLED (TAPE)

CassetteBLUNDAR14.1
Blundar
30.04.2025

Coming from a diverse background of equal amounts hip hop and rock, the producer behind the alias of nrl:ndr got into dance music late in his musical career. After playing in kraut-oriented bands like So Many Mammals, parts of that group reformed into the live techno outfit Tren Né, with the goal of fusing techno elements with live drums. Playing for illegal raves with a punk-like energy, nrl:ndr has cemented his relationship with his machines in service of the dance floor.

But his solo debut on blundar is quite far removed from that scene. To understand this music, one should be aware of the conditions under which it was manufactured. Reluctant to consider himself an artist in the traditional sense, nrl:ndr makes his music free of anticipation and without apparent goals. To glean into this outré musical space is like putting one's ear to the boarded up windows of the photograph that adorn the front sleeve.

The album makes extensive use of the Roland JV-2080, a sample-based synth rack from 1996 with a distinctly clean sound. Our producer dives deep into the expansion cards (labeled after genres like “Hip Hop” and “World”) for curious and sometimes cheesy samples. But he also forces the JV-2080 to do things which are not its forte, like the arduous task of programming decent kick drums.

Another technique that is testament to his experimental view on music making, is the idea of using sketches of unfinished tracks with different time signatures, and mash them together into something new - of which the results of one of these experiments can be heard on the closing track and its bilingual conversation between ambient and tribal.

Full of stunted rhythms and eerie melodies, the unclassifiable nature of the music of nrl:ndr lies somewhere in the vicinity of IDM, classical avant garde and private press synth. From the epic opening track - echoing the post-kraut drumming style of Michael Shrieve - to juggling with chopped up vocal samples and treading into almost trap-like territories on A4, he crosses into a multitude of genres without getting his hands too dirty with nostalgia.

Сделать предзаказ30.04.2025

он должен быть опубликован на 30.04.2025

13,03
Various - YEAR VI EP

Various

YEAR VI EP

12inchYR06
Bonkers Music
29.04.2025

The annual Bonkers Music compilation returns, delivering another round of high-energy bangers. This year, the release explores a slightly evolved musical style while staying true to its signature sound. Celebrating its sixth edition, “Year VI” will be available on 12” vinyl, accompanied by a few exciting surprises.

A1. Neskeh’s “106 Cabrel” revolves around a melodic yet hypnotically repetitive lead sequence, crafted to evoke a trance-like state on the dance floor and radiate positive energy. The foundation of big, punchy kicks and a robust bassline gives it a quintessential club vibe.

A percussive break in the middle shifts the mood entirely, paying homage to Goa rhythms and shamanic rituals, immersing listeners in a more primal atmosphere. The drop reignites the momentum, enhanced by the warm tones of the beloved Minilogue, adding an almost epic dimension to the journey.

A2. Berlin’s Mike Sacchetti and Madrid’s David Meyer unite on “Agria Pachanga,” a dance energy piece that pulses with percussive drive and a subtle touch of Latin identity.

Acid-inspired arrangements swirl around classic drum machine sounds. The syncopated rhythms and pumping basslines push the track towards an agitated club atmosphere, building this song into a bold declaration of fiesta.

A3. Two friends from Guadalajara, Mexico, Leonor & Ludviq, now living in different European cities, (Barcelona & Lyon) join forces to bring you Capybara Trance, This electrifying track combines dark, driving energy with intricately sequenced melodies, a hard-hitting chugging bassline, and the unique touch of capybara-inspired sounds. Anchored by a commanding kick drum that sets an unrelenting tempo.

B1. “Nebula” is a deep, atmospheric journey through cosmic sounds and pulsating rhythms. The track blends hypnotic melodies with dark synthetic textures, evoking a sense of drifting through endless galaxies. With a strong groove and intricate arrangements, it delivers energy that fits perfectly in both morning sets and more conceptual playlists. The collaboration between Radial Gaze, Ducati Flux, and Persona RS captures the spirit of exploration, creating a versatile track that can be the highlight of any set

B2. Intruso hailing from Bogota, now based in Barcelona brings “Somos Acido” this track draws inspiration from the early 2000’s House and Trance, capturing the nostalgia and emotional resonance of his first experiences with electronic music as a child. A driving Acid bassline injects dynamic energy, making it perfectly suited for the dance floor.

B3. Argentinian born, Australia based producer Poulper teams up with Mexican maestro Hugo Vallejo to kick off this intergalactic adventure. This track weaves together acid-laced elements and an infectious rhythm, layered with haunting post-dark vocals that narrate the fiery, cosmic tale of love burning in the vast expanse of space. A bold and immersive journey into the unknown, perfect for this stellar compilation.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

15,34

Последний логин: 5 мес. назад
Niklas Wandt - Mehr Phett

DJ Support: Manfredas, Dave Harvey, Felix Dickinson, Kiara Scuro and more

Playful, creative and intelligent, Niklas Wandt weaves a masterfully programmed tapestry of percussive dancefloor delights for Viscera Transmissions 003 with Mehr Phett.

Joyous and bright, Mehr Phett evokes a coconut flavoured sunrise on a distant desert island.

Skilfully intertwining modern drum programming with retroistic instrumentation, Feuerwerk der Rhythmen is a guided tour through the eras of house music and beyond.

Subcutaneous Dance is a whirlpool of interwoven synthesiser melodies. Submarine LFOs guaranteed to get underneath the dermal layer.

Music reorganisation adept Eden Burns flips Mehr Phett on its head, wonky space-toms complete the package.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

14,50

Последний логин: 7 мес. назад
Floral Image - Gone Down Meadowland
  • 1: Meadowland
  • 2: The Dream
  • 3: Burning 05
  • 4: Call Up The Doctor
  • 5: The Score
  • 6: Boogietown
  • 7: Tiergarten
  • 8: Howling Dog Song
  • 9: Twist Of A Nerve
  • 10: Sun For Hire

'Gone Down Meadowland' is the much-anticipated debut album release from Norwich, UK psych outfit Floral Image, releasing 25th April 2025 on the renowned Fuzz Club. More than ever, the band wanted to produce a brand of East-Coast psychedelia that reflected the natural lusciousness and glorious solitude of the immediate world around them. Over 30 songs were conjured, considered and arranged before being whittled down to a final 10 that epitomise what they do best - ten tracks of vivid hue, harnessed live power, all laced together in fluid lyrical harmonies. Taking inspiration from band favourites Woods, KGLW, Stereolab, among many others, a string of at-home recording sessions commenced over a 6-week period across the summer of 2024. Side A is a sun-drenched journey through their whimsical Norfolk countryside, narrated with a surreal sense of lyricism which focuses on the undulating flow of the human psyche and the shape of relationships that can decide its fate. 'Burning 305' follows the mould of the band’s earlier creations with white-knuckled rhythms layered with dashing production and gritty guitars. 'The Score' summarises their love of Revolver-era Beatles and infuses it with a hint of 90's dance grooves. Side B is where the trip takes a heavier turn, the un-hinged night-time of the record. It is where the band best shows the force with which their live reputation has been built on. 'Tiergarten' - a motorik course through consciousness and 'Howling Dog Song' - all raucous, scuzzy-garage riffing. The album concludes with the 7-minute epic 'Sun For Hire'. Born out of a 30-minute live improvisation, it is the earliest written of all songs on GDM and a strong fan favorite for the audiences of the last 2 years. "A lot of themes are anti-establishment commentaries on the state of the modern world. It can feel isolating being bystanders of global concern in sleepy Norfolk, even though it’s easy to slip into a false comfort when you’re surrounded by vast space, natural beauty and friendly folks down the market. Gone Down Meadowland is that egoless escapist fantasy that still can't escape the world caving in on itself; Norfolk isolationism." Produced by the band themselves, mixed by Hugh Fothergill of Volleyball, and mastered by Joseph Carra at Crystal Mastering of KGLW fame, Gone Down Meadowland is Floral Image’s first full flourish. They take the record on the road across Europe and the UK throughout April & May 2025.

Сделать предзаказ25.04.2025

он должен быть опубликован на 25.04.2025

26,47
Balaphonic - Resolution Revolutions

Danny Ward’s 30-year career has been far from predictable. While best known for the musical eclecticism of his Dubble D project, the dance floor-focused nous of his work as Moodymanc and as a member of the groundbreaking 20:20 Soundsystem, Ward’s bulging CV also includes stints drumming for artists as diverse as Fila Brazillia, Rae & Christian, and The Pharcyde, to Jazz luminaries Mat Halsall and Nat Birchall, alongside countless collaborations (Flora Purim and Nightmares on Wax to name but a couple) and numerous evenings spent adding live percussion to DJ sets at iconic Leeds club night Back To Basics.

Now the long-serving Manchester musician and producer has a new project to share via NuNorthern Soul: Balaphonic. Inspired by a mixture of lockdown-era studio experiments, online collaborations, his long-held love for Afro-Cuban and Afro-Brazilian rhythms and a desire to do things differently, Resolution Revolutions is a gorgeously sonically detailed and immersive album that takes Ward’s musical output to a whole new level.

Like many musicians, Ward used the forced lockdowns of the global COVID-19 pandemic to retreat to his basement studio and make music. Focusing on utilising all of the acoustic and electronic tools at his disposal – not least his beloved percussion instruments – Ward took the opportunity not only to draw on a wide range of musical influences and ideas, but also rhythms, grooves and time signatures. As well as composing new tracks from scratch, he also revisited older compositions with fresh eyes and ears.

The results are simply stunning. Ward sets his stall out via the exotic, slow-burn Balearic warmth of ‘Sunflowers in Dub (Deep Summer Mix)’, where echoing whistles, harmonica motifs, sitar sounds, and cascading piano motifs rise above dub-wise bass and seductive, soft-focus beats. The heady, eyes closed vibe continues on the sunrise-ready awakening of ‘Disorganics (All Strings Mix)’, a samba-soaked summer shuffle rich in sparkling acoustic guitars and infectious Latin percussion, and the fretless bass-sporting Afro-Cuban yearning of ‘Six Fingers’.

As Resolution Revolutions progresses, Ward’s deep love of club-adjacent and dancefloor-focused rhythms subtly comes to the fore. There’s ‘Udders’, a hybrid – and hypnotising – fusion of chopped-up South American percussion, marimba-style melodic motifs, looped bass and spacey electronics, and Ocean Waves Brasil collaboration ‘Oxum’, a mid-tempo Afro-Brazilian deep house number wrapped in deliciously dreamy chords and gentle acid lines.

Similarly impressive and inspired is closing cut ‘Bloco Manco’, where Ward peppers a delay-laden Latin beat and a deep, weighty, dancehall style bassline in waves of echoing hand percussion and restless timbales patterns. Stripped-back, raw and seriously sub-heavy, it provides a jaw-dropping conclusion to one of Ward’s most perfectly formed albums yet.

a A1: Sunflowers In Dub Deep Summer Mix
[b] A2: Disorganics [All Strings Mix]

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

16,77

Последний логин: 12 мес. назад
ÂSAN - Beychen

ÂSAN

Beychen

12inchÂSAN-01
ÂSAN
22.04.2025

Âsan’s self-released Beychen EP is a raw odyssey through the chaos and catharsis of creation. Across four relentless tracks, the producer mirrors the turmoil of nearly losing their passion for music—only to rediscover it by dismantling old habits and surrendering to the unknown. What emerges is a vortex of psychedelic techno, where layered rhythms spiral into the deep-down and morphing soundscapes warp time itself.
The title track Beychen channels the claustrophobic unease of a creative block with its brainmelting progression, only to erupt in a complete loss of control and, therefore, relief. The other three tracks deliver visceral techno in similar fashion, each piece evolving like an own entity with hypnotic force. This is music for darkened rooms and muddy forest stages, where the dancefloor becomes a mirror for Âsan’s internal reckoning. Here, the anxiety of creation is not conquered, but alchemized.
Âsan, a New York-based producer and co-founder of the label Cellar Door, always chases a certain feeling in his work—an elusive sensation that guides his creative journey. For him, dancing begins in the head, as rhythms and soundscapes take shape in a space between thought and intuition. His music invites listeners to step into that headspace, where the body follows the mind’s spiraling patterns.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

15,92

Последний логин: 12 мес. назад
Beachwood Sparks - Dolphin Dance Remix '12
также имеющийся в продаже

Color Vinyl[26,68 €]


Featuring the new Dolphin Dance Remix by Hugo Nicolson, known for his work on Primal Scream's landmark LP Screamadelica along with Julian Cope, Shack, Beck, Radiohead and more. Eric Bauer's garage-punk Mirrors Mix shows up on vinyl, known for his work with Ty Segall and Oh Sees. Falling Forever gets the Flying Mojito Bros stardust late night desert disco "refrito" as well as the island flavored High & Lonesome version from Daniel Ellsworth. Wild Swans is treated to a full on pop mix from Damien Page Lewis (Rhianna, Justin Timberlake) Clay Blair's UK Radio Mix (War On Drugs) Nick Holton's HOO Mix (Slowdive) it's not all sagebrush and sand...it's SPACE and JOYFUL SONICS… all songs come from the Chris Robinson produced & top ten college radio album ACROSS THE RIVER OF STARS

Сделать предзаказ18.04.2025

он должен быть опубликован на 18.04.2025

26,68
Beachwood Sparks - Dolphin Dance Remix '12
также имеющийся в продаже

Black Vinyl[26,68 €]


Featuring the new Dolphin Dance Remix by Hugo Nicolson, known for his work on Primal Scream's landmark LP Screamadelica along with Julian Cope, Shack, Beck, Radiohead and more. Eric Bauer's garage-punk Mirrors Mix shows up on vinyl, known for his work with Ty Segall and Oh Sees. Falling Forever gets the Flying Mojito Bros stardust late night desert disco "refrito" as well as the island flavored High & Lonesome version from Daniel Ellsworth. Wild Swans is treated to a full on pop mix from Damien Page Lewis (Rhianna, Justin Timberlake) Clay Blair's UK Radio Mix (War On Drugs) Nick Holton's HOO Mix (Slowdive) it's not all sagebrush and sand...it's SPACE and JOYFUL SONICS… all songs come from the Chris Robinson produced & top ten college radio album ACROSS THE RIVER OF STARS

Сделать предзаказ18.04.2025

он должен быть опубликован на 18.04.2025

26,68
Various - Disco Tape 4

"Disco Tape 4" is the fourth volume in a series of vinyl records released by Sound Exhibitions Records. This compilation offers an eclectic selection of tracks ranging from classic disco to nu-disco, and from house to deep house. The tracks, produced by emerging and established artists such as Tj Edit, Phil Disco, Alexny, The Mechanical Man, Just Guess, Tecam, and John De La Noise, promise to make both disco music nostalgics and lovers of new electronic trends dance. A must-have vinyl for genre enthusiasts and those who love to explore refined sounds and engaging grooves.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

10,50

Последний логин: 6 мес. назад
Ghost Dubs - Extended Damaged Versions LP

No less deep, in fact debatably deeper still, Ghost Dubs aka Michael Fiedler returns after the runaway success of his highly acclaimed 'Damaged' 2LP (1500 units sold and 'Dub/Reggae album of the year' for 2024 in The Wire Magazine), with 'Extended Damaged Versions'. Six dubbed out reworks of tracks from last year's album, deconstructed by the man himself, again for The Bug's PRESSURE label. Kicking off with the irresistible seismic grind of 'Dub Regulator', a dancefloor driven beast that miraculously eclipses the original mix, the opening cut increases in weight and intensity seductively, upping the fx drenched madness with its incessant droid hypnotics. The album's mutant dub techno relentlessly probes, stretches and disfigures all of the previous originals, version by version, on this fascinating follow up release to 'Damaged'.

As Fiedler surgically splices and dices his own original source material into successively more warped variants, gleefully atomizing the originals into molten space echo fragments. 'Thin Dub' is a masterclass in simultaneous saturation and evaporation, wilfully liquified in the heart of the echo chamber. Anyone already smitten by 'Damaged' (ie Pole, JK Flesh, Echospace, Valentina Magaletti etc have all graciously, recently acknowledged its greatness), will definitely find further reverb drenched nourishment on 'Chemical Version', which releases a whirlpool of heavily sedated delay trails, and ends up sounding like a wall of sound mirage, vaguely resembling prime Porter Ricks at their sub aquatic peak. Finally, the ambient pulsations of 'Lobotomy Version' sets the album adrift in deepest space, as this superbly crafted collection reflects Michael Fiedler doing what he does best, getting lost in his own mixing desk sorcery, whilst reflecting the captivating morphology of his live shows, where he magically revamps his heavyweight tracks into pure voodoo, casting spells effortlessly....Not an attempt to just milk 'Damaged', 'EDV' is itself a standalone triumph, an invaluable transformation of the original album's material into an epic, fresh, dub odyssey.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

24,79

Последний логин: 13 мес. назад
The Delights - The Delights

The Delights formerly unissued recording “Listen To Me Girl” first made it’s vinyl debut during 2017 when released back to back with Tearra’s modern soul anthem “Just Loving You” (SJ1008). Having sold out very quickly this release now commands a price of £60.00 a copy. So, with demand still high we have decided to release “Listen To Me Girl” for a second time with the addition of two recently found unissued master tape tracks, which make their vinyl debut as part of this 3 track EP.

The Delights story began in the early 1960’s while as a children’s group from Chester PA. known as ‘The Twilights’ they began entering local talent shows which culminated in a performance at Philadelphia’s prestigious ‘Uptown Theatre’ during 1963. ‘The Twilights’ made their professional recording debut in 1964 for Weldon McDougal III, Johnny Stiles and Luther Randolph’s Harthon Production’s label with “It’s Been So Long/She Put Me Down” (TW-34). A second Twilights 45 came in 1967 “Shipwreck/For The First Time” (TW-35) which sold sufficiently well to be picked up for national distribution by Cameo Parkway. The group consisted of four male vocalists, brothers Kemp “Toppy” Hill, Ellis “Butch” Hill (the eldest) and Jaime “Peanut” Hill and their friend Raymond, plus lead singer and only female member Brandi ‘Peaches’ Wells (born Marquerite J. Pinder) who was only 9 years old when she sang on the group’s first Harthon 45, (Jaime Hill reputedly never featured on either of the two Harthon 45 recordings).

The Hill Brothers were cousins of Manny Campbell and it’s through this family connection that the group came to Emandolynn Productions initially as backing singers before being persuaded by Manny to drop their former performing name of ‘The Twilights’, to become ‘The Delights’. Under Manny and fellow Philadelphian Charles J. Bowen’s tutelage they recorded the delightful crossover dance track “Listen To Me Girl” during the months of July and August of 1968. Recent unearthed master tape finds from these early sessions have since yielded the featured “Come And Rejoice” an energetic subtle gospel influenced dance track which Manny wrote and produced on them in the hope of giving them a wider body of work and appeal as he shopped their demos around local record companies. The original backing track to “Listen To Me” is also featured on this release.

During the mid-1970’s ‘The Delights’ under the tutelage of respected Philly producer, arranger and songwriter Morris Bailey Jr recorded two 45 releases for the Jamie/Guyden distributed Phil-L.A Of Soul label “It’s As Simple As That/I’ve Got Enough Sense” (PH-374) and “Face The Music/Things Ain’t What They Used To Be” (PH-379). Brandi Wells had left the group prior to the Phil-L.A Of Soul releases to firstly join Major Harris’s backing singers ‘Brown Sugar’ before forming the group ‘Breeze’ who backed fellow WMOT label stable mates Billy Paul, Fat Larry & Philly Cream (a.k.a Ingram). Breeze later evolved into the group Slick who recorded the self-named album which produced the chart hits “Space Bass” and “Sexy Cream”. In 1981 Brandi recorded her first solo debut album ‘Watch Out’ which reached #37 on the Billboard R&B Chart, her second solo album entitled “20TH Century Fox” followed in 1985 for the Omni label. She recorded the Butch Ingram penned “I Love You” 12” single for Butch’s Society Hill records in 1992. Sadly, Brandi Wells passed away in 2003 at the age of 47.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

18,28

Последний логин: 13 мес. назад
IVAN CONTI - POISON FRUIT

Ivan Conti

POISON FRUIT

12inchFARO208LPX
FAR OUT RECORDINGS
14.04.2025

For Record Store Day 2020, Far Out Recordings presents a special 'poisoned vinyl' edition of Ivan 'Mamão' Conti's critically acclaimed Poison Fruit album. The 180g splattered colour LP is accompanied by an exclusive bonus 7” with a previously unreleased track from the original Poison Fruit sessions ‘Katmandu, and ‘Ninho’, a track never before released on vinyl.

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guarda group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom) and Mamão's son Thiago Maranhão.

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jung

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

25,17

Последний логин: 13 мес. назад
Triola - Triola Im Fünftonraum (Remastered 2025)  (LP)

Originally released on CD only – those were the days – “Triola im Fünftonraum“ counts as one of the most iconic albums of the early Kompakt era. Experience this timeless masterpiece of lush electronica lovingly restored and remastered for the first time on vinyl – 21 years after its inception.

We found this review from back in the days that perfectly sums up what “Triola im Fünftonraum” is all about:

The press material for “Triola im Fünftonraum” made allusions to home listening, when the album is mostly about movement… in a car …preferably a fast one … on a muggy spring day.

This might catch followers of producer Jörg Burger off guard. Up until this point, the producer’s Triola tracks – limited to three consecutive appearances on Kompakt’s yearly Pop Ambient series and a spot on “Leichtes Hören Teil 1” – were free-floating ambient washouts (albeit wondrous free-floating ambient washouts) with no pulse. The album, on the other hand, is beat-driven. Though still resolutely ambient – more an update of Burger’s lushest Bionaut tracks, only fully engaging instead of mildly diverting.

The soft, synthetic hand drums and tranquil vapors of “Leuchtturm” from Pop Ambient 2003, remain untouched and begin the album. Two other tracks that might sound familiar receive dynamic overhauls, now supported with quick dance rhythms and additional layers of synth gauze; the whispy flute trills and lightly flickering keys of “AG Penthouse”, for instance, are melted into a churning rhythm and some singing keyboard vamps that resemble a relaxed take on Tangerine Dream’s suspenseful soundtrack work for “Thief” (minus the crazy guitars).

What really makes the whole thing glow is the manner in which the tracks are attached, flowing in and out of another, rising and cresting and receding, with supreme poise – even if its title provides no indication, the album is as much a travelogue as Carl Craig’s “Landcruising”, Morgan Geist’s “Driving Memoirs” and Model 500’s “Deep Space”.

These are some of Burger’s most inventive productions, a remarkable feat since he’s been doing this so long. Catch yourself in the right frame of mind and you’ll wonder if everything he has released has been one extended ramp-up to this. In this age, it’s also refreshing to have a purely ambient techno album with absolutely no connection to “Boards of Canada”.

In other words, it’s a landmark for both its label and its genre.

Andy Kellman

Copyright 2025 TiVo Corporation
Ursprünglich nur auf CD veröffentlicht – das waren noch Zeiten – zählt „Triola im Fünftonraum“ zu den ikonischsten Alben der frühen Kompakt-Ära. Dieses zeitlose Meisterwerk schwelgerischer Electronica erscheint nun 21 Jahre nach seiner Entstehung erstmals liebevoll restauriert und remastered auf Vinyl.

Wir haben diese zeitgenössische Rezension gefunden, die perfekt zusammenfasst, worum es bei „Triola im Fünftonraum“ geht:

Das Pressematerial für „Triola im Fünftonraum“ spielt auf das Zuhören zu Hause an, obwohl es in dem Album hauptsächlich um Bewegung geht … in einem Auto … vorzugsweise einem schnellen … an einem schwülen Frühlingstag.

Das könnte die Fans des Produzenten Jörg Burger überraschen. Bis zu diesem Zeitpunkt waren die Triola-Tracks des Produzenten – beschränkt auf drei aufeinanderfolgende Auftritte in der jährlichen Pop-Ambient-Reihe von Kompakt und einen Platz auf „Leichtes Hören Teil 1“ – frei schwebende Ambient-Auswaschungen (wenn auch wundersame frei schwebende Ambient-Auswaschungen) ohne Puls. Das Album hingegen ist beatgetrieben, obwohl es immer noch entschieden Ambient ist – eher eine Aktualisierung von Burgers üppigsten Bionaut-Tracks, nur dass es voll und ganz fesselt, statt nur leicht abzulenken.

Die sanften, synthetischen Handtrommeln und die ruhigen Dämpfe von „Leuchtturm“ aus Pop Ambient 2003 bleiben unangetastet und bilden den Auftakt des Albums. Zwei weitere Stücke, die einem bekannt vorkommen könnten, erhalten eine dynamische Überarbeitung, die nun von schnellen Tanzrhythmen und zusätzlichen Schichten von Synthesizer-Gaze unterstützt wird; die flüsternden Flötentöne und leicht flackernden Tasten von „AG Penthouse“ zum Beispiel verschmelzen zu einem aufgewühlten Rhythmus und einigen singenden Keyboard-Vamps, die an eine entspannte Version des spannenden Soundtracks von Tangerine Dream erinnern, der für „Thief“ (ohne die verrückten Gitarren) verwendet wird.

Was das Ganze wirklich zum Leuchten bringt, ist die Art und Weise, wie die Tracks miteinander verbunden sind, wie sie ineinander fließen, ansteigen und ihren Höhepunkt erreichen und wieder abklingen, und das mit höchster Gelassenheit – auch wenn der Titel nichts darauf hindeutet, ist das Album ebenso ein Reisebericht wie Carl Craigs „Landcruising“, Morgan Geists „Driving Memoirs“ und Model 500s „Deep Space“.

Dies sind einige von Burgers einfallsreichsten Produktionen, eine bemerkenswerte Leistung, wenn man bedenkt, wie lange er schon dabei ist. Wenn man sich in die richtige Stimmung versetzt, fragt man sich, ob alles, was er bisher veröffentlicht hat, eine einzige Vorbereitung auf dieses Album war. In der heutigen Zeit ist es auch erfrischend, ein reines Ambient-Techno-Album zu hören, das absolut nichts mit „Boards of Canada“ zu tun hat.

Mit anderen Worten: Es ist ein Meilenstein für das Label und das Genre.

Andy Kellman

Copyright 2025 TiVo Corporation

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

21,81

Последний логин: 13 мес. назад
Various - Symbiosis EP

Various

Symbiosis EP

12inchAPPIAN019
Appian Sounds
11.04.2025

Roll up Roll up! We have a very tasty package for APPIAN019 and have reverted to a Various Artist format for this one. Here we share 4 sets of artists that have been on our radar for some time - some new joiners to Appian and some old friends : ) We think each track stands out from their past discographies and offers something special.

Timeless cuts to suit all intimate dance floors.

12" Release. Artwork By Philip Mitton.

Hope you enjoy : )

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

15,08

Последний логин: 6 мес. назад
Mark Seven - Parkwerks Volume 3 (Hard, Raw & Raunchy Dubs For D.J.'s)

The hit series is back with four more solid dubs for the clubs! Vol III brings you more boogie; spaced out electro disco and dancefloor bangers, and this time Parkway is thrilled to include the dub of "GOT TO FIND" a collaboration with Nicky BENEDEK! As always, all four tunes are primed and loaded for the floor. Limited numbers via Rubadub - Don't miss.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

17,02

Последний логин: 12 мес. назад
DJ Narciso - Diferenciado

Dj Narciso

Diferenciado

12inchP056LP
Príncipe
11.04.2025

Narciso has been running parallel to most of his contemporaries, staying close to the main lane but researching in his own distinctive way. He takes pride in "being free from limitations and conventions. To me, music doesn't follow fixed rules; it is a field for experimentation, where any sound can be transformed into something pleasing to the ear". Depending on what one considers "pleasing", this is a pretty challenging set of tracks. The artist never loses the balance, though, mindful of a certain "dance" context in which this music thrives, but it is also that same context that is being constantly twisted and reshaped into other forms. Some of those provide fresh ground for others to follow; some are of such individuality that no one else dares disturbance; some quickly return to a safer way of communication.

"Diferenciado" does communicate, but like words can be changed to sound different and still mean the same, such are music and sound with Narciso. It's not about alienation of the listener nor alienation of the self from the surrounding areas. "I believe music is present in everything around us." And if anyone can say her/his/their music "reflects vision, experience and perception", you know the end result is not often surprising or even that different from previous examples. Well, we stand by "Diferenciado" in its obvious distinctiveness, and if all the blurb so far may read like a nervous justification it's just because of the excitement in helping put this out into the world.

As a founding element of RS Produções, where Nuno Beats, DJ Lima, DJ Nulo and Farucox are also found, Narciso has been contributing to a spiritual and creative atmosphere that permeates the environs of Lisbon where that golden, inspired air has to fight for space with many kinds of instability. The beauty and drama of opening tracks "Ziu Ziu" and "Cabelinho" (this one with mate Farucox) should be able to touch any sensitive soul that appreciates the quirkiness often attached to pure expression. As in "Pipipi" too, for example, where melody and rhythm gently and moodily lead you into a brief but sudden interruption feeling like a change into another state of being. Do not shy away. Narciso steps up as himself, not as representative of whatever or whoever.

Сделать предзаказ11.04.2025

он должен быть опубликован на 11.04.2025

25,17
Damian Lazarus - Magickal LP 3x12"

Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.

Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.

With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.

Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.

Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.

Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.

‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.

Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.

Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

40,76

Последний логин: 71 дн. назад
Andy Crysell - Selling The Night: When Club Culture Meets Brands, Advertising and the Creative Industries

They say nothing good happens after midnight, but in the case of creativity, that’s just not so. The night fosters a different kind of creativity: something urgent, spontaneous, carved out of necessity. Tracking the past, present and future of this complex dynamic, Selling The Night explores what happens when after-dark creativity influences wider culture and converges with everything from media, advertising, design and to gaming, fashion, hospitality, alcohol, beauty, tourism and far beyond. Also, as importantly, the implications of brands taking space within dance music as sponsors and supporters.

Author Andy Crysell speaks to DJs, promoters, marketers, academics, activists, archivists, policymakers, photographers, writers and designers. He samples KFC through to Fiorucci, Absolut and Red Bull, and moves from New York disco to the modern global underground.

Selling The Night witnesses how ideas migrate from subculture to influence the creative industries. It searches for lessons in improving the value exchange between dance music and brands, seeking something more symbiotic and less parasitic. All the while, it celebrates what makes after-dark ideas so special – the unique and democratising role they play.

“So much has changed in dance music over the decades. Selling The Night offers a very timely look at the role that brands and culture marketing have played in the past and will play in the future.” Kazim Rashid (Resident Advisor)

“The friction created when youth subcultures meet corporate cultures is long overdue a deconstruction, Selling The Night is necessary reading on how and why there is a transfer of time and money between consumer brands and cultural ecosystems; and what both sectors have to gain and lose through these relationships.” Finlay Johnson (Association For Electronic Music)

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

18,28

Последний логин: 14 мес. назад
ANiML - Star Walk LP

Animl

Star Walk LP

12inchSTSC004LP
Stratasonic
09.04.2025
 
6
также имеющийся в продаже

Remixes[16,77 €]


Enigmatic producer ANiML returns to the freeform Los Angeles-based label StrataSonic to release a six-track mini album, Star Walk. The new body of work, which comes alongside a new music video for “Bruv” (directed by Spanish visual artist YZA Voku), is out now.

Picking up where ANiML left off with “Breather” and “Bruv,” Star Walk elaborates further on that woozy-yet-sophisticated psychedelia, materializing as cinematic trip-hop, cavernous dub, and other unique genre concoctions across its six tracks. “Cherry,” with its free-spirited, delay-soaked guitar riffs, depicts a colorful, post-rock-inspired soundscape. “BabyD,” in step with “Bruv,” features a mischievous marimba melody among ghostly vocal samples, a punchy drumkit, and a slackened bassline.

These scenes are brought to life thanks to YZA Voku, a groundbreaking visual artist who is at the forefront of AI-assisted filmmaking in the animation space (see his work for The Weeknd, Swedish House Mafia, Hï Ibiza, and XG). The new music video for “Bruv,” out today, unfolds in stark black, white, and red, evoking a noir-inspired aesthetic steeped in mystery and intrigue. Shadowy figures move rhythmically through dimly lit alleys and smoke-filled ballrooms, blending calculated steps with hypnotic dance sequences.

The production blended real-life recordings with digital effects like blur, negatives, masks, analog textures, and AI-driven transformations using Runway’s video-to-video tools. AI-generated sequences created with Midjourney and Runway were merged to contrast real footage with synthetic imagery. This type of work is a rejection that AI is simply used as a shortcut in art and comes at a time when musicians are beginning to embrace such tools for the visual components of their products.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

12,40

Последний логин: 13 мес. назад
Marthial - NECH029

Marthial

NECH029

12inchNECH029
TECHNO Records
07.04.2025

MARTHIAL joins NECHTO with ‘NECH029’, a four-track vinyl release blending tradition and futurism. The record pays homage to a genre central to MARTHIAL’s imagination, drawing on its history to shape a forward-thinking sonic vision. The Milan-born and -based artist describes the EP as “a reflection on change: everything transforms, everything evolves, and we are tasked with finding harmony between what has been and what could be”.
Born Alessandro Vaccari, MARTHIAL is a DJ, producer, and founder of Milan’s independent cultural hub, the Tempio del Futuro Perduto. Through this unique space and his 24/H Records label, MARTHIAL has collaborated with influential artists like Stanislav Tolkachev and Fabrizio Rat. His music evokes ethereal atmospheres and hypnotic rhythms, bridging Detroit-inspired soundscapes with innovative, interstellar journeys.
The EP represents a personal journey for MARTHIAL, who describes the process of revisiting this sonic language as an opportunity to redefine himself and his perspective on the world. By channelling the past as a guide and embracing the future as a responsibility, he crafts a cohesive narrative that combines deep emotional resonance with forward-thinking energy.
‘NECH029’ is a cohesive exploration of these elements, delivering pulsating energy and emotional depth across its four tracks: ‘Don’t Wanna’, ‘Soul Groove’, ‘The Dancer Gift’, and ‘Infinito Imperfetto’.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

13,24

Последний логин: 3 мес. назад
Scientist - At The Controls Of Dub - Rare Dubs 1979 – 1980

Scientist's name will be found on many dub releases in peoples record collections.His connection to King Tubby's studio is inseparable and many say when the dub end of Reggae music had fallen on quieter times it was Scientist with his often stripped back style and at other times, wild off the wall remixes that breathed life back into the dub cannon.

Scientist (born Overton Brownie,1960, Jamaica) was in many ways King Tubby's apprentice. Having helped his own father out repairing televisions and such like, he would help Tubby on winding transformer coils, that the amps of the day all needed. His interest in recording grew as he watched the many sessions taking place at Tubby's Dromilly Avenue Studio, learning the ropes as the musicians came and went. His first break happened when King Jammy (then Prince Jammy) was too tired to work on a session booked for producer Errol 'Don' Mais. Scientist engineered the session to every one’s bewilderment and great satisfaction.

His first hit would be a mix of Barrington Levy's 'Collie Weed' and his reputation built on the many versions he cut at Tubby's where he would become the engineer of choice. His pared down mixing style suited the new Dancehall reggae sound that came at the tail end of the 1970's and rolled into the 1980's. Such was his stature that albums were now sold with his name on their jacket, 'Scientist Vs Prince Jammy, 'Scientist meets The Space Invaders' to name but two.

His time at King Tubby's was followed as chief engineer working for the Hookim Brothers at the mighty Channel 1 Studio's and on many of top producer Henry 'Junjo' Lawes tracks, that were hit after hit at the time.

We have compiled some tuff tracks from the late 70's / early 80's just before everything went digital. Some great dub versions to some killer tracks that rocked the dancehalls around this golden time.The mighty Tristan Palmer whose killer cuts 'BadBoys','Stop Spreading Rumours','Eveready' and 'The Greatest Lover’ alongside Michael Palmer's debut release 'Mr Landlord' and Robert Trench's 'Mr Babylon'. The songs stand back-to-back with Tony Tuff's timeless 'Never Trouble Trouble' and the biblical Rod Taylor's 'The Lord is My Light'. Sammy Dread's 'Wah Dah Wah' and the always respectful Dennis Brown's 'Time and Place' all benefited a touch of magic from The Scientist and his laboratory of effects.

Hope you enjoy the set.....

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

13,87

Последний логин: 7 мес. назад
DJ Koze - Music Can Hear Us LP 2x12"

Dj Koze

Music Can Hear Us LP 2x12"

2x12inchPAMPALP016
PAMPA
04.04.2025

"Pure Love," featuring Damon Albarn, is the first single from DJ Koze's highly anticipated new album Music Can Hear Us. The new long player, a follow-up to his worldwide hit album Knock Knock, which reached #7 in the German Album Charts and included the global dance hit “Pick Up” will be released on April 4th on Pampa Records. It's a 64-minute trip into space and back.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

28,36

Последний логин: 9 мес. назад
Various - Halo Original Trilogy LP 8x12"
  • A1: Opening Suite
  • A2: Truth And Reconciliation Suite
  • A3: Brothers In Arms
  • A4: Enough Dead Heroes
  • B1: Perilous Journey
  • B2: A Walk In The Woods
  • B3: Ambient Wonder
  • B4: The Gun Pointed At The Head Of The Universe
  • B5: Trace Amounts
  • B6: Under Cover Of Night
  • B7: What Once Was Lost
  • B8: Lament For Pvt. Jenkins
  • C1: Devils… Monsters…
  • C2: Covenant Dance
  • C3: Alien Corridors
  • C4: Rock Anthem For Saving The World
  • C5: The Maw
  • C6: Drumrun
  • C7: On A Pale Horse
  • C8: Perchance To Dream
  • C9: Library Suite
  • D1: The Long Run
  • D2: Suite Autumn
  • D3: Shadows
  • D4: Dust And Echoes
  • D5: Halo
  • E1: Halo Theme Mjolnir Mix
  • E2: Peril
  • E3: Ghosts Of Reach
  • E4: Heretic, Hero
  • E5: Flawed Legacy
  • E6: Impend
  • F1: Ancient Machine
  • F2: In Amber Clad
  • F3: The Last Spartan
  • F4: Orbit Of Glass
  • F5: Heavy Price Paid
  • F6: Earth City
  • F7: High Charity
  • F8: Remembrance
  • G1: Prologue
  • G2: Cairo Suite
  • G3: Mombasa Suite
  • H1: Unyielding
  • H2: Mausoleum Suite
  • H3: Unforgotten
  • I1: Delta Halo Suite
  • I2: Sacred Icon Suite
  • J1: Reclaimer
  • J2: High Charity Suite
  • J3: Finale
  • J4: Epilogue
  • K1: Luck
  • K2: Released
  • K3: Infiltrate
  • K4: Honorable Intentions
  • K5: Last Of The Brave
  • L1: Brutes
  • L2: Out Of Shadow
  • L3: To Kill A Demon
  • L4: This Is Our Land
  • L5: This Is The Hour
  • M1: Dread Intrusion
  • M2: Follow Our Brothers
  • M3: Farthest Outpost
  • M4: Behold A Pale Horse
  • N1: Edge Closer
  • N2: Three Gates
  • N3: Black Tower
  • N4: One Final Effort
  • N5: Keep What You Steal
  • O1: Gravemind
  • O2: No More Dead Heroes
  • O3: Halo Reborn
  • O4: Greatest Journey
  • P1: Tribute
  • P2: Roll Call
  • P3: Wake Me Up When You Need Me
  • P4: Legend
  • P5: Choose Wisely
  • P6: Movement
  • P7: Never Forget
  • P8: Finish The Fight

Halo Studios und Laced Records haben sich zusammengetan, um die ikonische Musik der ursprünglichen Halo-Trilogie zum ersten Mal auf Vinyl zu veröffentlichen.

Diese Box enthält 83 Titel aus den ersten drei Halo-Alben, die speziell für Vinyl neu gemastert und auf acht heavyweight LPs gepresst wurden. Jeder Soundtrack befindet sich in einer breitrandige Außenhülle und einer bedruckten Innenhülle. Diese wiederum befinden sich in einer stabilen Sammlerbox aus Karton mit silbernem Laminatüberzug und geprägtem Halo-Logo.

Das Original-Cover-Artwork stammt von Art Director und Concept Artist Isaac Hannaford (alias Rhizus / Space Ship Guru), dem ehemaligen Lead Concept Artist und Mitwirkenden an Halo 3, Halo 3: ODST und Halo Reach. Das zusätzliche Artwork der Box wurde von der Grafikdesignerin Maren Landsnes erstellt.

Halo: Combat Evolved war der Inbegriff des Konsolen-Ego-Shooters und sein Soundtrack legte den Grundstein für den legendären Sound der Serie. Der Soundtrack ist von verschiedenen Genres inspiriert und kombiniert schwungvolle Orchesterklänge mit marschierenden Militär-Snares, Prog-Rock-Percussion und - wer könnte den gregorianischen Mönchsgesang vergessen?

Für Halo 2 taten sich die Komponisten mit hochkarätigen Musikern zusammen und verpassten dem Halo-Thema mit dem neuen „Mjolnir Mix“ ein Heavy-Metal-Makeover. Es war der erste Videospiel-Soundtrack, der es in die Billboard 200 schaffte.

Halo 3 zeichnete sich durch Tribal-Drums und Prog-Rock-Refrains aus, während Klaviermelodien, begleitet von einem 60-köpfigen Orchester und einem 24-stimmigen Chor, dem Soundtrack emotionale Tiefe verliehen.

- 83 Tracks aus Halo: Combat Evolved, Halo 2 und Halo 3
- Speziell für Vinyl neu gemastert
- Cover-Artwork von Isaac Hannaford (ehemaliger Lead Concept Artist, Bungie)

Сделать предзаказ04.04.2025

он должен быть опубликован на 04.04.2025

188,03
Martin O'Donnell, Michael Salvatori - Halo: Combat Evolved LP 2x12"
  • A1: Opening Suite
  • A2: Truth And Reconciliation Suite
  • A3: Brothers In Arms
  • A4: Enough Dead Heroes
  • B1: Perilous Journey
  • B2: A Walk In The Woods
  • B3: Ambient Wonder
  • B4: The Gun Pointed At The Head Of The Universe
  • B5: Trace Amounts
  • B6: Under Cover Of Night
  • B7: What Once Was Lost
  • B8: Lament For Pvt. Jenkins
  • C1: Devils… Monsters…
  • C2: Covenant Dance
  • C3: Alien Corridors
  • C4: Rock Anthem For Saving The World
  • C5: The Maw
  • C6: Drumrun
  • C7: On A Pale Horse
  • C8: Perchance To Dream
  • C9: Library Suite
  • D1: The Long Run
  • D2: Suite Autumn
  • D3: Shadows
  • D4: Dust And Echoes
  • D5: Halo

Halo Studios und Laced Records haben sich zusammengetan, um die ikonische Musik der ursprünglichen Halo-Trilogie zum ersten Mal auf Vinyl zu veröffentlichen.

Dieses Doppel-LP-Set enthält die Musik aus dem Spiel, mit dem alles begann, speziell für Vinyl neu gemastert und auf heavyweight LPs gepresst. Die Schallplatten befinden sich in einer breitrandigen Außenhülle und zwei bedruckten Innenhüllen.

Das Original-Cover-Artwork stammt von Art Director und Concept Artist Isaac Hannaford (alias Rhizus / Space Ship Guru), dem ehemaligen Lead Concept Artist und Mitwirkenden an Halo 3, Halo 3: ODST und Halo Reach. Das zusätzliche Artwork des Sets wurde von der Grafikdesignerin Maren Landsnes erstellt.

Halo: Combat Evolved war der Inbegriff des Konsolen-Ego-Shooters und sein Soundtrack legte den Grundstein für den legendären Sound der Serie. Der Soundtrack ist von verschiedenen Genres inspiriert und kombiniert schwungvolle Orchesterklänge mit marschierenden Militär-Snares, Prog-Rock-Percussion und - wer könnte den gregorianischen Mönchsgesang vergessen?

- 26 speziell remasterte Titel aus dem Spiel von 2001
- Cover-Artwork von Isaac Hannaford (ehemaliger Lead Concept Artist bei Bungie)

Сделать предзаказ04.04.2025

он должен быть опубликован на 04.04.2025

50,63
fleet.dreams - Limbs of a Lion

Fleet.dreams

Limbs of a Lion

12inchVZZ002
Vinezza
04.04.2025

“Limbs of a Lion” arrives in a dazzling array of shimmering psychedelia, the newest offering on fleet.dreams’ own Vinezza records. Following “Echoes of Ego” his acclaimed inaugural 12”, “Limbs of a Lion” sees fleet.dreams’ artistry and form blossoming into realms of kaleidoscopic cadence & textural buoyancy. The production flows through a classically dubwise live analog mixing setup, new spheres of delays & echoes evolving fleet.dreams’ process to embody a unique & fully realized intersection of live instrumentation & dynamic synthesis.

Each track takes on its own entrancing sway, opening the listener towards beguiling spaciousness, experiences in rhythm, and a healthy dose of surrealist dreaming. “Masked in Porcelain” gleams with mystique, tinged with flanger in a firmly driving dancefloor mode, guiding us deeper into mysteries held by skylines and moonlight. “Secret of the Golden Flower” brings forth photosynthetic gated vocals built for eyes closed body movement, evolving from a cosmic conga groove confidently manifesting in ensnaring kinetic activation.

“iLL Enargeia” brings a touch of depth, stepping into tomorrow with a confident saunter, perfect for the blissful delirium of new beginnings or a space of breadth and reflection in the midst of astral metronomes. The closing title track “Limbs of a Lion” sees us out on a hopeful note, awash in bold luminescence & inviting us to go deeper and deeper within ourselves amidst the grounding embrace of bassline pressure.

Embodying a dance of intangibility towards new unknowns, “Limbs of a Lion” aspires to manifest the grace of movement through our beings - magnetizing and enhancing our danceable forms, frolicking beyond words together. Each track boldly stands on it’s own while orbiting a cohesive whole, perfect for all set and settings, a staple for the DJ crates, and a sign of a musicmaker with even more exciting creations on the horizon.

*words by Kiernan Laveaux
Early support from: Kiernan Laveaux, Daniel Rincón (NAP), 2Lanes & Amelia Holt

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

15,55

Последний логин: 13 мес. назад
Various - Q1#1EP

Various

Q1#1EP

12inchQ1E2012
Q1E2 RECORDINGS
04.04.2025

Electronic music at its best offers a tantalising glimpse of the future, capturing the moment of conception where new worlds and genres are brought into being. Amsterdam-via-Berlin label Q1E2 (standing for “quality first, ego second”) embodies this expansive promise on their new various-artists compilation, a thrilling speed-run through the cosmic outer-reaches of contemporary club sounds that highlights the work of essential emerging producers from around the globe.

Milan producer Jack Bags opens the proceedings with “Natural Thing”, an astral deep-dance immersion with zero-gravity synthesizer pads and skeletal dub percussion that echo out through the void, sensuous vocal samples arriving like scattered transmissions from the stereo of some long-lost spacecraft. datSIM’s “Influx” races through kaleidoscopic sci-fi spacescapes, presenting a futuristic reimagining of UK bass sounds with dextrous organ melodics and widescreen atmospherics. Mike Riviera and Marco Ohboy bring us back down for a more earthly kind of ecstatic experience, cranking up the humidity and coaxing out the endorphins with the appropriately-titled “Euphoria” - a rugged, rave-adjacent heater that cleverly rearranges elements of classic house and garage into a decidedly modern club workout.

Elsewhere there’s a distinctive undercurrent of jazz flowing through the compilation, mapping out thrilling new evolutions of the music on and off the dancefloor. Dr Sud’s mesmeric rhythm excursion “Zaffiro” unfurls like the coils of a cosmic serpent, tessellating percussion and slinking subs tracing intricate beat geometries. A Soft Mist Production’s “Upside Down Rainbows” settles in for the afters with smoked-out soulful atmospherics, syrupy vocals curling and turning in the air like smoke vapors from the last vestiges of a still-lit cigarette. The Rabbit Hole’s “Tail Groove” closes out the proceedings with a surprising bait-and-switch - opening on lustrous lounge piano that could have been comped straight from a Bill Evans record, the track quickly gives way to interstellar bass ‘n’ breaks. The producer’s canny use of cello licks adds a grounded, organic feel, jazz futurism that recalls Photek or LTJ Bukem’s sampling experiments.

Taken together, the label’s new compilation provides a snapshot of a scene in constant evolution, taking the temperature of the modern electronic scene and finding it to be in rude health.

Written by Matthew Fidler

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

12,56

Последний логин: 14 мес. назад
ANDORRA - III

Andorra

III

12inchAPRLP134
APRIL RECORDS
04.04.2025

With a growing international reputation for championing forward-thinking artists in the contemporary jazz space, Denmark"s April Records proudly presents the third album from instrumental collective Andorra. Their most ambitious undertaking yet, the audio-visual release invites audiences to fully immerse themselves in the energetic grooves, lyrical melodies, and colorful modern production that define their sound. Andorra"s eponymous 2021 debut reunited five friends who met at the Funen Music Conservatory and went on to work across a range of disciplines, from film music and orchestral work to large ensembles and chamber jazz. Realising their long-held desire to explore their collective creative potential, the ensemble describes their sound as "modern vintage", bringing together the nostalgic warmth of analog synthesis, present-day digital audio manipulation techniques, and jazz musicianship steeped in tradition. Taking a decisive step to perfect the production of their music, the quintet recorded at Lundgaard Studios - one of Denmark"s most prestigious studios - and placed the responsibility of mixing in the hands of their own synth-guru Peter Moller, whose deep understanding of the band"s sound made him best suited for the role. Taking a step back from the dark, brooding music often associated with the Nordic countries, "III" is a playful, high-energy, deep pocket collection of seven original pieces that are unapologetic in their grooving, in-your-face attitude. Driving complex drum parts, shimmering guitar textures, squelching synth pads, thick old-school bass tones, and lush timbres from Mads La Cour"s horns deliver catchy and danceable hooks as easily as they do spacious explorations of texture and vivid harmony. The entire album has been shaped into a concert film directed by photographer Jesper Van, set to premiere at select cinemas across Denmark - soon to be available online - offering global listeners a comprehensive experience of Andorra"s creative vision.

Сделать предзаказ04.04.2025

он должен быть опубликован на 04.04.2025

23,11
Scowl - Are We All Angels

Scowl

Are We All Angels

12inchDOC358LPC
Dead Oceans
04.04.2025
  • A1: Special
  • A2: B.a.b.e
  • A3: Fantasy
  • A4: Not Hell, Not Heaven
  • A5: Tonight (I’m Afraid)
  • B1: Fleshed Out
  • B2: Let You Down
  • B3: Cellophane
  • B4: Suffer The Fool (How High Are You?)
  • B5: Haunted
  • B6: Are We All Angel
также имеющийся в продаже

Olive Green Vinyl[28,15 €]


Scowl is a band that sounds exactly like their name implies. Venomous, fierce, antagonistic. A sneer not to be crossed. Over the last five years, the Santa Cruz, California, band has firmly planted their flag in the hardcore scene with their vicious sound and ripping live show, sharing stages around the world with Circle Jerks, Touché Amoré, and Limp Bizkit, and filling slots at prominent festivals like Coachella, Sick New World, and Reading and Leeds. But with their new album, Are We All Angels (Dead Oceans), Scowl is aiming to funnel all that aggression through a more expansive version of themselves. Much of Are We All Angels grapples with Scowl’s newfound place in the hardcore scene, a community which has both embraced the band and made them something of a lightning rod over the past few years. Standout single “Not Hell, Not Heaven” outright rejects the narratives cast onto them by outsiders. “It’s about feeling victimized and being a victim, but not wanting to identify with being a victim,” explains vocalist Kat Moss. “It’s trying to find grace in the fact that I have my power. I live in my reality. You have to deal with whatever you're dealing with, and it ain’t working for me.” The band breaks from a sense of disassociation to seek deeper connections on “Fantasy.” “It’s incredibly challenging to try to balance my love for the scene while also feeling, in some spaces, extremely alienated and hated,” Moss says. “‘Fantasy’ is about feeling like I don't know how to connect with these people anymore, because I have shelled myself away so hard.” The album ends in a philosophical place on the closing, titular track, “Are We All Angels,” asking questions like, “Is this all there is?” and ultimately putting it on the listener to decide. “It’s about the personal struggle between good and evil. It doesn’t matter how ‘good’ or ‘bad’ you are, there are systems that will try to rewrite your narrative no matter what you actually do,” explains Moss, noting that punctuation on “Are We All Angels” has been deliberately omitted in an attempt to leave the statement open-ended. Are We All Angels is the highly anticipated follow-up to Scowl’s debut, 2021’s How Flowers Grow, a 16-minute primal scream over punishing riffs. But amidst the pounding chaos, it was the record’s sonic outlier, a cleaner interlude called “Seeds to Sow,” that, true to its name, planted the seed for what was to come for the band. “It kind of laid out this destiny for us, and I feel like now we’re fulfilling that,” says drummer Cole Gilbert. The band continued to expand their sound on 2023’s widely acclaimed Psychic Dance Routine EP, incorporating more pop hooks and favoring gentler singing over heavy screaming, paving the way for what would come next. Scowl’s growth got a huge boost from producer Will Yip (Turnstile, Title Fight, Code Orange, Balance and Composure), who broadened the band’s scope. “Will would say, ‘Everything you have here is correct, but it’s in the wrong place,’” says Gilbert. Moss adds: “Will really helped restructure a lot of the material. Some songs he tore apart to make more space for the really good hooks and choruses.” But even through this more eclectic approach, Scowl loses none of their edge, and still manages to convey the anger and frustration that lies underneath. They are deeply committed to carrying the ethos of punk and its sense of community. “Hardcore and punk have sculpted how we operate, what we want to do as a band, and how we participate,” says guitarist Malachi Greene. “At our core, we are a punk and a hardcore band, regardless of how the song shifts and changes.

Сделать предзаказ04.04.2025

он должен быть опубликован на 04.04.2025

28,36
Scowl - Are We All Angels

Scowl

Are We All Angels

12inchDOC358LPC1
Dead Oceans
04.04.2025

Scowl is a band that sounds exactly like their name implies. Venomous, fierce, antagonistic. A sneer not to be crossed. Over the last five years, the Santa Cruz, California, band has firmly planted their flag in the hardcore scene with their vicious sound and ripping live show, sharing stages around the world with Circle Jerks, Touché Amoré, and Limp Bizkit, and filling slots at prominent festivals like Coachella, Sick New World, and Reading and Leeds. But with their new album, Are We All Angels (Dead Oceans), Scowl is aiming to funnel all that aggression through a more expansive version of themselves. Much of Are We All Angels grapples with Scowl’s newfound place in the hardcore scene, a community which has both embraced the band and made them something of a lightning rod over the past few years. Standout single “Not Hell, Not Heaven” outright rejects the narratives cast onto them by outsiders. “It’s about feeling victimized and being a victim, but not wanting to identify with being a victim,” explains vocalist Kat Moss. “It’s trying to find grace in the fact that I have my power. I live in my reality. You have to deal with whatever you're dealing with, and it ain’t working for me.” The band breaks from a sense of disassociation to seek deeper connections on “Fantasy.” “It’s incredibly challenging to try to balance my love for the scene while also feeling, in some spaces, extremely alienated and hated,” Moss says. “‘Fantasy’ is about feeling like I don't know how to connect with these people anymore, because I have shelled myself away so hard.” The album ends in a philosophical place on the closing, titular track, “Are We All Angels,” asking questions like, “Is this all there is?” and ultimately putting it on the listener to decide. “It’s about the personal struggle between good and evil. It doesn’t matter how ‘good’ or ‘bad’ you are, there are systems that will try to rewrite your narrative no matter what you actually do,” explains Moss, noting that punctuation on “Are We All Angels” has been deliberately omitted in an attempt to leave the statement open-ended. Are We All Angels is the highly anticipated follow-up to Scowl’s debut, 2021’s How Flowers Grow, a 16-minute primal scream over punishing riffs. But amidst the pounding chaos, it was the record’s sonic outlier, a cleaner interlude called “Seeds to Sow,” that, true to its name, planted the seed for what was to come for the band. “It kind of laid out this destiny for us, and I feel like now we’re fulfilling that,” says drummer Cole Gilbert. The band continued to expand their sound on 2023’s widely acclaimed Psychic Dance Routine EP, incorporating more pop hooks and favoring gentler singing over heavy screaming, paving the way for what would come next. Scowl’s growth got a huge boost from producer Will Yip (Turnstile, Title Fight, Code Orange, Balance and Composure), who broadened the band’s scope. “Will would say, ‘Everything you have here is correct, but it’s in the wrong place,’” says Gilbert. Moss adds: “Will really helped restructure a lot of the material. Some songs he tore apart to make more space for the really good hooks and choruses.” But even through this more eclectic approach, Scowl loses none of their edge, and still manages to convey the anger and frustration that lies underneath. They are deeply committed to carrying the ethos of punk and its sense of community. “Hardcore and punk have sculpted how we operate, what we want to do as a band, and how we participate,” says guitarist Malachi Greene. “At our core, we are a punk and a hardcore band, regardless of how the song shifts and changes.

Сделать предзаказ04.04.2025

он должен быть опубликован на 04.04.2025

28,15
Radikal Guru - Subconscious  LP 2x12"

*REPRESS* 2x12"

Poland's finest reggae dubstep export is back to guide us through the long dark winter with his highly anticipated second studio
album, Subconcious. Mat Miller solidified his position as one of the most exciting global ambassadors for the sound with his 2011
debut album and he returns to the mighty Moonshine Recordings with another killer full length selection of thick dread bassweight
and proper roots vibes. Matt's influences have always been varied, and his music's rich diversity is in full effect across the LP as he
adeptly shifts between tempos and moods, utilising his ear for melody and rhythm to create an absorbing collection of timeless
sounds. The ground shaking sub-frequencies central to each track are built to challenge soundsystems and ignite dancefloors,
whether it's on the livewire rhythms of his jungle indebted track 'Wicked Dub', the driving sonic force of the drum and bass styled
'Different Dub' or the dubbed out, skank-ready movements of tracks like 'Earthwalker' and 'Indra'. As well as the all-powerful bass
pressure, Radikal Guru works with a colourful array of instrumentation, and brings in characterful vocalists YT, Danman and Echo
Ranks to provide melodic lead and reggae lyricism on 'Stay Calm', 'Know Yourself' and 'Warning!' respectively. The final result is
shining example of modern roots/ reggae-centred music in 2013, executed brilliantly and certain to last the test of time.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

24,50

Последний логин: 14 мес. назад
ALIEN SIGNAL - WHISPERS FROM DISTANT SUNS (2025)

After a 30-year interstellar silence, the enigmatic producer Alien Signal—pioneering alias of Italian electronic composer Alex Silvi—reemerges with Whispers from Distant Suns, a transcendent odyssey that bridges retro-futurism and modern electronica. Hailed as a magnum opus, this album transcends genre boundaries, captivating ambient purists, downtempo aficionados, and even experimental listeners with its hypnotic fusion of analog warmth and digital precision.

Cosmic Tapestry of Sound
Drawing comparisons to Vangelis’ Antarctica and Alpha—but reimagined through a 21stcentury lens—Whispers from Distant Suns marries nostalgic synth textures with cuttingedge production. Silvi’s mastery of melody shines through in tracks like “Stardust
Memories” and “Fragile Eden” where shimmering arpeggios and celestial pads drift over robotic, glitch-infused drum patterns and sparse, meditative percussion. The result is a paradox: a retro-futuristic soundscape that feels simultaneously ancient and alien, familiar yet unexplored.

Listener Testimonials
Fans and critics have flooded forums with praise:

“An auditory revelation! It’s like Vangelis met Jon Hopkins in a nebula—vintage soul with a futuristic heartbeat.”
“The textures are gorgeously cinematic. Closing your eyes, you’re adrift in a Tarkovsky film scored for the Andromeda galaxy.”

The Vinyl Experience
Pressed on heavyweight vinyl, the album’s physical release amplifies its immersive qualities. The gatefold sleeve, adorned with surrealist astrophotography and metallic
foiling, mirrors the music’s cosmic ethos. Side A leans into Balearic serenity, with sundappled grooves and aquatic synth ripples, while Side B delves into darker, more
experimental terrain—think Aphex Twin’s Selected Ambient Works colliding with the organic rhythms of Jon Hopkins.

Maturity in Motion
This album is a testament to Silvi’s evolution. Tracks like “Seeds Of Light” and “Message from Andromeda Galaxy” showcase his refined ear for dynamics, balancing silence and sound with surgical precision. Vintage drum machines spar with glitches, while field recordings of crashing waves and interstellar static blur the line between Earth and cosmos. The closing track, “The Star Charts We Shared” crescendos into a 6-minute ambient requiem, leaving listeners suspended in a state of weightless awe.

Final Transmission
Whispers from Distant Suns is more than an album—it’s a transcendent odyssey. Spanning time, space, and the artist’s own creative evolution, this immersive work invites listeners to lose themselves in its ebb and flow. Designed for moments both intimate and expansive, its balearic-tinged atmospheres resonate equally through dawnlit Mediterranean terraces or the solitary glow of headphones in darkness. These are compositions that pulse, morph, and haunt the air long after the final note fades. A living soundscape meant to accompany life’s quiet revelations and clandestine joys—a soundtrack to your most personal moments, crafted as what the artist calls ‘private dance music.’

Tailored for the Discerning Listener
Whispers from Distant Suns is designed with the true connoisseur in mind. This album is a must-have for:

Vinyl Collectors & Audiophiles: Those who value the warmth and tactile experience of heavyweight, limited edition pressings
Electronic Ambient and Downtempo Fans: Listeners who appreciate immersive soundscapes that merge retro analog charm with modern digital innovation.
Retro-Futurism Enthusiasts: Fans of pioneering artists like Vangelis, Boards of Canada, and early Warp Records who seek music that bridges nostalgic synth textures with futuristic experimentation.
Experimental Music Explorers: Individuals drawn to sonic narratives that invite deep, contemplative listening—perfect for both introspective moments and immersive listening sessions.
This release is not just an album; it’s a curated experience for those who desire music as a multidimensional art form, merging the vintage allure of analog sound with a contemporary, cosmic vision.

For fans of: Vangelis, Biosphere, Jon Hopkins, early Warp Records.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

26,26

Последний логин: 12 мес. назад
Mondo Freaks - Bells Are Ringing EP

Bells Are Ringing is the debut EP by Melbourne Funk 10 piece outfit Mondo Freaks, released following on from the single of the same name and a thrilling Dub Version by Harvey Sutherland.

Mondo Freaks formed originally as a concept band, equipped with an ever-evolving setlist of late '70s and early '80s Funk classics, their journey has seen them invited to be the backing band for the Australian tours of such luminaries as Leroy Burgess (the producer and artist behind Boogie and Disco favourites Black Ivory, Logg, Aleem, Inner Life, and Universal Robot Band) and the iconic Evelyn "Champagne" King. Having performed at the iconic local Meredith Music, Golden Plains and Panama festivals and at numerous residencies Mondo Freaks have carved their mark, returning now to ring in a new era of groove-soaked original music.

The band revolves around the rhythm section of in demand session bassist Luke Hodgson and drummer Graeme Pogson (GL, The Bamboos). Gathering some of the finest musicians from Melbourne's legendary Soul scene, they're accompanied by five incredible vocalists including Jade McRae, Susie Goble, Francisco Tavares, Aaron Mendoza and Jason Heerah.

New tracks on the EP include "Find A Way", which hits straight away with a percussion and synth hook, blending Jade McCrae's vocal delivery with an uplifting message about finding hope in trying times.

Also included is the Harvey Sutherland Vocal Mix of "Bells Are Ringing", which keeps much of the spaced out Larry Levan, Shep Pettibone re-edit approach that was on his much lauded Dub Version.

It's easy to see why his remix skills have been in demand and utilised by Disclosure, Khruangbin, BadBadNotGood, Tycho, Boston Bun, Lucius, Jungle Giants, Genesis Owusu and Franc Moody. On his own releases Sutherland has collaborated with the likes of DāM FunK and Nubya Garcia.Tightening its hold on the dancefloor, the beefed-up rhythm section rolls deep into the nocturnal hours, as mesmerising reverb loops elevate the track skywards.

Luke and Graeme got to know Harvey Sutherland when they played together backing Leroy Burgesson his Australian tour in 2018. After that Luke and Graeme played in Harvey's live band across the world and then contributed his 'BOY' album. "We were thrilled when he turned in his Dub of "Bells"", Luke said. "A kind of 'what would Shep Pettibone or Larry Levan do?' moment. It's like being transported to Compass Point Studios in '81!"

Mondo Freaks make Funk inspired by late '70s / early '80s era as it gently moved beyond Disco. That era has continued to inspire many artists, but what sets Mondo Freaks apart is their live instrumentation plus a focus on vocals and great songwriting, creating something beyond simply instrumental grooves.In the studio and in their full live lineup Mondo Freaks are a formidable ensemble who take their sound beyond mere homage, without a hint of irony or any knowing winks. Mondo Freaks simply breathe life into a timeless sound and make it feel more relevant than ever.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

18,45

Последний логин: 13 мес. назад
Patrick Conway - Loss / Silencio

Patrick Conway crossed the threshold to find a new hope. This is his third offering for the ESP Institute. On side A, 'Loss' sets an overall melancholic tone for the record. A single repeating high note on the piano establishes a guiding element, which is eventually supported by a tear-jerking yet resolving chord progression, a trailing choir of angelic voices, and a filter-modulating synth that pads the widest zones of the mix with the occasional counter-melody. Robust in and of itself, Patrick’s melodic arrangement floats gracefully over an otherwise antagonistic rhythm section built from his signature corroded dancehall arsenal. This hornets nest of boxed live kick drums, piccolo snares, and high-pitched toms is held together by a dry veneer of saturation, sitting at safe distance from but in natural harmony with the bulbous low-frequency atmospherics. On the flip, 'Silencio' employs a similar statement at the top of each measure, this time an anthemic polyphonic synth stab as opposed to the singular piano note, however, unlike the layered melodies throughout 'Lost', here Patrick explores the narrative possibility of negative space—call and response, rhythmic dialogue, and the implied notes that leave the listener’s or dancer’s intuition to complete a phrase. In the game “musical chairs,” children run around manically until signaled to find a chair, at which point their diverse personalties must urgently synchronize, until set free to run again and repeat the process. Patrick's approach for 'Silencio' conjures said metaphor—his melody and rhythm are unleashed to meander and spasm within the confines of each respective bar, until that anticipated synth stab unifies everything “on the one”—controlling the chaos, calling on muscle memory and affirming logic. These two songs will be with you always as they always have been.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

14,08

Последний логин: 13 мес. назад
Kapote - Para Mytho Disco  LP 2x12"

Toy Tonics Music Berlin presents "Para Mytho Disco". The 2nd "Kapote" album of label founder and creative director Mathias Modica.
Keyboarder, DJ, producer, music nerd, graphic designer, multi-instrumentalist, sub-culture impressario and artist (formerly known as Munk of Gomma records.)

Kapote & Toy Tonics
In the last years Kapote was in the spotlight mainly for building the Toy Tonics label with his friends. Developing a platform for new positive quality dance music with a human touch. Toy Tonics is the opposite of the dark, druggy Techno and Trance sounds of the last years.
The warm inclusive music of Toy Tonics represents a new vibe that a young generation of diverse, stylish and culturally intersted generation of dancers loves now. Kapote's Toy Tonics became the key label for that vibe. (In 2024 Toy Tonics made 150 Toy Tonics events in 18 countries. With more than 150.000 people dancing. 90 millions streams on their music.)
Toy Tonics is more than a music label: It's a audio - visual universe. A community, almost a movement.
Based on a new positive attitude and aesthetic diversity. Mixing musicianship with DJ culture, analogue music with electronic, ideas from the past with sounds from now. To create something new. Connecting dance music with graphic design, art and underground fashion.
Kapote and his gang release vinyl, posters, shirts, art fanzines and make exhibitions and partys.

Toy Tonics started in Berlin as a underground niche project. But now became the key label of the new house, wild style disco and organic dance music scene.
Probably one of Berlin's biggest electronic music phenomena along with Keinemusik and Live from Earth.

It went fast: 2020 Kapote's crew started to make small parties in Berlin's off spaces. The "Toy Tonics Jams". The parties became "talk of the town", and Berlin clubs like Griesmühle and Panorama Bar invited the crew. Then international clubs and festival called. Toy Tonics were invited to SONAR (playing the mainstage with Kaytranada and DJ Tennis), KALA festival, Montreux Jazz festival.
Now TT has a residency at Panorama Bar Berlin and sold out events in Europe leading clubs like Phonox in London, Rex Club in Paris, Tunnel in Milan.
Toy Tonics now is the reference brand of a new generation of music loving dancers. Similar to Gomma records, Kapote's former label (2003 - 2015) that was one of the key labels of the "indie dance" scene of the Y2K years (along with DFA and Output Records).

Kapote created a multi-cultural movement with graphic designers, photographers, illustrators from the Berlin scene.
They publish the Toy Tonics Pocket Poster magazine, posters and design shirts. They organize the Toy Tonics Pop Up Galleries mixing music and art. In underground venues in Berlin and in new gallery spaces and museums around Europe.
Toy Tonics has been invited by Palais de Tokio museum in Paris, Triennale Museum Berlin, Design week Milano to create events.
The new Kapote album
The 12 tracks have a very own style. Based on dance music, but going much further. "Para Mytho Disco' is a futuristic mix of sounds. It's far away from the dark monotone techno and trance music from Kapote's hometown Berlin. Instead, he creates warm friendly atmospheres full of sonic colours and little musical surprises.
Kapote's knowlege of music history and his backround as a jazz piano student and son of classic music composer is clearly inside this music. Before turning into a DJ and electronic music producer he has been playing in bands since he was 13 years old.
The album is full of emotional chord progressions played by Kapote on various keyboards. Sometimes reminding music from the past, without being retro at all. The basslines and melodies are inspired by jazz fusion from the 1970ies. And he programmed syncopated grooves that come from afro-american dance music. There are influences from Japanese electronic music (Yellow Magic Orchestra), from 1980s Synthwave and from 1990s electronica (like Squarepusher and Luke Vibert).

Kapote plays keys, bass, flutes and percussions, he plays synth solos and sings on a few tracks. The complexity of the arrangements makes this music never boring. Lot of melodies and solos that catch the listener. Colourful soundscapes that make you want to listen or dance to this album more, and discover details also after you heard it several times.

Kapote background

Before starting Toy Tonics, Kapote used to run a label called Gomma. He produced four albums under the name Munk and music for other artists.
He produced music with Peaches, Franz Ferdinand founder Nick McCarthy, with New York street art legend The Rammellzee, Italian actress Asia Argento, the first three albums of WhoMadeWho and worked with LCD Soundsystem (listen to "Kick out the chairs", the Munk song with James Murphy )
In those "Gomma days" Kapote aka Munk was also one of the main DJs for VICE magazine parties and made music for art projects and fashion brands (Margiela, Prada, Colette).
In 2015 he stopped Munk and Gomma and started Toy Tonics. He found young producers and helped to develop their sound (Coeo, Cody Currie, Gee Lane, Barbara Boeing, Sam Ruffillo). Later he founded the sublabel Kryptox to release music by Berlin based bands that make new forms of jazz or neo classical sounds.

Under the name Kapote Mathias didnt release much:
Only his Kapote debut album "What it is" (2019) and an EP called "Electric Slide" (2022) and a collabo EP with Italian producer Sam Ruffillo ("Robot Salsa").

An although his Munk and Kapote music was an underground phenomena his music has always been a favourite of many great people from the scene.
Supported by DJs like Harvey, Chromeo, Moodymann, Jennifer Cardini, Gerd Janson, MYD, Andrew Weatherall to Blessed Madonna, Justice and Laurent Garnier… to name just a few.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

20,59

Последний логин: 9 мес. назад
Yuching Huang - The Crystal Hum

The Crystal Hum is the debut vinyl release by Taiwan-based artist Yuching Huang and her first release for Night School.
A beguiling dreamscape of crackles, spluttering, love-struck Casios presided over by the the spectral vocal and guitar work of Huang, Yuching sings love songs at the end of this world and the beginning of the next. Recorded during a hiatus from her group Aemong (a duo with artist Henrique Uba) in Berlin, these songs elevate Huang’s unique vocal style and grasp of atmospherics. The Crystal Hum deconstructs balladry, Garage, guitar music and reforms it into a
unified ghostly otherworld version of these languages.

The Crystal Hum thrums with buried desire, trails of nocturnal reverb seeping out of apartment windows, diaristic vocal performances and deeply emotive, evocative Western-style strings. Formulated by Yuching Huang after periods of frustration and experimentation, the album is an exercise in minimalism and paring back, with some tracks like JohnJohn featuring little else than an elastic bass, spring reverb trails, an interjecting vocal and swelling, dislocated synths. The effect is spellbinding, the soundtrack to getting lost in the labyrinthine, closed streets of Venice, Taipei, Hong Kong, or mirror versions of them in the imagination.

On opener Fly! Little Black Thing, a subterranean funk bassline roots Huang’s singing, a rudimentary, unreliable beat floundering in whimsy underneath. Demure, dream Dance music, Huang references classic lo fi experimenters Suicide and Arthur Russell as well as Night School label mates The Space Lady and Ela Orleans. In fact, after the release of Aemong’s third album Crimson, Huang credits the direction of The Crystal Hum to being enchanted by The Space Lady’s Greatest Hits,
the landmark lo-fi recording made by Susan Dietrich Schneider in 1990. The new, minimalist approach to her sound world reveals and shrouds in equal measure. On the heart-melter Love, a sultry mid-tempo Casio + bass backing drops into the ether with Huang’s vocal swimming in preternatural void before emerging anew, in awe at the world. Every chord change heralds new perspectives, every guitar flurry swells and drips emotion, nothing is wasted and space billows out from between the grooves.
Huang never reveals more than necessary, making this an in-between love album: the right amount of mystery and darkened mirror shines wanely on The Crystal Hum while remaining fragile and vulnerable in the sweet spots. Turning over in pillowing smoke and night in the dark corners, Huang sings in both Mandarin and English. The songs speak of earthly matters seemingly at the edge of dissipating into nothing. Distorted, beguiling Sambas warble like sweating dancehalls in an imagined Lynchian 60s, as on Thoughts. Closer You, An Illusion warps a classic 60s Girlgroup bassline beloved of the likes of Les Rallizes

Denudes into a slight ballad on the edge of the void, held back by the teary-eyed, wistful and enveloping vocal cooed by Huang. Each song feels like a love song dedicated to the bits between worlds, between beats, the negative space between people where desires, feelings and loss hangs in the air, resolute and unresolved.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

21,81

Последний логин: 2 г. назад
Who's Who - Who's Who (LP)

Who's Who

Who's Who (LP)

12inchBEWITH186LP
Be With Records
28.03.2025

"Daft Punk brought me here, he brought me Daft Punk"

Just knowing that this slice of hyper-rare disco dynamite was crafted by Thomas Bangalter's dad should be enough for you to buy this on sight, if only to understand a little bit more about Thomas and Daft Punk's background. But this is so much more than a Daft Punk family curio.

Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1975, Vangarde founded his label, Zagora Records, who we have worked closely with on this lovingly curated reissue. For years, Vangarde wrote and produced songs that remained underground, under several pseudonyms and for various artists. Dubbed "the secret father of French disco" this here groove-fulled firecracker - using his Who’s Who moniker - is for disco-funk, library music and cosmic beat lovers.

The intense, evocative opener "Palace Palace" positively throbs with raw energy and sounds, honestly, like something off Daft Punk's Discovery. The title refers to the fashionable Parisian club Le Palace, essentially the Parisian Studio 54. "I’d been to a nightclub in New York, a big ring where people were roller skating with a whistle. The atmosphere was great. The music was all disco. I made this song when I came back. A vocoder transformed my voice. Back then, it wasn’t used much." The track rides a killer groove and is deceptively complex, with layers of fantastic percussion and ace synth work going on all over it. Listed to on repeat, it's brilliance is simply undeniable.

The louche, slo-mo heater "Hypno Dance" is, in Be With's opinion, *the* deadly dancefloor track. A svelte slice of ace space disco again geared towards the roller skating dance mania of the day. So deep, so disco, so instrumental. An unreal track and, as the title hints at, totally hypnotic. The side closes with the somewhat throwaway "Popeden" - it's a jaunty number that you're probably best skipping, in all honesty. Have we ever steered you wrong?

The B-Side opens with the frankly enormous "Roll Jacky Roll" is another thrilling, high class roller-rink jam with beautiful melodies that's adored the world over. The wonky, abstract "Ad Libitum 80" is a super dope, swirling, staccato electro-funk bounce which sounds light years ahead of its time. This might be the real lowkey sleeper gem on this record. CHECK! This remarkable LP rounds out with the huge "Dancin' Machine". It's got sleek drums that emit an absolutely ace swagger and elements of Italo synth funk feels. A relaxed, slow rhythm throughout ensures you can't help but get your funk on when this crashes soundsystems. We'll leave the final word on this to Daniel: "It amuses me to think that my son Thomas was influenced by "Dancin’ Machine" for "Around The World", he says. Both songs being based on an hypnotic repetitive refrain. Both songs being, of course, timeless pieces of Euro genius.

Who's Who really is a fantastic late-70s-early 80s roller disco-funk essential. The audio has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland.

When it came to the sleeve for this we were presented with an unusual problem: we usually have to rely on an original sleeve as the starting point for the restoration, but instead we were able to scan the original 35mm transparency of the front cover photo. The problem is that with a modern scanner the results were far sharper than when they made the original sleeve. We’ve played around with the exposure and the colour grading but we’re sorry to say that our version of the front cover still ended up looking too good! Don’t hate us.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

26,85

Последний логин: 14 мес. назад
R&C - STARS / BRILLANTINA

R&C

STARS / BRILLANTINA

12inchREC005
R&C RECORDS
28.03.2025

The Spring is quickly approaching, and the R&C boys are always ready for it, back in the game with a new chapter of their magical reworks.

“Stars” is a new tailored-shape of the very successful Italian song ‘Figli Delle Stelle’, now revisited with a groovy electro funk mood - dancefloor oriented.

On the flip, “Brillantina” brings back to those magical times of a classical musical anthem, re-imagined into a slow-funk cut, filled with solid spacey & balearic synths.

Stardust !

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

15,76

Последний логин: 14 мес. назад
ASC - Next Time You Fall  2x12"

Asc

Next Time You Fall 2x12"

2x12inchSPTLP005
Spatial
28.03.2025

SC returns with a full length LP showcasing his vast armoury of musical ability in a controlled, contemplative reflection of his inner self, laid bare in breaks-driven form for the enjoyment of Spatial fans new and old - continuing the ongoing celebration and evolution of classic atmospheric drum & bass.

A1 - Fear of the Deep

Curious, high twinkling bells cautiously introduce Fear of the Deep, reminiscent of classic sci-fi movies building atmosphere and intrigue, before the hi-hat heavy, snappy break previously used in Spatial classic Essence (also by ASC) makes a welcome return. The 2-step - occasionally broken - beat pattern drives the track along with a darkly, investigative energy, while a typically deep bassline rumbles beneath, setting the scene perfectly.

A2 - Concentric Circles

A change of pace for ASC here with Concentric Circles, exploring a jazzier spectrum of influences not often broached in his production adventures, with broken scattershot beats toying and playing around a wealth of reverberating brass samples to create a minimal yet quietly imposing undertone. Double bass props up the composition wonderfully, completing an exquisitely quirky entry to the LP.

B1 - Say It

Opening with rousing strings and quietly ominous effects, ASC utilises a unique fusion of melancholic atmospherics, jazzy basslines and a classic old-school breakbeat to form Say It. Dense, purposeful kicks stomp across the mix as the strings and synthwork wash in the foreground, developing a sombre, contemplative tone to the track throughout, before a wonderful outro ending with those delightful strings.

B2 - Virtual World

Filtered Hot Pants breaks gently ease their way to the forefront of a beautifully constructed intro to Virtual World, trademark crispness and intricacy etched onto the beats effortlessly, as we've come to expect from ASC. Delicately nuanced vocal samples combine with an intense concoction of synths and micro-melodies, dancing over the sharp breaks and a suitably earthy undertone bassline.

C1 - Eons

The classic, intense atmospherics continue with Eons, a spacey piece introduced by a memorable melody, tinged with purpose and allure. This melody continues through sci-fi computer FX reminiscent of early 720, and persistent backdrop synths as we are treated to a gentle flurry of perfectly edited amens leaping and falling over subtle, juddering basslines creating that elusive blend of both headphone and dancefloor appeal.

C2 - Timeslides

ASC flexes the timeless Hot Pants break again - crisply edited with a sharpness in the mix which is simply to die for - in Timeslides, a track which continues the brooding, introspective tone of the LP. Utilising a varied array of samples and effects which will transport you straight back to that unmistakable era of 90's atmospheric heaven with several nods to forefathers of this wonderful sound - just how we like it at Spatial.

D1 - Lightspeed

Take a moment to appreciate the bells tolling, glimmering and colliding during an enchanting intro, freely crafting layered melodies without a care as ASC presents us with an immensely memorable piece in Lightspeed. Long, elongated vocals drift and swirl through the airy soundscape, all punctuated by finely tuned and arranged Circles breaks, energetically deployed for the discerning breakbeat aficionado.

D2 - Nightvision

Intensity is dialled up to 11 in Nightvision, a deeply atmospheric track which showcases a perfect, symbiotic combination of melancholy, drama and raw energy. The lively breaks take center stage over a heavy, consistent 808 bassline with enveloping masses of atmospherics circling, gripping your attention, joined by dreamy vocal samples deployed subtly in an ever-changing tone to close the LP in style.

Words by Chris Hayes (Spatial / Red Mist)

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

26,85

Последний логин: 7 мес. назад
Alexander Flood - Artifactual Rhythm

Steeped in classic dancefloor rhythms and sounds, ARTIFACTUAL RHYTHM presents a re-interpretation of club and DJ music through the lens of a live band with a jazz edge. Tapping into sounds of the 90s and 2000’s while keeping his foot very firmly in the now and beyond, Flood’s new body of work is both for the dancefloor and the listener.

Dubbed 'nu-jazz', 'jazztronica' and 'jazz house music', at its core Alex’s sound takes influence from house, UK garage, drum n’ bass, and broken beat. 'Artifactual' can be defined as 'made by human hands', and that’s exactly what Alex explores with this record; taking sounds and styles that are inherently electronic and giving them new life through the rawness of a live band underpinned by jazz and improvisational explorations. Music made by human hands.

Recorded live in a studio in Naarm / Melbourne and engineered, mixed, and co-produced by Lewis Moody (Energy Exchange Records), the album features a list of some of the finest players 'Down Under' including Erica Tucceri (flute), Finn Rees (keyboards), Dylan Paul (bass), as well as guest vocal features from the lyrical legend Cazeaux O.S.L.O on LIFE IS A RHYTHM, Kara Manasala on UK garage cut DON’T WAIT 4 ME, and New York soul queen Vivian Sessoms heating up some classic house energy on CAN’T GET ENOUGH.

Alexander Flood is one of Australia’s commanding beat-masters, possessing a unique and finessed arsenal of groove, power, and expertise on the drums. Leading his own band from the drum chair, Alex’s music pushes a fresh rhythmic and dynamic realm of live dance music leaning on nu-jazz, deep-house, broken beat, DnB, funk, and experimental sounds. The band has recently featured at Wellington Jazz Festival, Melbourne International Jazz Festival, SXSW Sydney, WOMADelaide, JazzMontez Frankfurt and various clubs across Europe and Australia.

Winning Australia’s Best Up and Coming Drummer Competition in 2016 was just the beginning of Flood’s accelerating trajectory in music. After graduating top of his University jazz degree in 2017, Alex signed with US label Stretch Music to release his debut album HEARTBEAT, followed by his sophomore release The Space Between in 2022. Later that year Alex toured Europe with heavyweight 6x GRAMMY nominee Christian Scott aTunde Adjuah’s band. While in Berlin Flood recorded his third album 'Oscillate' with an all-star lineup including Horatio Luna and Abase, releasing via Jakarta Records in May 2023. In 2023 Alexander was also the recipient of the highly prestigious Young Achiever Award at the Ruby Awards, as well as receiving the Robert Stigwood Fellowship (Government of South Australia).

2024 sees Alex join forces with Atjazz Record Company to release new music from his forthcoming album ARTIFACTUAL RHYTHM, as well as touring his band across Australia, New Zealand, Europe and the UK.

Some notable collaborators of Alex’s include Chief Christian Scott aTunde Adjuah, Abase, Horatio Luna, Atjazz, Vivian Sessoms, Cazeaux O.S.L.O, Nelson Dialect, the ASO, WASO, QSO, as well as working with brands including Red Bull Music and Istanbul Cymbals.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

22,65

Последний логин: 8 мес. назад
Kito Jempere - New Life EP

Kicking 2025 off with a NEW LIFE, Kito Jempere resumes operations retro-outfit shining, all machines blazing, pulling up with a boiling four-trackpackage bound to get dance floors quivering in excitement. A stick ofdynamite flung into the mouth of today's corporate dance music blandness, 'New Life' finds the Saint Petersburg producer spitting multi-strain madnesswith reckless fun and adventurous panache. Take New Order in theirTechnique days, sprinkle with early hip-hop breaks and finish it with a funk-savvy mix of acid, happy hardcore and ghetto tech jack, and you prettymuch have the opening track and lead-single 'New Life' capsulized to a tee.
A blissed-out, choppy ride spinning recklessly into dance-y abandon, 'LoveFilter' takes us on a heavy-lidded trip across dreamy electronic folds andonto vaporous apexes, where drum-heavy jolts and sliced vocals collidewith spacious pads from outer space. As hypnotic as it reveals hard-hitting, 'Killer Line De-Part' deploys a warped kaleidoscope of trancey shades,grunge-y grit and largely '80s informed analogue wizardry, convergingtowards the most hair-raising finale with your feet in the air and a dumbsmile across the face. Rounding off the record, 'Put Love Into Your Heart(Club Mix)' is a luminous slice of trippy, feelgood electronics engineered fordance floor communion and uplifting let-go. Fill your heart with love.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

11,72

Последний логин: 14 мес. назад
EL LEON PARDO - VIAJE SIDERAL

El Leon Pardo

VIAJE SIDERAL

Pict-VinylAYALP17
Aya Records
21.03.2025
  • Invocación
  • Viaje Sideral
  • Urmah
  • Cumbia Espacial
  • El Porro Del Olvido
  • Cuando El Río Suena
  • Sofi Entre Constelaciones
  • El Tigrillo Mono
  • La Perica

It's hard to imagine El León Pardo, a loyal advocate of some of the most advanced projects in which folklore is the road map and the destination itself, without his kuisi. It's hard to see him with his hands free. Always holding on to that ancestral instrument, that pre-Colombian flute that survived the conquest and has become a symbol of resistance, overcoming the ravages of time, the imposition of ideologies, dogmas and religions. Despite all that, the kuisi continues with its liberating sound, the power of its cry, its invitation to dance, its sound a cure and a blessing. That's why it leads the way in this Viaje Sideral ("Space Voyage"), an astral journey in which the kuisi is the vehicle and the life force of the rhythm. Viaje Sideral feels like floating eternally in the infinite cosmos. This second long player from El León Pardo is inspired by humanity's relationship with the stars, escaping to mythical planes and led into a trance by Caribbean percussions, analog synths, deep bass, electric guitars and the hypnotic vibrations of the kuisis and trumpets that complete the soundtrack of this voyage. Through these nine songs, El León Pardo continues to create a sound of his own, evolving in his intention to pay tribute to the psychedelia of the tropical world of the Caribbean in the 1970s and 80s, but this time also taking as reference artists like Terry Riley, Kraftwerk and Mad Professor, including the roots of ambient and electronic music with the characteristic sound of the kuisi, an encounter of dreamlike and astral sounds, with the music of the bandas pelayeras of the tropics and figures like Pedro Laza and Juan Lara. In this new universe the Cartagena trumpeter dialogs with the past, processing the ideas that have emerged over the years and morphed into his personal search that gives an identity to his ideas, nurtured by figures like producer Diego Gómez (Llorona Records, Discos Pacífico, Cerrero) who awoke his interest in electronic instruments, Edson Velandia and kuisi maestros like Juan Carlos Medrano and Fredy Arrieta. In his sound there is a particular feature, one that contains histories of personal experiences, accompanied by the kuisi, including ancient Zenú flutes dating from between 600 and 800 AD and which helped create the atmosphere of "Invocación." "Viaje Sideral," the song that gives the album its name, was born from a dream in which two stars speed towards the earth and an imminent collision. As the record continues, the stellar connection becomes clear with songs like "Urmah" with Edson Velandia, inspired by an article about extra-terrestrial races and how the Urmah were a race of hominid felines, the greatest geneticists of the universe; and "Cumbia espacial," featuring rapping from N. Hardem, seeking to create that aura of immensity and consciousness of the infinity of the universe.

Сделать предзаказ21.03.2025

он должен быть опубликован на 21.03.2025

22,27
UPSAMMY - OPEN CATALYST

Upsammy

OPEN CATALYST

12inchDKMNTL106
Dekmantel Records
21.03.2025

Four years since her last dancefloor 12", upsammy returns with a four-track exploration of gleaming, sprightly drum and bass with a restorative centre. Thessa Torsing's moves in upper tempo zones have been defined by her light touch, finding power and presence in finely chiseled sounds and sculpting space between intricate, interwoven rhythms.

The dynamic movement of her pristinely moulded percussion is absolutely geared up for the club, but it's also matched with an uplifting, meditative sound palette which tempers the busy energy of the drums. Pushing and pulling on her arrangements with ever-increasing expressiveness and revelling in the subtlest of modulations to her kinetic beat systems, upsammy proves once again that moving in time to fast music can be an incredibly restorative experience.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

12,56

Последний логин: 9 мес. назад
Krystian Shek feat. Milly James - PROMISE

Krystian Shek feat. Milly James

PROMISE

12inchGREYSCALE12
GREYSCALE
21.03.2025

A heavyweight lineup of dub techno talent comes together for a deep and textured journey. Krystian Shek and Milly James join forces on Promise, delivering two original productions alongside with reworks from Yagya and grad_u. As a bonus, this collection expands even further with digital-exclusive remixes from Raytek and Noosa Sound System that come with the original purchase.

'Glow & Shine' locks into a hypnotic groove from the outset, its analog warmth and weighty percussion forming a solid foundation. A crisp snare and hi-hat pattern provide an irresistible swing, while chords and vocals land together in perfect sync, draped in a rich layer of delay. Spacey breakdowns allow the ride cymbal to subtly emerge, giving the track an evolving energy. The closing moments strip things back, with the chords guiding everything to a natural finish. 'Better That Way' shifts into a more melodic space, balancing intricate drum programming with an emotive vocal delivery. The initial rhythmic stutter adds a unique touch before settling into a flowing beat. As layers build, the chords and voice intertwine seamlessly, evoking a deep, contemplative feel. The breakdown smooths everything out, allowing the track to breathe before a striking bassline shift in the final section brings fresh momentum. The last ambient passage is particularly stunning, offering a moment of reflection.

The legendary Icelandic producer Yagya creates his interpretation of 'Glow & Shine' sees it drifting into dreamlike territory, wrapping the original's elements in a lush, aquatic atmosphere. More of a song than a club tool, it glides effortlessly, capturing a serene, almost weightless mood. On the flip side, grad_u reshapes 'Better That Way' into a crisp, rolling dub excursion. Airy chords swirl above a commanding groove, with well-placed melodic flourishes adding an elegant touch. The arrangement continuously morphs, deepening its hypnotic pull.

Raytek's remix of 'Glow & Shine' injects a sharper rhythmic intensity, pushing the track into darker, more driving territory. The vocal treatment becomes a focal point, cleverly reshaped to make the singing the true hook. Meanwhile, Noosa Sound System takes 'Better That Way' into stripped-down, immersive terrain. The off-kilter drum work and layered percussion create a mesmerizing flow, while the winding structure makes it a DJ-friendly tool.

This well-rounded collection that explores multiple shades of dub techno, this release has both dancefloor energy and introspective depth. With a strong roster of contributors, it delivers a blend of classic textures and fresh perspectives.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

11,72

Последний логин: 7 мес. назад
Charles Petersohn - Children Of Zu Zu EP

Six track EP full of warm deep house music, spacy jazz not jazz, african and brasil rhythms, plus a portion of psychedelic funk poetry.

‚Children Of Zu Zu‘ is Charles Petersohn‘s restart after his previous label release from 18 years ago, besides some experiments on Bandcamp and SoundCloud. On this EP sound merges into each other, is producing an organic flow. Smooth deep house, different kinds of jazz and jazznotjazz, african rhythms, Brasil batucada, psychedelic funk poetry, inspired by Dr. John and most of all the space music and afrofuturist philosophy of Sun Ra and his Arkestra. Soundscapes and atmos in the background of each song give the music a deeper feel. It took its time to get the music ready. There was the desire of having Web Web pianist Roberto di Gioia in the music, took months. But it was worth waiting. Roberto planted some magic moments in to it. On other hand Charles is hyper critic with his own sound. If jumping into to arena again, there should be something special. When he will be okay with every inch of his sonic work, then its done! ‚Children Of Zu Zu‘ became a collage of thick, warm and smooth housemusic, spacy Ambient Jazz and two dancefloor tools with a deep Afro and Brasil feel.

Here we go with six tracks full of love, full of dreams and full of space.

"Children Of Zu Zu" ist Charles Petersohns Neustart nach seiner letzten Label-Veröffentlichung vor 18 Jahren mit dem Pianisten Jasper van't Hof bei "Jaro". Deep House Music, Jazz Not Jazz, afrobrasilianische Jazz-Grooves, Ambient Jazz, eine von New Orleans Legende Dr. John inspirierte spirituelle Botschaft, einen Gesang von Frauen und Mädchen aus Samoa vom "British Commonwealth Sound Archive" und nicht zuletzt die intergalaktische Poesie von Sun Ra und seinem Arkestra. Soundscapes im Hintergrund fast aller Tracks versetzen die Musik jeweils an einen fiktiven Ort. Es hat seine Zeit gedauert, bis die Musik fertig war. Der Wunsch, den Web Web Pianisten Roberto Di Gioia für die Musik zu gewinnen, schien fast unmöglich. Seine Teilnahme verzögerte sich um mehrere Monate, denn Roberto ist ein vielbeschäftigter Musiker und Produzent. Am Ende hat sich das Warten gelohnt. Er hat der Musik einige magische Momente beschert. Auf der anderen Seite ist Charles mit seinem eigenen Material meist überkritisch. "Wenn ich mich parallel zu so vielen großartigen Musikern und Produzenten überall in der Welt und darüber hinaus mit einer eigenen Botschaft in die Welt begebe, muss das schon etwas Besonderes werden!" Nach endlosen Sessions in seinem Mini-Studio ist 'Children Of Zu Zu' um einiges mehr geworden, als er sich vorgenommen hat. Statt zwei, sind es am Ende sechs Tracks und zwei Bonus-Versionen voller Liebe, voller Träume und voller Space, innerspace und outerspace, geworden. Musik für den Dancefloor, für Jazz Clubs, Chill Zones und obendrein für Kinderzimmer!

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

14,24

Последний логин: 9 мес. назад
Fernie - Celestial

Fernie

Celestial

12inchPRTLL003
Portal Records
14.03.2025

With a much-loved signature sound heavily influenced by many active years in the trance scene, Fernie’s blend of emotive pads and cosmic soundscapes has secured him a discography that spans some of deep techno’s most revered labels. Having releases on the likes of Monument, Khoros, KVLTÖ and Informa Records to name just a few, as well as heading up his own imprint Space Textures, curating the Monument podcast, and co-running the Orbits parties with fellow Glaswegians Deepbass and Repart - Fernie’s passion for the deep techno community resides in the energy he consistently commits to our scene.

The third release in our catalogue comes as a limited edition 140g transparent vinyl with black smoke, pressed in Italy and presented in a matte sleeve with full colour artwork. Celestial is a carefully woven journey that searches and probes, be it the outer reaches of space or the inner depths of oneself. Perfectly blending the themes of space exploration and astrology, the EP opens with a brooding wash of atmospheres and voice samples, before broken rhythms, lush pads and moody ethereal tones carry the voyage through the A Side. The B Side sees the record open up into two tracks perfect for deep immersion on the dance floor, with Unbound offering an atmospheric cruise fit for early morning bliss. And finally, we are humbled to have a remix from deep techno stalwart Ness closing out the EP - a ritualistic stomper that reworks the original atmospheres of Critical Functions into an uptempo dub techno infused gem.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

21,22

Последний логин: 10 мес. назад
Mild Minds - GEMINI LP
  • A1: I Need U
  • A2: Gemini
  • A3: Teardrops
  • A4: 1 Day 2 Late
  • A5: Empty Space
  • B1: In Your Eyes
  • B2: Dna 8
  • B3: Still Thinkin ‘Bout U
  • B4: Last Chance

Der Grammy-nominierte Produzent und musikalische Visionär, Benjamin David aka Mild Minds, veröffentlicht sein zweites Album, „GEMINI“ über ODESZAs Label Foreign Family Collective.

Während Mild Minds 2020 erschienenes Debütalbum, „MOOD“, eine kreative Offenbarung und eine risikofreudige Abkehr von seiner Arbeit hinter den Kulissen darstellte, ist „GEMINI“ ein Zeugnis dessen, dass sich dieser künstlerische Sprung gelohnt hat. Das Album verweist auf die Underground-Clubmusik der Jahrhundertwende und verwendet Breaks, luftige Pads und abgehackte R&B-Samples aus den 2000erJahren, neben frühen Trance-Einflüssen und ätherischen Vocals. Diese klangliche Grundlage schafft auf dem Album einen beispiellosen Dialog zwischen cluborientierten Elementen und melancholischen Emotionen, die in der Dance-Musik selten erforscht werden. Das Album zeigt Benjamin Davids Entwicklung als Produzent und vertieft die Überschneidung von organischen und elektronischen Soundscapes, die zum Markenzeichen seines Projekts, Mild Minds, geworden sind. Der neueste Teil der Geschichte, die mit „GEMINI“ erzählt werden soll, demonstriert die Fähigkeit von Mild Minds, komplexe, emotionsgeladene Kompositionen zu schaffen, die sowohl auf der zerebralen als auch auf der viszeralen Ebene bei seinen Hörer:innen ankommen.

Format: Transparentes Vinyl (140G) inkl. Downloadcode

Сделать предзаказ14.03.2025

он должен быть опубликован на 14.03.2025

26,01
Matthias - The Edge Of Night LP 2x12"

Matthias

The Edge Of Night LP 2x12"

2x12inchSUPERLUMINAL01
Superluminal
14.03.2025

In 2017, Matthias launched his record label named Superluminal, after the astronomic motion observed in 1902 by Jacobus Kapteyn in the ejecta of the nova GK Persei, which had exploded in 1901. His discovery was published in the German journal Astronomische Nachrichten, and received little attention from English-speaking astronomers until many decades later. It appears to travel faster than light, its existence could conceal the most inexplicable mysteries of our universe which gave birth to many of the secrets hidden in the path of mysticism and esotericism.

The label celebrates its 8th Anniversary with Matthias’s first self-released album. The instalment pays homage to the roots and influences the artist has genuinely embraced throughout the years. An immersive composition which summons a line from the sounds of the past to the present, designed meticulously and displayed within gatefold cover.

It certainly manifests a polyhedral vein with some very cerebral, experimental songs among more dancefloor oriented music. The artist delves into a self exploratory leap of synth-driving notes, striking chords of late decaying dub pianos. Certainly a journey that pairs conceptual alignment with more clubby-essential, stripped-down recordings.

The song’s progression evokes atmospheres from the far out worlds, carved into a space-echoing psychedelic trip with sinister tribal-percussive rhythm. The song’s arrangements are simple-complex drum’s versatile patterns, forged and elegantly blended into cinematic soundscapes.

This is a one way ride to the forest of mysteries, from which, there is no return. The time of the day between dusk and night, when it gets dark.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

22,90

Последний логин: 13 мес. назад
Anthony Nicholson - With You I'm Born Again

2 cuts of timeless deep cosmic house from the MIQUIFAYE MUSIC "WITH YOU I'M BORN AGAIN (SPACE N TONE REWERK)" is ANTHONY's remix of the BILLY PRESTON/SYREETA classic. Re-imagined and reworked for the dancers and DJs. Vocal mix on the A-side and "InstruDUB" mix on the flip. Jazzy, cosmic house. Lush and melodic. vault. As always, ANTHONY demonstrates his unique ability to craft expressive musical environments that are as cerebral as they are physical, and guaranteed to take listeners on a journey.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

17,02

Последний логин: 13 мес. назад
Myriad Myriads - All The Hits LP

All The Hits is the speedy follow up to Myriad Myriads’ debut album, Shardcore (released on Trilogy Tapes in September 2024). 200 vinyl pressed. Myriad Myriads was FKA Bass Clef. Wrong Speed Records have released two albums by Bass Clef (the 2020 limited vinyl reissue of 2011 cassette Inner Space Break Free and 2021 album Magnetic Chapters). Both organic and beautiful, both differing takes on electronic dancefloor - from 70's Germany, late 80's UK, and 90's Detroit. Myriad Myriads closed out the 2024 Wrong Speed Fest Weekender in the back room of a rowdy pub in Glastonbury (real Glastonbury, not Pilton). To watch up close and see the physicality was rapturous, to hear this music at volume positively transformative. All The Hits, recorded in Myriad Myriad's hometown of The Hague, Netherlands, is Carl Stone meets Sonz Of A Loop Da Loop Era. Carl Cox meets Harmonia. It's a headphone monster. Through a PA it will destroy. At home it's a living room shuffle, a synapse burster. It's a privilege for us to somehow be in the position to release records by Myriad Myriads / Bass Clef. We've known him for a long time. He's remixed a couple of Hey Colossus tunes. Check out the recent Patrick Cowley/Jorge Socarras covers 12" You Laugh At My Face on State 51 Conspiracy. His 22-minute-long reworking is a masterpiece. We love to be connected. We love Wrong Speed Records switching from Part Chimp to Myriad Myriads and on to Deep Cabaret via Jacken Elswyth. All come from the same place, if you feel it you know. This is our record collection

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

25,84

Последний логин: 15 мес. назад
Breaka - Aeoui LP 2x12"

Breaka

Aeoui LP 2x12"

2x12inchBREAKA008
Breaka Recordings
11.03.2025

Sharpening his modernist, hybridised club sound with the restless energy he’s made his name on, Breaka returns with Aeoui. Nodding to the vowel-only vocal samples he scatters throughout his tracks, this much-anticipated second album reaffirms Charlie Baker’s reputation as a many-sided bass music innovator.

Since 2019, Breaka has been primarily shaping his own destiny by self-releasing most of his music, and it’s afforded him the space to evolve his sound on his own terms. In the wake of his 2022 debut LP We Move, the consistently prolific producer had been looking for a fitting window to channel his work into a second full-length. The opportunity arose when he struck on a fit of jet-lagged inspiration in late 2023 and laid down two of the new album’s key tunes, ‘squashy track’ and ‘yolo bass rewind’. Jutting out at a distinct angle from his other work, Breaka knew he’d found the anchor point around which to build out the next phase of his sonic evolution.

This productive period also aligned with a new studio space to work in, leading to the album’s striking double-dose opening of ‘Aeoui’ and ‘Are We There’. With the flavour of his new album established, Breaka was able to comb back through his reams of existing ideas and find the remaining pieces that fit the emerging puzzle. There are enduring influences which bind together the Breaka sound — footwork, techno and dancehall continue to guide the infectious floor-ready pressure of the record, but he worked free of stylistic concerns to find a vibe that remained true to his independent spirit.

It’s clear the Breaka DNA reaches beyond purist club music — his roots as a jazz drummer from an early age guide the expressive flair in his beat programming, while he took a more direct influence from a mind-blowing Sons Of Kemet gig in 2022 to make psychedelic centre-piece ‘Roundhouse’. Elsewhere ‘Cascara’ pays tribute to the Afro-Cuban rhythm of the same name, which he fused with amapiano’s lithe log drums and shakers, Brazilian percussion and edgy sound design to create a maverick soundsystem wrecker.

The collision of organic and synthetic, crisp forms and chaotic energy are captured perfectly in the cover artwork created with Jordan Core. It’s a savvy sum-up of where Breaka is at right now, continually building out with clear intentions while embracing the unpredictable energy of lived experiences and the ideas that get sparked along the way. That’s why Aeoui sounds like no one else out there but Breaka.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

20,97

Последний логин: 12 мес. назад
Agosta - Living On My Memories / Serenade 7"

In anticipation of “For Today” the title of Agosta's second album due in 2025, the Etnean artist offers us two unreleased goodies (available only on 7” and digital), in which Giulia La Rosa's singing and poetic lyrics blend with chill out electronics create a perfect Balearic sound.

“Living On My Memories” as well as ‘Serenade’ are sweet melodies that capture the essence of a sunset, perfect to listen to and dance to as the sun slowly dips into the horizon. Ethereal sounds, warm and deep vocals, delicate synthesizers, and assertive groove create a vibrant atmosphere of serenity, peace, and relaxation.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

10,50

Последний логин: 13 мес. назад
Anan - Naif 7"

Anan

Naif 7"

7"-VinylSE708
Space Echo Recordings
11.03.2025

ANAN is a project born from the musical inspiration of DJs Roberto Agosta and Massimo Napoli (Galathea). The name ANAN comes simply from the repetition of the initials of their surnames.

Their new single ‘Naif’ blends African musical roots with a European groove and celebrates the cultural fusion of modern times and explores sounds that transcend borders. Imagine listening to Fatoumata Diawara or Ali Farka Touré meeting St. Germain or Bonobo

This track opens with a pulsating rhythm, featuring traditional instruments, percussion, and the vocal performance of Kadi Koulibaly from Burkina Faso.

Koulibaly manages to convey a sense of joy and vitality, evoking soundscapes rich with texture and dynamic motion. The melody is skilfully combined with electronic and jazz elements, creating an aural experience that invites you to dance. In short ‘Naif’ is a celebration of cultural fusion, an invitation to indulge in rhythm and explore sounds that transcend boundaries.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

10,04

Последний логин: 13 мес. назад
Masakatsu Takagi - Mirai

Masakatsu Takagi

Mirai

12inchMOVATT362
Music On Vinyl
07.03.2025

Mirai is a 2018 Japanese animated adventure fantasy comedy film written and directed by Mamoru Hosoda and produced by Studio Chizu (known for Belle, Wolf Children and The Boy and the Beast). The film stars the voices of Moka Kamishiraishi, Haru Kuroki and Gen Hoshino a.o. It was met with critical acclaim and became nominated for an Academy Award in 2019 for Best Animated Feature Film. Additionally, the movie received an Annie Award in the same year. Mirai follows the story of a four-year-old boy named Kun whose world is turned upside down when he meets his new baby sister. After venturing into a magical garden, Kun encounters strange guests from the past and future, including his sister Mirai, as a teenager. Together, Kun and teenage Mirai go on a journey through time and space, uncovering their family's incredible story. The soundtrack for the film was written by Masakatsu Takagi, who had previously scored Hosoda's Wolf Children and The Boy and the Beast. His work for Studio Chizu has been praised for its magical and whimsical atmosphere. For Mirai specifically, this dreamy aesthetic was mixed with a contemporary sound and made to be simple in tone and be reflective of family. Mirai is available as a limited edition of 500 numbered copies on turquoise coloured vinyl and includes a 4-page booklet.

Сделать предзаказ07.03.2025

он должен быть опубликован на 07.03.2025

31,89
ESG - Keep On Moving

Esg

Keep On Moving

12inchFIRELP233C
Fire Records
07.03.2025
  • 1: Purely Physical
  • 2: Keep On Moving
  • 3: Insane (Tambourine Mix)
  • 4: The Road
  • 5: Id Do It For You
  • 6: Everything Goes
  • 7: Ex
  • 8: Insane (Bass Mix)
  • 9: Gimme A Blast

Repressed LP on Neon Orange Vinyl, includes download card. It feels like someone left the light on in the studio and it all just ran itself, there had been a funky human input earlier in the day but, by a Darwinian machine-led kind of osmosis, the tracks recorded spent the wee small hours self-reducing and simplifying themselves. Marinated in music. “I believe more in the scissors than I do in the pencil,” said Truman Capote. ”Simplicity is the ultimate sophistication,” opined Leonardo da Vinci much earlier in proceedings. Yes, it’s the space around the object, what you leave out that makes what you leave in so important. ESG know this. Sure they can play the game but it’s the swagger of the groove and the minimal topping – like an anti-cup cake – that makes this unique New York sisterhood so appealing on ‘Keep On Moving’. Sampled on TV ads, lauded by critics and swooned over on the dancefloor, ESG’s post-punk took out the grunge and polished the basics. Cut them open and “less is more” is written all the way through. ‘Keep On Moving’ was released over ten years ago to much praise (Q said it was “even better” than 2002’s much loved ‘Step Off’). ESG had been sparring partners for PiL and early hip hop and four years after the ‘Off’, they were onto something new – rhythm as core, reflective storylines about relationship management, sensuality and insanity gather around the bass fix but they’re much blurrier than the incessant beats. Inadvertently they unmask techno and glitch and leave out any kind of superfluous fluff. It’s hard and temple throbbing. Turn it up. And keep moving. “If there's one tune which sums up ESG's enduring lust for life, it's the beautifully-judged Black Flag/early techno crossover of the closing 'Gimme A Blast'.” The Guardian 5/5 // “This album's every percussive aspect has been honed to impart the maximum amount of pleasure.” The Observer // “Despite their influence on younger bands (you can hear LCD Soundsystem's knobbly grooves on ‘Insane’), ESG still sound like nothing else.” The Guardian

Сделать предзаказ07.03.2025

он должен быть опубликован на 07.03.2025

25,84
Fernand Vandenbogaerde - Les Années 1967-1984 LP 4x12"

Metaphon is thrilled to present this collection of 14 phenomenal electronic and electro-acoustic works by French composer Fernand Vandenbogaerde, realized between 1967 and 1984.

After his science studies Fernand Vandenbogaerde (1946) studied at the Conservatoire de Roubaix and did various classes and courses with a.o. Jean-Etienne Marie, Olivier Messiaen, Pierre Schaeffer, György Ligeti, Karlheinz Stockhausen and Bruno Maderna. He wrote analytical essays on mathematic music, in particular the work of Iannis Xenakis. Vandenbogaerde taught electro-acoustic music at various institutions and was director at the National School of Music and Dance in Blanc-Mesnil, near Paris. As a composer he wrote works for orchestra, instrumental and chamber ensembles, sometimes in hybrid form including tape and electro-acoustic configurations. He also recorded numerous tape compositions in Bourges, Paris, Ghent and at his home studio. His works have been presented worldwide on various leading festivals and events.

The compositions included in this edition are primarily tape works, meticulously recorded and produced, radical and most of all timbre oriented which makes his compositions focus mainly on sound while other parameters hardly change. In Vandenbogaerde’s own words: “What determines my pieces, at least all the ones in this collection, is that it’s the material that dictates me, that will predetermine the form”. This particular approach distinguishes him quite a bit from many of his contemporaries within the field of electro-acoustic music.

Another interesting aspect in Vandenbogaerde’s work is the integration of micro tonal scales (conceived by Mexican composer Julian Carrillo), on the compositions 'Modifications III' and the intriguing trilogy 'Drei Nachdenken über Hymnen an die Nacht'. All tracks are previously unreleased except the proto power electronics piece 'Anschlag' which was self-released in 1971 on his own Point Radiant label, as a compilation LP which also included a track by Tristan Murail.

Сделать предзаказ07.03.2025

он должен быть опубликован на 07.03.2025

60,92
Daigos - 桃源郷 (Tougen-Kyo)

Daigos

桃源郷 (Tougen-Kyo)

12inchTEETH004
Teeth
06.03.2025

In late 2023, Tokyo-based musician, Daigo Sakuragi, temporarily relocated to London, where he revisited material recorded with fellow Japanese musicians in Tokyo, drawing inspiration from the city’s energy, music, and atmosphere. This new perspective culminated in Togenkyo, a 28-minute work blending early 2000s folktronica and contemporary ambient styles. Sakuragi crafts immersive sonic textures with synthesisers and spatial production, while the organic groove of drums and bass anchors the piece, subtly inviting physical movement. Floating above this foundation, the saxophone weaves through the soundscape, leading the music with an elegant yet exploratory presence.

The session took place at aLive recording studio in Tokyo, with the following personnel:

Daigo Sakuragi: synthesiser, guitar, post-production
Jinya Ichikawa: bass
Shoei Ikeda: saxophone
Kazuya Ooi: drums

The lineup reflects a network of notable Japanese artists: Ichikawa, Sakuragi’s longtime collaborator in D.A.N.; Ikeda, known for his work with Maya Ongaku; and Ooi, a drummer for yahyel.

Sakuragi is best known for his band project D.A.N., where he contributes vocals, guitar, and production alongside bassist Jinya Ichikawa and drummer Teru Kawakami. Since its formation in 2014, D.A.N. has gained recognition for their unique fusion of indie rock/pop, dub, and electronic music. Under his solo moniker Daigos, Sakuragi explores electronic dance music through DJing and production, experimenting with Eurorack modules and samples in a refined, microscopic aesthetic. Recently, his creative output has expanded into diverse fields, including advertisements, artist collaborations, and films.

The term Togenkyo resonates with the concept of utopia, yet it diverges—it does not symbolise a flawless paradise but rather an attainable state of peace within oneself. Sakuragi reflects on finding his own Togenkyo in London, far from his hometown of Tokyo. The EP brings a sense of comfort and calm, reminding listeners that such a space exists not far from reach.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

17,23

Последний логин: 14 мес. назад
Infradisco - Aqua Cheta (Beyond The Remixes)

Archeo Recordings serve a special delight with two extended and alternate reworks from the all star cast behind the recent AR025 Aqua Cheta remix 12”. Dipping into the cool waters of Infradisco’s original LP once again, Hear & Now and Manu Archeo look to the horizon and channel the horizontal with a couple of ambient suites, new age dreamscapes and day trippers, each awash with positive vibrations and healing frequencies.
Perugia's peerless Hear & Now open the 12", cultivating pulsing chords, hazy reverb and elegiac fretwork for a White Isle romance steeped in the sunset lineage of the Café Del Mar. Heart-swelling piano and restrained bass throbs conspire to see the rest of the world melt away, with occasional percussion the only reminder that time is still passing. Though radically different from their dance-floor driven revision on the 12", this is no less impactful, swapping the club sonics for the sensation of sheer beauty.
Not content with making a spectacular production debut via his dubbed out diversion of "Dulcis" last time out, Manu Archeo makes further waves with a meditative masterpiece - spaced out and sprawling through a sultry thirteen minutes. An echo drenched meditation script gradually sinks into the immersive ripple of balmy horn, delicate hand percussion and watery pads, making room for a succession of stunning lead-lines and glistening sequences. If you thought the new age of New Age was over, it's time to open your mind.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

19,96

Последний логин: 10 мес. назад
Tristwch y Fenywod - Tristwch y Fenywod LP

2025 Repress
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’
experimental underground, the trio consist of Gwretsien Ferch Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just 10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric, occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal part Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album, particularly on Ferch Gyda’r Llygaid Du’s heavy funereal swa and the slowly building, paroxysmal banshee breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

20,59

Последний логин: 14 мес. назад
Eyolf Dale - When Shadows Dance
  • Distilled
  • Driving Through, Passing By
  • Garden Waltz
  • Silent Shores
  • When Shadows Dance
  • Patterns In The Sky
  • The Clown After Dark
  • Flickering Lights
  • Fading Memories

When Shadows Dance is the new album from Eyolf Dale’s acclaimed trio with Per Zanussi and Audun Kleive, building on theexcitement of his previous trio album Being the Wayfarer, and his recent collaboration with the Norwegian Radio Orchestraconducted by Miho Hazama. Dale’s compositions and performances have been praised for their cinematic scope, blendingflowing lyricism with atmospheric depth, and this new release promises to push those boundaries even further.This album reflects Dale’s unmistakable style—rich in melodic and emotional narrative—while showcasing his sophisticatedcompositional approach. The trio creates dynamic landscapes, shifting seamlessly between delicate, impressionistic textures andmoments of energetic intensity. As always, Dale’s music draws from his deep connection to the Nordic tradition, while exploringnew and evocative sonic territories. His ability to craft music that feels both ethereal and grounded ensures that When theShadows Dance resonates with listeners, inviting them into a contemplative, poetic space.Known for his wide-ranging collaborations, from his trio to working with orchestras, Eyolf Dale continues to innovate, blendingelements of jazz, classical, and folk in a way that feels timeless yet forward-thinking. With the support of Per Zanussi’scommanding bass lines and Audun Kleive’s masterful percussion, this album is poised to captivate audiences, solidifying Dale’sposition as one of Norway’s most versatile and visionary musicians.

Сделать предзаказ28.02.2025

он должен быть опубликован на 28.02.2025

25,17
Продуктов на странице:
N/ABPM
Vinyl